Line #9 Creator/ColleyCibber

Context Creator / ColleyCibber

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1	->''And has not Colly still his Lord, and Whore?''
2	-->--'''Alexander Pope''', "An Epistle to Arbuthnot"
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4	->''. . . I must own, that I believe I know more of ''your'' whoring than you do of ''mine''; because I don't recollect that ever I made you the least Confidence of ''my'' Amours, though I have been very near an Eye-Witness of ''Yours'' . . .''
5	-->--'''Colley Cibber''', "A Letter from Mr. Cibber to Mr. Pope"
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7	Colley Cibber (6 November 1671 – 11 December 1757) was an 18th-century English playwright and UrExample of the theatrical actor-manager.
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9	Cibber entered the world of theatre in 1690, when RestorationComedy was almost dead and more sentimental and moralistic comedies were coming into fashion. He wrote several such plays -- and acted in them, playing characters with names like [[TheDandy Sir Courtly Nice, Sir Fopling Flutter]], and [[TypeCasting Sir Novelty Fashion (later Lord Foppington)]].
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11	He was appointed Poet Laureate in 1730, more for his support of Sir UsefulNotes/RobertWalpole than for his poetic output, which even Cibber himself didn't think much of. Creator/AlexanderPope, who had little enough respect for Cibber already, was particularly rankled by the appointment, and fired off a few scathing lines in the 1735 poem quoted above. Cibber retaliated with a claim that he had once stopped Pope from tupping a syphilitic prostitute, thereby saving Pope's life (and his translations of Creator/{{Homer}}). For that, Pope made Cibber the "hero" of the next edition of the ''Dunciad'', which has since become Cibber's main claim to fame.
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13	Cibber's other enduring mark on English letters is his BloodierAndGorier rewrite of Creator/WilliamShakespeare's ''Theatre/RichardIII'', first published in 1700. For almost the next two hundred years, it [[AdaptationDisplacement completely displaced]] the original on the stage. Two of Cibber's additions remain famous:
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15	->{{Off with his head}}; -- so much for Buckingham.
16	-->--''Act IV''
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18	->Hence, babbling dreams! you threaten here in vain.\
19	Conscience, avaunt! Richard's himself again!
20	-->--''Act V''
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22	These are sometimes interpolated even into modern productions, including Creator/LaurenceOlivier's 1955 film. Of all of Cibber's original works and adaptations (or as some contemporary critics remarked, "mutilations"), his ''Theatre/RichardIII'' is without doubt his most successful.

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