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1[[quoteright:330:https://static.tvtropes.org/pmwiki/pub/images/abbas_kiarostami.jpg]]
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3->''"Cinema begins with Creator/DWGriffith and ends with Abbas Kiarostami."''
4-->--'''Creator/JeanLucGodard'''
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6Abbas Kiarostami (June 22, 1940 – July 4, 2016) was an Iranian film director considered one of the major directors of the Iranian New Wave.
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8After working in advertising, designing film titles, and illustrating children's books he went into filmmaking. Most of his early works were films aimed at children made for Kanun, Iran's Institute for Intellectual Development of Children and Young Adults.
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10In 1987 he directed ''Where is the Friend's Home?'' which brought him to attention outside of Iran. The film was the first part of his Koker trilogy. Kiarostami would go on to win many international awards including the Palme d'Or at the Cannes Film Festival for ''Film/TasteOfCherry''. His films were often challenged and banned by Iranian censors.
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12He served as a mentor to younger filmmakers such as Jafar Panahi and Creator/AsgharFarhadi.
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14Kiarostami was hospitalized in March 2016 for intestinal bleeding due to stomach cancer. He died July 4, 2016.
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16----
17!!Selected Filmography:
18* ''Where is the Friend's Home?''
19* ''Film/CloseUp''
20* ''Life, and Nothing More...''
21* ''Through the Olive Trees''
22* ''Film/TasteOfCherry''
23* ''Film/TheWindWillCarryUs''
24* ''ABC Africa''
25* ''Ten''
26* ''Shirin''
27* ''Certified Copy''
28* ''Like Someone in Love''
29
30!!Tropes:
31* AuthorAppeal: Kiarostami loved poetry (and was a poet himself), so many of his films reference or are titled after Persian poems.
32* CoolShades: Always wore sunglasses or dark spectacles due to a sensitivity to light.
33* {{Minimalism}}: Many of his films have simple plots. For example, ''Taste of Cherry'' is about a man who drives around trying to find someone to bury him after he commits suicide. That's the entire plot.
34* PostModernism: Many of Kiarostami's films examine both the film-making process and how film can mislead and manipulate us.
35* SignatureStyle: Recurring elements in Kiarostami's films include: mixing fact and fiction, child protagonists, scenes in cars, and references to poetry.

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