Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* TheyWastedAPerfectlyGoodPlot: Several: Ito and Makoto are mistaken as lesbians, but the topic is laughed away as a joke and forgotten; Ito’s inferior looks and abilities compared to Makoto are touched on very slightly; Matoko being a boy, ''the story’s whole premise'' is handled by [[spoiler: Matoko and Ito’s parents giving in because of sheer determination and the PowerOfLove]] in the end. Even though the story is meant to be a lighthearted shoujo, it still TastesLikeDiabetes.
to:
* TheyWastedAPerfectlyGoodPlot: Several: Ito and Makoto are mistaken as lesbians, but the topic is laughed away as a joke and forgotten; Ito’s inferior looks and abilities compared to Makoto are touched on very slightly; Matoko being a boy, ''the story’s whole premise'' is handled by [[spoiler: Matoko and Ito’s parents giving in because of sheer determination and the PowerOfLove]] in the end. Even though the story is meant to be a lighthearted shoujo, it still TastesLikeDiabetes.is a bit too [[SweetnessAversion saccharine]].
Is there an issue? Send a MessageReason:
Not YMMV
Changed line(s) 1,3 (click to see context) from:
* MarySue / MartyStu: Amano Matoko / Narita Matoko. Even his rude attitude towards his father, his only demerit, is explained by FreudianExcuse.
* TheyWastedAPerfectlyGoodPlot: Several: Ito and Makoto are mistaken as lesbians, but the topic is laughed away as a joke and forgotten; Ito’s inferior looks and abilities compared to Makoto are touched on very slightly; Matoko being a boy, ''the story’s whole premise'' is handled by [[spoiler: Matoko and Ito’s parents giving in because of sheer determination and the PowerOfLove]] in the end. Even though the story is meant to be a lighthearted shoujo, it still TastesLikeDiabetes.
* BrokenAesop / LostAesop: The story starts with Makoto finding Ito beautiful and lovable despite her masculine appearance. The aesop seems to be TrueBeautyIsOnTheInside. But then Ito starts to [[GirlinessUpgrade dress up, put some make-up on]] [[ArsonMurderAndJaywalking and blush around Makoto.]] Oh wait, the Aesop is that despite becoming a gorgeous beauty Ito is still the same lovable {{Tomboy}} when she opens her mouth? [[TrueBeautyIsOnTheInside The true beauty is really on inside,]] but it’s inside the people who are beautiful to begin with? Wait a minute… [[TheyWastedAPerfectlyGoodPlot They Wasted a Perfectly Good Aesop]] just now. (However, due to later story elements mainly centered around learning why Ito dressed as a boy, this trope doesn't really hold water.)
* TheyWastedAPerfectlyGoodPlot: Several: Ito and Makoto are mistaken as lesbians, but the topic is laughed away as a joke and forgotten; Ito’s inferior looks and abilities compared to Makoto are touched on very slightly; Matoko being a boy, ''the story’s whole premise'' is handled by [[spoiler: Matoko and Ito’s parents giving in because of sheer determination and the PowerOfLove]] in the end. Even though the story is meant to be a lighthearted shoujo, it still TastesLikeDiabetes.
* BrokenAesop / LostAesop: The story starts with Makoto finding Ito beautiful and lovable despite her masculine appearance. The aesop seems to be TrueBeautyIsOnTheInside. But then Ito starts to [[GirlinessUpgrade dress up, put some make-up on]] [[ArsonMurderAndJaywalking and blush around Makoto.]] Oh wait, the Aesop is that despite becoming a gorgeous beauty Ito is still the same lovable {{Tomboy}} when she opens her mouth? [[TrueBeautyIsOnTheInside The true beauty is really on inside,]] but it’s inside the people who are beautiful to begin with? Wait a minute… [[TheyWastedAPerfectlyGoodPlot They Wasted a Perfectly Good Aesop]] just now. (However, due to later story elements mainly centered around learning why Ito dressed as a boy, this trope doesn't really hold water.)
to:
* BrokenAesop / LostAesop: The story starts with Makoto finding Ito beautiful and lovable despite her masculine appearance. The aesop seems to be TrueBeautyIsOnTheInside. But then Ito starts to [[GirlinessUpgrade dress up, put some make-up on]] [[ArsonMurderAndJaywalking and blush around Makoto.]] Oh wait, the Aesop is that despite becoming a gorgeous beauty Ito is still the same lovable {{Tomboy}} when she opens her mouth? [[TrueBeautyIsOnTheInside The true beauty is really on inside,]] but it’s inside the people who are beautiful to begin with? Wait a minute… [[TheyWastedAPerfectlyGoodPlot They Wasted a Perfectly Good Aesop]] just now. (However, due to later story elements mainly centered around learning why Ito dressed as a boy, this trope doesn't really hold water.)
Is there an issue? Send a MessageReason:
Moved Broken Aesop to the YMMV pool. Due to more important story elements later in the series this trope doesn't really fit.
Changed line(s) 2 (click to see context) from:
* TheyWastedAPerfectlyGoodPlot: Several: Ito and Makoto are mistaken as lesbians, but the topic is laughed away as a joke and forgotten; Ito’s inferior looks and abilities compared to Makoto are touched on very slightly; Matoko being a boy, ''the story’s whole premise'' is handled by [[spoiler: Matoko and Ito’s parents giving in because of sheer determination and the PowerOfLove]] in the end. Even though the story is meant to be a lighthearted shoujo, it still TastesLikeDiabetes.
to:
* TheyWastedAPerfectlyGoodPlot: Several: Ito and Makoto are mistaken as lesbians, but the topic is laughed away as a joke and forgotten; Ito’s inferior looks and abilities compared to Makoto are touched on very slightly; Matoko being a boy, ''the story’s whole premise'' is handled by [[spoiler: Matoko and Ito’s parents giving in because of sheer determination and the PowerOfLove]] in the end. Even though the story is meant to be a lighthearted shoujo, it still TastesLikeDiabetes.TastesLikeDiabetes.
* BrokenAesop / LostAesop: The story starts with Makoto finding Ito beautiful and lovable despite her masculine appearance. The aesop seems to be TrueBeautyIsOnTheInside. But then Ito starts to [[GirlinessUpgrade dress up, put some make-up on]] [[ArsonMurderAndJaywalking and blush around Makoto.]] Oh wait, the Aesop is that despite becoming a gorgeous beauty Ito is still the same lovable {{Tomboy}} when she opens her mouth? [[TrueBeautyIsOnTheInside The true beauty is really on inside,]] but it’s inside the people who are beautiful to begin with? Wait a minute… [[TheyWastedAPerfectlyGoodPlot They Wasted a Perfectly Good Aesop]] just now. (However, due to later story elements mainly centered around learning why Ito dressed as a boy, this trope doesn't really hold water.)
* BrokenAesop / LostAesop: The story starts with Makoto finding Ito beautiful and lovable despite her masculine appearance. The aesop seems to be TrueBeautyIsOnTheInside. But then Ito starts to [[GirlinessUpgrade dress up, put some make-up on]] [[ArsonMurderAndJaywalking and blush around Makoto.]] Oh wait, the Aesop is that despite becoming a gorgeous beauty Ito is still the same lovable {{Tomboy}} when she opens her mouth? [[TrueBeautyIsOnTheInside The true beauty is really on inside,]] but it’s inside the people who are beautiful to begin with? Wait a minute… [[TheyWastedAPerfectlyGoodPlot They Wasted a Perfectly Good Aesop]] just now. (However, due to later story elements mainly centered around learning why Ito dressed as a boy, this trope doesn't really hold water.)
Is there an issue? Send a MessageReason:
This isn\'t YMMV. Moving.
Deleted line(s) 1 (click to see context) :
* BrokenAesop / LostAesop: The story starts with Makoto finding Ito beautiful and lovable despite her masculine appearance. The aesop seems to be TrueBeautyIsOnTheInside. But then Ito starts to [[ArsonMurderAndJaywalking dress up, put some make-up on]] [[ArsonMurderAndJaywalking and blush around Makoto.]] Oh wait, the Aesop is that despite becoming a gorgeous beauty Ito is still the same lovable {{Tomboy}} when she opens her mouth? [[TrueBeautyIsOnTheInside The true beauty is really on inside,]] but it’s inside the people who are beautiful to begin with? Wait a minute… [[TheyWastedAPerfectlyGoodPlot They Wasted a Perfectly Good Aesop]] just now.
Is there an issue? Send a MessageReason:
Tall Dark And Bishoujo has been renamed to Aloof Darkhaired Girl. Examples having no context or just appearance will be removed. Do not add them back without suitable context
Changed line(s) 1 (click to see context) from:
* BrokenAesop / LostAesop: The story starts with Makoto finding Ito beautiful and lovable despite her masculine appearance. The aesop seems to be TrueBeautyIsOnTheInside. But then Ito starts to [[ArsonMurderAndJaywalking dress up, put some make-up on]] [[ArsonMurderAndJaywalking and blush around Makoto.]] Oh wait, the Aesop is that despite becoming [[TallDarkAndBishoujo a gorgeous beauty]] Ito is still the same lovable {{Tomboy}} when she opens her mouth? [[TrueBeautyIsOnTheInside The true beauty is really on inside,]] but it’s inside the people who are beautiful to begin with? Wait a minute… [[TheyWastedAPerfectlyGoodPlot They Wasted a Perfectly Good Aesop]] just now.
to:
* BrokenAesop / LostAesop: The story starts with Makoto finding Ito beautiful and lovable despite her masculine appearance. The aesop seems to be TrueBeautyIsOnTheInside. But then Ito starts to [[ArsonMurderAndJaywalking dress up, put some make-up on]] [[ArsonMurderAndJaywalking and blush around Makoto.]] Oh wait, the Aesop is that despite becoming [[TallDarkAndBishoujo a gorgeous beauty]] beauty Ito is still the same lovable {{Tomboy}} when she opens her mouth? [[TrueBeautyIsOnTheInside The true beauty is really on inside,]] but it’s inside the people who are beautiful to begin with? Wait a minute… [[TheyWastedAPerfectlyGoodPlot They Wasted a Perfectly Good Aesop]] just now.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* BrokenAesop / LostAesop: The story starts with Makoto finding Ito beautiful and lovable despite her masculine appearance. The aesop seems to be TrueBeautyIsOnTheInside. But then Ito starts to [[ArsonMurderAndJaywalking dress up, put some make-up on]] [[ArsonMurderAndJaywalking and blush around Makoto.]] Oh wait, the Aesop is that despite becoming [[TallDarkAndBishoujo a gorgeous beauty]] Ito is still the same lovable {{Tomboy}} when she opens her mouth? [[TrueBeautyIsOnTheInside The true beauty is really on inside,]] but it’s inside the people who are beautiful to begin with? Wait a minute… [[TheyWastedAPerfectlyGoodPlot They Wasted a Perfectly Good Aesop]] just now.
* MarySue / MartyStu: Amano Matoko / Narita Matoko. Even his rude attitude towards his father, his only demerit, is explained by FreudianExcuse.
* TheyWastedAPerfectlyGoodPlot: Several: Ito and Makoto are mistaken as lesbians, but the topic is laughed away as a joke and forgotten; Ito’s inferior looks and abilities compared to Makoto are touched on very slightly; Matoko being a boy, ''the story’s whole premise'' is handled by [[spoiler: Matoko and Ito’s parents giving in because of sheer determination and the PowerOfLove]] in the end. Even though the story is meant to be a lighthearted shoujo, it still TastesLikeDiabetes.
* MarySue / MartyStu: Amano Matoko / Narita Matoko. Even his rude attitude towards his father, his only demerit, is explained by FreudianExcuse.
* TheyWastedAPerfectlyGoodPlot: Several: Ito and Makoto are mistaken as lesbians, but the topic is laughed away as a joke and forgotten; Ito’s inferior looks and abilities compared to Makoto are touched on very slightly; Matoko being a boy, ''the story’s whole premise'' is handled by [[spoiler: Matoko and Ito’s parents giving in because of sheer determination and the PowerOfLove]] in the end. Even though the story is meant to be a lighthearted shoujo, it still TastesLikeDiabetes.
