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** Special mention to the soundtrack consisting of [[TheNineties 90's]] AlternativeRock songs, with some especially noteworthy examples including "Drive" by Music/{{Incubus}}, not one but ''two'' Music/GreenDay songs ("Holiday" and "Welcome to Paradise", which are obviously PunkRock in this case), "Reggae Got Soul" by Music/ThreeEleven, the ''immensely'' well-fitting "Into Yesterday" by Music/SugarRay, and the OneHitWonder "You Get What You Give" by Music/NewRadicals.

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** Special mention to the soundtrack consisting of [[TheNineties 90's]] AlternativeRock songs, with some especially noteworthy examples including "Drive" by Music/{{Incubus}}, not one but ''two'' Music/GreenDay songs ("Holiday" ("[[Music/AmericanIdiot Holiday]]" and "Welcome "[[Music/{{Dookie}} Welcome to Paradise", Paradise]]", which are obviously PunkRock in this case), "Reggae Got Soul" by Music/ThreeEleven, the ''immensely'' well-fitting "Into Yesterday" by Music/SugarRay, and the OneHitWonder "You Get What You Give" by Music/NewRadicals.
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* SeinfeldIsUnfunny

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* SeinfeldIsUnfunnyOnceOriginalNowCommon



** {{Improv}}ing in animated films. Here, it was a necessity. Ten years later, it's expected.

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** {{Improv}}ing {{Improv}} in animated films. Here, it was a necessity. Ten years later, it's expected.
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** The film featured the best water effects ever for a CGI film at the time, even outdoing ''WesternAnimation/FindingNemo''.
** The artificial JitterCam.

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** The film featured the best water effects ever for a CGI film at the time, even outdoing ''WesternAnimation/FindingNemo''.
''WesternAnimation/FindingNemo'', and it still looks impressive to this day. A big part of it is that the animators were able to properly simulate different types of wave displacement -- foam, spray, and wakes -- which allowed them to accurately portray different kinds of water, such as rough and choppy waters in the climax.
** The There's a reason the artificial JitterCam.JitterCam looks so real; it ''is'' real. The animators created a rig where they could virtually "film" scenes with an actual camera.
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* {{Woolseyism}}: The Brazilian Portuguese dub, directed by Creator/GuilhermeBriggs, is iconic for making several localizations to the film so the comedy and the feeling of a documentary would be preserved. Examples include Cody coming from "[[UsefulNotes/RioDeJaneiro Frio de Janeiro]]" (frio meaning "cold" in Portuguese), Chicken Joe being from the Brazilian Pantanal in Mato Grosso, informal expressions common among surfists and many other adaptations still quoted by many Brazilian fans of the film.

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* {{Woolseyism}}: The Brazilian Portuguese dub, directed by Creator/GuilhermeBriggs, is iconic for making several localizations to the film so the comedy and the feeling of a documentary would be preserved. Examples include Cody coming from "[[UsefulNotes/RioDeJaneiro Frio de Janeiro]]" (frio meaning "cold" in Portuguese), Chicken Joe being from the Brazilian Pantanal in Mato Grosso, informal expressions common among surfists surfers and many other adaptations still quoted by many Brazilian fans of the film.
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* {{Woolseyism}}: The Brazilian Portuguese dub, directed by Creator/GuilhermeBriggs, is iconic for making several localizations to the film so the comedy and the feeling of a documentary would be preserved. Examples include Cody coming from "[[UsefulNotes/RioDeJaneiro Frio de Janeiro]]" (frio meaning "cold" in Portuguese), Chicken Joe being from the Brazilian Pantanal in Mato Grosso, informal expressions common among surfists and many other adaptations still quoted by many Brazilian fans of the film.
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** The concept of artificial JitterCam (created with a specialized MotionCapture camera) was pretty unique when the film first came out, but, like all good things, has been overdone to the point of sickness.

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** The concept of artificial JitterCam (created with a specialized MotionCapture camera) was pretty unique when the film first came out, but, out - and indeed, it's still unique for an animated feature. But, like all good things, it has been overdone to the point of sickness.

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