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* PainfulRhyme: Reed's poetry. Also counts as StylisticSuck.
-->''"I love you, you love me. Going down the sugar tree. We'll go down the sugar tree, and see lots of bees: playing, playing. But the bees won't sting, because you love me."''

Added DiffLines:

** Alternatively, we are supposed to sympathise with her desire to be reunited with her son and recognise that she does, on some level, want to be a good mother, while simultaneously acknowledging that she nevertheless is should not have custody over a child.


** The song performed by Creator/MarkWahlberg, now that he's [[Film/TransformersAgeOfExtinction the human lead in a Transformers film]].

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** The song song[[note]]''The Touch'', by Stan Bush. Famous for being used in the original WesternAnimation/TheTransformersTheMovie[[/note]] performed by Creator/MarkWahlberg, now that he's [[Film/TransformersAgeOfExtinction the human lead in a Transformers film]].


* HilariousInHindsight:
* HarsherInHindsight: A deleted scene shows Becky dealing with an [[DomesticAbuse abusive husband]] who’s played by Michael Jace, who in real life ended up shooting his wife April in 2014.

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* HilariousInHindsight:
* HarsherInHindsight:
HarsherInHindsight: A deleted scene shows Becky dealing with an [[DomesticAbuse abusive husband]] who’s played by Michael Jace, who in real life ended up shooting his wife April in 2014.2014.
* HilariousInHindsight:


* HarsherInHindsight: A deleted scene shows Becky dealing with an [[DomesticViolence abusive husband]] who’s played by Michael Jace, who in real life ended up shooting his wife April in 2014.

to:

* HarsherInHindsight: A deleted scene shows Becky dealing with an [[DomesticViolence [[DomesticAbuse abusive husband]] who’s played by Michael Jace, who in real life ended up shooting his wife April in 2014.

Added DiffLines:

* HarsherInHindsight: A deleted scene shows Becky dealing with an [[DomesticViolence abusive husband]] who’s played by Michael Jace, who in real life ended up shooting his wife April in 2014.


** Film critics Creator/RogerEbert and Creator/GeneSiskel had differing opinions on this film when they reviewed it on their television show ''Series/SiskelAndEbert''. Ebert praised the film, naming it one of his favorite films of 1997. Siskel, while praising the film's excellence, was more critical, feeling that it lacked substance and failing to find anything meaningful behind the story. Flash forward fifteen years later. Ebert gave a review of Paul Thomas Anderson's film The Master that was, more or less, identical to the review that Siskel gave for Boogie Nights, praising the film's craftsmanship, but failing to find any larger meaning behind it.

to:

** Film critics Creator/RogerEbert and Creator/GeneSiskel had differing opinions on this film when they reviewed it on their television show ''Series/SiskelAndEbert''. Ebert praised the film, naming it one of his favorite films of 1997. Siskel, while praising the film's excellence, was more critical, feeling that it lacked substance and failing to find anything meaningful behind the story. Flash forward fifteen years later. Ebert gave a review of Paul Thomas Anderson's Creator/PaulThomasAnderson's film The Master ''Film/TheMaster'' that was, more or less, identical to the review that Siskel gave for Boogie Nights, ''Boogie Nights'', praising the film's craftsmanship, but failing to find any larger meaning behind it.


** Film critics Roger Ebert and Gene Siskel had differing opinions on this film when they reviewed it on their television show Siskel & Ebert. Ebert praised the film, naming it one of his favorite films of 1997. Siskel, while praising the film's excellence, was more critical, feeling that it lacked substance and failing to find anything meaningful behind the story. Flash forward fifteen years later. Ebert gave a review of Paul Thomas Anderson's film The Master that was, more or less, identical to the review that Siskel gave for Boogie Nights, praising the film's craftsmanship, but failing to find any larger meaning behind it.

to:

** Film critics Roger Ebert Creator/RogerEbert and Gene Siskel Creator/GeneSiskel had differing opinions on this film when they reviewed it on their television show Siskel & Ebert.''Series/SiskelAndEbert''. Ebert praised the film, naming it one of his favorite films of 1997. Siskel, while praising the film's excellence, was more critical, feeling that it lacked substance and failing to find anything meaningful behind the story. Flash forward fifteen years later. Ebert gave a review of Paul Thomas Anderson's film The Master that was, more or less, identical to the review that Siskel gave for Boogie Nights, praising the film's craftsmanship, but failing to find any larger meaning behind it.


* HeyItsThatSound: Dirk Diggler, getting his singing career going, sings "The Touch". [[WesternAnimation/TheTransformersTheMovie Yes, THAT "The Touch".]]


** Film critics Roger Ebert and Gene Siskel had differing opinions on this film when they reviewed it on their television show Siskel & Ebert. Ebert praised the film, naming it one of his favorite films of 1997. Siskel, while praising the film's excellence, was more critical, feeling that it lacked substance and failing to find anything meaningful behind the story. Flash forward fifteen years later. Ebert gave a review of Paul Thomas Anderson's film The Master that was, more or less, identical to the review the Siskel gave for Boogie Nights, praising the film's craftsmanship, but failing to find any larger meaning behind it.

to:

** Film critics Roger Ebert and Gene Siskel had differing opinions on this film when they reviewed it on their television show Siskel & Ebert. Ebert praised the film, naming it one of his favorite films of 1997. Siskel, while praising the film's excellence, was more critical, feeling that it lacked substance and failing to find anything meaningful behind the story. Flash forward fifteen years later. Ebert gave a review of Paul Thomas Anderson's film The Master that was, more or less, identical to the review the that Siskel gave for Boogie Nights, praising the film's craftsmanship, but failing to find any larger meaning behind it.

Added DiffLines:

** Film critics Roger Ebert and Gene Siskel had differing opinions on this film when they reviewed it on their television show Siskel & Ebert. Ebert praised the film, naming it one of his favorite films of 1997. Siskel, while praising the film's excellence, was more critical, feeling that it lacked substance and failing to find anything meaningful behind the story. Flash forward fifteen years later. Ebert gave a review of Paul Thomas Anderson's film The Master that was, more or less, identical to the review the Siskel gave for Boogie Nights, praising the film's craftsmanship, but failing to find any larger meaning behind it.


* AwardSnub: The film went relatively unnoticed outside of commendations for Creator/BurtReynolds (ironic, given how much Burt disliked working on the film), Creator/JulianneMoore, and the Screenplay. Many now cite Moore's loss for Best Supporting Actress as an unfortunate Academy decision.
** Perhaps even more mind-boggling is the film not getting nominations for Best Director or Cinematography, or a Best Picture slot.

to:

* AwardSnub: The film went relatively unnoticed outside of commendations for Creator/BurtReynolds (ironic, given how much Burt disliked working on the film), Creator/JulianneMoore, and the Screenplay. Many now cite Moore's loss for Best Supporting Actress as an unfortunate Academy decision. \n** Perhaps even more mind-boggling is the film not getting nominations for Best Director or Cinematography, or a Best Picture slot.



* [[HeyItsThatSound Hey, It's That Song!]]: Dirk Diggler, getting his singing career going, sings "The Touch". [[WesternAnimation/TheTransformersTheMovie Yes, THAT "The Touch".]]

to:

* [[HeyItsThatSound Hey, It's That Song!]]: HeyItsThatSound: Dirk Diggler, getting his singing career going, sings "The Touch". [[WesternAnimation/TheTransformersTheMovie Yes, THAT "The Touch".]]



** Creator/ThomasJane running around with a gun, blasting everything in sight. [[Film/ThePunisher2004 Sound familiar?]]
*** And then getting blown away by [[Creator/AlfredMolina Doc]] [[Film/Spiderman2 Ock]].
** The above-mentioned song performed by Creator/MarkWahlberg, now that he's [[Film/TransformersAgeOfExtinction the human lead in a Transformers film]].

to:

** Creator/ThomasJane running around with a gun, blasting everything in sight. [[Film/ThePunisher2004 Sound familiar?]]
***
familiar?]] And then getting blown away by [[Creator/AlfredMolina Doc]] [[Film/Spiderman2 Ock]].
** The above-mentioned song performed by Creator/MarkWahlberg, now that he's [[Film/TransformersAgeOfExtinction the human lead in a Transformers film]].



* Unintentionally Unsympathetic: We're supposed to side with Amber Waves (Maggie) when she does not get custody of her son, and the scene of her sobbing outside the courtroom is a tearjerker. BUT we know absolutely nothing about her ex-husband who for all we know may be a wonderful father. And even though her career choice should not be a factor in judging her fitness for motherhood she is a heavy drug user and lives in a house with a man who frequently throws drug fueled parties and has some other questionable ethics.
* ValuesDissonance: This being the 1970s Los Angeles porn scene, attitudes towards sex and gender are in several ways quite different to the modern standard.
** On the [[FairForItsDay other hand]], the porn crew's lax attitude towards sexuality comes off as more relatable today than the more [[MoralGuardians conservative]] standards of the time period.

to:

* Unintentionally Unsympathetic: UnintentionallyUnsympathetic: We're supposed to side with Amber Waves (Maggie) when she does not get custody of her son, and the scene of her sobbing outside the courtroom is a tearjerker. BUT But we know absolutely nothing about her ex-husband who ex-husband, who, for all we know know, may be a wonderful father. And even though her career choice should not be a factor in judging her fitness for motherhood motherhood, she is a heavy drug user and lives in a house with a man who frequently throws drug fueled parties and has some other questionable ethics.
* ValuesDissonance: This being the 1970s Los Angeles porn scene, attitudes towards sex and gender are in several ways quite different to the modern standard.
**
standard. On the [[FairForItsDay other hand]], the porn crew's lax attitude towards sexuality comes off as more relatable today than the more [[MoralGuardians conservative]] standards of the time period.


* Unintentionally Unsympathetic: We're supposed to side with Amber Waves (Maggie) when she does not get custody of her son, and the seen of her sobbing outside the courtroom is a tearjerker. BUT we know absolutely nothing about her ex-husband who for all we know may be a wonderful father. And even though her career choice should not be a factor in judging her fitness for motherhood she is a heavy drug user and lives in a house with a man who frequently throws drug fueled parties and has some other questionable ethics.

to:

* Unintentionally Unsympathetic: We're supposed to side with Amber Waves (Maggie) when she does not get custody of her son, and the seen scene of her sobbing outside the courtroom is a tearjerker. BUT we know absolutely nothing about her ex-husband who for all we know may be a wonderful father. And even though her career choice should not be a factor in judging her fitness for motherhood she is a heavy drug user and lives in a house with a man who frequently throws drug fueled parties and has some other questionable ethics.

Added DiffLines:

* Unintentionally Unsympathetic: We're supposed to side with Amber Waves (Maggie) when she does not get custody of her son, and the seen of her sobbing outside the courtroom is a tearjerker. BUT we know absolutely nothing about her ex-husband who for all we know may be a wonderful father. And even though her career choice should not be a factor in judging her fitness for motherhood she is a heavy drug user and lives in a house with a man who frequently throws drug fueled parties and has some other questionable ethics.


** Thomas Jane running around with a gun, blasting everything in sight. [[Film/ThePunisher2004 Sound familiar?]]
*** And then getting blown away by Doc Ock.

to:

** Thomas Jane Creator/ThomasJane running around with a gun, blasting everything in sight. [[Film/ThePunisher2004 Sound familiar?]]
*** And then getting blown away by Doc Ock.[[Creator/AlfredMolina Doc]] [[Film/Spiderman2 Ock]].

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