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* ''Film/BigTroubleInLittleChina'' is perhaps one of the most celebrated examples of the PluckyComicRelief thinking he's the star. Jack Burton insists on acting like TheHero (having taken a steady diet of Creator/JohnWayne films throughout his life from the way his swagger sounds) when he's a SupportingProtagonist at best who's serving as the unofficial sidekick to his friend Wang (the true main hero of the story that Jack thinks is the sidekick). To further emphasize just how out of his depth he actually is, he also spends several scenes having to ask [[NaiveNewcomer what the hell is going on]] when everybody else already knows.

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* ''Film/BigTroubleInLittleChina'' is perhaps one of the most celebrated examples of the PluckyComicRelief thinking he's the star. Jack Burton insists on acting like TheHero in a standard action movie (having taken a steady diet of Creator/JohnWayne films throughout his life from the way his swagger sounds) when he's actually a SupportingProtagonist at best who's serving as the unofficial sidekick to his friend Wang (the true main hero of the story that Jack thinks is the sidekick). sidekick) in an UrbanFantasy movie that just happens to feature moments of action. To further emphasize just how out of his depth he actually is, he also spends several scenes having to ask [[NaiveNewcomer what the hell is going on]] when everybody else already knows.knows, and he's only able to successfully make meaningful contributions to the plot [[spoiler:(such as killing the BigBad)]] via sheer luck in times when he's acting on pure reflexive gut instinct.
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* Franchise/MonsterVerse: A lot of people InUniverse (particularly before the events of ''Film/GodzillaKingOfTheMonsters2019'') such as [[Characters/MonsterVerseUSGovernmentAndMilitary Admiral Stenz]] believe that humanity needs to attempt to kill the [[{{Kaiju}} Titans]] using manmade super-weaponry in defence of their right to rule the Earth uncontested and to prevent future destruction and casualties to their cities; and Monarch's arguments against that and tendency towards admiring the creatures make most people see them as [[https://www.youtube.com/watch?v=nnHmUk_J6xQ that one guy in a monster movie who insists on keeping the monster alive For Science at the risk of causing the end of the world through sheer naivete]]. As it stands, many of the kaiju in this setting are capable of coexisting with humans peacefully if a benevolent Alpha like Godzilla or Kong gets them in line, and they're furthermore [[GreenAesop allegories for forces of nature]] -- attempts to up technology to a level which can deal serious damage to Titans ''always'' goes awry, doing nothing but leaving the world in an even worse situation with the Titans than it was before, and humanity is simply reliant on the Titans to survive in the long-term since many of them act as antibodies maintaining the world's ecosphere. Monarch are in actuality [[GoodIsNotDumb every bit the Titan experts that they're supposed to be per their job]] because of their pro-Titan arguments. This Wrong Genre Savvy is quite central to the ridiculously-arrogant [[Characters/MonsterVerseHumans Apex Cybernetics]]' EvilPlan to control or exterminate all the Titans in ''Film/GodzillaVsKong'', and to the organization's downfall.

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* Franchise/MonsterVerse: A lot of people InUniverse (particularly before the events of ''Film/GodzillaKingOfTheMonsters2019'') such as [[Characters/MonsterVerseUSGovernmentAndMilitary Admiral Stenz]] believe that humanity needs to attempt to kill the [[{{Kaiju}} Titans]] using manmade super-weaponry in defence of their right to rule the Earth uncontested and to prevent future destruction and casualties to their cities; and Monarch's arguments against that and tendency towards admiring the creatures make most people see them as [[https://www.youtube.com/watch?v=nnHmUk_J6xQ that one guy in a monster movie who insists on keeping the monster alive For Science at the risk of causing the end of the world through sheer naivete]]. As it stands, many of the kaiju in this setting are capable of coexisting with humans peacefully if a benevolent Alpha like Godzilla or Kong gets them in line, and they're furthermore [[GreenAesop allegories for forces of nature]] -- attempts to up technology to a level which can deal serious damage to Titans ''always'' goes awry, doing nothing but leaving the world in an even worse situation with the Titans than it was before, and humanity is simply reliant on the Titans to survive in the long-term since many of them act as antibodies maintaining the world's ecosphere. Monarch are in actuality [[GoodIsNotDumb every bit the Titan experts that they're supposed to be per their job]] because of their pro-Titan arguments. This Wrong Genre Savvy is quite central to the ridiculously-arrogant [[Characters/MonsterVerseHumans [[Characters/MonsterVerseApexCybernetics Apex Cybernetics]]' EvilPlan to control or exterminate all the Titans in ''Film/GodzillaVsKong'', and to the organization's downfall.
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** As a more specific example, main villain Syndrome often falls into this trap, seemingly expecting that he's living in a world bound by the rules of a classic {{Superhero}} comic than the [[UsefulNotes/TheModernAgeOfComicBooks Modern-Age-influenced]] DeconReconSwitch it actually is. This is ultimately [[spoiler:what led to Syndrome's death; he assumed he was an ArchNemesis with JokerImmunity and that Mr. Incredible wouldn't dare interrupt his evil gloating, leaving him open to be hit by a car that sent him flying into his own plane engine]].

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** As a more specific example, main villain Syndrome often falls into this trap, seemingly expecting that he's living in a world bound by the rules of a classic {{Superhero}} comic than the [[UsefulNotes/TheModernAgeOfComicBooks [[MediaNotes/TheModernAgeOfComicBooks Modern-Age-influenced]] DeconReconSwitch it actually is. This is ultimately [[spoiler:what led to Syndrome's death; he assumed he was an ArchNemesis with JokerImmunity and that Mr. Incredible wouldn't dare interrupt his evil gloating, leaving him open to be hit by a car that sent him flying into his own plane engine]].
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* ''WesternAnimation/KungFuPanda'': [[BigBad Tai Lung]] seems to believe he's TheHero of the story, which WordOfGod has said was intentional, and is why Tai Lung has golden eyes -- [[ColorMotif the color gold represents glory and heroism]]. Tai Lung's scenes are framed as an archetypical action HerosJourney: he is betrayed by his master and denied prestige he feels he deserves, is imprisoned for years before escaping, and he fights his way back to his homeland (including an encounter with a QuirkyMinibossSquad of his master's current pupils) to confront his old master and his new favorite student and claim the destiny they denied him. Unfortunately for Tai Lung, he ''isn't'' TheHero of this story, Po is.

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* ''WesternAnimation/KungFuPanda'': ''WesternAnimation/KungFuPanda1'': [[BigBad Tai Lung]] seems to believe he's TheHero of the story, which WordOfGod has said was intentional, and is why Tai Lung has golden eyes -- [[ColorMotif the color gold represents glory and heroism]]. Tai Lung's scenes are framed as an archetypical action HerosJourney: he is betrayed by his master and denied prestige he feels he deserves, is imprisoned for years before escaping, and he fights his way back to his homeland (including an encounter with a QuirkyMinibossSquad of his master's current pupils) to confront his old master and his new favorite student and claim the destiny they denied him. Unfortunately for Tai Lung, he ''isn't'' TheHero of this story, Po is.
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* ''Film/BarelyLethal'': Megan is a girl raised since childhood to be an assassin until she fakes her death to escape and decides to live as a normal high school girl. To prepare herself, she does "research" by watching several high school films like ''Film/MeanGirls''. But since these movies do not reflect real life, she ends up weirding everybody out by trying to follow their tropes. She also automatically assumes the cheerleaders trying to befriend her are all {{alphabitch}}es trying to set her up, since that is what happened in ''Film/MeanGirls'', when in reality, their offer was genuine.

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* ''Film/BarelyLethal'': Megan is a girl raised since childhood to be an assassin until she fakes her death to escape and decides to live as a normal high school girl. To prepare herself, she does "research" by watching several high school films like ''Film/MeanGirls''. But since these movies do not reflect real life, she ends up weirding everybody out by trying to follow their tropes. She also automatically assumes the cheerleaders trying to befriend her are all {{alphabitch}}es {{alpha bitch}}es trying to set her up, since that is what happened in ''Film/MeanGirls'', when in reality, their offer was genuine.
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Hopefully THIS TIME I got it right...


* ''Film/BarelyLethal'': Megan is a girl raised since childhood to be an assassin until she fakes her death to escape and decides to live as a normal high school girl. To prepare herself, she does "research" by watching several high school films like ''Film/MeanGirls''. But since these movies do not reflect real life, she ends up weirding everybody out by trying to follow their tropes. She also automatically assumes the cheerleaders trying to befriend her are all {{alphabitches}} trying to set her up, since that is what happened in ''Film/MeanGirls'', when in reality, their offer was genuine.

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* ''Film/BarelyLethal'': Megan is a girl raised since childhood to be an assassin until she fakes her death to escape and decides to live as a normal high school girl. To prepare herself, she does "research" by watching several high school films like ''Film/MeanGirls''. But since these movies do not reflect real life, she ends up weirding everybody out by trying to follow their tropes. She also automatically assumes the cheerleaders trying to befriend her are all {{alphabitches}} {{alphabitch}}es trying to set her up, since that is what happened in ''Film/MeanGirls'', when in reality, their offer was genuine.
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* ''Film/BarelyLethal'': Megan is a girl raised since childhood to be an assassin until she fakes her death to escape and decides to live as a normal high school girl. To prepare herself, she does "research" by watching several high school films like ''Film/MeanGirls''. But since these movies do not reflect real life, she ends up weirding everybody out by trying to follow their tropes. She also automatically assumes the cheerleaders trying to befriend her are all {{alpha bitches}} trying to set her up, since that is what happened in ''Film/MeanGirls'', when in reality, their offer was genuine.

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* ''Film/BarelyLethal'': Megan is a girl raised since childhood to be an assassin until she fakes her death to escape and decides to live as a normal high school girl. To prepare herself, she does "research" by watching several high school films like ''Film/MeanGirls''. But since these movies do not reflect real life, she ends up weirding everybody out by trying to follow their tropes. She also automatically assumes the cheerleaders trying to befriend her are all {{alpha bitches}} {{alphabitches}} trying to set her up, since that is what happened in ''Film/MeanGirls'', when in reality, their offer was genuine.
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* ''Film/BarelyLethal'': Megan is a girl raised since childhood to be an assassin until she fakes her death to escape and decides to live as a normal high school girl. To prepare herself, she does "research" by watching several high school films like ''Film/MeanGirls''. But since these movies do not reflect real life, she ends up weirding everybody out by trying to follow their tropes. She also automatically assumes the cheerleaders trying to befriend her are all AlphaBitch trying to set her up, since that is what happened in ''Film/MeanGirls'', when in reality, their offer was genuine.

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* ''Film/BarelyLethal'': Megan is a girl raised since childhood to be an assassin until she fakes her death to escape and decides to live as a normal high school girl. To prepare herself, she does "research" by watching several high school films like ''Film/MeanGirls''. But since these movies do not reflect real life, she ends up weirding everybody out by trying to follow their tropes. She also automatically assumes the cheerleaders trying to befriend her are all AlphaBitch {{alpha bitches}} trying to set her up, since that is what happened in ''Film/MeanGirls'', when in reality, their offer was genuine.
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* Captain Vidal in ''Film/PansLabyrinth'' thinks he's the hero of a war film who wants to live up to his father's legacy and be remembered as a great soldier. On the DVD commentary Guillermo del Toro notes that Vidal expects his death at the end to be the kind of emotional climax often seen in similar stories where the hero dies honorably as the music swells up, as he asks for his son to know who he was. He's legitimately shocked when he's unceremoniously executed after being told that his child will never know anything about him.
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Added "Spider-Man: Across the Spider-Verse" example

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* ''WesternAnimation/SpiderManAcrossTheSpiderVerse'': {{Implied}}. Spider-Punk mistakes Mayday soiling her diaper for an ExcrementStatement. The fact that he's not in his universe, which resembles a punk zine or underground comix, is the most probable reason.
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** In the film’s sequel, Film/GlassOnion, it only takes Blanc as long as it does to crack the case because he thinks he’s in a more cat-and-mouse type thriller or mystery where his opponent is cunning. In reality, he’s in a mystery satire of the .01%, and the truth of the case is exceedingly obvious and, in Blanc’s words, stupid. And rather fittingly, the villain behind the whole plot turns out to be a complete idiot.

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** In the film’s sequel, Film/GlassOnion, it only takes Blanc as long as it does to crack the case because he thinks he’s in a more traditional cat-and-mouse type thriller or mystery where his opponent is cunning.with a cunning villain behind everything going on similar to what he found himself experiencing in the previous movie. In reality, he’s in a mystery satire of the .01%, and as it ultimately turns out, [[OccamsRazor the truth of the case is exceedingly simplest and most obvious and, in Blanc’s words, stupid. And rather fittingly, answer behind the mystery]] (which Blanc had previously considered far too stupid to be taken seriously as an option) turns out to indeed be the case, with the villain behind the whole plot turns it all turning out to be a complete idiot.
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* ''Film/SantasSlay'': Lampshaded when Nicholas [[WeakenedByTheLight tries to shine a light]] in Santa's face, and all it does is annoy him.

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* ''Film/SantasSlay'': Lampshaded when Nicholas [[WeakenedByTheLight tries to shine a light]] flashlight]] in Santa's face, and all it does is annoy him.
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* ''Film/EscapeRoom2019'': Danny has the most experience with escape rooms so he can anticipate a lot of the gameplay. However, he keeps downplaying the actual danger that the players are put in, reasoning that the company behind the escape rooms would be sued into oblivion if somebody actually died. He's not aware that Minos is an EvilCorp that profits off their deaths. [[spoiler:End result, Danny is the first person to die.]]
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*** War Machine and Ant-Man cite ''Film/BackToTheFuture'', ''Film/BillAndTedsExcellentAdventure'', and other time travel films to reveal their idea of how time travel works, believing they can simply kill Thanos as a baby to undo his crimes. Smart Hulk lectures them that "time travel" actually sends you to a parallel universe, so nothing you do there affects your own universe. The best they can do is borrow the parallel universes' Infinity Stones and use them to undo "The Snap".

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*** War Machine and Ant-Man cite ''Film/BackToTheFuture'', ''Franchise/BackToTheFuture'', ''Film/BillAndTedsExcellentAdventure'', and other time travel films to reveal their idea of how time travel works, believing they can simply kill Thanos as a baby to undo his crimes. Smart Hulk lectures them that "time travel" actually sends you to a parallel universe, so nothing you do there affects your own universe. The best they can do is borrow the parallel universes' Infinity Stones and use them to undo "The Snap".
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* ''Film/BigTroubleInLittleChina'' is perhaps one of the most celebrated examples of the PluckyComicRelief thinking he's the star. Jack Burton insists on acting like TheHero (having taken a steady diet of Creator/JohnWayne films throughout his life from the way his swagger sounds) when he's a SupportingProtagonist at best. He also spends several scenes having to ask [[NaiveNewcomer what the hell is going on]] when everybody else already knows.

to:

* ''Film/BigTroubleInLittleChina'' is perhaps one of the most celebrated examples of the PluckyComicRelief thinking he's the star. Jack Burton insists on acting like TheHero (having taken a steady diet of Creator/JohnWayne films throughout his life from the way his swagger sounds) when he's a SupportingProtagonist at best. He best who's serving as the unofficial sidekick to his friend Wang (the true main hero of the story that Jack thinks is the sidekick). To further emphasize just how out of his depth he actually is, he also spends several scenes having to ask [[NaiveNewcomer what the hell is going on]] when everybody else already knows.



* In ''Film/TheFrighteners'', Agent Milton Dammers has suffered various traumas from his investigations into "supernatural" cases, with the result that he ''thinks'' he's an OccultDetective who's tracked down a serial-killing psychic. In reality, he's actually [[HeroOfAnotherStory stumbled into a battle]] between a NotSoPhonyPsychic and a serial-killing ''ghost'', and it's left ambiguous whether any of his supernatural beliefs are remotely valid or just pure delusion. His inability to stretch his mind that one extra inch results in him [[spoiler:getting [[BoomHeadshot his head]] [[YourHeadASplode blown off]] by Patricia (the killer ghost's mortal lover)]].

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* In ''Film/TheFrighteners'', Agent Milton Dammers has suffered various traumas from his investigations into "supernatural" cases, with the result that he ''thinks'' he's an OccultDetective who's tracked down a serial-killing psychic. In reality, he's actually [[HeroOfAnotherStory stumbled into a battle]] between a NotSoPhonyPsychic and a serial-killing ''ghost'', and it's left ambiguous whether any of his supernatural beliefs are remotely valid or just pure delusion. His inability to stretch his mind that one extra inch and accept the mere ''possibility'' that the psychic (named Frank) ''isn't'' the bad guy results in him [[spoiler:getting interrupting an exorcism ritual the psychic and his partner are performing against the killer ghost at a crucial moment [[spoiler:and then subsequently getting [[BoomHeadshot his head]] [[YourHeadASplode blown off]] by Patricia (the killer ghost's mortal lover)]].
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* ''WesternAnimation/BigHero6'': Fred believes that Alastair Krei is secretly the villain Yokai, citing several comic book stories in which a CorruptCorporateExecutive would turn out to be the main villain. After Yokai is revealed to be Professor Callaghan, who blamed Krei for the death of his daughter, Fred and the others realized the truth: "This is a revenge story."

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* ''WesternAnimation/BigHero6'': Fred believes that Alastair Krei is secretly the villain Yokai, citing several comic book stories in which a CorruptCorporateExecutive would turn out to be the main villain. After Yokai is revealed to be Professor Callaghan, who blamed Krei for the death of his daughter, Fred and the others realized realize the truth: "This is a revenge story."
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* ''WesternAnimation/BigHero6'': Fred believes that Alastair Krei is secretly the villain Yokai, citing several comic book stories in which a CorruptCorporateExecutive would turn out to be the main villain. After Yokai is revealed to be Professor Callaghan, who blamed Krei for the death of his daughter, Fred and the others realized the truth: "This is a revenge story."
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** In the film’s sequel, Film/GlassOnion, it only takes Blanc as long as it does to crack the case because he thinks he’s in a more cat-and-mouse type thriller or mystery where his opponent is cunning. In reality, he’s in a mystery satire of the .01%, and the truth of the case is exceedingly obvious and, in Blanc’s words, stupid.

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** In the film’s sequel, Film/GlassOnion, it only takes Blanc as long as it does to crack the case because he thinks he’s in a more cat-and-mouse type thriller or mystery where his opponent is cunning. In reality, he’s in a mystery satire of the .01%, and the truth of the case is exceedingly obvious and, in Blanc’s words, stupid. And rather fittingly, the villain behind the whole plot turns out to be a complete idiot.
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* ''Film/GalaxyQuest'': A comedy spoof of Franchise/StarTrek, the actors of a Franchise/StarTrek-like ShowWithinAShow meet a group of aliens who have based their society on the broadcasts of that show, believing them to be historical records. Guy, who played a RedShirt, goes through the events of the film in a depressed and terrified state, convinced that he's doomed to die to prove the seriousness of the situation. He is so obssessed with the sci-fi tropes that he never considers the possibly that tropes common to comedy genres may be in play; eventually, one of his colleagues gives him a pep talk by suggesting he's actually the PluckyComicRelief instead of the RedShirt. It works, he lives, and winds up getting a starring role in a revival series.

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* ''Film/GalaxyQuest'': A comedy spoof of Franchise/StarTrek, the actors of a Franchise/StarTrek-like ShowWithinAShow meet a group of aliens who have based their society on the broadcasts of that show, believing them to be historical records. Guy, who played a RedShirt, goes through the events of the film in a depressed and terrified state, convinced that he's doomed to die to prove the seriousness of the situation. He is so obssessed with the sci-fi tropes that he never considers the possibly possibility that tropes common to comedy genres may be in play; eventually, one of his colleagues gives him a pep talk by suggesting he's actually the PluckyComicRelief instead of the RedShirt. It works, he lives, and winds up getting a starring role in a revival series.
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**In the film’s sequel, Film/GlassOnion, it only takes Blanc as long as it does to crack the case because he thinks he’s in a more cat-and-mouse type thriller or mystery where his opponent is cunning. In reality, he’s in a mystery satire of the .01%, and the truth of the case is exceedingly obvious and, in Blanc’s words, stupid.
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* ''Film/{{Predator}}'': The film's first half is typical 1980s action flick. The second half is a sci-fi slasher horror. Half the fun is watching the cast of tough, macho soldiers slowly realize that they are not the badasses they thought, but that the genre has changed and they are now the blond coeds being hunted.

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* ''Film/{{Predator}}'': The In a unique twist on the trope, the characters initially prove right at home in the film's first half is (which just so happens to be a typical 1980s action flick. The flick), only for a sudden GenreShift in the film's second half is to plunge them into a sci-fi slasher horror. Half At which point, as badass and nigh unstoppable as the fun is watching film's soldier protagonists are against ordinary hostile human enemies in a regular earth combat scenario, they learn the cast hard way just how hopelessly out of tough, macho soldiers slowly realize that their depth they are not against [[spoiler:an alien monster]] that's come to the badasses they thought, but that area for the genre has changed and they are now the blond coeds being hunted. sake of HuntingTheMostDangerousGame.
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* ''Film/TheReturnOfTheLivingDead'': When confronted with a reanimated cadaver, a group of characters put a pick axe through its brain based on what they know about zombies from seeing ''Film/NightOfTheLivingDead.'' [[OurZombiesAreDifferent It has no effect.]]

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* ''Film/TheReturnOfTheLivingDead'': When confronted with a reanimated cadaver, a group of characters put a pick axe through its brain based on what they know about zombies from seeing ''Film/NightOfTheLivingDead.''Film/NightOfTheLivingDead1968.'' [[OurZombiesAreDifferent It has no effect.]]
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Removed ZC Es that no one currently appears in any hurry to expand upon to help make fully fit the parameters of the trope.


%% zce * ''Film/{{Altitude}}:'' Mel initially suggests that the group is being exposed to a PsychologicalThriller experiment to see how people react to extreme stress. Actually, they're being stalked by an EldritchAbomination.



%%* ''Film/TheHalfOfIt'': Paul believes he finds himself in a romantic comedy where, by seeking the popular girl Aster, he eventually falls in love with the AsianAndNerdy unpopular Ellie. He is actually in a QueerRomance ComingOfAge story, and Ellie is in love with Aster too.



%%* In ''Film/SilentNight2012'' the sheriff played by Creator/MalcolmMcDowell has a weird version of this, where he believes he is he is in a comedy where he's the star, when in actuality he is in a SlasherMovie, that is admittedly a BlackComedy.



%%* ''Film/TheWrongGuy'' has Nelson finding his boss murdered after he had a huge fight with him. Covered in blood, Nelson goes on the run, clearly thinking he's in a modern-day ''Film/TheFugitive'' and on a ClearMyName quest. What he doesn't know is that the police have the real killer ''on video'' committing the murder and couldn't care less about Nelson who also doesn't grasp the "conspiracy" he's after doesn't exist.
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* ''Film/{{Predator}}'': The film's first half is typical 1980s action flick. The second half is a sci-fi slasher horror. Half the fun is watching the cast of tough, macho soldiers slowly realize that they are not the badasses they thought, but that the genre has changed and they are now the blond coeds being hunted.
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%%* ''Film/BigTroubleInLittleChina'' is perhaps one of the most celebrated examples of the PluckyComicRelief thinking he's the star. Jack Burton insists on acting like TheHero when he's a SupportingProtagonist at best.

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%%* * ''Film/BigTroubleInLittleChina'' is perhaps one of the most celebrated examples of the PluckyComicRelief thinking he's the star. Jack Burton insists on acting like TheHero (having taken a steady diet of Creator/JohnWayne films throughout his life from the way his swagger sounds) when he's a SupportingProtagonist at best.best. He also spends several scenes having to ask [[NaiveNewcomer what the hell is going on]] when everybody else already knows.
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* ''Film/{{Nope}}'': Ricky "Jupe" Park thinks he's in an ABoyAndHisX story where be befriends [[spoiler: a bunch of aliens in a flying saucer, due to having survived an attack by an enraged chimp in the past because the animal had a bond with him (it actually didn't, it was mostly luck, making it another example of the trope)]]. He's actually in a [[spoiler: [[AttackoftheKillerWhatever monster movie]] and the 'flying saucer' is in reality a giant animal that eats him without a second thought]].

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* ''Film/{{Nope}}'': Ricky "Jupe" Park thinks he's in an ABoyAndHisX story where be he befriends [[spoiler: a bunch of aliens in a flying saucer, due to having survived an attack by an enraged chimp in the past because the animal had a bond with him (it actually didn't, it was mostly luck, making it another example of the trope)]]. He's actually in a [[spoiler: [[AttackoftheKillerWhatever monster movie]] and the 'flying saucer' is in reality a giant animal that eats him without a second thought]].

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