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''(Cinderella goes silent and [[DeathGlare glares at Lady Tremaine hatefully]])''
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''(Cinderella goes silent and [[DeathGlare glares at Lady Tremaine hatefully]])''hatefully]].)''
* FailedASpotCheck: Cinderella doesn't realize Gus is hiding on one of the breakfast trays as she takes them upstairs to her stepfamily; by the time Anastasia freaks out at the sight of him, it's too late.
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* LoopholeAbuse: This gem when Lady Tremaine promises Cinderella permission to attend the ball ''if'' she finishes all the work.
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* LoopholeAbuse: This gem when Lady Tremaine promises Cinderella permission to attend the ball ''if'' she finishes all the work.work (and ''if'' she can find something to wear).
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Entry #12 in the Franchise/DisneyAnimatedCanon, ''Cinderella'' was based on [[Creator/CharlesPerrault Charles Perrault's]] 1697 telling of the FairyTale "Literature/{{Cinderella}}", and marked Disney's return to single-story feature-length films in [[UsefulNotes/TheGoldenAgeOfAnimation 1950]], after the UsefulNotes/WorldWarII years where Disney was limited to making collections of shorts (e.g. ''WesternAnimation/MakeMineMusic'', ''WesternAnimation/FunAndFancyFree'') while many of their staff were drafted to the war effort. Advertisement posters touted ''Cinderella'' as the studio's best since ''WesternAnimation/{{Snow White|AndTheSevenDwarfs}}'' and for the time it definitely marked a return to the unified fantasy narratives that had popularized the studio's feature output, though the painstaking (and high-cost) animation and atmospheric techniques of the earlier films were scaled back in favor of more straightforward (if nonetheless expertly-crafted) visuals, establishing a mould that would persist for much of the following decade.
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Entry #12 in the Franchise/DisneyAnimatedCanon, ''Cinderella'' was based on [[Creator/CharlesPerrault Charles Perrault's]] 1697 telling of the FairyTale "Literature/{{Cinderella}}", and marked Disney's return to single-story feature-length films in [[UsefulNotes/TheGoldenAgeOfAnimation 1950]], after the UsefulNotes/WorldWarII years where Disney was limited to making collections of shorts (e.g. ''WesternAnimation/MakeMineMusic'', ''WesternAnimation/FunAndFancyFree'') while many of their staff were drafted to the war effort. Advertisement posters touted ''Cinderella'' as the studio's best since ''WesternAnimation/{{Snow White|AndTheSevenDwarfs}}'' and for the time it definitely marked a return to the unified fantasy narratives that had popularized the studio's feature output, though the painstaking (and high-cost) animation and atmospheric techniques of the earlier films were scaled back in favor of more straightforward (if nonetheless expertly-crafted) visuals, establishing marking a mould shift from the experimentalism of the early 1940s to a more populist mode of filmmaking that would persist for much of (mostly) define the following decade.Mouse's ensuing midcentury output.
