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* TheImmodestOrgasm: One monologue (currently not listed above) is full of this trope. The performer ratted off a bunch of different moans and showed a bunch of different orgasm styles.

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* TheImmodestOrgasm: One monologue (currently not listed above) The Woman Who Loved to Make Vaginas Happy is full of this trope. The performer ratted rattles off a bunch of different moans and showed shows a bunch of different orgasm styles.

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* BlackAndGrayMorality: In "The Little Coochi Snorcher That Could," a thirteen-year-old girl is seduced by a twenty-four-year-old woman. This is clearly statutory rape (and acknowledged as such by the narrator). However, after a girl that young has been subjected to the horrors that this girl has (rape, assault, injury), anything that could let her learn to love her body and feel pleasure can be considered an improvement.


* ChromosomeCasting: Hardly unexpected, given the title.

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* ChromosomeCasting: Hardly unexpected, given the title. [[note]] Although some production include cis, trans and non-binary actors. [[/note]]


* They Beat the Girl Out of My Boy: A transwoman's experiences.

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* They Beat the Girl Out of My Boy: A transwoman's trans woman's experiences.



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* RapeAndSwitch: Implied about the main character of "Coochie Snorcher."








* DoubleStandardRapeFemaleOnFemale: Guess which one?[[hottip:*: It's "Coochie Snorcher."]]

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* DoubleStandardRapeFemaleOnFemale: Guess which one?[[hottip:*: It's one?[[note]]It's "Coochie Snorcher."]]"[[/note]]


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Controversial play written by Eve Ensler. It debuted in 1996 on Broadway, at Westside Theater. It's pretty much ExactlyWhatItSaysOnTheTin, being a bunch of monologues that connect the vagina to different themes, such as love, rape, sex, menstruation, genital mutilation, birth, masturbation, orgasm, and slang terms for the part. Typically, one new piece gets added every year, but here are some of the more famous monologues:

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-->''"I bet you're worried. I was worried. I was worried about vaginas. I was worried about what we think about vaginas, and even more worried that we don't think about them."''
-->'''-- The opening of the play'''

Controversial play written by Eve Ensler. It debuted in 1996 on Broadway, at Westside Theater. It's pretty much ExactlyWhatItSaysOnTheTin, being a bunch of monologues that connect the vagina to different themes, such as love, rape, sex, menstruation, genital mutilation, birth, masturbation, orgasm, and slang terms for the part. Typically, one new piece gets added every year, but here are some of the more famous monologues:
part.

The monologues include:



* Hair: A woman whose husband wanted her to shave despite her objections.
* The Flood: An older woman who was ashamed of the area "down there" and how it functioned in her youth.
* The Vagina Workshop: A woman details her experiences with learning how to love her vagina.
* Because He Liked To Look At It: "This monologue was based on an interview with a woman who had a good experience with a man."



* The Woman Who Loved to Make Vaginas Happy: A story about a lesbian dominatrix. Performers of this piece often save it for last in the performance and pretend to orgasm near the end; they claim to be having a triple orgasm.
* Because He Liked to Look At It: Story about a woman who hated her pubic area until she met a man who loved it.

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* Six-Year-Old Girl: A six-year-old girl is asked about her vagina. One of the more controversial pieces due to the subjectively sexual nature of the questions.
* The Woman Who Loved to Make Vaginas Happy: A story about a lesbian dominatrix. Performers of this piece often save it for last in the performance and pretend to orgasm near the end; they claim to be having a triple orgasm.
* Because He Liked to Look At It: Story about a woman who hated her pubic area until she met a man
dominatrix sex worker who loved it.making women moan. Comedic in that the performer(s) simulates different types of moans/orgasms.




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* They Beat the Girl Out of My Boy: A transwoman's experiences.
* Crooked Braid: An American Indian woman's experiences with abuse.
* The Memory of Her Face: Women faced with acid attacks.


* The Little Coochie Snorcher That Could: The most controversial out of the set. A 13-year-old girl who was violently raped by a man as a child is seduced a much-older woman and she sees the latter experience as positive, saying "if it was rape, it was a good rape." The age was changed to 16 after the most severe criticisms were made.

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* The Little Coochie Snorcher That Could: The most controversial out of the set. A 13-year-old girl who was violently raped by a man as a child is seduced by a much-older woman and she sees the latter experience as positive, saying "if it was rape, it was a good rape." The age was changed to 16 after the most severe criticisms were made.

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* ChromosomeCasting: Hardly unexpected, given the title.


* * DoubleStandardRapeFemaleOnFemale: Guess which one?[[hottip:*: It's "Coochie Snorcher."]]

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* * DoubleStandardRapeFemaleOnFemale: Guess which one?[[hottip:*: It's "Coochie Snorcher."]]


* RapeIsLove: "Coochie Snorcher", again.

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Controversial play written by Eve Ensler. It debuted in 1996 on Broadway, at Westside Theater. It's pretty much ExactlyWhatItSaysOnTheTin, being a bunch of monologues that connect the vagina to different themes, such as love, rape, sex, menstruation, genital mutilation, birth, masturbation, orgasm, and slang terms for the part. Typically, one new piece gets added every year, but here are some of the more famous monologues:

* I Was 12; My Mother Slapped Me: A piece all about periods.
* My Angry Vagina: Rant against tampons, douches, and OB/GYN's.
* My Vagina Was My Village: A collection of interviews from women in Bosnia that were in rape camps.
* The Little Coochie Snorcher That Could: The most controversial out of the set. A 13-year-old girl who was violently raped by a man as a child is seduced a much-older woman and she sees the latter experience as positive, saying "if it was rape, it was a good rape." The age was changed to 16 after the most severe criticisms were made.
* Reclaiming "Cunt": ExactlyWhatItSaysOnTheTin.
* The Woman Who Loved to Make Vaginas Happy: A story about a lesbian dominatrix. Performers of this piece often save it for last in the performance and pretend to orgasm near the end; they claim to be having a triple orgasm.
* Because He Liked to Look At It: Story about a woman who hated her pubic area until she met a man who loved it.
* I Was There in the Room: Eve Ensler's personal account of her granddaughter's birth.
* Under the Burqa: Added to the original performance in 2003. It's about women in Afghanistan under the rule of the Taliban.

It has since become the cornerstone of the "V-Day" movement, which aims to raise awareness of rape and violence against women. As such, the play is frequently performed by colleges every year around Valentines Day.
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!!Clean the sand out of your vagina and tell us the tropes this play uses!
* AllThereIsToKnowAboutTheCryingGame: "Coochie Snorcher"
* AuthorAvatar, SelfInsertFic, AuthorTract: In the early days, Eve Ensler would perform the play mostly by herself.
* BeautifulAllAlong: The main character of "Because He Liked to Look at It".
* ChewingTheScenery: "My Angry Vagina" tends to be played this way.
* CountryMatters
* DoesNotLikeMen, TheUnfairSex, LifetimeMovieOfTheWeek: Those critical of this play blast it as StrawFeminist, [[InvokedTrope invoking these tropes]] in the process.
* DoubleStandard: "Coochie Snorcher" really stands out.
* * DoubleStandardRapeFemaleOnFemale: Guess which one?[[hottip:*: It's "Coochie Snorcher."]]
* TheImmodestOrgasm: One monologue (currently not listed above) is full of this trope. The performer ratted off a bunch of different moans and showed a bunch of different orgasm styles.
* NWordPrivileges: All the monologues use this trope to some degree, but "[[ExactlyWhatItSaysOnTheTin Reclaiming Cunt]]" is the big standout.
* RapeIsLove: "Coochie Snorcher", again.
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