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amalgamated, not almagated


* AdaptationAmalgamation / DividedForAdaptation / HardToAdaptWork: It would have been extremely difficult to film the the original short stories as decent videos. They have been almagated together, then divided into seasons and episodes.

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* AdaptationAmalgamation / DividedForAdaptation / HardToAdaptWork: It would have been extremely difficult to film the the original short stories as decent videos. They have been almagated amalgamated together, then divided into seasons and episodes.

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Changed: 96

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* ShoutOut: The Imperial jump ships bear a striking resemblance to [[{{Franchise/MassEffect}} Mass Relays]].

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* ShoutOut: ShoutOut:
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The Imperial jump ships bear a striking resemblance to [[{{Franchise/MassEffect}} Mass Relays]].Relays]].
** The Invictus Imperial war ship bears some resemblance to the spaceship from ''Film/EventHorizon'', namely the prow has same cross-shaped window, and its three rings shape is similar to the Gravity Drive of the titular spaceship, with both being capable of generating a black hole core for travel.
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** During Hari Seldon's time, the Empire was already past its peak but this was not yet evident to most people. In episode 3, signs of that decline have become impossible to hide: we see that the Empire [[spoiler:has not repaired the destroyed Star Bridge in the intervening decades, nor continued to enforce its blockade of Anacreon and Thespis]]. There are also little hints throughout Season 1 that there's a broad pattern, galaxy-wide, towards infrastructure collapse and cultural stagnation: Synnax's poles are melting due to overmining, but its people shun scientific solutions and just cling to religion. Also it's mentioned that the water desalination infrastructure on the Luminist planet has collapsed. These are planets still part of the Empire: out on the Periphery, the first planets have degenerated into outright "barbarism" as their tech base has collapsed (they need Foundation specialists to restore and Imperial dreadnought because they no longer possess this ability). When Seldon is confronted by the Cleons they insist that they're in an era of stability, with their genetic dynasty of cloned emperors putting a stop to any major civil war in the past four centuries - to which Seldon points out this is also a sign that the Empire has grown too static and unchanging (a similar exchange happened in the book, which didn't have the clone Emperors, but where Seldon directly points out that the lack of recent civil wars is really a bad sign because it's a peace due to ''exhaustion'').

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** During Hari Seldon's time, the Empire was already past its peak but this was not yet evident to most people. In episode 3, signs of that decline have become impossible to hide: we see that the Empire [[spoiler:has not repaired the destroyed Star Bridge in the intervening decades, nor continued to enforce its blockade of Anacreon and Thespis]]. There are also little hints throughout Season 1 that there's a broad pattern, galaxy-wide, towards infrastructure collapse and cultural stagnation: Synnax's poles are melting due to overmining, but its people shun scientific solutions and just cling to religion. Also it's mentioned that the water desalination infrastructure on the Luminist planet has collapsed. These are planets still part of the Empire: out on the Periphery, the first planets have degenerated into outright "barbarism" as their tech base has collapsed (they need Foundation specialists to restore and an Imperial dreadnought because they no longer possess this ability). When Seldon is confronted by the Cleons they insist that they're in an era of stability, with their genetic dynasty of cloned emperors putting a stop to any major civil war in the past four centuries - to which Seldon points out this is also a sign that the Empire has grown too static and unchanging (a similar exchange happened in the book, which didn't have the clone Emperors, but where Seldon directly points out that the lack of recent civil wars is really a bad sign because it's a peace due to ''exhaustion'').
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* SiblingsShareTheThrone: A variant. The Empire is ruled by three clones of Emperor Cleon I, referred to as Brother Dawn, Brother Day, and Brother Dusk in ascending order of age. A new Brother Dawn is decanted when the current Brother Dusk dies. They usually refer to one another as "brothers", but Cleon XIII confesses that he thinks of Cleon XIV as more of a son due to their significant age gap.
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** This continues into Season 2, as Cleon XVII (the current Brother Day) feels his mortality creeping in due to [[spoiler:the corruption of the imperial genome]], and is desperate to compensate by having children to procreate like a normal person.
** Cleon XVII's actions as Brother Day, while done out of a certain level of desperation, are nonetheless more proactive than Cleon XVI was when he was reigning, something the latter now deeply regrets, wondering if he'll be forgotten as just a footnote in the Genetic Dynasty's history.

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** This continues into Season 2, as Cleon XVII (the current Brother Day) feels his mortality creeping in due to [[spoiler:the corruption of the imperial genome]], and is desperate to compensate by having children to procreate like a normal person.
person and cement himself in history as the final Cleon and founding father of a new dynasty. [[spoiler: His VillainousBreakdown is triggered when Vault Hari bluntly informs that despite everything he's done to try and individualise himself, he's still not considered an outlier in Seldon's plans.]]
** Cleon XVII's actions as Brother Day, while done out of a certain level of desperation, are nonetheless more proactive than Cleon XVI was when he was reigning, something the latter now deeply regrets, wondering if he'll be forgotten as just a footnote in the Genetic Dynasty's history.
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** Seldon predicts that a galaxy-wide apocalypse will occur in 500 years or less, with tens of thousands of planets either reduced to barbarism or destroyed outright.

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** Seldon predicts that a galaxy-wide apocalypse will occur in 500 years or less, with tens of thousands of planets either reduced to barbarism or destroyed outright. The actual cause of the fall is due to subtle, centuries-long macro-level factors varying from one region to the next, but the short version is that the Galactic Empire has stagnated (politically, technologically, economically, and culturally).
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** During Hari Seldon's time, the Empire was already past its peak but this was not yet evident to most people. In episode 3, signs of that decline have become impossible to hide: we see that the Empire [[spoiler:has not repaired the destroyed Star Bridge in the intervening decades, nor continued to enforce its blockade of Anacreon and Thespis]].

to:

** During Hari Seldon's time, the Empire was already past its peak but this was not yet evident to most people. In episode 3, signs of that decline have become impossible to hide: we see that the Empire [[spoiler:has not repaired the destroyed Star Bridge in the intervening decades, nor continued to enforce its blockade of Anacreon and Thespis]]. There are also little hints throughout Season 1 that there's a broad pattern, galaxy-wide, towards infrastructure collapse and cultural stagnation: Synnax's poles are melting due to overmining, but its people shun scientific solutions and just cling to religion. Also it's mentioned that the water desalination infrastructure on the Luminist planet has collapsed. These are planets still part of the Empire: out on the Periphery, the first planets have degenerated into outright "barbarism" as their tech base has collapsed (they need Foundation specialists to restore and Imperial dreadnought because they no longer possess this ability). When Seldon is confronted by the Cleons they insist that they're in an era of stability, with their genetic dynasty of cloned emperors putting a stop to any major civil war in the past four centuries - to which Seldon points out this is also a sign that the Empire has grown too static and unchanging (a similar exchange happened in the book, which didn't have the clone Emperors, but where Seldon directly points out that the lack of recent civil wars is really a bad sign because it's a peace due to ''exhaustion'').
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None


* EarthThatUsedToBeBetter: Humanity has colonized so many planets over the past several thousand years that nobody knows where the species originated. In a flashback where Salvor Hardin asks her father where they came from he lists Alpha Centauri, Sirius, and "a little planet called Earth" as possible homeworlds.

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* EarthThatUsedToBeBetter: Humanity has colonized so many planets over the past several thousand years that nobody knows where the species originated. In a flashback where Salvor Hardin asks her father where they came from he lists Alpha Centauri, Sirius, and "a little planet called Earth" as possible homeworlds. Given that the series is set roughly 18 to 20 thousand years in the future (give or take), little of Earth's cultural heritage survives because societies kept evolving, i.e. none of the major religions from contemporary Earth seem to be actively practiced anymore, as other faiths rose, fell, changed and split over the millennia. Another little hint that the story is set in our galaxy, just in the very far future, came in Season 2 when Ducem Barr - a collector of archaic books - gave Bel Riose a hardcover copy of an [[Literature/BhagavadGita old story about a prince and his charioteer]] on the eve of a great battle discussing the rationale for war.
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* OurClonesAreDifferent: For centuries, TheEmpire has been ruled by the so-called "Genetic Dynasty", a series of clones of Emperor Cleon I, who felt that only identical copies of himself could preserve everything he had built. There are always three clones active at any time, all technically [[KingBobTheNth named Cleon with a new regnal number]], but more usually known by the codenames Brother Dusk (the eldest of the three, now a senior advisor), Brother Day (the reigning Emperor), and Brother Dawn (the youngest of the three, being taught how to rule by the older two); when the current Dusk reaches his final years, [[spoiler:he's "promoted" to Brother Darkness and euthanized by disintegration, while a new infant Dawn is decanted and the other two are each moved up a rank.]] Despite the standard age differences, they all view each other as brothers, though their relationships tend to feel more akin to grandfather-father-son. Also, in addition to being physically identical, their personalities are likewise, with few variations caused by their respective experiences. And each active clone also has [[BodyBackupDrive backup bodies]] ready to be activated with full memory downloads in case anything happens to them.
** A major plot point in Season 1 is that Cleon XIV (the current Brother Dawn) suffers from [[CloneDegeneration genetic errors]] that manifest in psychological and physical differences (such as colorblindness and being left-handed instead of right), which he desperately hides to avoid being terminated and replaced. [[spoiler:It eventually turns out that this was caused by tampering by rebels, who wanted to make Dawn vulnerable to [[HoneyPot emotional manipulation]] so they could lure him away and replace him with a Cleon clone of their own, who has been raised to hate the Empire. While this plot is stopped, and Dawn killed and replaced in order to preserve the dynasty's integrity, it turns out to be AllForNothing, as the tampering to the clone's base (the original Cleon's preserved body) is irreversible, leaving all future clones imperfect.]]
** Season 2 adds a very disturbing layer to the nature of the Genetic Dynasty: [[spoiler:they're all [[PuppetKing puppets]] of their [[EvilChancellor majordomo]] [[RidiculouslyHumanRobots Demerzel]], who was programmed by Cleon I to enforce his vision of what the dynasty should be, which is carried out by emotional manipulation and [[LaserGuidedAmnesia editing their memories]] to keep them on track.]]
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* YearInsideHourOutside: Time flows differently inside the Vault. When Poly and Costant follow Hober Mallow inside, they find that he's been wandering it for two days while from their perspective, it's barely been a few minutes since he went in. [[spoiler: It's also why that version of Hari is still so stable compared to the one with Gaal who spent almost a century and a half of captivity in real time.]]

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* YearInsideHourOutside: Time flows differently inside the Vault. When Poly and Costant Constant follow Hober Mallow inside, they find that he's been wandering it for two days while from their perspective, it's barely been a few minutes since he went in. [[spoiler: It's also why that version of Hari is still so stable compared to the one with Gaal who spent almost a century and a half of captivity in real time.]]
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* YearInsideHourOutside: Time flows differently inside the Vault. When Poly and Costant follow Hober Mallow inside, they find that he's been wandering it for two days while from their perspective, it's barely been a few minutes since he went in. [[spoiler: It's also why that version of Hari is still so stable compared to the one with Gaal who spent almost a century and a half of captivity in real time.]]
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** It could be that he did it out of cruelty, as the man made it clear he wanted to die on the path and Cleon robbed him of the death he wanted.
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If you watch closely, you can see that he is slowing to a stop, implying the field started slowing his fall before the point of impact


* NotTheFallThatKillsYou: When Cleon XIV jumps out of the palace window, it's shown that he survives thanks to his personal force deflector. However, while the deflector prevents the actual impact, it does nil to slow down the abrupt stop that would have actually killed him.
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There is no standard pronunciation of "mademoiselle" that shares more than one syllable with "Demerzel". Considering that this name was created by Asimov before the character was adapted as a governess, very unlikely that there is a connection.


* MeaningfulName: Demerzel's name sounds very close to the anglicized pronunciation of ''mademoiselle'', which was once the traditional form of address for a governess. Her service to the Cleons often involves acting as a governess.

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