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Up To Eleven is a defunct trope
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* The fan works of Creator/AAPessimal unashamedly import Sharpe's Piemburg to Creator/TerryPratchett's ''Literature/{{Discworld}}'' as a part of its canonically-hinted-at "South Africa". Every [[NationalStereotypes national stereotype]] concerning White South Africans is gleefully taken UpToEleven, as befits Pratchett's take on real world nations and peoples. Sharpe's characters and settings were a perfect import to the Discworld: the hysterically insane human tumour Liutnant Verkramp and BOSS were a seamless fit, and occupy ''exactly'' the same niche here.
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* The fan works of Creator/AAPessimal unashamedly import Sharpe's Piemburg to Creator/TerryPratchett's ''Literature/{{Discworld}}'' as a part of its canonically-hinted-at "South Africa". Every [[NationalStereotypes national stereotype]] concerning White South Africans is gleefully taken UpToEleven, up to eleven, as befits Pratchett's take on real world nations and peoples. Sharpe's characters and settings were a perfect import to the Discworld: the hysterically insane human tumour Liutnant Verkramp and BOSS were a seamless fit, and occupy ''exactly'' the same niche here.
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Tidying
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* The fan works of Creator/AAPessimal unashamedly import Sharpe's Piemburg to Creator/TerryPratchett's ''{{Discworld}}'' as a part of its canonically-hinted-at "South Africa". Every [[NationalStereotypes national stereotype]] concerning White South Africans is gleefully taken UpToEleven, as befits Pratchett's take on real world nations and peoples. Sharpe's characters and settings were a perfect import to the Discworld: the hysterically insane human tumour Liutnant Verkramp and BOSS were a seamless fit, and occupy ''exactly'' the same niche here.
to:
* The fan works of Creator/AAPessimal unashamedly import Sharpe's Piemburg to Creator/TerryPratchett's ''{{Discworld}}'' ''Literature/{{Discworld}}'' as a part of its canonically-hinted-at "South Africa". Every [[NationalStereotypes national stereotype]] concerning White South Africans is gleefully taken UpToEleven, as befits Pratchett's take on real world nations and peoples. Sharpe's characters and settings were a perfect import to the Discworld: the hysterically insane human tumour Liutnant Verkramp and BOSS were a seamless fit, and occupy ''exactly'' the same niche here.
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Changed line(s) 1 (click to see context) from:
* The fan works of Creator/AAPessimal unashamedly import Sharpe's Piemburg to Creator/TerryPratchett's ''{{Discworld}}'' as a part of its canonically-hinted-at "South Africa". Every NationalStereotype concerning White South Africans is gleefully taken UpToEleven, as befits Pratchett's take on real world nations and peoples. Sharpe's characters and settings were a perfect import to the Discworld: the hysterically insane human tumour Liutnant Verkramp and BOSS were a seamless fit, and occupy ''exactly'' the same niche here.
to:
* The fan works of Creator/AAPessimal unashamedly import Sharpe's Piemburg to Creator/TerryPratchett's ''{{Discworld}}'' as a part of its canonically-hinted-at "South Africa". Every NationalStereotype [[NationalStereotypes national stereotype]] concerning White South Africans is gleefully taken UpToEleven, as befits Pratchett's take on real world nations and peoples. Sharpe's characters and settings were a perfect import to the Discworld: the hysterically insane human tumour Liutnant Verkramp and BOSS were a seamless fit, and occupy ''exactly'' the same niche here.
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* The fan works of Creator/AAPessimal unashamedly import Sharpe's Piemburg to Creator/TerryPratchett's ''{{Discworld}}'' as a part of its canonically-hinted-at "South Africa". Every NationalStereotype concerning White South Africans is gleefully taken UpToEleven, as befits Pratchett's take on real world nations and peoples. Sharpe's characters and settings were a perfect import to the Discworld: the hysterically insane human tumour Liutnant Verkramp and BOSS were a seamless fit, and occupy ''exactly'' the same niche here.
