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* NeverFoundTheBody: Averted. Swamp Thing has seen his ArchEnemy "die" enough times realize that, even though he saw Arcane's airship crash and burn, he can't assume he's dead until he's seen the corpse firsthand. [[spoiler:Arcane ''still'' comes back, in Issue 29.]]

to:

* NeverFoundTheBody: Averted. Swamp Thing has seen his ArchEnemy "die" enough times to realize that, even though he saw Arcane's airship crash and burn, he can't assume he's dead until he's seen the corpse firsthand. [[spoiler:Arcane ''still'' comes back, in Issue 29.]]
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!!Tropes

to:

\n!!Tropes----
!!Tropes:



* UnrequitedLove: Dennis for Liz.

to:

* UnrequitedLove: Dennis for Liz.Liz.
----
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--> "Maybe the world has run out of room...for monsters...or maybe...they're just getting harder to recognize."\\
-- '''The Swamp Thing'''

to:

--> -> "Maybe the world has run out of room...for monsters...or maybe...they're just getting harder to recognize."\\
--
"
-->--
'''The Swamp Thing'''
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Trigger was merged with Trauma Button


* ShellShockedVeteran: Dennis, who served in the Vietnam War, is [[{{Trigger}} triggered]] when he hears the explosion and finds Liz raving incoherently:

to:

* ShellShockedVeteran: Dennis, who served in the Vietnam War, is [[{{Trigger}} [[TraumaButton triggered]] when he hears the explosion and finds Liz raving incoherently:
Is there an issue? Send a MessageReason:
Has nothing to do with familiarity with in-universe fiction.


* NeverFoundTheBody: Averted. Swamp Thing has seen his ArchEnemy "die" enough times to become GenreSavvy and realize that, even though he saw Arcane's airship crash and burn, he can't assume he's dead until he's seen the corpse firsthand. [[spoiler:Arcane ''still'' comes back, in Issue 29.]]

to:

* NeverFoundTheBody: Averted. Swamp Thing has seen his ArchEnemy "die" enough times to become GenreSavvy and realize that, even though he saw Arcane's airship crash and burn, he can't assume he's dead until he's seen the corpse firsthand. [[spoiler:Arcane ''still'' comes back, in Issue 29.]]
Is there an issue? Send a MessageReason:
None


* NeverFoundTheBody: Averted. Swamp Thing has seen his ArchEnemy "die" enough times to become GenreSavvy and realize that, even though he saw Arcane's airship crash and burn, he can't assume he's dead until he's seen the corpse firsthand. [[spoiler:Arcane ''still'' comes back.]]

to:

* NeverFoundTheBody: Averted. Swamp Thing has seen his ArchEnemy "die" enough times to become GenreSavvy and realize that, even though he saw Arcane's airship crash and burn, he can't assume he's dead until he's seen the corpse firsthand. [[spoiler:Arcane ''still'' comes back.back, in Issue 29.]]
Is there an issue? Send a MessageReason:
None


* NeverFoundTheBody: Averted. Swamp Thing has seen his ArchEnemy "die" enough times to become GenreSavvy and realize that, even though he saw Arcane's airship crash and burn, he can't assume he's dead until he's seen the corpse firsthand. [[spoiler:Arcane ''still'' comes back...]]

to:

* NeverFoundTheBody: Averted. Swamp Thing has seen his ArchEnemy "die" enough times to become GenreSavvy and realize that, even though he saw Arcane's airship crash and burn, he can't assume he's dead until he's seen the corpse firsthand. [[spoiler:Arcane ''still'' comes back...back.]]
Is there an issue? Send a MessageReason:
None


* NeverFoundTheBody: Averted. Swamp Thing has seen his ArchEnemy "die" enough times to become GenreSavvy and realize that, even though he saw Arcane's airship crash and burn, he can't assume he's dead until he's seen the corpse firsthand.

to:

* NeverFoundTheBody: Averted. Swamp Thing has seen his ArchEnemy "die" enough times to become GenreSavvy and realize that, even though he saw Arcane's airship crash and burn, he can't assume he's dead until he's seen the corpse firsthand. [[spoiler:Arcane ''still'' comes back...]]
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None

Added DiffLines:

* MakeRoomForTheNewPlot: Liz and Dennis, who'd been the major supporting characters in Pasko's run from the beginning, are abruptly PutOnABus after their escape from death, and so is the ongoing plotline about their relationship, or lack thereof. All this is so the series can focus primarily on the upcoming deconstruction and reconstruction of the Swamp Thing, and secondarily on the Cables' deteriorating marriage.
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None


* TwistedEchoCut: A favourite tool of Moore's 1980s work, it appears several times in this and nearly every other issue throughout his run on the title. For example, in the last panel of page five, Sunderland, referring to Swamp Thing and friends being unprepared for his assault, says, "They're in for a rude awakening, Dwight..." The caption for the first panel of page six completes his sentence: "...a very rude awakening, indeed." This is juxtaposed with Liz waking up from her tryst with Dennis, which leads to another sort of "rude awakening" for the latter.

to:

* TwistedEchoCut: A favourite tool of Moore's Moore in his 1980s work, it appears several times in this and nearly every other issue throughout his run on the title. For example, in the last panel of page five, Sunderland, referring to Swamp Thing and friends being unprepared for his assault, says, "They're in for a rude awakening, Dwight..." The caption for the first panel of page six completes his sentence: "...a very rude awakening, indeed." This is juxtaposed with Liz waking up from her tryst with Dennis, which leads to another sort of "rude awakening" for the latter.
Is there an issue? Send a MessageReason:
None


* NeverFoundTheBody: Averted. Swamp Thing has seen enough death to become GenreSavvy and realize that, even though he saw Arcane's airship crash and burn, he can't assume he's dead until he's seen the corpse firsthand.

to:

* NeverFoundTheBody: Averted. Swamp Thing has seen his ArchEnemy "die" enough death times to become GenreSavvy and realize that, even though he saw Arcane's airship crash and burn, he can't assume he's dead until he's seen the corpse firsthand.
Is there an issue? Send a MessageReason:
None


Swamp Thing, in the wake of Anton Arcane's airship crash in the previous issue, returns to the crash site in the mountains in order to find the body and verify his ArchEnemy is truly dead. When he succeeds in doing so, he feels a sense of loss for two reasons.. First, he reflects that he and Arcane were two sides of the same coin in terms oat his ArchEnemy is truly dead. When he succeeds in doing so, he feels a sense of loss for two reaf having lost their human nature. Second, he fears that the modern world may be acting to rid itself of "shadow" creatures like him and Arcane.

to:

Swamp Thing, in the wake of Anton Arcane's airship crash in the previous issue, returns to the crash site in the mountains in order to find the body and verify that his ArchEnemy is truly dead. When he succeeds in doing so, he feels a sense of loss for two reasons.. reasons. First, he reflects that he and Arcane were two sides of the same coin in terms oat his ArchEnemy is truly dead. When he succeeds in doing so, he feels a sense of loss for two reaf having lost their human nature. Second, he fears that the modern world may be acting to rid itself of "shadow" creatures like him and Arcane.
Is there an issue? Send a MessageReason:
None


Swamp Thing, in the wake of Anton Arcane's airship crash in the previous issue, returns to the crash site in the mountains in order to find the body and verify thsons. First, he reflects that he and Arcane were two sides of the same coin in terms oat his ArchEnemy is truly dead. When he succeeds in doing so, he feels a sense of loss for two reaf having lost their human nature. Second, he fears that the modern world may be acting to rid itself of "shadow" creatures like him and Arcane.

to:

Swamp Thing, in the wake of Anton Arcane's airship crash in the previous issue, returns to the crash site in the mountains in order to find the body and verify thsons.his ArchEnemy is truly dead. When he succeeds in doing so, he feels a sense of loss for two reasons.. First, he reflects that he and Arcane were two sides of the same coin in terms oat his ArchEnemy is truly dead. When he succeeds in doing so, he feels a sense of loss for two reaf having lost their human nature. Second, he fears that the modern world may be acting to rid itself of "shadow" creatures like him and Arcane.
Is there an issue? Send a MessageReason:
None


Swamp Thing, in the wake of Anton Arcane's airship crash in the previous issue, returns to the crash site in the mountains in order to find the body and verify that his ArchEnemy is truly dead. When he succeeds in doing so, he feels a sense of loss for two reasons. First, he reflects that he and Arcane were two sides of the same coin in terms of having lost their human nature. Second, he fears that the modern world may be acting to rid itself of "shadow" creatures like him and Arcane.

to:

Swamp Thing, in the wake of Anton Arcane's airship crash in the previous issue, returns to the crash site in the mountains in order to find the body and verify thsons. First, he reflects that he and Arcane were two sides of the same coin in terms oat his ArchEnemy is truly dead. When he succeeds in doing so, he feels a sense of loss for two reasons. First, he reflects that he and Arcane were two sides of the same coin in terms of reaf having lost their human nature. Second, he fears that the modern world may be acting to rid itself of "shadow" creatures like him and Arcane.



Dennis Barclay, having slept with Liz Tremayne in the previous issue, assumes they're now a couple, but Liz disabuses him of that notion, saying that "All we have in common is the horror in our lives." Dennis doesn't take that well, and the two of them return to their hotel in silence to get his medical bag and then go their separate ways. At the hotel, oil mogul Hec "Dallas" Brandon, who had tried coming on to Liz in Issue 16, now offers to retrieve the bag for her, unaware that Sunderland Corporation agents have just planted a bomb in their room. Just outside, Dennis hears the explosion and rushes inside to find Liz, in the lobby, babbling to herself in shock. Reasoning to himself that maybe things can work out between them "so long as they never ran out of horrors," he drags her along with him, smiling ominously.

Meanwhile, Matt Cable confirms for his wife, Abby, that the various monsters lately surrounding him were unconscious creations of his brain, a result of the [=DDI=]'s electroshock treatments. He claims, however, that he's finally fought them and made them go away for good. Matt then tries to initiate lovemaking, but between this revelation and his alcoholism, she's not ready. He claims to be okay with this, but soon afterwards, drinking alone, he creates a tiny blue woman to dance for him, thus revealing that he hasn't really rid himself of his dark paranormal ability, but has merely learned to control it.

to:

Dennis Barclay, having slept with Liz Tremayne in the previous issue, assumes they're now a couple, but Liz disabuses him of that notion, saying that "All we have in common is the horror in our lives." Dennis doesn't take that well, and the two of them return to their hotel in silence to get his medical bag and then go their separate ways. At the hotel, oil mogul Hec "Dallas" Brandon, who had tried coming on to Liz in Issue 16, now offers to retrieve the bag for her, unaware that Sunderland Corporation agents have just planted a bomb in their room. Just outside, Dennis hears the explosion and rushes inside to find Liz, in the lobby, babbling to herself in shock. Reasoning Flashing back to his Vietnam tour of duty, he runs, dragging her along with him, in case there's a backup bomb. He thinks to himself that maybe things can could work out between them "so long as they never ran out of horrors," he drags her along with him, smiling ominously.

and smiles.

Meanwhile, Matt Cable confirms for his wife, Abby, that the various monsters lately surrounding him were unconscious creations of his brain, a result of the [=DDI=]'s electroshock treatments. He claims, however, that he's finally fought them and made them go away for good. good, and also that he's given up drinking. Matt then tries to initiate lovemaking, but between this revelation and his alcoholism, recent alcohol-induced behaviour, she's not ready. He claims to be okay with this, but soon afterwards, drinking alone, he creates a tiny blue woman to dance for him, thus revealing that he hasn't really rid himself of his dark paranormal ability, but has merely learned to control it.
Is there an issue? Send a MessageReason:
None


* ShellShockedVeteran: Dennis, who served in the Vietnam War, is [[{{Trigger}} triggered]] when he hears the explosion and sees raving incoherently:

to:

* ShellShockedVeteran: Dennis, who served in the Vietnam War, is [[{{Trigger}} triggered]] when he hears the explosion and sees finds Liz raving incoherently:
Is there an issue? Send a MessageReason:
None


* ShellShockedVeteran: Dennis, who served in the Vietnam War, manifests this trope when he finds Liz, having narrowly escaped an explosion, raving incoherently:

to:

* ShellShockedVeteran: Dennis, who served in the Vietnam War, manifests this trope is [[{{Trigger}} triggered]] when he finds Liz, having narrowly escaped an explosion, hears the explosion and sees raving incoherently:
Is there an issue? Send a MessageReason:
None


** The hotel receptionist, trying to recall the name mentioned by the "friends" (so she assumes) of Liz and Dennis who'd just been in their room, comes up erroneously with "Sutherland." This reminds her of [[Creator/DonaldSutherland Donald Sutherland's]] role in the horror film ''Film/DontLookNow'' (although she misstates the title as ''Now Don't Look'' and then ''Don't Watch Now''). She then proceeds to recount the film's horrific climax--thus adding to the suspense of the in-comic scene--just before the bomb goes off.

to:

** The hotel receptionist, trying to recall the name mentioned by the "friends" (so she assumes) of Liz and Dennis who'd just been in their room, comes up erroneously with "Sutherland." This reminds her of [[Creator/DonaldSutherland Donald Sutherland's]] role performance in the horror film ''Film/DontLookNow'' (although she misstates the title as ''Now Don't Look'' and then ''Don't Watch Now''). She then proceeds to recount the film's horrific climax--thus adding to the suspense of the in-comic scene--just before the bomb goes off.
Is there an issue? Send a MessageReason:
None


** Dwight Wicker, discussing Sutherland's planned cover story, references ''Film/CloseEncountersOfTheThirdKind.'' The irony is that whereas in the [[Creator/StevenSpielberg Spielberg]] film the government tries to ''discourage'' belief in the existence of extraterrestrials, Sutherland intends to ''encourage'' such belief, so as to hide the [=DDI=]'s real motive behind its swamp hunt.

to:

** Dwight Wicker, discussing Sutherland's Sunderland's planned cover story, references ''Film/CloseEncountersOfTheThirdKind.'' The irony is that whereas in the [[Creator/StevenSpielberg Spielberg]] film the government tries to ''discourage'' belief in the existence of extraterrestrials, Sutherland Sunderland intends to ''encourage'' such belief, so as to hide the [=DDI=]'s real motive behind its swamp hunt.

Added: 911

Changed: 688

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None


Dennis Barclay, having slept with Liz Tremayne in the previous issue, assumes they're now a couple, but Liz disabuses him of that notion, saying that "All we have in common is the horror in our lives." Dennis doesn't take that well, and the two of them return to their hotel in silence to get his medical bag and then go their separate ways. At the hotel, a friendly stranger offers to retrieve the bag for Liz, unaware that Sunderland Corporation agents have just planted a bomb in their room. Just outside, Dennis hears the explosion and rushes inside to find Liz, in the lobby, babbling to herself in shock. Reasoning to himself that maybe things can work out between them "so long as they never ran out of horrors," he drags her along with him, smiling ominously.

to:

Dennis Barclay, having slept with Liz Tremayne in the previous issue, assumes they're now a couple, but Liz disabuses him of that notion, saying that "All we have in common is the horror in our lives." Dennis doesn't take that well, and the two of them return to their hotel in silence to get his medical bag and then go their separate ways. At the hotel, a friendly stranger oil mogul Hec "Dallas" Brandon, who had tried coming on to Liz in Issue 16, now offers to retrieve the bag for Liz, her, unaware that Sunderland Corporation agents have just planted a bomb in their room. Just outside, Dennis hears the explosion and rushes inside to find Liz, in the lobby, babbling to herself in shock. Reasoning to himself that maybe things can work out between them "so long as they never ran out of horrors," he drags her along with him, smiling ominously.



* ShoutOut: The hotel receptionist, trying to recall the name mentioned by the "friends" (so she assumes) of Liz and Dennis who'd just been in their room, comes up erroneously with "Sutherland." This reminds her of [[Creator/DonaldSutherland Donald Sutherland's]] role in the horror film ''Film/DontLookNow'' (although she misstates the title as ''Now Don't Look'' and then ''Don't Watch Now''). She then proceeds to recount the film's horrific climax--thus adding to the suspense of the in-comic scene--just before the bomb goes off in their room, killing the friendly stranger who'd gone to retrieve Dennis's bag.

to:

* ShoutOut: ShoutOut:
** Dwight Wicker, discussing Sutherland's planned cover story, references ''Film/CloseEncountersOfTheThirdKind.'' The irony is that whereas in the [[Creator/StevenSpielberg Spielberg]] film the government tries to ''discourage'' belief in the existence of extraterrestrials, Sutherland intends to ''encourage'' such belief, so as to hide the [=DDI=]'s real motive behind its swamp hunt.
**
The hotel receptionist, trying to recall the name mentioned by the "friends" (so she assumes) of Liz and Dennis who'd just been in their room, comes up erroneously with "Sutherland." This reminds her of [[Creator/DonaldSutherland Donald Sutherland's]] role in the horror film ''Film/DontLookNow'' (although she misstates the title as ''Now Don't Look'' and then ''Don't Watch Now''). She then proceeds to recount the film's horrific climax--thus adding to the suspense of the in-comic scene--just before the bomb goes off in their room, killing the friendly stranger who'd gone to retrieve Dennis's bag.off.
Is there an issue? Send a MessageReason:
None


--> He's heard that kind of talk before, in Danang, in Phnom Penh...And all of a sudden, he isn't thinking Virginia anymore. He's thinking jungle. He's thinking night patrol. He's thinking incoming mail...

to:

--> He's heard that kind of talk before, in Danang, in Phnom Penh...And all of a sudden, he isn't thinking [West] Virginia anymore. He's thinking jungle. He's thinking night patrol. He's thinking incoming mail...
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ShellShockedVeteran: Dennis, who served in the Vietnam War, manifests this trope when he finds Liz, having narrowly escaped an explosion, raving incoherently:
--> He's heard that kind of talk before, in Danang, in Phnom Penh...And all of a sudden, he isn't thinking Virginia anymore. He's thinking jungle. He's thinking night patrol. He's thinking incoming mail...
Is there an issue? Send a MessageReason:
None


* TwistedEchoCut: A favourite tool of Moore's 1980s work, it appears several times in this and other issues. For example, in the last panel of page five, Sunderland, referring to Swamp Thing and friends being unprepared for his assault, says, "They're in for a rude awakening, Dwight..." The caption for the first panel of page six completes his sentence: "...a very rude awakening, indeed." This is juxtaposed with Liz waking up from her tryst with Dennis, which leads to another sort of "rude awakening" for the latter.

to:

* TwistedEchoCut: A favourite tool of Moore's 1980s work, it appears several times in this and nearly every other issues.issue throughout his run on the title. For example, in the last panel of page five, Sunderland, referring to Swamp Thing and friends being unprepared for his assault, says, "They're in for a rude awakening, Dwight..." The caption for the first panel of page six completes his sentence: "...a very rude awakening, indeed." This is juxtaposed with Liz waking up from her tryst with Dennis, which leads to another sort of "rude awakening" for the latter.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* NighInvulnerability: Invoked and subverted. Swamp Thing decides to run to "safety" through the halo of light, reasoning that "[t]his body's...near enough invulnerable." And indeed, previous issues had shown that a bullet wound is essentially harmless to him. A barrage of bullets, however, including one through the head, succeeds in felling him.

Added: 245

Removed: 216

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* PowerPerversionPotential: Matt gains control of his formerly unconscious power to [[RealityWarper make thoughts real]]. However, being a sexually-frustrated, relapsed [[TheAlcoholic alcoholic]], he now uses it for his own erotic entertainment.



* RealityWarper: Matt gains control of his formerly unconscious power to make thoughts real. However, being a sexually-frustrated, relapsed [[TheAlcoholic alcoholic]], he now uses it for his own erotic entertainment.
Is there an issue? Send a MessageReason:
None


Meanwhile, Matt Cable confirms for his wife, Abby, that the various monsters lately surrounding him were unconscious creations of his brain, a result of the [=DDI=]'s electroshock treatments, but that he'd finally fought them and made them go away for good. He then tries to initiate lovemaking, but between this revelation and his alcoholism, she's not ready. He claims to be okay with this, but soon afterwards, drinking alone, he creates a tiny blue woman to dance for him, thus revealing that he hasn't really rid himself of his dark paranormal ability, but has learned to control it.

to:

Meanwhile, Matt Cable confirms for his wife, Abby, that the various monsters lately surrounding him were unconscious creations of his brain, a result of the [=DDI=]'s electroshock treatments, but treatments. He claims, however, that he'd he's finally fought them and made them go away for good. He Matt then tries to initiate lovemaking, but between this revelation and his alcoholism, she's not ready. He claims to be okay with this, but soon afterwards, drinking alone, he creates a tiny blue woman to dance for him, thus revealing that he hasn't really rid himself of his dark paranormal ability, but has merely learned to control it.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

--> "Maybe the world has run out of room...for monsters...or maybe...they're just getting harder to recognize."\\
-- '''The Swamp Thing'''

Swamp Thing, in the wake of Anton Arcane's airship crash in the previous issue, returns to the crash site in the mountains in order to find the body and verify that his ArchEnemy is truly dead. When he succeeds in doing so, he feels a sense of loss for two reasons. First, he reflects that he and Arcane were two sides of the same coin in terms of having lost their human nature. Second, he fears that the modern world may be acting to rid itself of "shadow" creatures like him and Arcane.

Meanwhile, General Sunderland and his associate, [=DDI=] head Dwight Wicker, having learned that Swamp Thing and his friends are all still in the West Virginia woods, plan to kill them all for knowing the shady truth about their respective organizations. Their cover story is that they're protecting Americans from alien invasion.

Dennis Barclay, having slept with Liz Tremayne in the previous issue, assumes they're now a couple, but Liz disabuses him of that notion, saying that "All we have in common is the horror in our lives." Dennis doesn't take that well, and the two of them return to their hotel in silence to get his medical bag and then go their separate ways. At the hotel, a friendly stranger offers to retrieve the bag for Liz, unaware that Sunderland Corporation agents have just planted a bomb in their room. Just outside, Dennis hears the explosion and rushes inside to find Liz, in the lobby, babbling to herself in shock. Reasoning to himself that maybe things can work out between them "so long as they never ran out of horrors," he drags her along with him, smiling ominously.

Meanwhile, Matt Cable confirms for his wife, Abby, that the various monsters lately surrounding him were unconscious creations of his brain, a result of the [=DDI=]'s electroshock treatments, but that he'd finally fought them and made them go away for good. He then tries to initiate lovemaking, but between this revelation and his alcoholism, she's not ready. He claims to be okay with this, but soon afterwards, drinking alone, he creates a tiny blue woman to dance for him, thus revealing that he hasn't really rid himself of his dark paranormal ability, but has learned to control it.

Sunderland's men go into action, torching the forest where Swamp Thing is hiding and surrounding it with troops hidden behind a ring of blinding light. They also blow up the Cables' home; fortunately, they're outside and manage to escape. Swamp Thing attempts to do the same, but a barrage of bullets cuts him down. A Sunderland agent pronounces him dead.

This is the first issue authored by Creator/AlanMoore.

!!Tropes
* AntagonistInMourning: Inverted. Swamp Thing mourns Arcane's death.
* {{Cliffhanger}}: The issue ends with the title character apparently dead.
* EvilCounterpart: Cradling Arcane's body, Swamp Thing reflects that the two of them were more alike than he'd realized.
--> You were my opposite. I had my humanity...taken away from me. I've been trying to claw it back. You started out human...and threw it all away. You did it deliberately. We defined each other, didn't we? By understanding you...I came that much closer...to understanding myself.
* [[GullibleLemmings Gullible Lemming]]: An initially skeptical local man believes a Sunderland agent's cover story about hunting down an alien as soon as the agent utters the words, "national security." The local even offers to help unload the searchlights.
--> '''Sunderland:''' "National security" is one of those magical little phrases. It stops people worrying about what you're doing, where you're going...who you're killing.
* NeverFoundTheBody: Averted. Swamp Thing has seen enough death to become GenreSavvy and realize that, even though he saw Arcane's airship crash and burn, he can't assume he's dead until he's seen the corpse firsthand.
* PutOnABus: This is Dennis's and Liz's last appearance until Issue 54.
* RealityWarper: Matt gains control of his formerly unconscious power to make thoughts real. However, being a sexually-frustrated, relapsed [[TheAlcoholic alcoholic]], he now uses it for his own erotic entertainment.
* ShoutOut: The hotel receptionist, trying to recall the name mentioned by the "friends" (so she assumes) of Liz and Dennis who'd just been in their room, comes up erroneously with "Sutherland." This reminds her of [[Creator/DonaldSutherland Donald Sutherland's]] role in the horror film ''Film/DontLookNow'' (although she misstates the title as ''Now Don't Look'' and then ''Don't Watch Now''). She then proceeds to recount the film's horrific climax--thus adding to the suspense of the in-comic scene--just before the bomb goes off in their room, killing the friendly stranger who'd gone to retrieve Dennis's bag.
* TitleDrop: Sunderland agent Roy says to a colleague, "Y'know, that old general, he's really tying up some ''loose ends'' here today, ain't he?"
* TwistedEchoCut: A favourite tool of Moore's 1980s work, it appears several times in this and other issues. For example, in the last panel of page five, Sunderland, referring to Swamp Thing and friends being unprepared for his assault, says, "They're in for a rude awakening, Dwight..." The caption for the first panel of page six completes his sentence: "...a very rude awakening, indeed." This is juxtaposed with Liz waking up from her tryst with Dennis, which leads to another sort of "rude awakening" for the latter.
* UnrequitedLove: Dennis for Liz.

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