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* CessationOfExistence: Sargon says "Thalassa and I must now also depart into oblivion" before he dies, implying a disbelief in any sort of life after death. The idea is muddled a bit by his suggestion that him and Thalassa will be together forever after their deaths, which sort of requires them to still exist after death. The inconsistency is a result of the show's producer adding in the "oblivion" part to fit with his atheistic philosophy, while the rest of the final speech was penned by the Catholic writer of the rest of this episode. He had written "into eternity" -- they would still exist, just as disembodied spirits -- and Roddenberry changed it.

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* CessationOfExistence: Sargon says "Thalassa and I must now also depart into oblivion" before he dies, implying a disbelief in any sort of life after death. The idea is muddled a bit by his suggestion that him and Thalassa will be together forever after their deaths, which sort of requires them to still exist after death. The [[note]]The inconsistency is a result of the show's producer adding in the "oblivion" part to fit with his atheistic philosophy, while the rest of the final speech was penned original draft by the Catholic writer of the rest of this episode. He had written John Dugan saying they would still exist "into eternity" -- they would still exist, just as disembodied spirits -- and spirits. Roddenberry changed it.it to match his atheistic philosophy, which upset the devoutly Catholic Dugan.[[/note]]
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Removal of malformed wicks to GCPT
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Removal of malformed wicks to GCPT


%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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sure they do; Sargon and Thalassa totally get distracted from building the robots


* SenseFreak: All of the aliens enjoy the sensations of life again after taking human bodies, but none allow it to affect their work, though Henoch does use the fact that their robot bodies will not have this sensory ability to try and persuade Thalassa to side with him.

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* SenseFreak: All of the aliens enjoy the sensations of life again after taking human bodies, but none allow it to affect their work, though and Henoch does use the fact that their robot bodies will not have this sensory ability to try and persuade Thalassa to side with him.

Changed: 256

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* GrandTheftMe: Subverted, as the crew actually let them, closer to WillingChanneler. They understand that Sargon and Thalassa only intend to do this temporarily, long enough to construct robot bodies to hold them instead. Henoch, unbeknownst to the others, has more permanent designs on Spock's body.

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* GrandTheftMe: Subverted, as the crew actually let them, closer to WillingChanneler. They understand that Sargon and Thalassa only intend to do this temporarily, long enough to construct robot bodies to hold them instead. Henoch, unbeknownst to the others, has more permanent designs on Spock's body.body, and convinces Thalassa to attempt the same.
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* RightForTheWrongReasons: [=McCoy=] naturally has his doubts letting Sargon, Thalassa and Henoch borrow bodies. His concern proves well founded, but not for the reasons he expected as the danger comes from Henoch refusing to leave Spock's body and plotting to kill Kirk's body to ensure Sargon's death.

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* RightForTheWrongReasons: [=McCoy=] naturally has his doubts about letting Sargon, Thalassa and Henoch borrow bodies. His concern proves well founded, but not for the reasons he expected as the danger comes from Henoch refusing to leave Spock's body and plotting to kill Kirk's body to ensure Sargon's death.
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* SufficientlyAdvancedAlien: Sargon, Thalassa and Henoch, aliens who survived the destruction of his world half a million years ago by becoming {{Energy Being}}s of pure thought.

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* SufficientlyAdvancedAlien: Sargon, Thalassa and Henoch, aliens who survived the destruction of his world half a million years ago by becoming {{Energy Being}}s EnergyBeings of pure thought.
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Up To Eleven is a defunct trope


** When Sargon is in Kirk's body, the hamminess is UpToEleven. Yes, even by Shatner's standards.

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** When Sargon is in Kirk's body, the hamminess is UpToEleven.up to eleven. Yes, even by Shatner's standards.
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* DareToBeBadass: Some would call this the franchise's greatest monologue.

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* DareToBeBadass: Some would call this the franchise's greatest monologue.monologue (though the fact that StatusQuoIsGod [[BrokenAesop kind of ruins it]]):
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* AbsenteeActor: Chekov doesn't appear in this episode.
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'''Original air date:''' February 9, 1968

Changed: 228

Removed: 54

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* GettingCrapPastTheRadar: Nurse Chapel is quite pleased about having had Spock ''inside'' her.
--> '''Christine.''' We shared consciousness together.

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%% * GettingCrapPastTheRadar: Nurse Chapel GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is quite pleased about having had Spock ''inside'' her.
--> '''Christine.''' We shared consciousness together.
on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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None


* CradlingYourKill : In the James Blish novelization of the episode, Kirk, nearly breaking down in tears, does this with [[TheNotLoveInterest Spock's]] 'dead' body after Henoch has been forced to flee. Well, Kirk didn't deliver the killing blow himself, but it was done on his orders.

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* CradlingYourKill : CradlingYourKill: In the James Blish novelization of the episode, Kirk, nearly breaking down in tears, does this with [[TheNotLoveInterest Spock's]] 'dead' body after Henoch has been forced to flee. Well, Kirk didn't deliver give the killing blow lethal injection himself, but it was done on his orders.
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*CradlingYourKill : In the James Blish novelization of the episode, Kirk, nearly breaking down in tears, does this with [[TheNotLoveInterest Spock's]] 'dead' body after Henoch has been forced to flee. Well, Kirk didn't deliver the killing blow himself, but it was done on his orders.
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* AGodAmI: Apparently, Sargon's people developed this attitude as a result of [[SufficientlyAdvancedAlien their minds becoming so powerful]], which led to the war that destroyed their world. Thalassa has a moment of this when [=McCoy=] tells her he won't trade Mulhall's body for Kirk's life ("You dare defy one you should be on your knees worshipping? I could destroy you with a single thought!") and uses her powers to torture him, but quickly becomes [[MyGodWhatHaveIDone horrified with herself]].


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* TogetherInDeath: Sargon and Thalassa ultimately choose this, deciding that they do not fear [[TheNothingAfterDeath oblivion]] so long as they are together.
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** She was the only person to officially play Spock for those few scenes before Billy Simpson's 1973 portrayal of young Spock for "[[Recap/StarTrekTheAnimatedSeriesS1E2Yesteryear Yesteryear]]" in the animateds.
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!!This episode provides examples of

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!!This episode provides examples of!!Return to Tropes:
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* RightForTheWrongReasons: [=McCoy=] naturally has his doubts letting Sargon, Thalassa and Henoch borrow bodies. His concern proves well founded, but not for the reasons he expected as the danger comes from Henoch refusing to leave Spock's body and plotting to kill Kirk's body to ensure Sargon's death.
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None


* CessationOfExistence: Sargon says "Thalassa and I must now also depart into oblivion" before he dies, implying a disbelief in any sort of life after death. The idea is muddled a bit by his suggestion that him and Thalassa will be together forever after their deaths, which sort of requires them to still exist after death. The inconsistency is a result of the show's producer adding in the "oblivion" part to fit with his atheistic philosophy, while the rest of the final speech was penned by the Catholic writer of the rest of this episode.

to:

* CessationOfExistence: Sargon says "Thalassa and I must now also depart into oblivion" before he dies, implying a disbelief in any sort of life after death. The idea is muddled a bit by his suggestion that him and Thalassa will be together forever after their deaths, which sort of requires them to still exist after death. The inconsistency is a result of the show's producer adding in the "oblivion" part to fit with his atheistic philosophy, while the rest of the final speech was penned by the Catholic writer of the rest of this episode. He had written "into eternity" -- they would still exist, just as disembodied spirits -- and Roddenberry changed it.



* KissingUnderTheInfluence: Sargon and Thalassa smooch no less than 3 times while borrowing Kirk and Mulhall's bodies.

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* KissingUnderTheInfluence: Sargon and Thalassa are a very HappilyMarried couple who smooch no less than 3 times while borrowing Kirk and Mulhall's bodies.



* WillingChanneler: Essentially what they're all doing, although Roddenberry and Gene Coon insisted on removing anything that seemed the least bit "spiritual", to the point that author John Dugan, a devout Catholic, used his pseudonym Knightsbridge on this. Roddenberry had rewritten the final scene to say that the Arretians departed into "oblivion" rather than just deciding to go on existing without bodies in "eternity" or "infinity" as Dugan had wanted it.

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* WillingChanneler: Essentially what they're all doing, although Roddenberry and Gene Coon insisted on removing anything that seemed the least bit "spiritual", to the point that author John Dugan, a devout Catholic, used his pseudonym Knightsbridge Kingsbridge on this. Roddenberry had rewritten the final scene to say that the Arretians departed into "oblivion" rather than just deciding to go on existing without bodies in "eternity" or "infinity" as Dugan had wanted it. He was a university professor and all his students and colleagues knew his beliefs.

Changed: 439

Removed: 400

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This can really all fit in one bullet.


* CessationOfExistence: Sargon says "Thalassa and I must now also depart into oblivion" before he dies.
** He was supposed to say they would exist in eternity as spirits, just giving up the idea of re-embodiment, but atheist Roddenberry wouldn't allow that. Writer John T. Dugan, a Roman Catholic, took his name off the script at that point and used "John Kingsbridge" instead. Roddenberry had made numerous changes to his script, but those didn't matter; it was the change in philosophy that bugged him.

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* CessationOfExistence: Sargon says "Thalassa and I must now also depart into oblivion" before he dies.
** He was supposed
dies, implying a disbelief in any sort of life after death. The idea is muddled a bit by his suggestion that him and Thalassa will be together forever after their deaths, which sort of requires them to say they would still exist in eternity as spirits, just giving up after death. The inconsistency is a result of the idea of re-embodiment, but atheist Roddenberry wouldn't allow that. Writer John T. Dugan, a Roman Catholic, took show's producer adding in the "oblivion" part to fit with his name off atheistic philosophy, while the script at that point and used "John Kingsbridge" instead. Roddenberry had made numerous changes to his script, but those didn't matter; it rest of the final speech was penned by the change in philosophy that bugged him.Catholic writer of the rest of this episode.
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** She was the only person to officially play Spock for those few scenes before Billy Simpson's 1973 portrayal of young Spock for "[[Recap/StarTrekTheAnimatedSeriesS1E2Yesteryear Yesteryear]]" in the animateds.
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* KillTheHostBody: Kirk resorts to injecting Spock's body with lethal poison to destroy Henoch. Subverted when it turns out that Sargon arranged for them to ''think'' that the hypo was deadly so that Henoch would flee and render himself vulnerable, and that Spock's consciousness was hidden within Nurse Chapel.
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* AbsenteeActor: Chekov doesn't appear in this episode.
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''WesternAnimation/{{Gargoyles}}'' fans will recognize this plot as the one re-used for that series' episode [[Recap/GargoylesS2Possession "Possession."]]
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** There's a brief moment where [=McCoy=] sees Chapel leaving sickbay and yells "Nurse Chapel, what in the devil?!" -- right after Spock's consciousness was stored in Chapel's body. ''That's him.'' Majel Barrett actually got to play Spock for those few seconds.

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