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->''"When I was 17, I was lucky enough, through the offices of [[Creator/WaltDisney Walt]]'s daughter Diane, to spend an afternoon at his house in Holmbly Hills. And I told him of the tremendous impression that ''WesternAnimation/{{Fantasia}}'' had made on me. And he said, "You know, it still hasn't made any money." This was 1951. He said, "But I don't regret making it, because this is what I should have been doing with the medium when I made it."''
-->--'''John Culhane''', film critic and animation historian
-->--'''John Culhane''', film critic and animation historian
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->''"When I was 17, I was lucky enough, through the offices of [[Creator/WaltDisney Walt]]'s daughter Diane, to spend an afternoon at his house in Holmbly Hills. And I told him of the tremendous impression that ''WesternAnimation/{{Fantasia}}'' had made on me. And he said, "You know, it still hasn't made any money." This was 1951. He said, "But I don't regret making it, because this is what I should have been doing with the medium when I made it."''
-->--'''John Culhane''', film critic and animation historian
-->--'''John Culhane''', film critic and animation historian
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->Let's look at the most over-rated SacredCow: ''Music/TheVelvetUndergroundAndNico''. This record is 40 years old. Countless thousands of critics and cultural observers over the years have cited is as the turning point for modern/indie rock music. People have had four decades to heed those sorts of high praise and buy the album... but they ''haven't'. Two generations have grown to maturity since that record came out, reading about its magnificence, without ever (collectively) being inspired to go out and buy a copy to hear what the critics are going on about.
-->-- J. Eric Smith, [[http://web.archive.org/web/20100206084415/http://www.jericsmith.com/sacredcows.htm Slaughtering the Sacred Cows: An Abbreviated Look at the Most Over-Rated Records Ever]]
-->-- J. Eric Smith, [[http://web.archive.org/web/20100206084415/http://www.jericsmith.com/sacredcows.htm Slaughtering the Sacred Cows: An Abbreviated Look at the Most Over-Rated Records Ever]]
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Seems a fitting quote for this page
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->"VideoGame/Killer7 was the game that put legendary auteur Creator/Suda51 on the map, but to call it slightly unconventional would be like calling a swift knee in the bollocks a slightly inappropriate response to a question at a presidential debate, and it was destined for cult stardom only, which is a nice way of saying 'reviewed well, sold like shit.'"
-->-- [[WebAnimation/ZeroPunctuation Yahtzee]], "The Capcom Five"
-->-- [[WebAnimation/ZeroPunctuation Yahtzee]], "The Capcom Five"
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Changed line(s) 1 (click to see context) from:
->''"OnceUponATime there was a great songwriter called Creator/StephenSondheim. He had many, many hit shows, among which were Theatre/SundayInTheParkWithGeorge..."\\
to:
->''"OnceUponATime there was a great songwriter called Creator/StephenSondheim.Music/StephenSondheim. He had many, many hit shows, among which were Theatre/SundayInTheParkWithGeorge..."\\
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Changed line(s) 9 (click to see context) from:
->''"In one sense the [[Creator/HenrikIbsen Ibsen]] battle was carried forward to unmistakable triumph: it won the allegiance of an entire generation of dramatists and succeeding in establishing the Ibsen mold as the 'accepted' mold of the age. In another sense--in the sense of winning a vast commercial audience for its special characteristic--it never succeeded at all. Ibsen himself has at no time had a mass following in this country, neither in his matinee beginnings nor in the heyday of his convinced imitators. To this day a repertory company, organizing itself around the usual Shakespeare, Shaw, and Ibsen, tends to make a little money with Shaw, break even with Shakespeare, and break its neck with Theatre/TheWildDuck."''
to:
->''"In one sense the [[Creator/HenrikIbsen Ibsen]] battle was carried forward to unmistakable triumph: it won the allegiance of an entire generation of dramatists and succeeding succeeded in establishing the Ibsen mold as the 'accepted' mold of the age. In another sense--in the sense of winning a vast commercial audience for its special characteristic--it never succeeded at all. Ibsen himself has at no time had a mass following in this country, neither in his matinee beginnings nor in the heyday of his convinced imitators. To this day a repertory company, organizing itself around the usual Shakespeare, Shaw, and Ibsen, tends to make a little money with Shaw, break even with Shakespeare, and break its neck with Theatre/TheWildDuck."''
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Changed line(s) 2 (click to see context) from:
"I wish..."\\
to:
"I wish...wish."\\
Changed line(s) 4 (click to see context) from:
"I wish..."\\
to:
"I wish...wish."\\
Changed line(s) 6,8 (click to see context) from:
"I wish..."''
-->--''ForbiddenBroadway'', "Into the Words"
-->--''ForbiddenBroadway'', "Into the Words"
to:
"I wish...wish."''
-->--''ForbiddenBroadway'', -->--''Theatre/ForbiddenBroadway'', "Into the Words"
Words"
->''"In one sense the [[Creator/HenrikIbsen Ibsen]] battle was carried forward to unmistakable triumph: it won the allegiance of an entire generation of dramatists and succeeding in establishing the Ibsen mold as the 'accepted' mold of the age. In another sense--in the sense of winning a vast commercial audience for its special characteristic--it never succeeded at all. Ibsen himself has at no time had a mass following in this country, neither in his matinee beginnings nor in the heyday of his convinced imitators. To this day a repertory company, organizing itself around the usual Shakespeare, Shaw, and Ibsen, tends to make a little money with Shaw, break even with Shakespeare, and break its neck with Theatre/TheWildDuck."''
-->-- '''Walter Kerr''', ''How Not to Write a Play''
->''"In one sense the [[Creator/HenrikIbsen Ibsen]] battle was carried forward to unmistakable triumph: it won the allegiance of an entire generation of dramatists and succeeding in establishing the Ibsen mold as the 'accepted' mold of the age. In another sense--in the sense of winning a vast commercial audience for its special characteristic--it never succeeded at all. Ibsen himself has at no time had a mass following in this country, neither in his matinee beginnings nor in the heyday of his convinced imitators. To this day a repertory company, organizing itself around the usual Shakespeare, Shaw, and Ibsen, tends to make a little money with Shaw, break even with Shakespeare, and break its neck with Theatre/TheWildDuck."''
-->-- '''Walter Kerr''', ''How Not to Write a Play''
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->''"OnceUponATime there was a great songwriter called Creator/StephenSondheim. He had many, many hit shows, among which were Theatre/SundayInTheParkWithGeorge..."\\
"I wish..."\\
"...Theatre/{{Assassins}}..."\\
"I wish..."\\
"...and the fairy tale musical of 1988, Theatre/IntoTheWoods."\\
"I wish..."''
-->--''ForbiddenBroadway'', "Into the Words"
----
"I wish..."\\
"...Theatre/{{Assassins}}..."\\
"I wish..."\\
"...and the fairy tale musical of 1988, Theatre/IntoTheWoods."\\
"I wish..."''
-->--''ForbiddenBroadway'', "Into the Words"
----
