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* [[VideoGame/FrostPunk Faith vs. Order]] begins with the Priest delivering a soothing, peaceful message about hope and unity, while the Captain's speech contrasts that with promise of iron discipline and forsaking human rights. Come the second verse, the Priest's agenda quickly escalates to skinning sinners, burning penitent innocents and launching crusades, and the Captain seems slightly more mild and reasonable. It doesn't last long, as both the Priest's and the Captain's final verses have them end as ruthless dictators... [[NotSoDifferent and both of them use some of the exact same lyrics]]. The visuals reflect this, as both stained glass and propaganda posters change from depicting hopeful crowds to glorifying executions and oppression.

to:

* [[VideoGame/FrostPunk Faith vs. Order]] begins with the Priest delivering a soothing, peaceful message about hope and unity, while the Captain's speech contrasts that with promise of iron discipline and forsaking human rights. Come the second verse, the Priest's agenda quickly escalates to skinning sinners, burning penitent innocents and launching crusades, and the Captain seems slightly more mild and reasonable. It doesn't last long, as both the Priest's and the Captain's final verses have them end as ruthless dictators... [[NotSoDifferent and both of them use some of the exact same lyrics]].lyrics. The visuals reflect this, as both stained glass and propaganda posters change from depicting hopeful crowds to glorifying executions and oppression.


* All of "Tune Into The Madness", with it being set in a decrepit basement with Stupenduim and Dan Bull portraying various creepy roles and seemingly getting more unhinged as the song progresses.

to:

* All of "Tune Into The Madness", with it being set in a decrepit basement with Stupenduim Stupendium and Dan Bull portraying various creepy roles and seemingly getting more unhinged as the song progresses.progresses.
* Despite the dubstep theme, "The Data Stream" is the most serious of his anti-capitalist songs, with the lyrics about the personal information that people freely hand over to corporations.


* The refrain of "[[https://www.youtube.com/watch?v=n6gGE9kxe1M Slide into the Void]]", where [[VideoGame/{{Control}} Dr. Casper Darling and Director Trench]] are shown suspended in midair, lit by the ominous red lighting of The Hiss while they mouth the words sung by a [[VoiceOfTheLegion choir of a single female voice]]. They sing what seems to be gibberish, but seems to also be a MotiveRant for The Hiss.

to:

* The refrain of "[[https://www.youtube.com/watch?v=n6gGE9kxe1M Slide into the Void]]", where [[VideoGame/{{Control}} Dr. Casper Darling and Director Trench]] are shown suspended in midair, lit by the ominous red lighting of The Hiss while they mouth the words sung by a [[VoiceOfTheLegion choir of a single female voice]]. They sing what seems to be gibberish, gibberish (which is, in fact, largely taken from the [[https://control.fandom.com/wiki/Hiss_incantation Hiss' in-game lines]]), but seems to also be a MotiveRant for The Hiss.

Added DiffLines:

* All of "Tune Into The Madness", with it being set in a decrepit basement with Stupenduim and Dan Bull portraying various creepy roles and seemingly getting more unhinged as the song progresses.


* [[https://www.youtube.com/watch?v=vvANy49Kqhw The Fine Print]] takes great pain to describe the horrors of ''VideoGame/TheOuterWorlds''. The spokesman's absolute lack of care for the lives of the employees is horrifying, and what's worse is that the employees seem completely broken, willing to just work and work until they die with no other purpose than making money for the company. Gets doubly horrifying with RealitySubtext: The entire song is based on a logical extreme of corporatism, and many employers would treat their employees like this if they could simply to earn an extra nickel.

to:

* [[https://www.youtube.com/watch?v=vvANy49Kqhw The Fine Print]] takes great pain to describe the horrors of ''VideoGame/TheOuterWorlds''. The spokesman's absolute lack of care for the lives of the employees is horrifying, and what's worse is that the employees seem completely broken, willing to just work and work until they die with no other purpose than making money for the company. Gets doubly horrifying with RealitySubtext: The entire song is based on a logical extreme of corporatism, capitalism, and many employers would treat their employees like this if they could simply to earn an extra nickel.


* "Back Together" is mostly a LighterAndSofter song about ''Videogame/FiveNightsAtFreddysVRHelpWanted'' with a few verses by the villain Glitchtrap. At the end of the video, Stupendium stops playing the game and has some pizza. Then he looks at the camera and his eyes glow violet, implying Glitchtrap successfully possessed him. What sells it is how well Stupendium underplays TheReveal.

to:

* "Back Together" "[[https://www.youtube.com/watch?v=eGDDc6Q_cYE Back Together]]" is mostly a LighterAndSofter song about ''Videogame/FiveNightsAtFreddysVRHelpWanted'' with a few verses by the villain Glitchtrap. At the end of the video, Stupendium stops playing the game and has some pizza. Then he looks at the camera and his eyes glow violet, implying Glitchtrap successfully possessed him. What sells it is how well Stupendium underplays TheReveal.



* The original [[https://www.youtube.com/watch?v=syy_IoW92XE "Why did I say Okie Doki?"]] has a scene where [[VisualNovel/DokiDokiLiteratureClub Monika]] takes over the Stupendium's computer, which would be bad enough without ''[[UncannyValley the lips]]''.

to:

* The original [[https://www."[[https://www.youtube.com/watch?v=syy_IoW92XE "Why Why did I say Okie Doki?"]] Doki?]]" has a scene where [[VisualNovel/DokiDokiLiteratureClub Monika]] takes over the Stupendium's computer, which would be bad enough without ''[[UncannyValley the lips]]''.


* When the Joy Doctor's particularly sinister bars in [[https://youtu.be/2u7TRE-UDGQ?t=59 It's a Joy]] cause the scene to briefly become darker and desaturated while his normally rose-tinted glasses turn into ScaryShinyGlasses.

to:

* When the [[VideoGame/WeHappyFew Joy Doctor's Doctor's]] particularly sinister bars in [[https://youtu.be/2u7TRE-UDGQ?t=59 It's a Joy]] cause the scene to briefly become darker and desaturated while his normally rose-tinted glasses turn into ScaryShinyGlasses.



* [[https://www.youtube.com/watch?v=vvANy49Kqhw The Fine Print]] takes great pain to describe the horrors of ''VideoGame/TheOuterWorlds''. The spokeman's absolute lack of care for the lives of the employees is horrifying, and what's worse is that the employees seem completely broken, willing to just work and work until they die with no other purpose than making money for the company. Gets doubly horrifying with RealitySubtext: The entire song is based on a logical extreme of corporatism, and many employers would treat their employees like this if they could simply to earn an extra nickel.

to:

* [[https://www.youtube.com/watch?v=vvANy49Kqhw The Fine Print]] takes great pain to describe the horrors of ''VideoGame/TheOuterWorlds''. The spokeman's spokesman's absolute lack of care for the lives of the employees is horrifying, and what's worse is that the employees seem completely broken, willing to just work and work until they die with no other purpose than making money for the company. Gets doubly horrifying with RealitySubtext: The entire song is based on a logical extreme of corporatism, and many employers would treat their employees like this if they could simply to earn an extra nickel.


* Despite the tongue-in-cheek premise of the game it's based on, [[VideoGame/Fallout76 Vault Number 76]] is ''not'' PlayedForLaughs. Its lyrics paint the tragic tale of a Vault Dweller [[SlowlySlippingIntoEvil progressively losing themselves]] to the barbaric horrors of life in the Wasteland. The lyrics (and many of the visuals) get darker to reflect their SanitySlippage, going from the desperation of scrounging for supplies to glorifying their murder of other named characters in increasingly brutal ways. Now an [[EvilMakesYouUgly absolutely ragged and black-eyed mess]], the Dweller's last stanza is about how [[BloodKnight the horrors of war "are awesome"]] and stave off their boredom. Another overachiever becomes a monstrous killer in a world that encourages it. [[TheFourthWallWillNotProtectYou Even the back-up singers weren't safe]]; the lead singer has brutally murdered the rest of his band and his SlasherSmile ends the song.

to:

* Despite the tongue-in-cheek premise of the game it's based on, [[VideoGame/Fallout76 game it's based on]], [[https://www.youtube.com/watch?v=_xGuAmk0Ed4 Vault Number 76]] is ''not'' PlayedForLaughs. Its lyrics paint the tragic tale of a Vault Dweller [[SlowlySlippingIntoEvil progressively losing themselves]] to the barbaric horrors of life in the Wasteland. The lyrics (and many of the visuals) get darker to reflect their SanitySlippage, going from the desperation of scrounging for supplies to glorifying their murder of other named characters in increasingly brutal ways. Now an [[EvilMakesYouUgly absolutely ragged and black-eyed mess]], the Dweller's last stanza is about how [[BloodKnight the horrors of war "are awesome"]] and stave off their boredom. Another overachiever becomes a monstrous killer in a world that encourages it. [[TheFourthWallWillNotProtectYou Even the back-up singers weren't safe]]; the lead singer has brutally murdered the rest of his band and his SlasherSmile ends the song.


* "An Impostor Calls" ends on a {{Nothing Is Scarier}} note that INVOKES {{Fridge Horror}}: [[spoiler: After the imposter (Stupendium) is ejected, he says "Who's to say I was the only one aboard?", and the text, which at first reads "0 Imposters remain.", changes to "0 Imposters remain'''?'''", implying that just because HE was eliminated doesn't mean the danger is over.]]
** The version on Dan Bull's upload is worse. [[spoiler: As the viewer is themselves a crewmate, you watch Blue get ejected, and Orange proceeds to ominously announce the task he's about to perform, then completely fails to do it. It's then that you see "Blue was not the Imposter" and realize that the Imposter is now all alone with you.]]

to:

* "An "[[https://www.youtube.com/watch?v=prerlxLBbQs An Impostor Calls" Calls]]" ends on a {{Nothing Is Scarier}} note that INVOKES {{Fridge Horror}}: [[spoiler: After the imposter (Stupendium) is ejected, he says "Who's to say I was the only one aboard?", and the text, which at first reads "0 Imposters remain.", changes to "0 Imposters remain'''?'''", implying that just because HE was eliminated doesn't mean the danger is over.]]
** [[https://www.youtube.com/watch?v=NpbTj60kTgI The version version]] on Dan Bull's upload is worse. [[spoiler: As the viewer is themselves a crewmate, you watch Blue get ejected, and Orange proceeds to ominously announce the task he's about to perform, then completely fails to do it. It's then that you see "Blue was not the Imposter" and realize that the Imposter is now all alone with you.]]


* The "Soon enough, you'll come round" bit of "Find the Keys" is filled with imagery of dead classic cartoon characters, culminating in a crazy-eyed Bendy beheading Winnie the Pooh with a guillotine and the head flying across the next frame to illustrate that "everything moves in arcs." It's ''extremely'' jarring to anyone with pleasant memories of these characters.

to:

* The "Soon enough, you'll come round" bit of "Find "[[https://www.youtube.com/watch?v=YQJz1aNBkv0 Find the Keys" Keys]]" is filled with imagery of dead classic cartoon characters, culminating in a crazy-eyed Bendy beheading Winnie the Pooh with a guillotine and the head flying across the next frame to illustrate that "everything moves in arcs." It's ''extremely'' jarring to anyone with pleasant memories of these characters.



* "An Impostor Calls" ends on a {{Nothing Is Scarier}} note that INVOKES {{Fridge Horror}}: [[spoiler: After the imposter (Stupendium) is ejected, he says "Who's to say I was the only one aboard?", and the text, which at first reads "0 Imposters remain.", changes to "0 Imposters remain?", implying that just because HE was eliminated doesn't mean the danger is over.]]

to:

* "An Impostor Calls" ends on a {{Nothing Is Scarier}} note that INVOKES {{Fridge Horror}}: [[spoiler: After the imposter (Stupendium) is ejected, he says "Who's to say I was the only one aboard?", and the text, which at first reads "0 Imposters remain.", changes to "0 Imposters remain?", remain'''?'''", implying that just because HE was eliminated doesn't mean the danger is over.]]



* Stupendium's supervillain in "Fiend Like Me" brainwashing captured agents, [[YouHaveFailedMe executing a minion for failure]] and massacring world leaders at a peace summit.

to:

* Stupendium's supervillain [[VideoGame/EvilGenius2 supervillain]] in "Fiend "[[https://www.youtube.com/watch?v=prerlxLBbQs Fiend Like Me" Me]]" brainwashing captured agents, [[YouHaveFailedMe executing a minion for failure]] and massacring world leaders at a peace summit.

Added DiffLines:

* Stupendium's supervillain in "Fiend Like Me" brainwashing captured agents, [[YouHaveFailedMe executing a minion for failure]] and massacring world leaders at a peace summit.


-->'''Crazy Redd:''' Say I'm a fake and it hurts
--> Say I'm just after a way to your purse?
--> Say that to my face, you'll save on the hearse.

to:

-->'''Crazy Redd:''' Say I'm a fake and it hurts
hurts.
--> Say I'm just after a way to your purse?
purse;
--> Say that to my face, you'll face? You'll save on the hearse.


* The refrain of "[[https://www.youtube.com/watch?v=n6gGE9kxe1M Slide into the Void]]", where [[VideoGame/Control Dr. Casper Darling and Director Trench]] are shown suspended in midair, lit by the ominous red lighting of The Hiss while they mouth the words sung by a [[VoiceOfTheLegion choir of a single female voice]]. They sing what seems to be gibberish, but seems to also be a MotiveRant for The Hiss.

to:

* The refrain of "[[https://www.youtube.com/watch?v=n6gGE9kxe1M Slide into the Void]]", where [[VideoGame/Control [[VideoGame/{{Control}} Dr. Casper Darling and Director Trench]] are shown suspended in midair, lit by the ominous red lighting of The Hiss while they mouth the words sung by a [[VoiceOfTheLegion choir of a single female voice]]. They sing what seems to be gibberish, but seems to also be a MotiveRant for The Hiss.



* Despite the tongue-in-cheek premise of the game it's based on, [[VideoGame/Fallout76 Vault Number 76]] is not PlayedForLaughs. Its lyrics paint the tragic tale of a Vault Dweller [[SlowlySlippingIntoEvil progressively losing themselves]] to the barbaric horrors of life in the Wasteland. The lyrics (and many of the visuals) get darker to reflect their SanitySlippage, going from the desperation of scrounging for supplies to glorifying their murder of other named characters in increasingly brutal ways. Now an [[EvilMakesYouUgly absolutely ragged and black-eyed mess]], the Dweller's last stanza is about how [[BloodKnight the horrors of war "are awesome"]] and stave off their boredom. Another overachiever becomes a monstrous killer in a world that encourages it. [[TheFourthWallWillNotProtectYou Even the back-up singers weren't safe]]; the lead singer has brutally murdered the rest of his band and his SlasherSmile ends the song.

to:

* Despite the tongue-in-cheek premise of the game it's based on, [[VideoGame/Fallout76 Vault Number 76]] is not ''not'' PlayedForLaughs. Its lyrics paint the tragic tale of a Vault Dweller [[SlowlySlippingIntoEvil progressively losing themselves]] to the barbaric horrors of life in the Wasteland. The lyrics (and many of the visuals) get darker to reflect their SanitySlippage, going from the desperation of scrounging for supplies to glorifying their murder of other named characters in increasingly brutal ways. Now an [[EvilMakesYouUgly absolutely ragged and black-eyed mess]], the Dweller's last stanza is about how [[BloodKnight the horrors of war "are awesome"]] and stave off their boredom. Another overachiever becomes a monstrous killer in a world that encourages it. [[TheFourthWallWillNotProtectYou Even the back-up singers weren't safe]]; the lead singer has brutally murdered the rest of his band and his SlasherSmile ends the song.


* The refrain of "[[https://www.youtube.com/watch?v=n6gGE9kxe1M Slide into the Void]]", where Dr. Darling and Director Trench are shown suspended in midair, lit by the ominous red lighting of The Hiss while they mouth the words sung by a [[VoiceOfTheLegion choir of a single female voice]]. They sing what seems to be gibberish, but seems to also be a MotiveRant for The Hiss.

to:

* The refrain of "[[https://www.youtube.com/watch?v=n6gGE9kxe1M Slide into the Void]]", where [[VideoGame/Control Dr. Casper Darling and Director Trench Trench]] are shown suspended in midair, lit by the ominous red lighting of The Hiss while they mouth the words sung by a [[VoiceOfTheLegion choir of a single female voice]]. They sing what seems to be gibberish, but seems to also be a MotiveRant for The Hiss.



* "The Fine Print" takes great pain to describe the horrors of ''VideoGame/TheOuterWorlds''. The spokeman's absolute lack of care for the lives of the employees is horrifying, and what's worse is that the employees seem completely broken, willing to just work and work until they die with no other purpose than making money for the company. Gets doubly horrifying with RealitySubtext: The entire song is based on a logical extreme of corporatism, and many employers would treat their employees like this if they could simply to earn an extra nickel.

to:

* "The [[https://www.youtube.com/watch?v=vvANy49Kqhw The Fine Print" Print]] takes great pain to describe the horrors of ''VideoGame/TheOuterWorlds''. The spokeman's absolute lack of care for the lives of the employees is horrifying, and what's worse is that the employees seem completely broken, willing to just work and work until they die with no other purpose than making money for the company. Gets doubly horrifying with RealitySubtext: The entire song is based on a logical extreme of corporatism, and many employers would treat their employees like this if they could simply to earn an extra nickel.



** The version on Dan Bull's upload is worse; [[spoiler: As the viewer is themself a crewmate, you watch Blue get ejected, and Orange proceeds to ominously announce the task he's about to perform, then completely fails to do it. It's then that you see "Blue was not the Imposter" and realize that the Imposter is now all alone with you.]]

to:

** The version on Dan Bull's upload is worse; worse. [[spoiler: As the viewer is themself themselves a crewmate, you watch Blue get ejected, and Orange proceeds to ominously announce the task he's about to perform, then completely fails to do it. It's then that you see "Blue was not the Imposter" and realize that the Imposter is now all alone with you.]]


* The original [[VisualNovel/DokiDokiLiteratureClub "Why did I say Oki Doki?"]] has a scene where Monika takes over Stupendium's computer, which would be bad enough without ''[[UncannyValley the lips]]''.

to:

* The original [[https://www.youtube.com/watch?v=syy_IoW92XE "Why did I say Okie Doki?"]] has a scene where [[VisualNovel/DokiDokiLiteratureClub "Why did I say Oki Doki?"]] has a scene where Monika Monika]] takes over the Stupendium's computer, which would be bad enough without ''[[UncannyValley the lips]]''.

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