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** When Foss, Laban, and Company react to the giant crocodile bursting out of the water, there are several seconds where Owen's CG duplicate followers make a show of cowering in fright but act like there's something preventing them from '''RUNNING FOR THEIR %&*^ING LIVES''' instead of standing there gawking at the toothy monster that's five feet away from them, which makes them come across as TooDumbToLive. After several seconds pass they start running away, but they're animated as if they're all running in place rather than putting distance between themselves and the monster. Meanwhile, the discrepancy between 2D Foss and Laban, the crudely cel-shaded 3D men, and the realistically textured CG crocodile in the next shot further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation. This can be a gut-busting laugh-out-loud moment if you aren't expecting it.

to:

** When Foss, Laban, and Company react to the giant crocodile bursting out of the water, there are several seconds where Owen's CG duplicate followers make a show of cowering in fright but act like there's something preventing them from '''RUNNING FOR THEIR %&*^ING LIVES''' instead of standing there gawking at the toothy monster that's five feet away from them, which makes them come across as TooDumbToLive. After several seconds pass they start running away, but they're animated as if they're all running in place rather than putting distance between themselves and the monster. Meanwhile, the discrepancy between 2D Foss and Laban, the crudely cel-shaded 3D men, and the realistically textured CG crocodile in the next shot further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation. This can be a gut-busting laugh-out-loud moment if you aren't expecting it.


* [[http://imgur.com/a/k7OGD Episode23]]:

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* [[http://imgur.com/a/k7OGD Episode23]]:Episode 23]]:


** When Schierke is talking about how the armor killed the last person who wore it by piercing his flesh until he bled dry, the miniature image projected near her face is not of the armor as it looked when the Skull Knight wore it, but the dog-headed form the armor took after Guts put it on. This kind of continuity error is especially egregious because the shot is directly based on a manga panel where the armor is clearly skull-headed, and it doesn't help that the HighPressureBlood gushing from the armor's chest looks rather looks rather over-the-top.

to:

** When Schierke is talking about how the armor killed the last person who wore it by piercing his flesh until he bled dry, the miniature image projected near her face is not of the armor as it looked when the Skull Knight wore it, but the dog-headed form the armor took after Guts put it on. This kind of continuity error is especially egregious because the shot is directly based on a manga panel where in which the armor is clearly skull-headed, and it doesn't help that the HighPressureBlood gushing from the armor's chest looks rather looks rather over-the-top.


** When Foss, Laban, and Company react to the giant crocodile bursting out of the water, there are several seconds where Owen's CG duplicate followers make a show of cowering in fright but act like there's something preventing them from '''RUNNING FOR THEIR %&*^&% LIVES''' instead of standing there gawking at the toothy monster that's five feet away from them, which makes them come across as TooDumbToLive. After several seconds pass they start running away, but they're animated as if they're all running in place rather than putting distance between themselves and the monster. Meanwhile, the discrepancy between 2D Foss and Laban, the crudely cel-shaded 3D men, and the realistically textured CG crocodile in the next shot further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation. This can be a gut-busting laugh-out-loud moment if you aren't expecting it.

to:

** When Foss, Laban, and Company react to the giant crocodile bursting out of the water, there are several seconds where Owen's CG duplicate followers make a show of cowering in fright but act like there's something preventing them from '''RUNNING FOR THEIR %&*^&% %&*^ING LIVES''' instead of standing there gawking at the toothy monster that's five feet away from them, which makes them come across as TooDumbToLive. After several seconds pass they start running away, but they're animated as if they're all running in place rather than putting distance between themselves and the monster. Meanwhile, the discrepancy between 2D Foss and Laban, the crudely cel-shaded 3D men, and the realistically textured CG crocodile in the next shot further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation. This can be a gut-busting laugh-out-loud moment if you aren't expecting it.


Due to lack of production values in certain areas, some of the show's attempts to be really badass and horrifying fall flat and instead produce giggles for one reason or another, which is why several of them have become memes.

to:

Due to lack of production values in certain areas, some all too many of the show's attempts to be really badass and horrifying fall flat and instead produce giggles for one reason or another, which is why several of them have become memes.



** When Foss, Laban, and Company react to the giant crocodile bursting out of the water, there are several seconds where Owen's CG duplicate followers make a show of cowering in fright but act like there's something preventing them from RUNNING FOR THEIR %&*^&% LIVES instead of standing there gawking at the toothy monster that's five feet away from them, which makes them come across as TooDumbToLive. After several seconds pass they start running away, but they're animated as if they're all running in place rather than putting distance between themselves and the monster. Meanwhile, the discrepancy between 2D Foss and Laban, the crudely cel-shaded 3D men, and the realistically textured CG crocodile in the next shot further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation. This can be a gut-busting laugh out loud moment if you aren't expecting it.

to:

** When Foss, Laban, and Company react to the giant crocodile bursting out of the water, there are several seconds where Owen's CG duplicate followers make a show of cowering in fright but act like there's something preventing them from RUNNING '''RUNNING FOR THEIR %&*^&% LIVES LIVES''' instead of standing there gawking at the toothy monster that's five feet away from them, which makes them come across as TooDumbToLive. After several seconds pass they start running away, but they're animated as if they're all running in place rather than putting distance between themselves and the monster. Meanwhile, the discrepancy between 2D Foss and Laban, the crudely cel-shaded 3D men, and the realistically textured CG crocodile in the next shot further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation. This can be a gut-busting laugh out loud laugh-out-loud moment if you aren't expecting it.

Added DiffLines:

* [[http://imgur.com/a/k7OGD Episode23]]:
** Guts cutting through the Makara's trunk is followed by HighPressureBlood shooting out from a jagged staircase pattern line shaped nothing like the path he cut, looking very glitchy and fake.
** While Guts is fighting on top of the giant crocodiles in the upper left corner of the screen while Isidro looks on, he and the crocodiles under him seem to be inexplicably bobbing up and down behind the horizon.
** The red goo between the jaws of the armor looking like it's chewing on a tootsie roll.
** Serpico slicing of the heads of the Kushan sorcerers with his feather sword, apparently using the actual blade of feathers rather than the winds created by the Sylphs.
* Episode 24:
** Captain Bonebeard looks like a badly rendered nutcracker, and if you look closely little bits of his hair and eyepatch inexplicably shrink out of existence by themselves.
** The goofy, repeating animation of Isidro and Mule punching each other in the face.


** When Foss, Laban, and Company react to the giant crocodile bursting out of the water, there are several seconds where Owen's CG duplicate followers make a show of cowering in fright but act like there's something preventing them from RUNNING FOR THEIR %&*^&% LIVES instead of standing there gawking at the toothy monster that's five feet away from them, which makes them come across as TooDumbToLive. After several seconds pass they start running away, but they look as if they're all running in place because they aren't actually getting further away. Meanwhile the discrepancy between 2D Owen and Laban, the crudely cel-shaded 3D men, and the realistically textured CG crocodile in the next shot further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation. This can be a gut-busting laugh out loud moment if you aren't expecting it.

to:

** When Foss, Laban, and Company react to the giant crocodile bursting out of the water, there are several seconds where Owen's CG duplicate followers make a show of cowering in fright but act like there's something preventing them from RUNNING FOR THEIR %&*^&% LIVES instead of standing there gawking at the toothy monster that's five feet away from them, which makes them come across as TooDumbToLive. After several seconds pass they start running away, but they look they're animated as if they're all running in place because they aren't actually getting further away. Meanwhile rather than putting distance between themselves and the monster. Meanwhile, the discrepancy between 2D Owen Foss and Laban, the crudely cel-shaded 3D men, and the realistically textured CG crocodile in the next shot further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation. This can be a gut-busting laugh out loud moment if you aren't expecting it.


** When Foss, Laban, and Company react to the giant crocodile bursting out of the water, there are several seconds where Owen's CG duplicate followers make a show of cowering in fright but act like there's something preventing them from RUNNING FOR THEIR %&*^&% LIVES instead of standing there gawking at the toothy monster that's five feet away from them. After several seconds pass they start running away, but they look as if they're all running in place because they aren't actually getting further away. Meanwhile the discrepancy between 2D Owen and Laban, the crudely cel-shaded 3D men, and the realistically textured CG crocodile in the next shot further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation. This can be a gut-busting laugh out loud moment if you aren't expecting it.

to:

** When Foss, Laban, and Company react to the giant crocodile bursting out of the water, there are several seconds where Owen's CG duplicate followers make a show of cowering in fright but act like there's something preventing them from RUNNING FOR THEIR %&*^&% LIVES instead of standing there gawking at the toothy monster that's five feet away from them.them, which makes them come across as TooDumbToLive. After several seconds pass they start running away, but they look as if they're all running in place because they aren't actually getting further away. Meanwhile the discrepancy between 2D Owen and Laban, the crudely cel-shaded 3D men, and the realistically textured CG crocodile in the next shot further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation. This can be a gut-busting laugh out loud moment if you aren't expecting it.


** When Foss, Laban, and Company react to the giant crocodile bursting out of the water, there are several seconds where Owen's CG duplicate followers make a show of cowering in fright but act like there's something preventing them from RUNNING FOR THEIR %&*^&% LIVES instead of standing there gawking at the toothy monster that's five feet away from them. They start running but they seem to be running in place because they aren't covering any real ground, and the contrast between 2D Owen and Laban, the cel-shaded 3D men, and the realistically textured CG crocodile in the next shot further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation. This can be a gut-busting laugh out loud moment if you aren't expecting it.

to:

** When Foss, Laban, and Company react to the giant crocodile bursting out of the water, there are several seconds where Owen's CG duplicate followers make a show of cowering in fright but act like there's something preventing them from RUNNING FOR THEIR %&*^&% LIVES instead of standing there gawking at the toothy monster that's five feet away from them. They After several seconds pass they start running away, but they seem to be look as if they're all running in place because they aren't covering any real ground, and actually getting further away. Meanwhile the contrast discrepancy between 2D Owen and Laban, the crudely cel-shaded 3D men, and the realistically textured CG crocodile in the next shot further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation. This can be a gut-busting laugh out loud moment if you aren't expecting it.


** When Foss, Laban, and Company see the giant crocodile and start fleeing, everybody is obviously running in place and not covering any distance even though they're supposedly running for their lives. The contrast between 2D Owen and Laban, the cel-shaded 3D men, and the realistically textured CG crocodile further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation.

to:

** When Foss, Laban, and Company see react to the giant crocodile and bursting out of the water, there are several seconds where Owen's CG duplicate followers make a show of cowering in fright but act like there's something preventing them from RUNNING FOR THEIR %&*^&% LIVES instead of standing there gawking at the toothy monster that's five feet away from them. They start fleeing, everybody is obviously running but they seem to be running in place and not because they aren't covering any distance even though they're supposedly running for their lives. The real ground, and the contrast between 2D Owen and Laban, the cel-shaded 3D men, and the realistically textured CG crocodile in the next shot further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation.presentation. This can be a gut-busting laugh out loud moment if you aren't expecting it.

Added DiffLines:

** One shot of Guts running with Schierke under his arm is a stiff, bouncing-around simulation of running like the wobbly walk animation from episode 21.


** The shot immediately after Guts' head emerges from the armor, bloodied and with a new SkunkStripe in his hair, it's basically a colored manga panel with tons of detail, then suddenly cuts to a shot of Isidro and Serpico running with the most hilarious look of terror on Isidro's face, with both of their faces horribly affected by cel shading artifacts.

to:

** The shot immediately after Guts' head emerges from the armor, bloodied and with a new SkunkStripe in his hair, it's basically a colored manga panel with tons of detail, then suddenly cuts to a 3D shot of Isidro and Serpico running with the most hilarious look of terror on Isidro's face, with both of their faces horribly affected by cel shading artifacts.

Added DiffLines:

** The shot immediately after Guts' head emerges from the armor, bloodied and with a new SkunkStripe in his hair, it's basically a colored manga panel with tons of detail, then suddenly cuts to a shot of Isidro and Serpico running with the most hilarious look of terror on Isidro's face, with both of their faces horribly affected by cel shading artifacts.
** When Guts leaps over a burning tree trunk, his legs obviously clip through the trunk.

Added DiffLines:

** When Schierke is talking about how the armor killed the last person who wore it by piercing his flesh until he bled dry, the miniature image projected near her face is not of the armor as it looked when the Skull Knight wore it, but the dog-headed form the armor took after Guts put it on. This kind of continuity error is especially egregious because the shot is directly based on a manga panel where the armor is clearly skull-headed, and it doesn't help that the HighPressureBlood gushing from the armor's chest looks rather looks rather over-the-top.
** When Foss, Laban, and Company see the giant crocodile and start fleeing, everybody is obviously running in place and not covering any distance even though they're supposedly running for their lives. The contrast between 2D Owen and Laban, the cel-shaded 3D men, and the realistically textured CG crocodile further serves to deflate the terror the characters are supposed to be in through the absurdity of the presentation.


** If you pay attention when Guts bends Grunbeld's hammer with a powerful strike, you'll notice the dent appears in the handle before the Dragonslayer actually hits it.

to:

** If you pay attention when Guts bends Grunbeld's hammer with a powerful strike, you'll notice the dent appears in the handle before the Dragonslayer actually hits it. It almost looks as if Grunbeld bends it himself and then blocks the strike with his bent hammer.

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