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** Although the album version does not, many live performances of "Firth of Fifth" cold open, omitting the studio version's piano intro.
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* NonAppearingTitle: "Firth of Fifth".

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* NonAppearingTitle: The album plays around with this trope. "Dancing with the Moonlit Knight", "I Know What I Like (In Your Wardrobe)", and "The Cinema Show" each feature a phrase that sounds ''similar'' to the title but isn't 1:1.[[note]]"Dancing with the Moonlit Knight" has "dancing '''out''' with the moonlit knight," "I Know What I Like (In Your Wardrobe)" has "I know what I like, and I like what I know, getting better in your wardrobe," and "The Cinema Show" has "'''her''' cinema show."[[/note]] "Firth of Fifth".Fifth", "After the Ordeal", and "Aisle of Plenty" are more conventional cases of this trope (though with "After the Ordeal" it's inevitable on account of it being an {{instrumental|s}}), and "More Fool Me" and "The Battle of Epping Forest" feature conventional {{title drop}}s.
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* GratuitousPanning: "The Battle of Epping Forest" begins with the sound of an army platoon marching from the left channel to the right channel.
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* ArtisticLicenseGeography: The chorus of "The Cinema Show"; see GenderBender below. This planet actually contains roughly twice as much sea as land. The band [[CaptainObvious weren't being literal here]], using the water and earth as metaphors for how sex feels as a man and a woman, respectively.

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* ArtisticLicenseGeography: The chorus of "The Cinema Show"; see GenderBender below. Show", in which Tiresias states that "there is, in fact, more Earth than sea." This planet actually contains roughly twice as much sea as land. The band [[CaptainObvious weren't being literal here]], using the water and earth as metaphors for how sex feels as a man and a woman, respectively.
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* EpicInstrumentalOpener: "Firth of Fifth" opens with an extended piano solo by Music/TonyBanks that goes on for around a minute before the vocals kick in; this solo is reprised again on the ARP Pro Soloist during the song's bridge.

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* CoverDrop: "I Know What I Like (In Your Wardrobe)" features the line "when the sun beats down and I lie on the bench, I can always hear them talk," imagery that is reflected on the album cover.

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* CoverDrop: "I Know What I Like (In Your Wardrobe)" features the line "when the sun beats down and I lie on the bench, I can always hear them talk," imagery that is reflected on the album cover.cover, which itself was hastily adjusted to include a lawnmower to better tie it to the track.



* DesignStudentsOrgasm: Like Genesis' previous albums on Creator/CharismaRecords, the album cover for ''Selling England by the Pound'' depicts a detailed painting related to the lyrics of some of the songs. In this case, the album cover is ''The Dream'', painted by former London Transport poster artist Betty Swanwick, which depicts the intro and bridge of "I Know What I Like (In Your Wardrobe)" (i.e. "when the sun beats down and I lie on the bench, I can always hear them talk").



* LiteraryAllusionTitle: The album title was used as a slogan by the British Labour Party at one point.

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* LiteraryAllusionTitle: The album title was used as comes from a former slogan by the British Labour Party at one point.Party.



* MobWar: "The Battle of Epping Forest", written about the turf wars in London's East End that Music/PeterGabriel had heard of for years.

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* MobWar: "The Battle of Epping Forest", written about the turf wars in London's East End that Music/PeterGabriel had heard of for years. Said turf wars actually were fought in Epping Forest in Greater London and Essex.



** "The Battle of Epping Forest" makes a passing reference to Music/{{Woodstock}}, and Gabriel does a brief Music/BobDylan impression.
** "The Cinema Show" refers to both ''Theatre/RomeoAndJuliet'' and Greek mythology within the span of a few minutes.

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** "The Battle of Epping Forest" makes a passing reference to Music/{{Woodstock}}, and Gabriel does a brief Music/BobDylan impression.
impression. Liquid Len is also named after a pseudonym of Jonathan Smeeton, a lighting and production designer who adopted the moniker during his work with Music/{{Hawkwind}}. Smeeton, incidentally, would end up lending his services to Gabriel's solo shows from the late '70s all the way up to the 1990s.
** "The Cinema Show" refers to both ''Theatre/RomeoAndJuliet'' and the Greek mythology myth of Tiresias within the span of a few minutes.



* SongStyleShift: Because it's ProgressiveRock, these can happen anywhere, but a particularly noteworthy one is the shift from folk at the beginning of "Dancing with the Moonlit Knight" to complex, fast-paced progressive rock in the middle to an eerie twelve string guitar-led instrumental at the end.

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* SongStyleShift: Because it's ProgressiveRock, these can happen anywhere, but a particularly noteworthy one is the shift from folk at the beginning of "Dancing with the Moonlit Knight" to complex, fast-paced progressive rock in the middle (which Music/SteveHackett compared to a rocket launching) to an eerie twelve string guitar-led instrumental at the end.
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* BlackCapOfDeath: At the end of "The Battle of Epping Forest", the gangs' accountants check back on the battlefield and find that all the participants killed each other, resulting in a draw; consequently, they decide to flip a coin to settle the boundary dispute that started the battle. The narrator of the song refers to the accountants as "Blackcap Barons" when recounting this, implying that they ultimately hold full responsibility for the carnage that took place.

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* ConceptAlbum: The album's lyrics center around the decline of English folk culture in the wake of growing Americanization, as exemplified by the album title. According to Music/TonyBanks, the album was not originally conceived this way, but ended up leaning into the concept as the songs developed.

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* ConceptAlbum: The album's lyrics center around the decline of English folk culture in the wake of growing commercialization and Americanization, as exemplified by the album title. According to Music/TonyBanks, the album was not originally conceived this way, but ended up leaning into the concept as the songs developed.



* DeathByIrony: In "Dancing with the Moonlit Knight", the narrator notes that Old Father Thames committed suicide by drowning -- in British folklore, Old Father Thames is an anthropomorphic representation of the eponymous river, making his aquatic death in the song a marked contrast with his lot in life.



* DrivenToSuicide: In "Dancing with the Moonlit Knight", the narrator encounters a news headline stating that Old Father Thames drowned himself to death as a result of his participation in England's decline through commercialization.



** For starters, the "pound" in the title can refer either to the measurement of weight or to the British currency.

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** For starters, the "pound" in the title can refer either to the measurement of weight or to the British currency.currency, tying into the overarching concept of how commercialization and Americanization led to the decline of English folk culture.



[[https://en.wikipedia.org/wiki/Tesco Tess]] co-[[https://en.wikipedia.org/wiki/Co-op_Food op]]erates.

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[[https://en.wikipedia.org/wiki/Tesco Tess]] co-[[https://en.Tess co]]-[[https://en.wikipedia.org/wiki/Co-op_Food op]]erates.



* LyricalColdOpen: "Dancing with the Moonlit Knight" (and by extension, the album) opens with the acapella line "'Can you tell me where my country lies?' said the Unifaun to his true love's eyes." The guitar then kicks in with the line "'It lies with me,' cried the Queen of Maybe."

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* LyricalColdOpen: "Dancing with the Moonlit Knight" (and by extension, the album) opens with the acapella line "'Can you tell me where my country lies?' said the Unifaun unifaun to his true love's eyes." The guitar then kicks in with the line "'It lies with me,' cried the Queen of Maybe."

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** "Aisle of Plenty" is a reprise of "Dancing with the Moonlit Knight".

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** "Aisle of Plenty" is a reprise of "Dancing with the Moonlit Knight". Both songs additionally feature wordplay based around grocery stores, with "Dancing with the Moonlit Knight" referencing the Green Shield Stamps program and "Aisle of Plenty" featuring plays on a number of grocery store chains in the UK.


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* ConceptAlbum: The album's lyrics center around the decline of English folk culture in the wake of growing Americanization, as exemplified by the album title. According to Music/TonyBanks, the album was not originally conceived this way, but ended up leaning into the concept as the songs developed.

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Said the Unifaun to his true love's eyes\\

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Said the Unifaun unifaun to his true love's eyes\\






# "Cinema Show" (11:10)

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# "Cinema "The Cinema Show" (11:10)






* BookEnds: "Aisle of Plenty" is a reprise of "Dancing with the Moonlit Knight".

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* BookEnds: BookEnds:
** "I Know What I Like (In Your Wardrobe)" begins and ends with the same rumbling, groaning synth line.
**
"Aisle of Plenty" is a reprise of "Dancing with the Moonlit Knight".



* CoverDrop: "I Know What I Like (In Your Wardrobe)" features the line "when the sun beats down and I lie on the bench, I can always hear them talk," imagery that is reflected on the album cover.



* EpicRocking: There are four tracks longer than eight minutes, though originally "Dancing with the Moonlit Knight", "Cinema Show", and "Aisle of Plenty" were to be part of a 20-minute suite, much like "Music/SuppersReady", considering the riffs linking the tracks together.

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* EpicRocking: There are four tracks longer than eight minutes, though originally "Dancing with the Moonlit Knight", "Cinema "The Cinema Show", and "Aisle of Plenty" were to be part of a 20-minute suite, much like "Music/SuppersReady", considering the riffs linking the tracks together.



** "Dancing with the Moonlit Knight" has wordplay which incorporates British mythology with the modern world, including the "[[https://en.wikipedia.org/wiki/May_Queen Queen of Maybe]]" and "Knights of the [[https://en.wikipedia.org/wiki/Green_Shield_Stamps Green Shield stamp]] and shout".

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** "Dancing with the Moonlit Knight" has wordplay which incorporates British mythology with the modern world, including world. Among other things, the opening lines mention a "unifaun" (a portmanteau of "uniform" and "faun") and the "[[https://en.wikipedia.org/wiki/May_Queen Queen of Maybe]]" Maybe]]," and the chorus ends with the cry "Knights of the [[https://en.wikipedia.org/wiki/Green_Shield_Stamps Green Shield stamp]] and shout".



* LyricalColdOpen: "Dancing with the Moonlit Knight" (and by extension, the album) opens with the acapella line "Can you tell me where my country lies?"

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* LyricalColdOpen: "Dancing with the Moonlit Knight" (and by extension, the album) opens with the acapella line "Can "'Can you tell me where my country lies?"lies?' said the Unifaun to his true love's eyes." The guitar then kicks in with the line "'It lies with me,' cried the Queen of Maybe."



* NoEnding: In a way, "Dancing with the Moonlit Knight", because it was intended to lead into "Cinema Show". It simply fades out on the recording, but it's pretty clearly meant to build tension until the opening of the latter track releases it.
* RecurringRiff: As "Dancing with the Moonlit Knight", "Cinema Show", and "Aisle of Plenty" were originally meant to be a suite, there is a similar progression that can be heard at any point in the three songs, of which it transitions the latter two in the final cut.

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* NoEnding: In a way, "Dancing with the Moonlit Knight", because it was intended to lead into "Cinema "The Cinema Show". It simply fades out on the recording, but it's pretty clearly meant to build tension until the opening of the latter track releases it.
* RecurringRiff: As "Dancing with the Moonlit Knight", "Cinema "The Cinema Show", and "Aisle of Plenty" were originally meant to be a suite, there is a similar progression that can be heard at any point in the three songs, of which it transitions the latter two in the final cut.



* ShoutOut: All over the place. "The Cinema Show" refers to both ''Theatre/RomeoAndJuliet'' and Greek mythology within the span of a few minutes. "The Battle of Epping Forest" makes a passing reference to Music/{{Woodstock}}, and Gabriel does a brief Music/BobDylan impression. "Dancing with the Moonlit Knight" makes references both to an old Labour Party slogan (which also provides the album with its name) and to "Land of Hope and Glory", a song commonly associated with the British Conservative Party. And so on.
* SiameseTwinSongs: "Cinema Show" and "Aisle of Plenty", to the point where some releases (including the original 1973 LP) have them combined as one track.
* SongStyleShift: Because it's ProgressiveRock, these can happen anywhere, but a particularly noteworthy one is the shift from folk at the beginning of "Dancing with the Moonlit Knight" to complex progressive rock in the middle to an eerie twelve string guitar-led instrumental at the end.

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* ShoutOut: All over the place. "The Cinema Show" refers to both ''Theatre/RomeoAndJuliet'' and Greek mythology within the span of a few minutes. "The Battle of Epping Forest" makes a passing reference to Music/{{Woodstock}}, and Gabriel does a brief Music/BobDylan impression. place.
**
"Dancing with the Moonlit Knight" makes references both to an old Labour Party slogan (which also provides the album with its name) and to "Land of Hope and Glory", a song commonly associated with the British Conservative Party. And so on.
Party.
** "The Battle of Epping Forest" makes a passing reference to Music/{{Woodstock}}, and Gabriel does a brief Music/BobDylan impression.
** "The Cinema Show" refers to both ''Theatre/RomeoAndJuliet'' and Greek mythology within the span of a few minutes.
* SiameseTwinSongs: "Cinema "The Cinema Show" and "Aisle of Plenty", to the point where some releases (including the original 1973 LP) have them combined as one track.
* SongStyleShift: Because it's ProgressiveRock, these can happen anywhere, but a particularly noteworthy one is the shift from folk at the beginning of "Dancing with the Moonlit Knight" to complex complex, fast-paced progressive rock in the middle to an eerie twelve string guitar-led instrumental at the end.
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* ReCut:
** On 8-track releases, the running order is substantially altered to fit a four-program format. What the rearranged order is depends on the region:
*** On the UK edition, the tracklist goes "I Know What I Like (In Your Wardrobe)", "Firth of Fifth", "Dancing with the Moonlit Knight", "More Fool Me", "The Cinema Show", "Aisle of Plenty", "The Battle of Epping Forest", and "After the Ordeal", Additionally, "The Cinema Show" is split into two parts due to it overlapping with the changeover between programs two and three.
*** On the US edition, the 8-track running order is "I Know What I Like (In Your Wardrobe)", "Firth of Fifth", "Dancing with the Moonlit Knight", "The Battle of Epping Forest", "More Fool Me", "The Cinema Show", and "Aisle of Plenty". Additionally, "The Battle of Epping Forest" is split into two parts due to it overlapping with the changeover between programs two and three.
** On cassette releases, "Firth of Fifth" is moved between "The Battle of Epping Forest" and "After the Ordeal" to even out the lengths of the two sides.
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* ArtisticLicenseGeography: The chorus of "The Cinema Show"; see GenderBender below. This planet actually contains roughly twice as much sea as land. The band [[CaptainObvious weren't being literal here]].

to:

* ArtisticLicenseGeography: The chorus of "The Cinema Show"; see GenderBender below. This planet actually contains roughly twice as much sea as land. The band [[CaptainObvious weren't being literal here]].here]], using the water and earth as metaphors for how sex feels as a man and a woman, respectively.



* GenderBender: The chorus, such as it is, of "The Cinema Show" (it's the only segment of the song to be sung twice) centres around Father Tiresias, a figure from Greek mythology who had lived as both a man and a woman.

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* GenderBender: The chorus, such as it is, of "The Cinema Show" (it's the only segment of the song to be sung twice) centres around Father Tiresias, a figure from Greek mythology who had lived as was transformed into a woman for seven years by Hera after he struck a pair of mating snakes. The lyrics allude to an episode in Tiresias' life where Zeus and Hera ask him which gender draws more pleasure from sex, with each god arguing in favor of the other gender; Tiresias, having slept around in both a man and of his forms, states that he enjoyed it more as a woman.



* LyricalColdOpen: The whole album opens a cappella with Gabriel's voice.

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* LyricalColdOpen: The whole album "Dancing with the Moonlit Knight" (and by extension, the album) opens a cappella with Gabriel's voice.the acapella line "Can you tell me where my country lies?"
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''Selling England by the Pound'' is the fifth studio album by Music/{{Genesis}}, released through Creator/CharismaRecords on 13 October 1973. It was the first album by the band which charted a single in the UK ("I Know What I Like (In Your Wardrobe)", #21) and reached the US Billboard 200 (#70).

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''Selling England by the Pound'' is the fifth studio album by Music/{{Genesis}}, Music/{{Genesis|Band}}, released through Creator/CharismaRecords on 13 October 1973. It was the first album by the band which charted a single in the UK ("I Know What I Like (In Your Wardrobe)", #21) and reached the US Billboard 200 (#70).
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Said the Unifaun to his true loves eyes\\

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Said the Unifaun to his true loves love's eyes\\
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->''"'Can you tell me where my country lies?'\\
Said the Unifaun to his true loves eyes\\
'It lies with me,' cried the Queen of Maybe\\
For her merchandise, he traded in his prize"''
-->--"Dancing with the Moonlit Knight"



----

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--------
->"It's Scrambled Eggs"

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The historical artistic license entry doesn't apply to the album itself








!! ''I knoooooooooow what I trope and I troooooooooope what I know'':

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!! ''I knoooooooooow what I trope !!''And so with gods and I troooooooooope what I know'':men, the tropes remain inside their pen'':



* ArtisticLicenseHistory: There used to be online an essay by an American fan about "The Battle of Epping Forest", who amongst other unintentionally hilarious mistakes failed to realise that "not since the Civil War" refers to the English Civil War, not the American one.



** For starters, the "pound" in the title can refer either to the measurement of weight or to the British currency.
** "Dancing with the Moonlit Knight" has wordplay which incorporates British mythology with the modern world, including the "[[https://en.wikipedia.org/wiki/May_Queen Queen of Maybe]]" and "Knights of the [[https://en.wikipedia.org/wiki/Green_Shield_Stamps Green Shield stamp]] and shout".
** "Firth of Fifth" is a pun on the actual body of water the [[https://en.wikipedia.org/wiki/Firth_of_Forth Firth of Forth]].



** "Dancing with the Moonlit Knight", we might note, is ''also'' a pun, as is "Firth of Fifth", which is a pun on the actual body of water the [[https://en.wikipedia.org/wiki/Firth_of_Forth Firth of Forth]]. The album title itself also qualifies, since "pound" can refer either to the measurement of weight or to the British currency. And that's just titles; if we delved into song lyrics we might be here all day.
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''Selling England by the Pound'' is the fifth studio album by Music/{{Genesis}}, released through Creator/CharismaRecords on 13 October 1973. It was the first album by the band which charted a single in the UK ("I Know What I Like (In Your Wardrobe)", #21) and reached the US Billboard 200 (#70). Although a modest commercial success compared to the later works of both the band and its then-members Music/PeterGabriel and Music/PhilCollins (it has likely sold around a million copies worldwide by now), its impact has extended far beyond its commercial performance; it remains not merely in all likelihood their most acclaimed album but one of the most acclaimed ProgressiveRock albums of all time.

to:

''Selling England by the Pound'' is the fifth studio album by Music/{{Genesis}}, released through Creator/CharismaRecords on 13 October 1973. It was the first album by the band which charted a single in the UK ("I Know What I Like (In Your Wardrobe)", #21) and reached the US Billboard 200 (#70). Although a modest commercial success compared to the later works of both the band and its then-members Music/PeterGabriel and Music/PhilCollins (it has likely sold around a million copies worldwide by now), its impact has extended far beyond its commercial performance; it remains not merely in all likelihood their most acclaimed album but one of the most acclaimed ProgressiveRock albums of all time.
(#70).
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-->There's the [[https://en.wikipedia.org/wiki/Safeway_(UK) safe way]] home\\

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-->There's --->There's the [[https://en.wikipedia.org/wiki/Safeway_(UK) safe way]] home\\

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->''"'Paper late!' cried a voice in the crowd\\
'Old man dies!' The note he left was signed 'Old Father Thames'\\
It seems he's drowned\\
[[AlbumTitleDrop Selling England by the pound]]"''
-->-- "Dancing With the Moonlit Knight"



-->Old man dies\\

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-->Old -->''"'Paper late!' cried a voice in the crowd\\
Old
man dies\\



-->It all began when I went on a tour,
-->Hoping to find some furniture.
-->I followed a sign -- it said "Beautiful Chest".
-->It led to a lady who showed me her best.

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-->It --->It all began when I went on a tour,
-->Hoping
tour,\\
Hoping
to find some furniture.
-->I
furniture.\\
I
followed a sign -- it said "Beautiful Chest".
-->It
Chest".\\
It
led to a lady who showed me her best.



** "The Cinema Show" also has one centring around Theatre/RomeoAndJuliet.
* EpicRocking: There are four tracks longer than eight minutes, though originally "Dancing with the Moonlit Knight", "Cinema Show", and "Aisle of Plenty" were to be part of a 20-minute suite, much like Music/SuppersReady, considering the riffs linking the tracks together.

to:

** "The Cinema Show" also has one centring centering around Theatre/RomeoAndJuliet.
* EpicRocking: There are four tracks longer than eight minutes, though originally "Dancing with the Moonlit Knight", "Cinema Show", and "Aisle of Plenty" were to be part of a 20-minute suite, much like Music/SuppersReady, "Music/SuppersReady", considering the riffs linking the tracks together.



--> Take a little trip back with Father Tiresias
--> Listen to the old one speak of all he has lived through
--> I have crossed between the poles
--> For me there's no mystery
--> Once a man, like the sea I raged
--> Once a woman, like the earth I gave
--> [[ArtisticLicenseGeography But there is in fact more earth than sea]]
* HurricaneOfPuns: It's not just that "Aisle of Plenty"'s title is in itself a pun; the song has these for the big grocery chains of the time.

to:

--> Take -->Take a little trip back with Father Tiresias
-->
Tiresias\\
Listen to the old one speak of all he has lived through
-->
through\\
I have crossed between the poles
-->
poles\\
For me there's no mystery
-->
mystery\\
Once a man, like the sea I raged
-->
raged\\
Once a woman, like the earth I gave
-->
gave\\
[[ArtisticLicenseGeography But there is in fact more earth than sea]]
* HurricaneOfPuns: The whole album is full of them.
**
It's not just that "Aisle of Plenty"'s title is in itself a pun; the song has these for the big grocery chains of the time.



** Really, the whole album is full of them. "Dancing with the Moonlit Knight", we might note, is ''also'' a pun, as is "Firth of Fifth", which is a pun on the actual body of water the [[https://en.wikipedia.org/wiki/Firth_of_Forth Firth of Forth]]. The album title itself also qualifies, since "pound" can refer either to the measurement of weight or to the British currency. And that's just titles; if we delved into song lyrics we might be here all day.

to:

** Really, the whole album is full of them. "Dancing with the Moonlit Knight", we might note, is ''also'' a pun, as is "Firth of Fifth", which is a pun on the actual body of water the [[https://en.wikipedia.org/wiki/Firth_of_Forth Firth of Forth]]. The album title itself also qualifies, since "pound" can refer either to the measurement of weight or to the British currency. And that's just titles; if we delved into song lyrics we might be here all day.



* ShootTheShaggyDog: [[spoiler:After all the fighting in "The Battle of Epping Forest", all the participants end up dead. Because the battle would otherwise be a draw, their accountants flip a coin to settle the matter.]]

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* ShootTheShaggyDog: [[spoiler:After After all the fighting in "The Battle of Epping Forest", all the participants end up dead. Because the battle would otherwise be a draw, their accountants flip a coin to settle the matter.]]
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'''''Selling England by the Pound''''' is the fifth studio album by Music/{{Genesis}}, released in 1973. It was the first album by the band which charted a single in the UK ("I Know What I Like (In Your Wardrobe)", #21) and reached the US Billboard 200 (#70). Although a modest commercial success compared to the later works of both the band and its then-members Music/PeterGabriel and Music/PhilCollins (it has likely sold around a million copies worldwide by now), its impact has extended far beyond its commercial performance; it remains not merely in all likelihood their most acclaimed album but one of the most acclaimed ProgressiveRock albums of all time.

to:

'''''Selling ''Selling England by the Pound''''' Pound'' is the fifth studio album by Music/{{Genesis}}, released in through Creator/CharismaRecords on 13 October 1973. It was the first album by the band which charted a single in the UK ("I Know What I Like (In Your Wardrobe)", #21) and reached the US Billboard 200 (#70). Although a modest commercial success compared to the later works of both the band and its then-members Music/PeterGabriel and Music/PhilCollins (it has likely sold around a million copies worldwide by now), its impact has extended far beyond its commercial performance; it remains not merely in all likelihood their most acclaimed album but one of the most acclaimed ProgressiveRock albums of all time.
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[[caption-width-right:350:[[CoverDrop When the sun beats down, and I lie on the bench, I can always hear them talk.]]]]

->"'Paper late!' cried a voice in the crowd\\

to:

[[caption-width-right:350:[[CoverDrop [[caption-width-right:350:''[[CoverDrop When the sun beats down, and I lie on the bench, I can always hear them talk.]]]]

->"'Paper
]]'']]

->''"'Paper
late!' cried a voice in the crowd\\



[[AlbumTitleDrop Selling England by the pound]]"

to:

[[AlbumTitleDrop Selling England by the pound]]"pound]]"''



''Selling England by the Pound'' is the fifth studio album by Music/{{Genesis}}, released in 1973. It was the first album by the band which charted a single in the UK ("I Know What I Like (In Your Wardrobe)", #21) and reached the US Billboard 200 (#70). Although a modest commercial success compared to the later works of both the band and its then-members Music/PeterGabriel and Music/PhilCollins (it has likely sold around a million copies worldwide by now), its impact has extended far beyond its commercial performance; it remains not merely in all likelihood their most acclaimed album but one of the most acclaimed ProgressiveRock albums of all time.

to:

''Selling '''''Selling England by the Pound'' Pound''''' is the fifth studio album by Music/{{Genesis}}, released in 1973. It was the first album by the band which charted a single in the UK ("I Know What I Like (In Your Wardrobe)", #21) and reached the US Billboard 200 (#70). Although a modest commercial success compared to the later works of both the band and its then-members Music/PeterGabriel and Music/PhilCollins (it has likely sold around a million copies worldwide by now), its impact has extended far beyond its commercial performance; it remains not merely in all likelihood their most acclaimed album but one of the most acclaimed ProgressiveRock albums of all time.
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!!Principal Members:

* Music/TonyBanks – keyboards, guitars
* Music/PhilCollins – drums, percussion, vocals ("More Fool Me")
* Music/PeterGabriel – vocals, woodwinds, percussion
* Music/SteveHackett – guitars
* Music/MikeRutherford – guitars, bass guitars

----
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* {{Instrumentals}}: "After the Ordeal".

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* {{Instrumentals}}: "After the Ordeal", although the liner notes erroneously list the lyrics of the Reverend movement of "The Battle of Epping Forest" as if they were the lyrics to "After the Ordeal".
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** The name "Selling England by the Pound" refers to both the currency and the unit of measurement.

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* DoubleEntendre: In "The Battle of Epping Forest":

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* DoubleEntendre: DoubleEntendre:
** The name "Selling England by the Pound" refers to both the currency and the unit of measurement.
**
In "The Battle of Epping Forest":
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* NonAppearingTitle: "Firth of Fifth".
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* LongestSongGoesLast: Some CD versions have "The Cinema Show" and "Aisle of Plenty" indexed as a single, 12:40 track. They are SiameseTwinSongs either way; the only obvious reason for separating them is that the latter is a reprise of "Dancing with the Moonlit Knight". (It is also not obviously lyrically related to either "Dancing with the Moonlit Knight" or "The Cinema Show", but the Romeo and Juliet and Father Tiresias sections of the latter also are not obviously related, so it's not clear how much impact that had on the band's decision.)

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[[AlbumTitleDrop Selling england by the pound]]"

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[[AlbumTitleDrop Selling england England by the pound]]"



''Selling England by the Pound'' is the fifth studio album by Music/{{Genesis}}, released in 1973. It was the first album by the band which charted a single in the UK ("I Know What I Like (In Your Wardrobe)", #21) and reached the US Billboard 200 (#70). Although a modest commercial success compared to the later works of both the band and its then-members Music/PeterGabriel and Music/PhilCollins, its impact has extended far beyond its commercial performance; it remains not merely in all likelihood their most acclaimed album but one of the most acclaimed ProgressiveRock albums of all time.

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''Selling England by the Pound'' is the fifth studio album by Music/{{Genesis}}, released in 1973. It was the first album by the band which charted a single in the UK ("I Know What I Like (In Your Wardrobe)", #21) and reached the US Billboard 200 (#70). Although a modest commercial success compared to the later works of both the band and its then-members Music/PeterGabriel and Music/PhilCollins, Music/PhilCollins (it has likely sold around a million copies worldwide by now), its impact has extended far beyond its commercial performance; it remains not merely in all likelihood their most acclaimed album but one of the most acclaimed ProgressiveRock albums of all time.



* ArtisticLicenseGeography: The chorus of "The Cinema Show"; see GenderBender below. This planet actually contains roughly twice as much sea as land. The band weren't being literal here.

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* ArtisticLicenseGeography: The chorus of "The Cinema Show"; see GenderBender below. This planet actually contains roughly twice as much sea as land. The band [[CaptainObvious weren't being literal here.here]].


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* ShoutOut: All over the place. "The Cinema Show" refers to both ''Theatre/RomeoAndJuliet'' and Greek mythology within the span of a few minutes. "The Battle of Epping Forest" makes a passing reference to Music/{{Woodstock}}, and Gabriel does a brief Music/BobDylan impression. "Dancing with the Moonlit Knight" makes references both to an old Labour Party slogan (which also provides the album with its name) and to "Land of Hope and Glory", a song commonly associated with the British Conservative Party. And so on.

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