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* MsFanservice: Mary Travers. Of corse, she had the pipes to back it up.

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* MsFanservice: Mary Travers. Of corse, course, she had the pipes to back it up.


PP&Mís next record, 'íMoving,'' featured undoubtably the groupís most beloved song, the childrenís classic ďMusic/PuffTheMagicDragon.Ē It also established another of the groupís trademarks: covering lots and lots of Bob Dylan songs, arguably [[UrExample beginning the trend]] of Dylanís biting social commentary [[CoveredUp finding greater success in more capable performers]] (read: people whoís voices didnít sound like sandpaper on oneís ear). Their cover of ďBlowiní In The WindĒ was not only a massive hit, reaching #2 on the charts, which [[ColbertBump brought Dylan into the mainstream]], but embodied the zeitgeist of political activism in 1960s America to a T as the UsefulNotes/CivilRightsMovement was gaining momentum. The group would give a [[CrowningMomentOfAwesome career-defining performance]] of the song at the March on Washington, immediately following Dr. Martin Luther King Jr.ís legendary ďI Have A DreamĒ speech.

to:

PP&Mís next record, 'íMoving,'' featured undoubtably the groupís most beloved song, the childrenís classic ďMusic/PuffTheMagicDragon.Ē It also established another of the groupís trademarks: covering lots and lots of Bob Dylan songs, arguably [[UrExample beginning the trend]] of Dylanís biting social commentary [[CoveredUp finding greater success in more capable performers]] (read: people whoís voices didnít sound like sandpaper on oneís ear). Their cover of ďBlowiní In The WindĒ was not only a massive hit, reaching #2 on the charts, which [[ColbertBump brought Dylan into the mainstream]], but embodied the zeitgeist of political activism in 1960s America to a T as the UsefulNotes/CivilRightsMovement was gaining momentum. The group would give a [[CrowningMomentOfAwesome career-defining performance]] performance of the song at the March on Washington, immediately following Dr. Martin Luther King Jr.ís legendary ďI Have A DreamĒ speech.

Added DiffLines:

* CowTools: "The Marvellous Toy" (written by Tom Paxton) is about a Cow Tool toy:
--> It went "Zip!" when it moved\\
And "Pop!" when it stopped\\
And "Whirr!" when it stood still.\\
I never knew just what it was\\
And I guess I never will.

Added DiffLines:

* PickedLast: "Right Field"
-->"We'd pick out the captains and we'd choose up the teams,\\
It was always a measure of my self esteem.\\
Cause the fastest, the strongest played shortstop and first,\\
The last ones they picked were the worst."


Following hugely successful appearances in Greenwich Village, the trio's debut SelfTitledAlbum appeared in 1962, featuring their BreakthroughHit, a [[CoverVersion cover]] of the Pete Seeger-penned ďIf I Had A Hammer.Ē Both established PP&Mís trademark style of staunchly leftist (albeit not-threatening) sociopolitical lyrics wrapped in [[EarWorm catchy melodies]] and gorgeous three-part harmonies, giving them mainstream appeal without needing to sacrifice their messages. Changing political tides meant [[RealitySubtext a more liberal American public who would more readily accept the groupís songs]] than the conservatives who dismissed their predecessors (being signed to Warner Bros. records didnít hurt either).

to:

Following hugely successful appearances in Greenwich Village, the trio's debut SelfTitledAlbum appeared in 1962, featuring their BreakthroughHit, a [[CoverVersion cover]] of the Pete Seeger-penned ďIf I Had A Hammer.Ē Both established PP&Mís trademark style of staunchly leftist (albeit not-threatening) sociopolitical lyrics wrapped in [[EarWorm catchy melodies]] and gorgeous three-part harmonies, giving them mainstream appeal without needing to sacrifice their messages. Changing political tides meant [[RealitySubtext a more liberal American public who would more readily accept the groupís songs]] than the conservatives who dismissed their predecessors (being signed to Warner Bros. records Creator/WarnerBrosRecords didnít hurt either).


The group became more directly politically active in the later part of the 60s, appearing at the White House on behalf of Senator Eugene [=McCarthy=]ís antiwar campaign (Yarrow would end up marrying [=McCarthy=]ís daughter shortly thereafter). [=McCarthy=]ís failure, which tragically, and eerily, coincided with the murders of both MLK and Robert F. Kennedy signaled the EndOfAnEra and the group took a hiatus in 1970 after [[MilestoneCelebration celebrating their ten-year anniversary]] with a GreatestHitsAlbum. All three would have modest solo careers, with Stookey's "Wedding Song," written for Peter's wedding, becoming a minor hit.

to:

The group became more directly politically active in the later part of the 60s, appearing at the White House on behalf of Senator Eugene [=McCarthy=]ís antiwar campaign (Yarrow would end up marrying [=McCarthy=]ís daughter shortly thereafter). [=McCarthy=]ís failure, which tragically, and eerily, coincided with the murders of both MLK and Robert F. Kennedy signaled the EndOfAnEra and the group took a hiatus in 1970 after [[MilestoneCelebration celebrating their ten-year anniversary]] with a GreatestHitsAlbum. All three would have modest solo careers, with Stookey's "Wedding Song," written for Peter's wedding, Song (And There Is Love)" becoming a minor hit.


The group became more directly politically active in the later part of the 60s, appearing at the White House on behalf of Senator Eugene [=McCarthy=]ís antiwar campaign (Yarrow would end up marrying [=McCarthy=]ís daughter shortly thereafter). [=McCarthy=]ís failure, which tragically, and eerily, coincided with the murders of both MLK and Robert F. Kennedy signaled the EndOfAnEra and the group took a hiatus in 1970 after [[MilestoneCelebration celebrating their ten-year anniversary]] with a GreatestHitsAlbum. All three would have modest solo careers, with Stookey's "Wedding Song" becoming a minor hit.

to:

The group became more directly politically active in the later part of the 60s, appearing at the White House on behalf of Senator Eugene [=McCarthy=]ís antiwar campaign (Yarrow would end up marrying [=McCarthy=]ís daughter shortly thereafter). [=McCarthy=]ís failure, which tragically, and eerily, coincided with the murders of both MLK and Robert F. Kennedy signaled the EndOfAnEra and the group took a hiatus in 1970 after [[MilestoneCelebration celebrating their ten-year anniversary]] with a GreatestHitsAlbum. All three would have modest solo careers, with Stookey's "Wedding Song" Song," written for Peter's wedding, becoming a minor hit.


The defining act of [[TheSixties the 1960s]] [[FolkMusic folk boom]], and one of the most important musical acts of the decade in general, '''Peter, Paul and Mary''' were an act who not only popularized many of the greatest folk standards of the 20th century, but whoís music was a key element of the decadeís civil rights movement and continues to enjoy success and relevance to this day.

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The defining act of [[TheSixties the 1960s]] [[FolkMusic folk boom]], and one of the most important musical acts of the decade in general, '''Peter, Peter, Paul and Mary''' Mary were an act who not only popularized many of the greatest folk standards of the 20th century, but whoís music was a key element of the decadeís civil rights movement and continues to enjoy success and relevance to this day.


The group became more directly politically active in the later part of the 60s, appearing at the White House on behalf of Senator Eugene [=McCarthy=]ís antiwar campaign (Yarrow would end up marrying [=McCarthy=]ís daughter shortly thereafter). [=McCarthy=]ís failure, which tragically, and eerily, conencided with the murders of both MLK and Robert F. Kennedy signaled the EndOfAnEra and the group took a hiatus in 1970 after [[MilestoneCelebration celebrating their ten-year anniversary]] with a GreatestHitsAlbum. All three would have modest solo careers, with Stookey's "Wedding Song" becoming a minor hit.

to:

The group became more directly politically active in the later part of the 60s, appearing at the White House on behalf of Senator Eugene [=McCarthy=]ís antiwar campaign (Yarrow would end up marrying [=McCarthy=]ís daughter shortly thereafter). [=McCarthy=]ís failure, which tragically, and eerily, conencided coincided with the murders of both MLK and Robert F. Kennedy signaled the EndOfAnEra and the group took a hiatus in 1970 after [[MilestoneCelebration celebrating their ten-year anniversary]] with a GreatestHitsAlbum. All three would have modest solo careers, with Stookey's "Wedding Song" becoming a minor hit.


PP&Mís next record, 'íMoving,'' featured undoubtably the groupís most beloved song, the childrenís classic ďMusic/PuffTheMagicDragon.Ē It also established another of the groupís trademarks: covering lots and lots of Bob Dylan songs, arguably [[UrExample beginning the trend]] of Dylanís biting social commentary [[CoveredUp finding greater success in more capable performers]] (read: people whoís voices didnít sound like sandpaper on oneís ear). Their cover of ďBlowiní In The WindĒ was not only a massive hit, reaching #2 on the charts, which [[ColbertBump brought Dylan into the mainstream]], but embodied the zeitgeist of political activism in 1960s America to a T as UsefulNotes/CivilRightsMovement was gaining momentum. The group would give a [[CrowningMomentOfAwesome career-defining performance]] of the song at the March on Washington, immediately following Dr. Martin Luther King Jr.ís legendary ďI Have A DreamĒ speech.

to:

PP&Mís next record, 'íMoving,'' featured undoubtably the groupís most beloved song, the childrenís classic ďMusic/PuffTheMagicDragon.Ē It also established another of the groupís trademarks: covering lots and lots of Bob Dylan songs, arguably [[UrExample beginning the trend]] of Dylanís biting social commentary [[CoveredUp finding greater success in more capable performers]] (read: people whoís voices didnít sound like sandpaper on oneís ear). Their cover of ďBlowiní In The WindĒ was not only a massive hit, reaching #2 on the charts, which [[ColbertBump brought Dylan into the mainstream]], but embodied the zeitgeist of political activism in 1960s America to a T as the UsefulNotes/CivilRightsMovement was gaining momentum. The group would give a [[CrowningMomentOfAwesome career-defining performance]] of the song at the March on Washington, immediately following Dr. Martin Luther King Jr.ís legendary ďI Have A DreamĒ speech.



The group became more directly politically active in the later part of the 60s, appearing at the White House on behalf of Senator Eugene [=McCarthy=]ís antiwar campaign (Yarrow would end up marrying [=McCarthy=]ís daughter shortly thereafter). [=McCarthy=]ís failure, which tragically, and eerily, conencidekd with the murders of both MLK and Robert F. Kennedy signaled the EndOfAnEra and the group took a hiatus in 1970 after [[MilestoneCelebration celebrating their ten-year anniversary]] with a GreatestHitsAlbum. All three would have modest solo careers, with Stookey's "Wedding Song" becoming a minor hit.

to:

The group became more directly politically active in the later part of the 60s, appearing at the White House on behalf of Senator Eugene [=McCarthy=]ís antiwar campaign (Yarrow would end up marrying [=McCarthy=]ís daughter shortly thereafter). [=McCarthy=]ís failure, which tragically, and eerily, conencidekd conencided with the murders of both MLK and Robert F. Kennedy signaled the EndOfAnEra and the group took a hiatus in 1970 after [[MilestoneCelebration celebrating their ten-year anniversary]] with a GreatestHitsAlbum. All three would have modest solo careers, with Stookey's "Wedding Song" becoming a minor hit.


Following hugely successful appearances in Greenwich Village was the trio's debut SelfTitledAlbum appeared in 1962, featuring their BreakthroughHit, a [[CoverVersion cover]] of the Pete Seeger-penned ďIf I Had A Hammer.Ē Both established PP&Mís trademark style of staunchly leftist (albeit not-threatening) sociopolitical lyrics wrapped in [[EarWorm catchy melodies]] and gorgeous three-part harmonies, giving them mainstream appeal without needing to sacrifice their messages. Changing political tides meant [[RealitySubtext a more liberal American public who would more readily accept the groupís songs]] than the conservatives who dismissed their predecessors (being signed to Warner Bros. records didnít hurt either).

to:

Following hugely successful appearances in Greenwich Village was Village, the trio's debut SelfTitledAlbum appeared in 1962, featuring their BreakthroughHit, a [[CoverVersion cover]] of the Pete Seeger-penned ďIf I Had A Hammer.Ē Both established PP&Mís trademark style of staunchly leftist (albeit not-threatening) sociopolitical lyrics wrapped in [[EarWorm catchy melodies]] and gorgeous three-part harmonies, giving them mainstream appeal without needing to sacrifice their messages. Changing political tides meant [[RealitySubtext a more liberal American public who would more readily accept the groupís songs]] than the conservatives who dismissed their predecessors (being signed to Warner Bros. records didnít hurt either).


* ProtestSong: Their bread-and-butter. Notable examples include "If I Had A Hammer," "Blowin' In The Wind," and "500 Miles." No, not [[Music/TheProclaimers that one]].

to:

* ProtestSong: Their bread-and-butter. Notable examples include "If I Had A Hammer," "Blowin' In The Wind," and "500 Miles." No, not [[Music/TheProclaimers that one]]."


* ProtestSong: Their bread-and-butter. Notable examples include "If I Had A Hammer," "Blowin' In The Wind," and "500 Miles."

to:

* ProtestSong: Their bread-and-butter. Notable examples include "If I Had A Hammer," "Blowin' In The Wind," and "500 Miles." No, not [[Music/TheProclaimers that one]].


* FollowTheLeader: A handful of other folk pop acts emerged in the wake of their success, most notably Music/PhilOchs, who's lyrics were considered a too biting for a pop arrangement, and Music/TheMamasAndThePapas, who, despite some success, were written off as a [[LighterAndSofter watered-down]] Peter, Paul and Mary.

to:

* FollowTheLeader: A handful of other folk pop acts emerged in the wake of their success, most notably Music/PhilOchs, who's lyrics were considered a too biting for a pop arrangement, and Music/TheMamasAndThePapas, who, despite some success, were written off as a [[LighterAndSofter watered-down]] Peter, Paul and Mary.


* SSlidingScaleOfIdealismVersusCynicism: '''''FAR''''' on the idealistic side. Even their most somber songs had undertones of hope that things would get better.

to:

* SSlidingScaleOfIdealismVersusCynicism: SlidingScaleOfIdealismVersusCynicism: '''''FAR''''' on the idealistic side. Even their most somber songs had undertones of hope that things would get better.

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