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* RearrangeTheSong: "Taj Mahal", which previously appeared on Ben's previous 1972 self-titled record, is remade from it's Arabesque sounding original into an extended psychedelic jam piece.
** Additionally, "Morre o Burro Fica o Homem" would be filpped from it's laid-back, groove-oriented form on that same record to a more rhythmic and much faster version on ''Ogum, Xangô''.
** Additionally, "Morre o Burro Fica o Homem" would be filpped from it's laid-back, groove-oriented form on that same record to a more rhythmic and much faster version on ''Ogum, Xangô''.
to:
* RearrangeTheSong: "Taj Mahal", which previously appeared on Ben's previous 1972 self-titled record, is remade from it's its Arabesque sounding original into an extended psychedelic jam piece.
** Additionally, "Morre o Burro Fica o Homem" would befilpped flipped from it's its laid-back, groove-oriented form on that same record to a more rhythmic and much faster version on ''Ogum, Xangô''.
** Additionally, "Morre o Burro Fica o Homem" would be
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''Ogum, Xangô'' is a collaborative studio album by Gil e Jorge, a duo comprised of Brazilian musicians Gilberto Gil and Music/JorgeBenJor (then going by his previous artistic name, Jorge Ben), released in 1975.
to:
''Ogum, Xangô'' is a collaborative studio album by Gil e Jorge, a duo comprised of Brazilian musicians Gilberto Gil Music/GilbertoGil and Music/JorgeBenJor (then going by his previous artistic name, Jorge Ben), released in 1975.
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[[caption-width-right:350:''Foi a mais linda história de amor / Que até hoje eu já ouvi contar / Do amor do príncipe Shah-Jahan / Pela princesa Nunts Mahal''[[note]] secondary cover art by Rogério Duarte [[/note]]]]
to:
[[caption-width-right:350:''Foi a mais linda história de amor / Que até hoje eu já ouvi contar / Do amor do príncipe Shah-Jahan / Pela princesa Nunts Mahal''[[note]] contar''[[note]] secondary cover art by Rogério Duarte [[/note]]]]
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** Ogum, a male [[https://en.m.wikipedia.org/wiki/Orisha orixá]] (spirit) of Yoruba origin present in Candomblé, Umbanda and Quimbanda, which presides over metal workers and craftsmen.
** Xangô, another male orixá of Yoruba, who presides over virility, justice and lightning.
** Xangô, another male orixá of Yoruba, who presides over virility, justice and lightning.
to:
** Ogum, a male [[https://en.m.wikipedia.org/wiki/Orisha orixá]] (spirit) of Yoruba origin present in Candomblé, Umbanda and Quimbanda, which presides over metal workers and craftsmen.
** Xangô, another male orixá ofYoruba, Yoruba origin, who presides over virility, justice and lightning.
** Xangô, another male orixá of
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* Myth/AfricanMythology: The album is named for two African deities present in Afro-Brazilian religions:
** Ogum, a male [[https://en.m.wikipedia.org/wiki/Orisha orixá]] (spirit) of Yoruba origin present in Candomblé, Umbanda and Quimbanda, which presides over metal workers and craftsmen.
** Xangô, another male orixá of Yoruba, who presides over virility, justice and lightning.
** Ogum, a male [[https://en.m.wikipedia.org/wiki/Orisha orixá]] (spirit) of Yoruba origin present in Candomblé, Umbanda and Quimbanda, which presides over metal workers and craftsmen.
** Xangô, another male orixá of Yoruba, who presides over virility, justice and lightning.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/n_1975___gil_e_jorge___ogum_xango_5.jpg]]
[[caption-width-right:350:''Omolu, Ogum, Oxum, Oxumaré / Todo o pessoal / Manda descer pra ver / Filhos de Gandhi''[[note]] cover art by Rogério Duarte [[/note]]]]
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/908ca51b0978ef0eaa09eec50851fc06_4.jpg]]
[[caption-width-right:350:''Foi a mais linda história de amor / Que até hoje eu já ouvi contar / Do amor do príncipe Shah-Jahan / Pela princesa Nunts Mahal''[[note]] secondary cover art by Rogério Duarte [[/note]]]]
''Ogum, Xangô'' is a collaborative studio album by Gil e Jorge, a duo comprised of Brazilian musicians Gilberto Gil and Music/JorgeBenJor (then going by his previous artistic name, Jorge Ben), released in 1975.
Recorded with minimal rehearsal, a percussionist and occasional bass, the record would be released as a double LP, showcasing the more experimental and psychedelic side of Brazilian popular music of the time with its rhythmic guitar lines, looping hypnotic grooves and spirited dual vocals.
It would be considered by ''Rolling Stone Brasil'' as one of the 100 Greatest Brazilian Albums of All Time, listing it at number 60.
!!Tracklist
[[AC: Side A]]
# "Meu Glorioso São Cristovão" (8:13)
# "Nêga" (10:37)
[[AC: Side B]]
# "Jurubeba" (11:40)
# "Quem Mandou (Pé na Estrada)" (6:52)
[[AC: Side C]]
# "Taj Mahal" (14:46)
# "Morre o Burro, Fica o Homem" (6:10)
[[AC: Side D]]
# "Essa é pra Tocar no Rádio" (6:14)
# "Filhos de Gandhi" (13:11)
# "Sarro" (1:09)
----
!!''Morre o burro, fica o Tropes''
* AlbumTitleDrop: Not an exact title drop, however, "Filhos de Gandhi" does name drop the two deities the album is named after in its lyrics:
-->''Omolu, '''Ogum''', Oxum, Oxumaré\\
Todo o pessoal\\
Manda descer pra ver\\
Filhos de Gandhi''
-->''Iansã, Iemanjá, chama '''Xangô'''\\
Oxossi também\\
Manda descer pra ver\\
Filhos de Gandhi''
* EpicRocking: Every track but "Sarro" breaks the five minute mark, with the longest track ("Taj Mahal") being 14 minutes.
* GratuitousPanning: Gil's vocals and guitar are panned to the left channel, whereas though Jorge's vocals and guitar are panned to the right.
* {{Instrumentals}}: "Sarro", which is comprised of vocal improvisations by Gil with some back guitar from Jorge.
* LocationSong: "Meu Glorioso São Cristovão" is this for [[https://en.m.wikipedia.org/wiki/São_Cristóvão São Cristóvão]].
* MinisculeRocking: "Sarro", which only lasts a minute.
* RearrangeTheSong: "Taj Mahal", which previously appeared on Ben's previous 1972 self-titled record, is remade from it's Arabesque sounding original into an extended psychedelic jam piece.
** Additionally, "Morre o Burro Fica o Homem" would be filpped from it's laid-back, groove-oriented form on that same record to a more rhythmic and much faster version on ''Ogum, Xangô''.
* VocalTagTeam: Gil and Jorge do this throughout the album.
----
[[caption-width-right:350:''Omolu, Ogum, Oxum, Oxumaré / Todo o pessoal / Manda descer pra ver / Filhos de Gandhi''[[note]] cover art by Rogério Duarte [[/note]]]]
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/908ca51b0978ef0eaa09eec50851fc06_4.jpg]]
[[caption-width-right:350:''Foi a mais linda história de amor / Que até hoje eu já ouvi contar / Do amor do príncipe Shah-Jahan / Pela princesa Nunts Mahal''[[note]] secondary cover art by Rogério Duarte [[/note]]]]
''Ogum, Xangô'' is a collaborative studio album by Gil e Jorge, a duo comprised of Brazilian musicians Gilberto Gil and Music/JorgeBenJor (then going by his previous artistic name, Jorge Ben), released in 1975.
Recorded with minimal rehearsal, a percussionist and occasional bass, the record would be released as a double LP, showcasing the more experimental and psychedelic side of Brazilian popular music of the time with its rhythmic guitar lines, looping hypnotic grooves and spirited dual vocals.
It would be considered by ''Rolling Stone Brasil'' as one of the 100 Greatest Brazilian Albums of All Time, listing it at number 60.
!!Tracklist
[[AC: Side A]]
# "Meu Glorioso São Cristovão" (8:13)
# "Nêga" (10:37)
[[AC: Side B]]
# "Jurubeba" (11:40)
# "Quem Mandou (Pé na Estrada)" (6:52)
[[AC: Side C]]
# "Taj Mahal" (14:46)
# "Morre o Burro, Fica o Homem" (6:10)
[[AC: Side D]]
# "Essa é pra Tocar no Rádio" (6:14)
# "Filhos de Gandhi" (13:11)
# "Sarro" (1:09)
----
!!''Morre o burro, fica o Tropes''
* AlbumTitleDrop: Not an exact title drop, however, "Filhos de Gandhi" does name drop the two deities the album is named after in its lyrics:
-->''Omolu, '''Ogum''', Oxum, Oxumaré\\
Todo o pessoal\\
Manda descer pra ver\\
Filhos de Gandhi''
-->''Iansã, Iemanjá, chama '''Xangô'''\\
Oxossi também\\
Manda descer pra ver\\
Filhos de Gandhi''
* EpicRocking: Every track but "Sarro" breaks the five minute mark, with the longest track ("Taj Mahal") being 14 minutes.
* GratuitousPanning: Gil's vocals and guitar are panned to the left channel, whereas though Jorge's vocals and guitar are panned to the right.
* {{Instrumentals}}: "Sarro", which is comprised of vocal improvisations by Gil with some back guitar from Jorge.
* LocationSong: "Meu Glorioso São Cristovão" is this for [[https://en.m.wikipedia.org/wiki/São_Cristóvão São Cristóvão]].
* MinisculeRocking: "Sarro", which only lasts a minute.
* RearrangeTheSong: "Taj Mahal", which previously appeared on Ben's previous 1972 self-titled record, is remade from it's Arabesque sounding original into an extended psychedelic jam piece.
** Additionally, "Morre o Burro Fica o Homem" would be filpped from it's laid-back, groove-oriented form on that same record to a more rhythmic and much faster version on ''Ogum, Xangô''.
* VocalTagTeam: Gil and Jorge do this throughout the album.
----
