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** It also calls to mind the famous photo of [[https://en.wikipedia.org/wiki/Evelyn_McHale Evelyn McHale]], known as "the most beautiful suicide" because she landed on top of a car the same way after jumping from the Empire State Building. Made especially resonant with New York as a city prominently featuring in ''1989'', the SpitefulSuicide mentioned in "Is It Over Now", and McHale's note imploring that she not be seen postmortem (but the photograph keeps getting circulated anyway), which echoes the album's minor theme of being hunted by the media.
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** It also calls to mind the famous photo of [[https://en.wikipedia.org/wiki/Evelyn_McHale Evelyn McHale]], known as "the most beautiful suicide" because she landed on top of a car the same way after jumping from the Empire State Building. Made especially resonant with New York as a city prominently featuring in ''1989'', the SpitefulSuicide mentioned in "Is It Over Now", and McHale's [=McHale's=] note imploring that she not be seen postmortem (but the photograph keeps getting circulated anyway), which echoes the album's minor theme of being hunted by the media.
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Changed line(s) 188 (click to see context) from:
* ShoutOut: "Bad Blood"[='=]s music video references several films. The bikes, for instance, are a reference to ''{{Film/Tron}}''. The opening scene, in which Taylor gets thrown out a window and lands on top of a car, also closely resembles the opening scene of the horror-comedy ''Film/{{Detention}}'' (which, notably, was also directed by Joseph Kahn), right down to the way in which she's [[http://vignette3.wikia.nocookie.net/cinemorgue/images/4/44/Alisonwoods.png/revision/latest?cb=20140529214849 splayed out]] [[http://ell.h-cdn.co/assets/15/21/980x612/screen-shot-2015-05-18-at-80352-am.png atop the car]], as well as the fact that the character in ''Detention'' who suffers that fate [[HilariousInHindsight is named Taylor]].
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* ShoutOut: "Bad Blood"[='=]s music video references several films.
** The bikes, for instance, are a reference to''{{Film/Tron}}''. ''{{Film/Tron}}''.
** The opening scene, in which Taylor gets thrown out a window and lands on top of a car, also closely resembles the opening scene of the horror-comedy ''Film/{{Detention}}'' (which, notably, was also directed by Joseph Kahn), right down to the way in which she's [[http://vignette3.wikia.nocookie.net/cinemorgue/images/4/44/Alisonwoods.png/revision/latest?cb=20140529214849 splayed out]] [[http://ell.h-cdn.co/assets/15/21/980x612/screen-shot-2015-05-18-at-80352-am.png atop the car]], as well as the fact that the character in ''Detention'' who suffers that fate [[HilariousInHindsight is named Taylor]].
** It also calls to mind the famous photo of [[https://en.wikipedia.org/wiki/Evelyn_McHale Evelyn McHale]], known as "the most beautiful suicide" because she landed on top of a car the same way after jumping from the Empire State Building. Made especially resonant with New York as a city prominently featuring in ''1989'', the SpitefulSuicide mentioned in "Is It Over Now", and McHale's note imploring that she not be seen postmortem (but the photograph keeps getting circulated anyway), which echoes the album's minor theme of being hunted by the media.
** The bikes, for instance, are a reference to
** The opening scene, in which Taylor gets thrown out a window and lands on top of a car, also closely resembles the opening scene of the horror-comedy ''Film/{{Detention}}'' (which, notably, was also directed by Joseph Kahn), right down to the way in which she's [[http://vignette3.wikia.nocookie.net/cinemorgue/images/4/44/Alisonwoods.png/revision/latest?cb=20140529214849 splayed out]] [[http://ell.h-cdn.co/assets/15/21/980x612/screen-shot-2015-05-18-at-80352-am.png atop the car]], as well as the fact that the character in ''Detention'' who suffers that fate [[HilariousInHindsight is named Taylor]].
** It also calls to mind the famous photo of [[https://en.wikipedia.org/wiki/Evelyn_McHale Evelyn McHale]], known as "the most beautiful suicide" because she landed on top of a car the same way after jumping from the Empire State Building. Made especially resonant with New York as a city prominently featuring in ''1989'', the SpitefulSuicide mentioned in "Is It Over Now", and McHale's note imploring that she not be seen postmortem (but the photograph keeps getting circulated anyway), which echoes the album's minor theme of being hunted by the media.
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* AscendedMeme: Fans noticed that the bridge of "Out of the Woods" ("Remember when you hit the brakes too soon?") fit in the instrumental break of "Is It Over Now?". Remixes and TikTok videos were made about it. When Swift sang "Is It Over Now?" as a surprise song on the Eras Tour during the Buenos Aires stop, she added the bridge of "Out of the Woods" to it.
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* AscendedMeme: Fans noticed that the bridge of "Out of the Woods" ("Remember when you hit the brakes too soon?") fit in the instrumental break of "Is It Over Now?". Remixes and TikTok [=TikTok=] videos were made about it. When Swift sang "Is It Over Now?" as a surprise song on the Eras Tour during the Buenos Aires stop, she added the bridge of "Out of the Woods" to it.
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* AscendedMeme: Fans noticed that the bridge of "Out of the Woods" ("Remember when you hit the brakes too soon?") fit in the instrumental break of "Is It Over Now?". Remixes and TikTok videos were made about it. When Swift sang "Is It Over Now?" as a surprise song on the Eras Tour during the Buenos Aires stop, she added the bridge of "Out of the Woods" to it.
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-->-- '''The beginning of the album liner notes'''
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-->-- '''The The beginning of the album liner notes'''
notes
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* DarkerAndEdgier: The ''(From the Vault)'' tracks are much sadder, more emotional, and more serious in their subject matter than their main album counterparts. Compare the approach to societal slut shaming in "Blank Space" (which [[PlayedForLaughs sarcastically mocks the concept]]) to "Slut!" (which stoically accepts the inevitability of other's judgment).
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* DarkerAndEdgier: The ''(From the Vault)'' tracks are much sadder, more emotional, and more serious in their subject matter than their main album counterparts.
** Compare the approach to societal slut shaming in "Blank Space" (which [[PlayedForLaughs sarcastically mocks the concept]]) to "Slut!" (which stoically accepts the inevitability of other'sjudgment).judgment).
** "Is It Over Now?" is a harsher take on the breakdown of the relationship from "Out Of The Woods."
** Compare the approach to societal slut shaming in "Blank Space" (which [[PlayedForLaughs sarcastically mocks the concept]]) to "Slut!" (which stoically accepts the inevitability of other's
** "Is It Over Now?" is a harsher take on the breakdown of the relationship from "Out Of The Woods."
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* TakeThat: "Now That We Don't Take" narrator only pretends to like acid rock music to please her love interest.
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* TakeThat: "Now That We Don't Take" Talk" narrator only pretends pretended to like acid rock music to please her love interest.
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* TakeThat: "Now That We Don't Take" narrator only pretends to like acid rock music to please her love interest.
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# ''"Slut!"'' (From The Vault) (3:00)
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# ''"Slut!"'' "Slut!" (From The Vault) (3:00)
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# "Is It Over Now?" (From The Vault) (3:49)
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# "Is ''"Is It Over Now?" Now?"'' (From The Vault) (3:49)
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* SpitefulSuicide: "Is It Over Now?"
--->Oh, Lord, I think about jumpin’\\
Off of very tall somethings\\
Just to see you come runnin’\\
And say the one thing I’ve been wanting, but no.
--->Oh, Lord, I think about jumpin’\\
Off of very tall somethings\\
Just to see you come runnin’\\
And say the one thing I’ve been wanting, but no.
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Changed line(s) 84 (click to see context) from:
* DarkerAndEdgier: The ''(From the Vault)'' tracks are much sadder and delve into serious subjects with much more drama and emotional responses from the narrator rather than PlaysForLaugh some of them. Compare the approach of societal slut shaming from "Blank Space" to "Slut!".
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* DarkerAndEdgier: The ''(From the Vault)'' tracks are much sadder sadder, more emotional, and delve into more serious subjects with much more drama and emotional responses from the narrator rather in their subject matter than PlaysForLaugh some of them. their main album counterparts. Compare the approach of to societal slut shaming from in "Blank Space" (which [[PlayedForLaughs sarcastically mocks the concept]]) to "Slut!"."Slut!" (which stoically accepts the inevitability of other's judgment).
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* DarkerAndEdgier: The ''(From the Vault)'' tracks are much sadder and delve into serious subjects with much more drama and emotional responses from the narrator rather than PlaysForLaugh some of them. Compare the approach of societal slut shaming from "Blank Space" to "Slut!".
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* QuestioningTitle: "Is It Over Now?", where the narrator asks her ex-lover if their relationship is really over.
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** In "Now That We Don't Talk," the narrator is glad her relationship is over, but does have some regrets about how poorly it ended.
** "Is It Over Now?" has the narrator question whether her relationship is finally over now that both she and her ex-lover have moved on with other people.
** "Is It Over Now?" has the narrator question whether her relationship is finally over now that both she and her ex-lover have moved on with other people.
-->Your new girl is my clone
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** "Suburban Legends" has the narrator looking back longingly on a relationship despite the pain it caused her and the fact that her lover wasn't entirely faithful during their time together.
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** "Suburban Legends" has the narrator looking back longingly on reminiscing about a relationship from her younger years, despite the pain it caused her and the fact that her lover wasn't entirely faithful during their time together.
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Changed line(s) 193,194 (click to see context) from:
* WhatBeautifulEyes: "I Know Places":
-->In the dead of night, your eyes so green
-->In the dead of night, your eyes so green
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* WhatBeautifulEyes: WhatBeautifulEyes:
** "I Know Places":
-->In --->In the dead of night, your eyes so green
** "Wonderland":
--->Didn't you flash your green eyes at me?
** "I Know Places":
** "Wonderland":
--->Didn't you flash your green eyes at me?
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** "Suburban Legends" has the narrator looking back longingly on a relationship despite the pain it caused her and the fact that her lover wasn't entirely faithful during their time together.
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** "Slut!":
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** "Slut!":"Slut!" plays it straight:
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# "Sweeter Than Fiction" (3:57) [[note]]Only available on the Tangerine edition vinyl[[/note]]
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# "Sweeter Than Fiction" (3:57) [[note]]Only available on the Tangerine edition vinyl[[/note]]
(Exclusive Bonus Track) (3:57)
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** SelfReferentialTrackPlacement: The final track in the standard edition of the re-release is called "Is It Over Now?"
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