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Added example(s), General clarification on works content
** "Beach Buggy" samples from "Hurt".
** Live versions of "Krafty" include an instrumental part from "All Day Long"
** Live versions of "Krafty" include an instrumental part from "All Day Long"
Changed line(s) 138 (click to see context) from:
** "Prime 5 8 6" is even longer at over ''22 minutes''. It was made primarily to be played at The Haçienda and only released on an obscure cassette tape compilation in 1982, but was renamed "Video 5 8 6" and re-released as a single in 1997. Elements of this track would later be cannibalized into "5 8 6", "Ultraviolence", and "Blue Monday".
to:
** "Video 5 8 6" (sometimes "Prime 5 8 6" 6") is even longer at over ''22 minutes''. It was made primarily to be played at The Haçienda and only released on an obscure cassette tape compilation in 1982, but was renamed "Video 5 8 6" and re-released as a single in 1997. Elements of this track would later be cannibalized into "5 8 6", "Ultraviolence", and "Blue Monday".
Changed line(s) 143 (click to see context) from:
* GratuitousJapanese: "Krafty (Japanese Version)".
to:
* GratuitousJapanese: "Krafty (Japanese Version)". There is also an official band shirt, that Bernard Sumner often wears onstage, that features the band's name in both English and Japanese.
Changed line(s) 199 (click to see context) from:
* TheFaceless: Subverted; because the band shunned the media and purposely used non-band photo images for most of their releases, the group developed a reputation as being camera shy. Ironically the band ''does'' appear in just about all of their videos ("Round and Round" and "Fine Time" being the most notable ones where they are not shown on-camera), plus head-shot photos on the sleeve of their 1985 album ''Lowlife'' (as a "TakeThat" to the writers who deemed them "TheFaceless").
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** "Be A Rebel" features several shots of two people doing all sorts of surreal things. Such as being operated on to have a CD implanted in one's chest and looking at a small box of another shot earlier in the video while zooming out to be another box. Also, the video is vertically oriented.
* TheFaceless: Subverted; because the band shunned the media and purposely used non-band photo images for most of their releases, the group developed a reputation as being camera shy. Ironically the band ''does'' appear in just about all of their videos in the 20th century ("Round and Round" and "Fine Time" being the most notable ones where they are not shownon-camera), on-camera. Others however, like "1963" and "Run 2" only feature images or spare live footage of the band, which were likely not intended to be used in a video), plus head-shot photos on the sleeve of their 1985 album ''Lowlife'' (as a "TakeThat" to the writers who deemed them "TheFaceless")."TheFaceless").
** Additionally, the band are even only credited with their members in two of their album's inserts, "Republic" and "Music Complete", both of which on new record labels. Though this could be blamed on Peter Saville's design style instead of any intentional branding from the band's part. This is partially the reason why people were unsure of Bernard Sumner's surname until "Republic"'s release.
* TheFaceless: Subverted; because the band shunned the media and purposely used non-band photo images for most of their releases, the group developed a reputation as being camera shy. Ironically the band ''does'' appear in just about all of their videos in the 20th century ("Round and Round" and "Fine Time" being the most notable ones where they are not shown
** Additionally, the band are even only credited with their members in two of their album's inserts, "Republic" and "Music Complete", both of which on new record labels. Though this could be blamed on Peter Saville's design style instead of any intentional branding from the band's part. This is partially the reason why people were unsure of Bernard Sumner's surname until "Republic"'s release.
