Is there an issue? Send a MessageReason:
Changed line(s) 6,7 (click to see context) from:
The band released their debut ''Like an Ever Flowing Stream'' in 1991, considered by many one of the pinnacles of death metal at that time and even today. Along with the aforementioned Carnage's album ''Dark Recollections'', Music/{{Entombed}}'s ''Left Hand Path'', Grave's ''Into the Grave'' and others, the album helped establish Sweden as a major force in death metal. During this early period, Entombed drummer and de-facto leader of the Swedish scene Nicke Andersson was heavily associated with them: Andersson performed the bass tracks on their first demo, most of the lead guitar work on their first post-reform demo and ''Like an Ever Flowing Stream'', named the band, and designed their IconicLogo.
to:
The band released their debut ''Like an Ever Flowing Stream'' in 1991, considered by many one of the pinnacles of death metal at that time and even today. Along with the aforementioned Carnage's album ''Dark Recollections'', Music/{{Entombed}}'s ''Left Hand Path'', Grave's ''Into the Grave'' and others, the album helped establish Sweden as a major force in death metal. During this early period, Entombed drummer and de-facto leader of the Swedish scene Nicke Andersson was heavily associated with them: Andersson performed the bass tracks on their first demo, most of the lead guitar work on their first post-reform demo and ''Like an Ever Flowing Stream'', named the band, and designed their IconicLogo.
logo.
Is there an issue? Send a MessageReason:
Deleted line(s) 71 (click to see context) :
* MadLibMetalLyrics: On their first two albums, mostly the standard stuff about {{Satan}}, killing and gore. On the latter, [[MilitaryAndWarfareTropes War]] and [[ReligionRantSong Religion]].
Is there an issue? Send a MessageReason:
no longer a trope
Deleted line(s) 55 (click to see context) :
* {{Filk}}: "Bred For War" is about TabletopGame/BattleTech.
Is there an issue? Send a MessageReason:
None
Changed line(s) 4,5 (click to see context) from:
'''Dismember''' was a Swedish old school DeathMetal band that existed between 1988 and 2011, often considered a TropeCodifier for that style of death metal. Although they briefly split up in 1989 after the release of some demo tapes, they got back together in 1990 with a different lineup containing members of the band Carnage (a band featuring future Music/{{Carcass}}[=/=]Music/ArchEnemy guitarist Michael Amott; Carnage disbanded after he joined Carcass, leaving the rest of Carnage to start Dismember). The band released another demo in 1990, which would secure a record deal with now-famous metal label Nuclear Blast.
to:
'''Dismember''' was are a Swedish old school DeathMetal band that existed between 1988 and 2011, often considered a TropeCodifier for that style of death metal. Although they briefly split up in 1989 after the release of some demo tapes, they got back together in 1990 with a different lineup containing members of the band Carnage (a band featuring future Music/{{Carcass}}[=/=]Music/ArchEnemy guitarist Michael Amott; Carnage disbanded after he joined Carcass, leaving the rest of Carnage to start Dismember). The band released another demo in 1990, which would secure a record deal with now-famous metal label Nuclear Blast.
Is there an issue? Send a MessageReason:
None
Changed line(s) 12,13 (click to see context) from:
Dismember continues to be a very popular and almost universally respected band in the death metal community. They have been seen as extremely influential (generally, in the Swedish scene, only second to Entombed and arguably Grave) for their violent but melodic approach to the genre that, unsurprisingly, has spawned many [[FollowTheLeader derivative bands]] seeking to expand upon their style. One of the aspects they are acclaimed for is the fact although their sound did change, it was not to nearly as drastic an extent to such Entombed or other bands (even outside the Stockholm scene such as Music/AtTheGates) did, earning them what's seen as a much more consistent career. In 2019, they reunited.
to:
Dismember continues to be a very popular and almost universally respected band in the death metal community. They have been seen as extremely influential (generally, in the Swedish scene, only second to Entombed and arguably Grave) for their violent but melodic approach to the genre that, unsurprisingly, has spawned many [[FollowTheLeader derivative bands]] seeking to expand upon their style. One of the aspects they are acclaimed for is the fact although their sound did change, it was not to nearly as drastic an extent to such Entombed or other bands (even outside the Stockholm scene such as Music/AtTheGates) did, earning them what's seen as a much more consistent career. In 2019, they reunited.
reunited, and have been in talks to begin work on new record sometime in the future.
Is there an issue? Send a MessageReason:
Deleted line(s) 50 (click to see context) :
* ContemptibleCover: ''Indecent and Obscene'' is basically that.
Is there an issue? Send a MessageReason:
Deleted line(s) 75 (click to see context) :
* MohsScaleOfRockAndMetalHardness: Hovers around 9-10, the former more commonly in their mid-era (''Capacity'' to ''Campaign''). The beginning of "Dismembered" is about 8, probably lower than that if not for the guitar tone.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* NotAfraidOfHell: In "Soon to be Dead", a man who accepts that he's going to Hell as long as he gets to murder Christians "at the end of time".
Is there an issue? Send a MessageReason:
None
Changed line(s) 12,13 (click to see context) from:
Dismember continues to be a very popular and almost universally respected band in the death metal community. They have been seen as extremely influential (generally, in the Swedish scene, only second to Entombed and arguably Grave) for their violent but melodic approach to the genre that, unsurprisingly, has spawned many [[FollowTheLeader derivative bands]] seeking to expand upon their style. One of the aspects they are acclaimed for is the fact although their sound did change, it was not to nearly as drastic an extent to such Entombed or other bands (even outside the Stockholm scene such as Music/AtTheGates) did, earning them what's seen as a much more consistent career.
to:
Dismember continues to be a very popular and almost universally respected band in the death metal community. They have been seen as extremely influential (generally, in the Swedish scene, only second to Entombed and arguably Grave) for their violent but melodic approach to the genre that, unsurprisingly, has spawned many [[FollowTheLeader derivative bands]] seeking to expand upon their style. One of the aspects they are acclaimed for is the fact although their sound did change, it was not to nearly as drastic an extent to such Entombed or other bands (even outside the Stockholm scene such as Music/AtTheGates) did, earning them what's seen as a much more consistent career.
career. In 2019, they reunited.
Is there an issue? Send a MessageReason:
Moved to YMMV subpage
Deleted line(s) 96 (click to see context) :
* XMeetsY: Basically Music/{{Entombed}} meets Music/IronMaiden, with the balance between the two differing from album to album.
Is there an issue? Send a MessageReason:
None
Changed line(s) 62 (click to see context) from:
* FlayedAlive: "SkinHerAlive".
to:
* FlayedAlive: "SkinHerAlive"."Skin Her Alive".
* {{Ghostapo}}: The topic of "Black Sun".
* {{Ghostapo}}: The topic of "Black Sun".
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* FireAndBrimstoneHell: Inverted in "9th Circle."
--> Motherfucker\\
Who told you hell was warm?\\
Infernal winter\\
The ninth circle closed
--> Motherfucker\\
Who told you hell was warm?\\
Infernal winter\\
The ninth circle closed
Is there an issue? Send a MessageReason:
Removed per TRS.
Changed line(s) 47 (click to see context) from:
* BloodKnight: Many songs, but "Of Fire" features an exceptionally BadAss (and psychotic) one.
to:
* BloodKnight: Many songs, but "Of Fire" features an exceptionally BadAss badass (and psychotic) one.
Is there an issue? Send a MessageReason:
None
Changed line(s) 57 (click to see context) from:
* {{Gorn}}: As you might guess from their name, often used as a lyrical topic. Also the cover for ''Indecent and Obscene''.
to:
* {{Gorn}}: As you might guess from their name, often used as a lyrical topic.topic, albeit not to the same extent as some other bands in the genre. Also the cover for ''Indecent and Obscene''.
Changed line(s) 66 (click to see context) from:
* MadLibMetalLyrics: On their first two albums, mostly the standard stuff about {{Satan}}, killing and gore. On the latter, [[MilitaryAndWarfareTropes War.]]
to:
* MadLibMetalLyrics: On their first two albums, mostly the standard stuff about {{Satan}}, killing and gore. On the latter, [[MilitaryAndWarfareTropes War.]]War]] and [[ReligionRantSong Religion]].
Added DiffLines:
* ReligionRantSong: A common lyrical topic of theirs, starting with "Skinfather" from ''Indecent and Obscene''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 59 (click to see context) from:
* HorribleHistoryMetal: "Europa Burns" is about WorldWarOne.
to:
* HorribleHistoryMetal: "Europa Burns" is about WorldWarOne.UsefulNotes/WorldWarI.
Is there an issue? Send a MessageReason:
None
Changed line(s) 12,13 (click to see context) from:
Dismember continues to be a very popular and almost universally respected band in the death metal community. They have been seen as extremely influential (generally, in the Swedish scene, only second to Entombed and arguably Grave) for their violent but melodic approach to the genre that, unsurprisingly, has spawned many [[FollowTheLeader deriative bands]] seeking to expand upon their style. One of the aspects they are acclaimed for is the fact although their sound did change, it was not to nearly as drastic an extent to such Entombed or other bands (even outside the Stockholm scene such as Music/AtTheGates) did, earning them what's seen as a much more consistent career.
to:
Dismember continues to be a very popular and almost universally respected band in the death metal community. They have been seen as extremely influential (generally, in the Swedish scene, only second to Entombed and arguably Grave) for their violent but melodic approach to the genre that, unsurprisingly, has spawned many [[FollowTheLeader deriative derivative bands]] seeking to expand upon their style. One of the aspects they are acclaimed for is the fact although their sound did change, it was not to nearly as drastic an extent to such Entombed or other bands (even outside the Stockholm scene such as Music/AtTheGates) did, earning them what's seen as a much more consistent career.
Changed line(s) 89 (click to see context) from:
----
to:
----
Is there an issue? Send a MessageReason:
I had a WIP page for these guys done for ages, and you asked for Wiki Magic!
Changed line(s) 2,20 (click to see context) from:
'''Dismember''' was a Swedish old school DeathMetal band that existed between 1988 and 2011. Unlike their countrymen in bands like Music/{{Entombed}} and Music/AtTheGates, Dismember never really saw the need to alter their traditional DeathMetal sound, [[TheyChangedItNowItSucks and god bless 'em for it.]]
Many of the members had previously played in the band '''Carnage''' which was founded by Michael Amott of Music/ArchEnemy fame. When he was invited to join Music/{{Carcass}} in the 90's, the other members of Carnage went on to form Dismember without him.
NeedsWikiMagicLove.
* Discography
** '''Like an Everflowing Stream''' (1990)
** '''Indecent and Obscene''' (1993)
** '''Massive Killing Capacity''' (1995)
** '''Death Metal''' (1997)
** '''Hate Campaign''' (2000)
** '''Where Ironcrosses Grow''' (2004)
** '''The God That Never Was''' (2006)
** '''Dismember''' (2008)
!!Tropes that apply to Dismember:
to:
'''Dismember''' was a Swedish old school DeathMetal band that existed between 1988 and
Many
The band released their debut ''Like an Ever Flowing Stream'' in 1991, considered by many one of the pinnacles of death metal at that time and even today. Along with the aforementioned Carnage's album ''Dark Recollections'', Music/{{Entombed}}'s ''Left Hand Path'', Grave's ''Into the Grave'' and others, the album helped establish Sweden as a major force in death metal. During this early period, Entombed drummer and de-facto leader of the Swedish scene Nicke Andersson was heavily associated with them: Andersson performed the bass tracks on their first demo, most of the lead guitar work on their first post-reform demo and ''Like an Ever Flowing Stream'', named the band, and designed their IconicLogo.
The song "Skin Her Alive" had the band make headlines for allegations of obscene content. The band ultimately won the ensueing court battle. avoiding certain claims of being "pornographic, obscene or indecent". This case gave them a name for their second album, ''Indecent and Obscene'' in 1993, also widely regarded as a classic death metal album. Nonetheless this incident and their quality music earned the band a devoted following.
Over the course of the next fifteen years, the band released six more studio albums that experimented with more melody and HardRock influence than their early work ontop of their trademark buzzsaw sound, sometimes to
Dismember
NeedsWikiMagicLove.
* Discography
** '''Like an Everflowing Stream''' (1990)
** '''Indecent
----
!!Members (final lineup in '''bold''', founding members in ''italics'')
* Johan Bergebäck - bass (2004-2005)
* '''''David Blomqvist''''' - guitar (1988-2011), bass (1989-1990)
* Richard Cabeza - bass (1991-1998, 2000-2004)
* Sharlee D'Angelo - bass (1998-2000; not officially a member, but toured with them at that time and appeared on ''Hate Campaign'')
* '''Tobias Cristiansson''' - bass (2006-2011)
* '''Thomas Daun''' - drums (2007-2011)
* ''Fred Estby'' - drums (1988-1989, 1990-2007)
* ''Erik Gustafsson'' - bass (1988)
* '''Matt Kärki''' - vocals (1990-2011)
* '''Martin Perrson''''' - guitar (2005-2011)
* Magnus Sahlgren - guitar (1998-2003)
* ''Robert Sennebäck'' - vocals (1988-1989), guitars (1989-1997)
----
!!Discography
* ''Like an Ever Flowing Stream'' (1991)
* ''Pieces'' ([=EP=]) (1992)
* ''Indecent and Obscene'' (1993)
----
!!Tropes that apply to
* AlbumTitleDrop: Done with SpokenWordInMusic at the start of "In Death's Sleep", the final song on ''Like An Ever Flowing Stream'':
-->''From dream to dream we always have been''
-->''Like an ever flowing stream''
* AppropriatedAppelation: ''Indecent and Obscene'' got its title from a case involving the band being labeled...well, that (mentioned above).
Changed line(s) 23,27 (click to see context) from:
* ContemptibleCover: "Indicent and Obscene"
* MadLibMetalLyrics: On their first two albums, mostly the standard stuff about {{Satan}}, killing and gore. On the latter, [[MilitaryAndWarfareTropes War.]]
* ScaryImpracticalArmor: The TabletopGame/{{Warhammer40000}}-inspired monstrosity on the cover of "Massive Killing Capacity". He has machine gun barrels ''on his feet''.
* StrictlyFormula: Changed very little in their sound and image over the years.
* ShoutOut: "Where Ironcrosses Grow" is a quote from the 1977 Creator/SamPeckinpah movie Film/CrossOfIron.
* MadLibMetalLyrics: On their first two albums, mostly the standard stuff about {{Satan}}, killing and gore. On the latter, [[MilitaryAndWarfareTropes War.]]
* ScaryImpracticalArmor: The TabletopGame/{{Warhammer40000}}-inspired monstrosity on the cover of "Massive Killing Capacity". He has machine gun barrels ''on his feet''.
* StrictlyFormula: Changed very little in their sound and image over the years.
* ShoutOut: "Where Ironcrosses Grow" is a quote from the 1977 Creator/SamPeckinpah movie Film/CrossOfIron.
to:
* ContemptibleCover: "Indicent and Obscene"
* MadLibMetalLyrics: On their first two albums, mostly the standard stuff about {{Satan}}, killing and gore.ChainsawGood: On the latter, [[MilitaryAndWarfareTropes War.cover of ''Massive Killing Capacity'', [[DualWielding two of 'em in fact.]]
*ScaryImpracticalArmor: ClusterFBomb: On occasion, with the record holder probably being "In Death's Cold Embrace" which has ''19'' uses of "fuck".
* ContemptibleCover: ''Indecent and Obscene'' is basically that.
* CoverVersion: [[Music/{{Death}} "Beyond the Unholy Grave"]] and [[Music/{{Autopsy}} "Pagan Saviour"]].
* DeathMetal: One of the [[TropeCodifier defining bands]] for Sweden's brand, along with Music/{{Entombed}}, Music/{{Unleashed}}, Grave, and proto-Dismember band Carnage.
** MelodicDeathMetal: A lot of their post-''Obscene'' work heavily flirts with this, and even those first two albums tended to be a lot more melodic than many of the band's contemporaries to the point a case for them being a UrExample can be made. Their last few albums before breaking up could be best described as a mixture of their early and later sound.
* DramaticThunder: "Override of the Overture" opens with this.
* EpicRocking: TheTabletopGame/{{Warhammer40000}}-inspired monstrosity on closing track to the SelfTitledAlbum (and likewise, their entire career), "Black Sun", clocks in at 6:25. "Dismembered" falls just six seconds short of six minutes (5:54); most albums at least have a song reaching the five minute mark.
* {{Filk}}: "Bred For War" is about TabletopGame/BattleTech.
* {{Gorn}}: As you might guess from their name, often used as a lyrical topic. Also the cover for ''Indecent and Obscene''.
* HarshVocals: Kind of"Massive Killing Capacity". He has machine gun barrels ''on his feet''.
* StrictlyFormula: Changed very little in[[DeathMetal comes with the territory]]. That said, the band (very rarely) uses [[SpokenWordInMusic spoken word]], and oftentimes their sound and image over vocals do not come across as being ''as'' harsh as other bands in the years.
* ShoutOut: "Where Ironcrosses Grow" is a quote from the 1977 Creator/SamPeckinpah movie Film/CrossOfIron.genre. Sometimes.
* MadLibMetalLyrics: On their first two albums, mostly the standard stuff about {{Satan}}, killing and gore.
*
* ContemptibleCover: ''Indecent and Obscene'' is basically that.
* CoverVersion: [[Music/{{Death}} "Beyond the Unholy Grave"]] and [[Music/{{Autopsy}} "Pagan Saviour"]].
* DeathMetal: One of the [[TropeCodifier defining bands]] for Sweden's brand, along with Music/{{Entombed}}, Music/{{Unleashed}}, Grave, and proto-Dismember band Carnage.
** MelodicDeathMetal: A lot of their post-''Obscene'' work heavily flirts with this, and even those first two albums tended to be a lot more melodic than many of the band's contemporaries to the point a case for them being a UrExample can be made. Their last few albums before breaking up could be best described as a mixture of their early and later sound.
* DramaticThunder: "Override of the Overture" opens with this.
* EpicRocking: The
* {{Filk}}: "Bred For War" is about TabletopGame/BattleTech.
* {{Gorn}}: As you might guess from their name, often used as a lyrical topic. Also the cover for ''Indecent and Obscene''.
* HarshVocals: Kind of
* StrictlyFormula: Changed very little in
* ShoutOut: "Where Ironcrosses Grow" is a quote from the 1977 Creator/SamPeckinpah movie Film/CrossOfIron.
* IAmTheBand: Guitartist David Blomqvist was the only member who was in the band the whole time. That said, drummer Fred Estby appeared on close to all of their material (only missing the SelfTitledAlbum) and vocalist Matt Kärki stuck since his joining in 1990.
* IndecipherableLyrics: Averted and played straight. Quite a few songs have ([[SomethingSomethingLeonardBernstein fairly brief]]) instances where Kärki is pretty clear (typically when his voice isn't as much of a growl), and even the more growl-based deliveries are relatively more dechiperable than other death metal bands provided you pay some attention. That said, sometimes (especially on later albums) if you want to get the lyrics to a song without the lyric sheet, good luck.
* {{Instrumentals}}: "Nenia" and "Phantoms (Of the Oath)"
* LeadDrummer: Fred Estby was not only one of the three longest-serving members (only Blonwvisdt and Kärki lasted longer), he was one of the band's main songwriters (particularly when it came to lyrics) and helped with production on not only all of his albums with the band but a large amount of other bands in Swedish death metal.
* LoudnessWar: Post-''Obscene'', this took its toll on the band...although it is also worth mentioning the ''Pieces'' EP averaged a [=DR5=]. In '''1992'''.
* LosingYourHead: ''Pieces'' depicts the band like this.
* MadLibMetalLyrics: On their first two albums, mostly the standard stuff about {{Satan}}, killing and gore. On the latter, [[MilitaryAndWarfareTropes War.]]
* MinisculeRocking: They have something of a knack for songs right around or even shorter than the two minute mark, some examples being "Never Forget, Never Forgive" (1:43), "Soon to be Dead" (1:55), "Skin Her Alive" (2:15), "Eviscerated (Bitch)" (2:20), and "Wardead" (2:28).
* MohsScaleOfRockAndMetalHardness: Hovers around 9-10, the former more commonly in their mid-era (''Capacity'' to ''Campaign''). The beginning of "Dismembered" is about 8, probably lower than that if not for the guitar tone.
* IndecipherableLyrics: Averted and played straight. Quite a few songs have ([[SomethingSomethingLeonardBernstein fairly brief]]) instances where Kärki is pretty clear (typically when his voice isn't as much of a growl), and even the more growl-based deliveries are relatively more dechiperable than other death metal bands provided you pay some attention. That said, sometimes (especially on later albums) if you want to get the lyrics to a song without the lyric sheet, good luck.
* {{Instrumentals}}: "Nenia" and "Phantoms (Of the Oath)"
* LeadDrummer: Fred Estby was not only one of the three longest-serving members (only Blonwvisdt and Kärki lasted longer), he was one of the band's main songwriters (particularly when it came to lyrics) and helped with production on not only all of his albums with the band but a large amount of other bands in Swedish death metal.
* LoudnessWar: Post-''Obscene'', this took its toll on the band...although it is also worth mentioning the ''Pieces'' EP averaged a [=DR5=]. In '''1992'''.
* LosingYourHead: ''Pieces'' depicts the band like this.
* MadLibMetalLyrics: On their first two albums, mostly the standard stuff about {{Satan}}, killing and gore. On the latter, [[MilitaryAndWarfareTropes War.]]
* MinisculeRocking: They have something of a knack for songs right around or even shorter than the two minute mark, some examples being "Never Forget, Never Forgive" (1:43), "Soon to be Dead" (1:55), "Skin Her Alive" (2:15), "Eviscerated (Bitch)" (2:20), and "Wardead" (2:28).
* MohsScaleOfRockAndMetalHardness: Hovers around 9-10, the former more commonly in their mid-era (''Capacity'' to ''Campaign''). The beginning of "Dismembered" is about 8, probably lower than that if not for the guitar tone.
Changed line(s) 30 (click to see context) from:
* {{Filk}}: "Bred For War" is about TabletopGame/BattleTech.
to:
* {{Filk}}: "Bred For War" NewSoundAlbum: ''Massive Killing Capacity'' made the full jump to MelodicDeathMetal the band always leaned toward. ''Where Ironcrosses Grow'' marked them developing a sound somewhere between their early sound and the one ''Capcity'' started.
* OfficiallyShortenedTitle: The band was to go under the name Dismemberizer, but this did not fit on their first demo tape, so the band shortened it to Dismember.
* OrangeBlueContrast: ''Like an Ever Flowing Stream'' has this. ''Massive Killing Capacity'' isabout TabletopGame/BattleTech.more like Orange/Purple Contrast.
* PrecisionFStrike: Quite a few songs, "On Frozen Fields" in particular:
-->''Pain twist my body''
-->''As my enemy splits my face''
-->''Another fucking victim''
-->''Left to die in a bloody haze''
* RevolvingDoorBand: Mildly. Although one guitar spot (Blomqvist) was constant and drums and vocals were mostly constant (Robert Sennebäck filled in at the start before Matti Kärki took over until the end and Fred Estby was behind the skit until 2007, only being replaced once), the other guitar slot and the bassist went through a few changes.
* ScaryImpracticalArmor: The TabletopGame/{{Warhammer40000}}-inspired monstrosity on the cover of "Massive Killing Capacity". He has machine gun barrels ''on his feet''.
* SelfTitledAlbum: In an inversion of the usual scenario their career ended with one, although the debut album has an almost self-titled song ("Dismembered").
* SignatureStyle: Usually fast-tempo music with an instantly recognizable "buzzsaw" guitar tone, a much greater implementation of melodic riffs and soloing than other death metal bands backed by Karki's signature shouted vocals that go up and down in pitch and aggressive, very thrashy drumming.
* SpiritualSuccessor: They are basically this to Carnage, whose lone album featured all three of Dismember's mainstays (Karki, Blomqvist and Estby). The band itself has many of these.
* StrictlyFormula: Dismember's style has only seen one real major change ever (that being increased melody) and even that's not always too noticeable; of the original major bands of the Swedish scene, they are one of the ones that changed the least in later years.
* ShoutOut: "Where Ironcrosses Grow" is a quote from the 1977 Creator/SamPeckinpah movie Film/CrossOfIron.
* WarIsHell: Most of ''Massive Killing Capacity'' is built around this, even having some tragic moments in the opening and closing tracks.
* YourSoulIsMine: "Souldevourer", we think.
* VocalEvolution: Over time, Karki's voice shifted from a standard growl-tinted voice that sometimes shifted into higher, almost but not quite clean passages to more of a roar which ditched the more decipherable side.
* XMeetsY: Basically Music/{{Entombed}} meets Music/IronMaiden, with the balance between the two differing from album to album.
----
* OfficiallyShortenedTitle: The band was to go under the name Dismemberizer, but this did not fit on their first demo tape, so the band shortened it to Dismember.
* OrangeBlueContrast: ''Like an Ever Flowing Stream'' has this. ''Massive Killing Capacity'' is
* PrecisionFStrike: Quite a few songs, "On Frozen Fields" in particular:
-->''Pain twist my body''
-->''As my enemy splits my face''
-->''Another fucking victim''
-->''Left to die in a bloody haze''
* RevolvingDoorBand: Mildly. Although one guitar spot (Blomqvist) was constant and drums and vocals were mostly constant (Robert Sennebäck filled in at the start before Matti Kärki took over until the end and Fred Estby was behind the skit until 2007, only being replaced once), the other guitar slot and the bassist went through a few changes.
* ScaryImpracticalArmor: The TabletopGame/{{Warhammer40000}}-inspired monstrosity on the cover of "Massive Killing Capacity". He has machine gun barrels ''on his feet''.
* SelfTitledAlbum: In an inversion of the usual scenario their career ended with one, although the debut album has an almost self-titled song ("Dismembered").
* SignatureStyle: Usually fast-tempo music with an instantly recognizable "buzzsaw" guitar tone, a much greater implementation of melodic riffs and soloing than other death metal bands backed by Karki's signature shouted vocals that go up and down in pitch and aggressive, very thrashy drumming.
* SpiritualSuccessor: They are basically this to Carnage, whose lone album featured all three of Dismember's mainstays (Karki, Blomqvist and Estby). The band itself has many of these.
* StrictlyFormula: Dismember's style has only seen one real major change ever (that being increased melody) and even that's not always too noticeable; of the original major bands of the Swedish scene, they are one of the ones that changed the least in later years.
* ShoutOut: "Where Ironcrosses Grow" is a quote from the 1977 Creator/SamPeckinpah movie Film/CrossOfIron.
* WarIsHell: Most of ''Massive Killing Capacity'' is built around this, even having some tragic moments in the opening and closing tracks.
* YourSoulIsMine: "Souldevourer", we think.
* VocalEvolution: Over time, Karki's voice shifted from a standard growl-tinted voice that sometimes shifted into higher, almost but not quite clean passages to more of a roar which ditched the more decipherable side.
* XMeetsY: Basically Music/{{Entombed}} meets Music/IronMaiden, with the balance between the two differing from album to album.
----
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* StrictlyFormula: Changed very little in their sound and image over the years.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* AxCrazy: Nearly every protagonist in every lyric on the first two albums.
Is there an issue? Send a MessageReason:
None
Changed line(s) 27 (click to see context) from:
* NukeEm: "Massive Killing Capacity".
to:
* NukeEm: "Massive Killing Capacity".Capacity".
* {{Filk}}: "Bred For War" is about TabletopGame/BattleTech.
* {{Filk}}: "Bred For War" is about TabletopGame/BattleTech.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ShoutOut: "Where Ironcrosses Grow" is a quote from the 1977 Creator/SamPeckinpah movie Film/CrossOfIron.
Is there an issue? Send a MessageReason:
None
Changed line(s) 5,6 (click to see context) from:
Many of the members had previously played in the band '''Carnage''' which was founded by Michael Amott of Music/ArchEnemy fame. When he was invited to join Music/{{Carcass}} in the 90's, the other members of Carnage went on to form Dismember.
to:
Many of the members had previously played in the band '''Carnage''' which was founded by Michael Amott of Music/ArchEnemy fame. When he was invited to join Music/{{Carcass}} in the 90's, the other members of Carnage went on to form Dismember.
Dismember without him.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
[[quoteright:299:http://static.tvtropes.org/pmwiki/pub/images/dismember_blder.jpg]]
Is there an issue? Send a MessageReason:
None
Added DiffLines:
'''Dismember''' was a Swedish old school DeathMetal band that existed between 1988 and 2011. Unlike their countrymen in bands like Music/{{Entombed}} and Music/AtTheGates, Dismember never really saw the need to alter their traditional DeathMetal sound, [[TheyChangedItNowItSucks and god bless 'em for it.]]
Many of the members had previously played in the band '''Carnage''' which was founded by Michael Amott of Music/ArchEnemy fame. When he was invited to join Music/{{Carcass}} in the 90's, the other members of Carnage went on to form Dismember.
NeedsWikiMagicLove.
*Discography
** '''Like an Everflowing Stream''' (1990)
** '''Indecent and Obscene''' (1993)
** '''Massive Killing Capacity''' (1995)
** '''Death Metal''' (1997)
** '''Hate Campaign''' (2000)
** '''Where Ironcrosses Grow''' (2004)
** '''The God That Never Was''' (2006)
** '''Dismember''' (2008)
!!Tropes that apply to Dismember:
* BloodKnight: Many songs, but "Of Fire" features an exceptionally BadAss (and psychotic) one.
* ContemptibleCover: "Indicent and Obscene"
* MadLibMetalLyrics: On their first two albums, mostly the standard stuff about {{Satan}}, killing and gore. On the latter, [[MilitaryAndWarfareTropes War.]]
* ScaryImpracticalArmor: The TabletopGame/{{Warhammer40000}}-inspired monstrosity on the cover of "Massive Killing Capacity". He has machine gun barrels ''on his feet''.
* HorribleHistoryMetal: "Europa Burns" is about WorldWarOne.
* NukeEm: "Massive Killing Capacity".
Many of the members had previously played in the band '''Carnage''' which was founded by Michael Amott of Music/ArchEnemy fame. When he was invited to join Music/{{Carcass}} in the 90's, the other members of Carnage went on to form Dismember.
NeedsWikiMagicLove.
*Discography
** '''Like an Everflowing Stream''' (1990)
** '''Indecent and Obscene''' (1993)
** '''Massive Killing Capacity''' (1995)
** '''Death Metal''' (1997)
** '''Hate Campaign''' (2000)
** '''Where Ironcrosses Grow''' (2004)
** '''The God That Never Was''' (2006)
** '''Dismember''' (2008)
!!Tropes that apply to Dismember:
* BloodKnight: Many songs, but "Of Fire" features an exceptionally BadAss (and psychotic) one.
* ContemptibleCover: "Indicent and Obscene"
* MadLibMetalLyrics: On their first two albums, mostly the standard stuff about {{Satan}}, killing and gore. On the latter, [[MilitaryAndWarfareTropes War.]]
* ScaryImpracticalArmor: The TabletopGame/{{Warhammer40000}}-inspired monstrosity on the cover of "Massive Killing Capacity". He has machine gun barrels ''on his feet''.
* HorribleHistoryMetal: "Europa Burns" is about WorldWarOne.
* NukeEm: "Massive Killing Capacity".