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* ''WebVideo/StuartHardy''. He originally joined in 2011 on Website/YouTube, though didn't start video reviews until 2012.

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* ''WebVideo/StuartHardy''. He originally joined in 2011 on Website/YouTube, Platform/YouTube, though didn't start video reviews until 2012.
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* ''Advertising/TheScarecrow''

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* ''Advertising/TheScarecrow''''Advertising/{{The Scarecrow|2013}}''

Added: 152

Removed: 191

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Toonami isn't really a show, more of a block. Russian cartoons go in Eastern European animation.


[[folder:African Animation]]
* ''Animation/TingaTingaTales''
[[/folder]]



[[folder:Animated Shows]]
* ''Animation/MashaAndTheBear'' (from Russia, continued since 2009)
* ''Animation/TingaTingaTales''. (from Kenya)
* ''Creator/{{Toonami}}'' (Revived in 2012)
[[/folder]]


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* ''Animation/MashaAndTheBear'' (premiered in 2009 but kept going into the 2010's)
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Don't know if it was specifically 2011.


* ''Animation/NoonboryAndTheSuper7'' (Its second season premiered in 2011.)

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* ''Animation/NoonboryAndTheSuper7'' (Its second season premiered in 2011.the early 2010's.)

Added: 159

Removed: 84

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* ''Animation/ShiningStar''



* ''Animation/TayoTheLittleBus''



* ''Animation/{{Tobot}}''


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* ''Animation/NoonboryAndTheSuper7'' (Its second season premiered in 2011.)


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* ''Animation/ShiningStar''
* ''Animation/TayoTheLittleBus''


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* ''Animation/{{Tobot}}''
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* ''Animation/FruityRobo'' (premiered in 2009, continued into the 2010's)
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* ''{{Animation/Ibi}}

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* ''{{Animation/Ibi}}''{{Animation/Ibi}}''
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* ''{{Animation/Ibi}}
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Indexing; fixing indentation.


* ''Animation/HeroesOfEnvell''



* ''[=KikoRiki=]. New Adventures''

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* ** ''[=KikoRiki=]. New Adventures''
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This seems... weird to put on the New Tens index since it literally has the year "1978" on its page name.


* ''Animation/Panic1978''
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Updating links


* The ''[[ComicBook/DaysOfFuturePast1981 Days of Future Past]]'' storyline in ''Comicbook/XMen''.

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* The ''[[ComicBook/DaysOfFuturePast1981 Days of Future Past]]'' ''ComicBook/DaysOfFuturePast'' storyline in ''Comicbook/XMen''.''ComicBook/XMen''.



* ''Comicbook/DoomsdayClock''

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* ''Comicbook/DoomsdayClock''''ComicBook/DoomsdayClock''
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Social reforms (primarily regarding same-sex marriage) met with little approval and fierce criticism both from conservatives who did not ask for them as well from progressives who felt short-changed. The loss of economic certainty following the 2008-09 financial crisis led to calls for wider welfare provisions as well as the return of high-paying manufacturing jobs as the rise of the tech industry generated a long period of economic growth offset by little improvement at best for those not in said sector. A number of controversies regarding digital piracy and net neutrality generated more suspicion over the relationship between political and corporate interests, and the uncovering of the National Security Agency led to concerns about surveillance. Cases of [[PoliceBrutality police brutality]] against black people, anti-immigration policies, and hate crimes against minorities reduced faith on law and order among these groups. Feminism returned to prominence as the "gender gap" became a major source of concern. Towards the end of the decade, the exposure of prolific film producer [[Creator/TheWeinsteinCompany Harvey Weinstein]] as a serial sexual abuser and anger over U.S. President UsefulNotes/DonaldTrump’s alleged treatment of women kick-started the #[=MeToo=] movement,[[note]]The term was coined by black civil rights activist Tarana Burke in 2006 but was popularized by actress Creator/AlyssaMilano shortly after the Weinstein revelations went public[[/note]] in which women (and some men) in Hollywood and beyond opened up about their experiences of sexual abuse, leading to the resignations and ostracism of many powerful men and the demand for greater sexual equality.

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Social reforms (primarily regarding same-sex marriage) met with little approval and fierce criticism both from conservatives who did not ask for them as well from progressives who felt short-changed. The loss of economic certainty following the 2008-09 financial crisis led to calls for wider welfare provisions as well as the return of high-paying manufacturing jobs as the rise of the tech industry generated a long period of economic growth offset by little improvement at best for those not in said sector. A number of controversies regarding digital piracy and net neutrality generated more suspicion over the relationship between political and corporate interests, and the uncovering of the National Security Agency led to concerns about surveillance. Cases of [[PoliceBrutality police brutality]] against black people, anti-immigration policies, and hate crimes against minorities reduced faith on in law and order among these groups. Feminism returned to prominence as the "gender gap" became a major source of concern. Towards the end of the decade, the exposure of prolific film producer [[Creator/TheWeinsteinCompany Harvey Weinstein]] as a serial sexual abuser and anger over U.S. President UsefulNotes/DonaldTrump’s alleged treatment of women kick-started the #[=MeToo=] movement,[[note]]The term was coined by black civil rights activist Tarana Burke in 2006 but was popularized by actress Creator/AlyssaMilano shortly after the Weinstein revelations went public[[/note]] in which women (and some men) in Hollywood and beyond opened up about their experiences of sexual abuse, leading to the resignations and ostracism of many powerful men and the demand for greater sexual equality.
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* ''VideoGame/TraumaCenter'' takes place in 2018.

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* ''VideoGame/TraumaCenter'' ''VideoGame/{{Trauma Center|Atlus}}'' takes place in 2018.
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Moving to new name.


* ''Animation/FlowerFairy''

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* ''Animation/FlowerFairy''''Animation/FlowerAngel''
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On the one hand, the early years of the decade were marked by escapist fare, such as ''Series/{{Glee}}'', the Franchise/MarvelCinematicUniverse films, young adult-geared romantic dramas and "[[LighterAndSofter shiny reboots]]". However, [[DarkerAndEdgier sordid settings and cynical attitudes]] thrived in media, reflecting the turbulent sign of the times. {{Dystopia}}n fiction (''Literature/TheHungerGames'', ''VideoGame/TheLastOfUs'', ''Literature/{{Divergent}}'') and horror films (''Film/ThePurge'') served as allegories for the growing social and economic divisions in American society. Dark cable dramas (''Series/GameOfThrones'', ''Series/TheWalkingDead'', ''Series/BreakingBad'') took away the spotlight from broadcast network shows, and several franchises got acclaimed grim-and-gritty interpretations in the vein of ''Film/TheDarkKnightTrilogy''. Even nostalgia got [[NostalgiaAintLikeItUsedToBe an ironic twist]] thanks to the {{Hipster}} subculture, ironically popularizing the past like never before, most markedly indicated by a noticeable burst in newfound enthusiasm for analog audiovisual media such as vinyl records, film stock, and CRT televisions. As the social climate became even more tense by the second half of the decade, escapism not only became [[SillyRabbitIdealismIsForKids totally unfashionable]] outside of kid-geared works, but also triggered a raging debate about works becoming [[WhatDoYouMeanItsNotPolitical either too politicized or not political enough]].

to:

On the one hand, the early years of the decade were marked by escapist fare, such as ''Series/{{Glee}}'', the Franchise/MarvelCinematicUniverse films, young adult-geared romantic dramas and "[[LighterAndSofter shiny reboots]]". However, [[DarkerAndEdgier sordid settings and cynical attitudes]] thrived in media, reflecting the turbulent sign of the times. {{Dystopia}}n fiction (''Literature/TheHungerGames'', ''VideoGame/TheLastOfUs'', ''Literature/{{Divergent}}'') and horror films (''Film/ThePurge'') (''Film/{{The Purge|Universe}}'') served as allegories for the growing social and economic divisions in American society. Dark cable dramas (''Series/GameOfThrones'', ''Series/TheWalkingDead'', ''Series/BreakingBad'') took away the spotlight from broadcast network shows, and several franchises got acclaimed grim-and-gritty interpretations in the vein of ''Film/TheDarkKnightTrilogy''. Even nostalgia got [[NostalgiaAintLikeItUsedToBe an ironic twist]] thanks to the {{Hipster}} subculture, ironically popularizing the past like never before, most markedly indicated by a noticeable burst in newfound enthusiasm for analog audiovisual media such as vinyl records, film stock, and CRT televisions. As the social climate became even more tense by the second half of the decade, escapism not only became [[SillyRabbitIdealismIsForKids totally unfashionable]] outside of kid-geared works, but also triggered a raging debate about works becoming [[WhatDoYouMeanItsNotPolitical either too politicized or not political enough]].

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