Added DiffLines:
* Music/IceNineKills (only at the beginning of their career, currently metalcore)
Added DiffLines:
* Music/RadioactiveChickenHeads
Changed line(s) 27 (click to see context) from:
* [[Music/TheAquabats The Aquabats!]]
to:
* [[Music/TheAquabats The Aquabats!]] Music/TheAquabats
Added DiffLines:
* Music/BombTheMusicIndustry
Changed line(s) 54 (click to see context) from:
* Music/{{ReelBigFish}}
to:
* Music/{{ReelBigFish}}[[Music/{{ReelBigFish}} Reel Big Fish]]
Added DiffLines:
* Music/MadCaddies
Changed line(s) 75 (click to see context) from:
* IncrediblyLamePun: The ska pun started with one of the early '60s bands, the Skatalites, but it got really ridiculous in the '90s, when it seemed like every other band name or album title was one. A couple of the worst: Flux Skapacitor, Mephiskapheles
to:
* IncrediblyLamePun: The ska pun started with one of GenreBusting: It's not uncommon for bands to have other musical influences besides the early '60s bands, the Skatalites, but it got really ridiculous obvious {{Ska}} and PunkRock ones- for example, HeavyMetal in the '90s, when it seemed like every other band name case of Music/TheMightyMightyBosstones and Music/ReelBigFish, or album title was one. A couple of {{Reggae}} and {{HipHop}} in the worst: Flux Skapacitor, Mephiskaphelescase of Sublime. Music/{{Rancid}} experimented with PopPunk, HardcorePunk, Rockabilly, Reggae, Latin Music and Blues at various times, as well...
Deleted line(s) 80 (click to see context) :
* NeoClassicalPunkZydecoRockabilly: It's not uncommon for bands to have other musical influences besides the obvious {{Ska}} and PunkRock ones- for example, HeavyMetal in the case of Music/TheMightyMightyBosstones and Music/ReelBigFish, or {{Reggae}} and {{HipHop}} in the case of Sublime. Music/{{Rancid}} experimented with PopPunk, HardcorePunk, Rockabilly, Reggae, Latin Music and Blues at various times, as well...
Changed line(s) 16,17 (click to see context) from:
In 1995, ska punk was finally brought to mainstream attention with the release of Music/NoDoubt's multi-platinum ''Tragic Kingdom'' album, which created a big demand for similar-sounding groups. 1996 and 1997 would be the peak years for the Third Wave revival. Music/ReelBigFish, Sublime and The Mighty Mighty Bosstones all had hit singles on the Modern Rock charts, while groups like Less Than Jake and Mustard Plug skanked it up in Florida and the mid-west respectively and music by Save Ferris or the Toasters featured in films or TV. And while the mainstream focused on the aforementioned bands, the underground scene of the late 90's and early 2000’s saw a minor subgenre of ska punk form, dubbed "Crack Rock Steady". The subgenre was pioneered by bands like ChokingVictim (the TropeNamer), Morning Glory, No Ca$h, and Music/LeftoverCrack, which fused ska, crust punk and DeathMetal into one package. For a while, ska punk was pretty popular.
to:
In 1995, ska punk was finally brought to mainstream attention with the release of Music/NoDoubt's multi-platinum ''Tragic Kingdom'' album, which created a big demand for similar-sounding groups. 1996 and 1997 would be the peak years for the Third Wave revival. Music/ReelBigFish, Sublime and The Mighty Mighty Bosstones all had hit singles on the Modern Rock charts, while groups like Less Than Jake and Mustard Plug skanked it up in Florida and the mid-west respectively and music by Save Ferris or the Toasters featured in films or TV. And while the mainstream focused on the aforementioned bands, the underground scene of the late 90's and early 2000’s saw a minor subgenre of ska punk form, dubbed "Crack Rock Steady". The subgenre was pioneered by bands like ChokingVictim Music/ChokingVictim (the TropeNamer), Morning Glory, No Ca$h, and Music/LeftoverCrack, which fused ska, crust punk and DeathMetal into one package. For a while, ska punk was pretty popular.
Deleted line(s) 84,85 (click to see context) :
* OneOfUs: Curiously enough.
** Especially when one takes into account the reputation of the genre as JerkJock fodder.
** Especially when one takes into account the reputation of the genre as JerkJock fodder.
Changed line(s) 25 (click to see context) from:
* [[Music/ThreeEleven (also incorporating funk rock and reggae into their sound)
to:
* [[Music/ThreeEleven Music/ThreeEleven (also incorporating funk rock and reggae into their sound)
Changed line(s) 29,30 (click to see context) from:
* [[Music/BuckONine Buck-O-Nine]]
* Music/{{Catch 22}}
* Music/{{Catch 22}}
to:
* [[Music/BuckONine Buck-O-Nine]]
Music/BuckONine
*Music/{{Catch 22}}Music/Catch22
*
Changed line(s) 38 (click to see context) from:
* [[Music/IllScarlet illScarlet]]
to:
* [[Music/IllScarlet illScarlet]]Music/IllScarlet
Changed line(s) 42 (click to see context) from:
* [[Music/LetsGoBowling Let's Go Bowling]]
to:
* [[Music/LetsGoBowling Let's Go Bowling]]Music/LetsGoBowling
Changed line(s) 44 (click to see context) from:
* Music/{{TheMightyMightyBosstones}}
to:
* Music/{{TheMightyMightyBosstones}}Music/TheMightyMightyBosstones
Changed line(s) 57 (click to see context) from:
* [[Music/SkakinPickle Skankin' Pickle]]
to:
* [[Music/SkakinPickle Skankin' Pickle]]Music/SkakinPickle
Changed line(s) 25 (click to see context) from:
* [[Music/{{ThreeEleven}} 311]] (also incorporating funk rock and reggae into their sound)
to:
* [[Music/{{ThreeEleven}} 311]] [[Music/ThreeEleven (also incorporating funk rock and reggae into their sound)
Changed line(s) 18,20 (click to see context) from:
However, ska's fifteen minutes of fame in America were soon up. Unlike {{Britpop}}, which was clearly finished off by the third {{Oasis}} album, it's hard to place a definite GenreKiller for ska punk. A lot of bands split up, while others (such as No Doubt, Less Than Jake and the Aquabats) changed their sound a bit. Even so, there were plenty of bands that stuck to their ska guns, such as Reel Big Fish or the Bosstones, who continue to play to audiences who remain as rabid as ever, and every so often bands - such as Chase Long Beach and Streetlight Manifesto - come along who look like they may revive ska for a fourth wave.
to:
However, ska's fifteen minutes of fame in America were soon up. Unlike {{Britpop}}, which was clearly finished off by the third {{Oasis}} Music/{{Oasis}} album, it's hard to place a definite GenreKiller for ska punk. A lot of bands split up, while others (such as No Doubt, Less Than Jake and the Aquabats) changed their sound a bit. Even so, there were plenty of bands that stuck to their ska guns, such as Reel Big Fish or the Bosstones, who continue to play to audiences who remain as rabid as ever, and every so often bands - such as Chase Long Beach and Streetlight Manifesto - come along who look like they may revive ska for a fourth wave.
Changed line(s) 16,17 (click to see context) from:
In 1995, ska punk was finally brought to mainstream attention with the release of Music/NoDoubt's multi-platinum ''Tragic Kingdom'' album, which created a big demand for similar-sounding groups. 1996 and 1997 would be the peak years for the Third Wave revival. ReelBigFish, Sublime and The Mighty Mighty Bosstones all had hit singles on the Modern Rock charts, while groups like Less Than Jake and Mustard Plug skanked it up in Florida and the mid-west respectively and music by Save Ferris or the Toasters featured in films or TV. And while the mainstream focused on the aforementioned bands, the underground scene of the late 90's and early 2000’s saw a minor subgenre of ska punk form, dubbed "Crack Rock Steady". The subgenre was pioneered by bands like ChokingVictim (the TropeNamer), Morning Glory, No Ca$h, and Music/LeftoverCrack, which fused ska, crust punk and DeathMetal into one package. For a while, ska punk was pretty popular.
to:
In 1995, ska punk was finally brought to mainstream attention with the release of Music/NoDoubt's multi-platinum ''Tragic Kingdom'' album, which created a big demand for similar-sounding groups. 1996 and 1997 would be the peak years for the Third Wave revival. ReelBigFish, Music/ReelBigFish, Sublime and The Mighty Mighty Bosstones all had hit singles on the Modern Rock charts, while groups like Less Than Jake and Mustard Plug skanked it up in Florida and the mid-west respectively and music by Save Ferris or the Toasters featured in films or TV. And while the mainstream focused on the aforementioned bands, the underground scene of the late 90's and early 2000’s saw a minor subgenre of ska punk form, dubbed "Crack Rock Steady". The subgenre was pioneered by bands like ChokingVictim (the TropeNamer), Morning Glory, No Ca$h, and Music/LeftoverCrack, which fused ska, crust punk and DeathMetal into one package. For a while, ska punk was pretty popular.
Changed line(s) 16,17 (click to see context) from:
In 1995, ska punk was finally brought to mainstream attention with the release of NoDoubt's multi-platinum ''Tragic Kingdom'' album, which created a big demand for similar-sounding groups. 1996 and 1997 would be the peak years for the Third Wave revival. ReelBigFish, Sublime and The Mighty Mighty Bosstones all had hit singles on the Modern Rock charts, while groups like Less Than Jake and Mustard Plug skanked it up in Florida and the mid-west respectively and music by Save Ferris or the Toasters featured in films or TV. And while the mainstream focused on the aforementioned bands, the underground scene of the late 90's and early 2000’s saw a minor subgenre of ska punk form, dubbed "Crack Rock Steady". The subgenre was pioneered by bands like ChokingVictim (the TropeNamer), Morning Glory, No Ca$h, and Music/LeftoverCrack, which fused ska, crust punk and DeathMetal into one package. For a while, ska punk was pretty popular.
to:
In 1995, ska punk was finally brought to mainstream attention with the release of NoDoubt's Music/NoDoubt's multi-platinum ''Tragic Kingdom'' album, which created a big demand for similar-sounding groups. 1996 and 1997 would be the peak years for the Third Wave revival. ReelBigFish, Sublime and The Mighty Mighty Bosstones all had hit singles on the Modern Rock charts, while groups like Less Than Jake and Mustard Plug skanked it up in Florida and the mid-west respectively and music by Save Ferris or the Toasters featured in films or TV. And while the mainstream focused on the aforementioned bands, the underground scene of the late 90's and early 2000’s saw a minor subgenre of ska punk form, dubbed "Crack Rock Steady". The subgenre was pioneered by bands like ChokingVictim (the TropeNamer), Morning Glory, No Ca$h, and Music/LeftoverCrack, which fused ska, crust punk and DeathMetal into one package. For a while, ska punk was pretty popular.
Changed line(s) 34 (click to see context) from:
* Music/TheDingees (also played punk and reggae, in a GenreRoulette fashion rather than mixing them)
to:
* Music/TheDingees (also played punk and reggae, in a GenreRoulette fashion rather than mixing them)reggae)
Changed line(s) 52 (click to see context) from:
* Music/{{Rancid}} (also count as HardcorePunk)
to:
* Music/{{Rancid}} (also count as HardcorePunk)hardcore punk)
Changed line(s) 60 (click to see context) from:
* Music/SmashMouth (well, sometimes anyways, mainly their first album, Music/FushYuMang)
to:
* Music/SmashMouth (well, sometimes anyways, mainly their first album, Music/FushYuMang)''Fush Yu Mang'')
Showing 15 edit(s) of 60