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* In ''WesternAnimation/TurningRed'', this is done for the scene where the extended Lee family plus Mr. Gao have dinner on the night of the red moon ritual.
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* Used with a room instead of a table in the MushroomSamba episode of ''Anime/CowboyBebop'', when Jet is demanding the others to tell him who ate their rations.
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* Used with a room instead of a table in the MushroomSamba ''Anime/CowboyBebop'' episode of ''Anime/CowboyBebop'', "[[Recap/CowboyBebopSession17MushroomSamba Mushroom Samba]]", when Jet is demanding the others to tell him who ate their rations.
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* Seen once, quickly, in ''Film/{{Serenity}},'' the movie sequel to ''Series/{{Firefly}}''.
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%% ZCE * Seen once, quickly, in ''Film/{{Serenity}},'' the movie sequel to ''Series/{{Firefly}}''.
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* Twice in ''WesternAnimation/JusticeLeague'', to emphasize their NotSoDifferent motivations.
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* Twice in ''WesternAnimation/JusticeLeague'', to emphasize their NotSoDifferent motivations.
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* The scenes with the three binmen/witches in the ''Macbeth'' episode of the BBC's ''Series/ShakespeareReTold'' [sic] were sometimes shot this way.
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* The scenes with the three binmen/witches in the ''Macbeth'' ''Theatre/{{Macbeth}}'' episode of the BBC's ''Series/ShakespeareReTold'' [sic] were sometimes shot this way.
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* Featured in the Series/{{Firefly}} episode "The Message" as the crew is observing the dead body of Private Tracey. In one outtake, Nathan Fillion starts running behind the camera so that he's sharing the frame with ''each'' of the others, culminating in the shot settling on him in the coffin with Tracey's body.
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* Featured in the Series/{{Firefly}} ''Series/{{Firefly}}'' episode "The Message" as the crew is observing the dead body of Private Tracey. In one outtake, Nathan Fillion Creator/NathanFillion starts running behind the camera so that he's sharing the frame with ''each'' of the others, culminating in the shot settling on him in the coffin with Tracey's body.body.
* During the opening TabletopGame/{{Poker}} game in ''Series/TheOuterLimits1963'' episode "[[Recap/TheOuterLimits1963S1E27FunAndGames Fun and Games]]", there's a continuous shot in which the camera moves from one player to the next, providing a closeup of each of them.
* During the opening TabletopGame/{{Poker}} game in ''Series/TheOuterLimits1963'' episode "[[Recap/TheOuterLimits1963S1E27FunAndGames Fun and Games]]", there's a continuous shot in which the camera moves from one player to the next, providing a closeup of each of them.
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Contrast with OrbitalShot.
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Contrast with OrbitalShot. Not to be confused with RoundaboutShot.
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* Used with great effect in ''Series/{{That 70s Show}}'', most often in scenes where it is implied that [[GettingCrapPastTheRadar the characters are smoking pot]].
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* Used with great effect in ''Series/{{That 70s Show}}'', most often in scenes where it is implied that [[GettingCrapPastTheRadar the characters are smoking pot]].pot.
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* ''Film/ThePedestrian'': The old ladies who have joined Inge for her tea party are introduced by a slow round table shot in which each old lady in turn spouts a bit of dialogue before the camera comes to the next guest. The joke here is that each old lady is played by a famous actress of stage or screen (one is Dame Creator/PeggyAshcroft).
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[[folder: Web Original]]
* ''LetsPlay/{{Dream}}'' looks at all the hunters surrounding him in the very beginning of the [[https://www.youtube.com/watch?v=tylNqtyj0gs Minecraft Manhunt grand finale]] before running away.
[[/folder]]
* ''LetsPlay/{{Dream}}'' looks at all the hunters surrounding him in the very beginning of the [[https://www.youtube.com/watch?v=tylNqtyj0gs Minecraft Manhunt grand finale]] before running away.
[[/folder]]
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* The film ''Film/{{Conspiracy}}'', almost all of which takes place in a single room with a group of Nazi bureaucrats seated at a conference table, does this twice: first when the participants introduce their names and ranks, second when the conference's chairman Reinhard Heydrich asks them all individually for their support for his "[[FinalSolution solution]]".
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* The film ''Film/{{Conspiracy}}'', ''Film/Conspiracy2001'', almost all of which takes place in a single room with a group of Nazi bureaucrats seated at a conference table, does this twice: first when the participants introduce their names and ranks, second when the conference's chairman Reinhard Heydrich asks them all individually for their support for his "[[FinalSolution solution]]".
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* Used at one point in the opening to ''Series/TooManyCooks'' to demonstrate [[ExactlyWhatItSaysOnTheTin just how many Cooks there were]].
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* Used at one point in the opening to ''Series/TooManyCooks'' ''Film/TooManyCooks'' to demonstrate [[ExactlyWhatItSaysOnTheTin just how many Cooks there were]].
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* ''Film/AGeneration'': Dorota is introducing Stach to the rest of the members of the LaResistance cell. The camera starts with Dorota and Stach greeting the others. Then a member of the audience lights a cigarette and passes it around. As the camera quite slowly pans around, the cigarette is passed from person to person as we see everyone in the cell. The shot doesn't end until it completes a full circle by coming back to Dorota and Stach.
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* Used during an interrogation in ''{{Hellsing}} Ultimate''.
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* Used during an interrogation in ''{{Hellsing}} Ultimate''.''Anime/HellsingUltimate''.
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* An episode of ''WesternAnimation/JusticeLeague'' has a sequence with two simultaneous Round Table Shots: one of the League, and the other of their villains. It goes back and forth between the two scenes.
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* An episode Twice in ''WesternAnimation/JusticeLeague'', to emphasize their NotSoDifferent motivations.
** The first sequence shows the first time we see the people involved in Project CADMUS, as it pans around to show each of''WesternAnimation/JusticeLeague'' their faces, and they're all faces we have seen.
** The second has a sequence with two simultaneous Round Table Shots: one of the League, and the other oftheir villains. CADMUS. It goes back and forth between the two scenes.scenes while they all recite much the same dialogue about the same situation.
** The first sequence shows the first time we see the people involved in Project CADMUS, as it pans around to show each of
** The second has a sequence with two simultaneous Round Table Shots: one of the League, and the other of
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* ''Film/PullMyDaisy'': An exceedingly slow one of all the people sitting around the table at dinner. This is a visual echo of the opening shot of the film, which is a slow pan around the empty apartment.
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