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* Music/{{Faunts}} (also DreamPop and {{Shoegazing}})
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* Music/{{Treebeard}}
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** 2008 - ''Music/{{Deathconsciousness}}''
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* Music/{{Anathema}}

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* Music/{{Anathema}}Music/{{Anathema|Band}}
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* Music/{{Mono}}

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* Music/{{Mono}}Music/{{Mono|Band}}
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* Music/{{Felt}} (their first two albums comprised of lengthy guitar passages before becoming a fully-fledged IndiePop band)
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** Disco Inferno, an UrExample post-rock band, took this up a notch by transforming their instruments into samplers that could be triggered live.

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** Disco Inferno, an UrExample post-rock band, Music/DiscoInferno took this up a notch by transforming their instruments into samplers that could be triggered live.
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* BoleroEffect: While this wasn't universally common among post-rock bands when the [[EarlyInstallmentWeirdness genre was in its infancy]], it's nowadays considered one of the most noteworthy characteristics of the genre.

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* BoleroEffect: While this wasn't universally common among post-rock bands when the [[EarlyInstallmentWeirdness [[UnbuiltTrope genre was in its infancy]], it's nowadays considered one of the most noteworthy characteristics of the genre.
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* Music/BritishSeaPower


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* Music/SeaPower
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* Music/{{Astronoid}}
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* ProgressiveInstrumentation: Goes hand in hand with BoleroEffect.
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* Music/OdeAndElegy (post-metal mixed with chamber music, choral music, modern classical, PostHardcore, and [{GenreBusting whatever else the band feels like mixing in]])

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* Music/OdeAndElegy (post-metal mixed with chamber music, choral music, modern classical, PostHardcore, and [{GenreBusting [[GenreBusting whatever else the band feels like mixing in]])
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** 2012 - ''Music/TheSeer''

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** 2012 - ''Music/TheSeer''''Music/{{The Seer|Album}}''
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** 1998 - ''Music/{{Mark Hollis|Album}}''
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Up To Eleven is a defunct trope


** Disco Inferno, an UrExample post-rock band, took this UpToEleven by transforming their instruments into samplers that could be triggered live.

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** Disco Inferno, an UrExample post-rock band, took this UpToEleven up a notch by transforming their instruments into samplers that could be triggered live.
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tropen't


* GenreBusting[=/=]NeoclassicalPunkZydecoRockabilly: Owing to its introspective and contemplative nature, its diverse instrumentation, and especially its heavy use of crescendi (the obvious compositional choice for building a song to an epic climax), post-rock mixes well with other genres, and it's an intrinsically experimental and avant-garde genre in the first place - in fact, it was itself an case of NeoclassicalPunkZydecoRockabilly before it was codified. Thus, it's extremely common to see post-rock fused with numerous other genres - the number of times the GenreBusting trope is potholed above probably provides a clue on this count.

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* GenreBusting[=/=]NeoclassicalPunkZydecoRockabilly: GenreBusting[=/=]GenreMashup: Owing to its introspective and contemplative nature, its diverse instrumentation, and especially its heavy use of crescendi (the obvious compositional choice for building a song to an epic climax), post-rock mixes well with other genres, and it's an intrinsically experimental and avant-garde genre in the first place - in fact, it was itself an case of NeoclassicalPunkZydecoRockabilly GenreMashup before it was codified. Thus, it's extremely common to see post-rock fused with numerous other genres - the number of times the GenreBusting trope is potholed above probably provides a clue on this count.

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* Music/AForestOfStars (mixed with BlackMetal, AvantGardeMetal, PsychedelicRock, and some elements of chamber music)

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* Music/AForestOfStars (mixed (a particularly GenreBusting example that mixes this with BlackMetal, AvantGardeMetal, PsychedelicRock, and some elements of chamber music)



* Music/KayoDot (mixed with AvantGardeMetal and [[GenreBusting too many other genres to list]])

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* Music/KayoDot (mixed with AvantGardeMetal and [[GenreBusting too many other genres to list]])list]], with a sound that notoriously [[GenreRoulette varies widely from release to release]])



* Music/NeguraBunget (TropeCodifier for BlackMetal[=/=]PostRock fusions)

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* Music/NeguraBunget (TropeCodifier for BlackMetal[=/=]PostRock fusions)fusions, alongside Weakling)



* Music/OdeAndElegy (post-metal mixed with chamber music, choral music, modern classical, PostHardcore, and whatever else the band feels like mixing in)

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* Music/OdeAndElegy (post-metal mixed with chamber music, choral music, modern classical, PostHardcore, and [{GenreBusting whatever else the band feels like mixing in)in]])



* Music/{{Slint}} (TropeMaker alongside Talk Talk)

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* Music/{{Slint}} (TropeMaker alongside Talk Talk)Talk; mixed with MathRock, for which they are ''also'' {{Trope Maker}}s)



* Music/{{Weakling}} (mixed with BlackMetal; arguable TropeMaker for BlackMetal and post-rock fusions, although Fleurety arguably performed them even earlier)

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* Music/{{Weakling}} (mixed with BlackMetal; arguable TropeMaker or at least co-TropeCodifier for BlackMetal and post-rock fusions, although Fleurety arguably performed them even earlier)



* EpicRocking: It's difficult to find a post-rock band that hasn't used this at least once. Twenty-minute-plus songs are a staple of the genre.

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* EpicRocking: It's difficult to find a post-rock band that hasn't used this at least once. Twenty-minute-plus songs are a staple of the genre.genre, and some bands go well beyond that.
* GenreBusting[=/=]NeoclassicalPunkZydecoRockabilly: Owing to its introspective and contemplative nature, its diverse instrumentation, and especially its heavy use of crescendi (the obvious compositional choice for building a song to an epic climax), post-rock mixes well with other genres, and it's an intrinsically experimental and avant-garde genre in the first place - in fact, it was itself an case of NeoclassicalPunkZydecoRockabilly before it was codified. Thus, it's extremely common to see post-rock fused with numerous other genres - the number of times the GenreBusting trope is potholed above probably provides a clue on this count.



* NoHitWonder: Again, while many bands have received a fair amount of commercial success, hit singles aren't really the province of the genre. In the case of ''Music/KidA'', it was outright {{invoked|Trope}}; Radiohead deliberately chose not to release any singles or music videos for the album, instead opting for a series of "blips," short videos set to brief excerpts from the album. Despite this, several of the songs on the album became big enough fan-favorites to appear on their GreatestHitsAlbum (which, granted, was put together without their involvement and long after they left their original labels).

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* NoHitWonder: Again, while many bands have received a fair amount of commercial success, hit singles aren't really the province of the genre. In the case of ''Music/KidA'', it was outright {{invoked|Trope}}; Radiohead deliberately chose not to release any singles or music videos for the album, instead opting for a series of "blips," short videos set to brief excerpts from the album. [[note]]However, singer Thom Yorke later clarified that this was primarily to avoid the stress of publicity, which had caused him a CreatorBreakdown after ''Music/OKComputer'', rather than for artistic reasons.[[/note]] Despite this, several of the songs on the album became big enough fan-favorites to appear on their GreatestHitsAlbum (which, granted, was put together without their involvement and long after they left their original labels).

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* Music/TheseNewPuritans

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* Music/TheseNewPuritansMusic/OdeAndElegy (post-metal mixed with chamber music, choral music, modern classical, PostHardcore, and whatever else the band feels like mixing in)


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* Music/ThePaxCecilia (mixed with {{screamo}} and PostHardcore; later mutated into Ode and Elegy)


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* Music/TheseNewPuritans
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