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* ''VideoGame/SuperSmashBrosUltimate'' adds a "Spirits" system in which the spirits of characters not in the game as fighters possess and augment those who are. Nearly every spirit to character to stage match is some sort of MythologyGag, see ''MythologyGag/SuperSmashBrosUltimate'' for the full list.


* ''Videogame/CannonSpike'' is this for Creator/{{Capcom}}, a game full of {{Mythology Gag}}s from diverse games of the company, having their protagonists [[Franchise/StreetFighter from]] [[Videogame/GhostNGoblins diverse]] [[VideoGame/MegaManClassic game]] [[VideoGame/{{Darkstalkers}} franchises]] and even the {{original|Generation}} characters are based on [[VideoGame/ThreeWonders certain]] [[VideoGame/AlienVsPredatorCapcom games]].

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* ''Videogame/CannonSpike'' is this for Creator/{{Capcom}}, a game full of {{Mythology Gag}}s from diverse games of the company, having their protagonists [[Franchise/StreetFighter from]] [[Videogame/GhostNGoblins [[VideoGame/GhostsNGoblins diverse]] [[VideoGame/MegaManClassic game]] [[VideoGame/{{Darkstalkers}} franchises]] and even the {{original|Generation}} characters are based on [[VideoGame/ThreeWonders certain]] [[VideoGame/AlienVsPredatorCapcom games]].

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* ''Videogame/CannonSpike'' is this for Creator/{{Capcom}}, a game full of {{Mythology Gag}}s from diverse games of the company, having their protagonists [[Franchise/StreetFighter from]] [[Videogame/GhostNGoblins diverse]] [[VideoGame/MegaManClassic game]] [[VideoGame/{{Darkstalkers}} franchises]] and even the {{original|Generation}} characters are based on [[VideoGame/ThreeWonders certain]] [[VideoGame/AlienVsPredatorCapcom games]].

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Maybe [[Franchise/{{Transformers}} Optimus Prime]] will have an odd aversion to [[TransformersBeastWars gorillas or apes in general]]. Maybe [[ComicBook/{{Superboy}} Conner Kent]] will try on some round sunglasses before taking them off. Maybe SherlockHolmes will pass by a music shop, and, on a whim, pick up a violin to try and learn to play it.

to:

Maybe [[Franchise/{{Transformers}} Optimus Prime]] will have an odd aversion to [[TransformersBeastWars [[WesternAnimation/BeastWars gorillas or apes in general]]. Maybe [[ComicBook/{{Superboy}} Conner Kent]] will try on some round sunglasses before taking them off. Maybe SherlockHolmes will pass by a music shop, and, on a whim, pick up a violin to try and learn to play it.


* WesternAnimation/TransformersPrime, by design, was meant to incorporate as many aspects of every other Franchise/{{Transformers}} story possible. The idea was to create a single story which would act as [[TheEarthPrimeTheory THE "truest" Transformers story possible]]. This was partially achieved not only by flooding the show with plot points and characters from every show thus far, but even going so far as to get the original voices of [[Creator/PeterCullen Optimus Prime]] and [[FrankWelker Megatron]] back into the drivers seats of their characters.

to:

* WesternAnimation/TransformersPrime, by design, was meant to incorporate as many aspects of every other Franchise/{{Transformers}} story possible. The idea was to create a single story which would act as [[TheEarthPrimeTheory THE "truest" Transformers story possible]]. This was partially achieved not only by flooding the show with plot points and characters from every show thus far, but even going so far as to get the original voices of [[Creator/PeterCullen Optimus Prime]] and [[FrankWelker [[Creator/FrankWelker Megatron]] back into the drivers seats of their characters.


* ''ComicBook/{{Marvel 1602}}'' is a prime example as well. Being an AlternateUniverse of the whole {{Marvel}} Universe, it tries to make at least one MythologyGag per page; some pages are so laden with them that they may take several readings to notice them all.

to:

* ''ComicBook/{{Marvel 1602}}'' is a prime example as well. Being an AlternateUniverse of the whole {{Marvel}} Universe, Franchise/MarvelUniverse, it tries to make at least one MythologyGag per page; some pages are so laden with them that they may take several readings to notice them all.


** ''ComicBook/SupermanRedSon'' takes as many concepts from the main DCU as possible and turns them sideways. The entire Franchise/{{Justice League|of America}}, albeit {{retool}}ed, takes part at various times, major villains Bizarro, ComicBook/LexLuthor, and ComicBook/{{Brainiac}} play pivotal roles in the story, characters such as ComicBook/LanaLang and Franchise/{{Batman}} get Soviet {{expy}}s, ComicBook/LoisLane is present and the RedString nature of her and Superman's relationship is alluded to (but ultimately {{averted}}), and the number of EasterEggs to be found is dizzying.

to:

** ''ComicBook/SupermanRedSon'' takes as many concepts from the main DCU as possible and turns them sideways. The entire Franchise/{{Justice League|of America}}, albeit {{retool}}ed, takes part at various times, major villains Bizarro, ComicBook/LexLuthor, and ComicBook/{{Brainiac}} play pivotal roles in the story, characters such as ComicBook/LanaLang and Franchise/{{Batman}} get Soviet {{expy}}s, ComicBook/LoisLane is present and the RedString RedStringOfFate nature of her and Superman's relationship is alluded to (but ultimately {{averted}}), and the number of EasterEggs to be found is dizzying.


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** ''ComicBook/KingdomCome'' is perhaps the crowning achievement in this regard. By its nature - being a dual treatise on the absurdity of the UsefulNotes/TheDarkAgeOfComicBooks, as well as pointing out that rabid fans of UsefulNotes/TheSilverAgeOfComicBooks need to take off the NostalgiaFilter and admit that Age was far from perfect, as well - it tried to allude to nearly every character of note in DC's immense portfolio. With a cast of over 100 characters, introducing concepts popular enough that they began leeching into the main Franchise/DCUniverse (such as Red Robin and the romantic tension between Franchise/WonderWoman and Franchise/{{Superman}}), and widely heralded as the mark of the end of the Dark Age and the beginning of UsefulNotes/TheModernAgeOfComicBooks, to say its success was spectacular is an understatement.
** ''ComicBook/SupermanRedSon'' takes as many concepts from the main Franchise/{{DCU}} as possible and turns them sideways. The entire Franchise/{{Justice League|of America}}, albeit {{retool}}ed, takes part at various times, major villains Bizarro, Lex Luthor, and Brainiac play pivotal roles in the story, characters such as ComicBook/LanaLang and Franchise/{{Batman}} get Soviet {{expy}}s, ComicBook/LoisLane is present and the RedString nature of her and Superman's relationship is alluded to (but ultimately {{averted}}), and the number of EasterEggs to be found is dizzying.
* ''ComicBook/{{Marvel 1602}}'' is a prime example, as well. Being an AlternateUniverse of the whole {{Marvel}} Universe, it tries to make at least one MythologyGag per page; some pages are so laden with them that they may take several readings to notice them all.

to:

** ''ComicBook/KingdomCome'' is perhaps the crowning achievement in this regard. By its nature - being a dual treatise on the absurdity of the UsefulNotes/TheDarkAgeOfComicBooks, as well as pointing out that rabid fans of UsefulNotes/TheSilverAgeOfComicBooks need to take off the NostalgiaFilter and admit that Age was far from perfect, as well - it tried to allude to nearly every character of note in DC's immense portfolio. With a cast of over 100 characters, introducing concepts popular enough that they began leeching into the main Franchise/DCUniverse DC universe (such as Red Robin and the romantic tension between Franchise/WonderWoman and Franchise/{{Superman}}), and widely heralded as the mark of the end of the Dark Age and the beginning of UsefulNotes/TheModernAgeOfComicBooks, to say its success was spectacular is an understatement.
** ''ComicBook/SupermanRedSon'' takes as many concepts from the main Franchise/{{DCU}} DCU as possible and turns them sideways. The entire Franchise/{{Justice League|of America}}, albeit {{retool}}ed, takes part at various times, major villains Bizarro, Lex Luthor, ComicBook/LexLuthor, and Brainiac ComicBook/{{Brainiac}} play pivotal roles in the story, characters such as ComicBook/LanaLang and Franchise/{{Batman}} get Soviet {{expy}}s, ComicBook/LoisLane is present and the RedString nature of her and Superman's relationship is alluded to (but ultimately {{averted}}), and the number of EasterEggs to be found is dizzying.
* ''ComicBook/{{Marvel 1602}}'' is a prime example, example as well. Being an AlternateUniverse of the whole {{Marvel}} Universe, it tries to make at least one MythologyGag per page; some pages are so laden with them that they may take several readings to notice them all.



* An earlier work, ''Literature/LeMorteDarthur'' by Creator/ThomasMalory did a better job at incorporating as many fine details of the mythology as possible, though it shows its age by presenting the characters in a far less human light than White's novel.

to:

* An earlier work, ''Literature/LeMorteDarthur'' by Creator/ThomasMalory Creator/ThomasMalory, did a better job at incorporating as many fine details of the mythology as possible, though it shows its age by presenting the characters in a far less human light than White's novel.



* TransformersPrime, by design, was meant to incorporate as many aspects of every other Franchise/{{Transformers}} story possible. The idea was to create a single story which would act as [[TheEarthPrimeTheory THE "truest" Transformers story possible]]. This was partially achieved not only by flooding the show with plot points and characters from every show thus far, but even going so far as to get the original voices of [[Creator/PeterCullen Optimus Prime]] and [[FrankWelker Megatron]] back into the drivers seats of their characters.

to:

* TransformersPrime, WesternAnimation/TransformersPrime, by design, was meant to incorporate as many aspects of every other Franchise/{{Transformers}} story possible. The idea was to create a single story which would act as [[TheEarthPrimeTheory THE "truest" Transformers story possible]]. This was partially achieved not only by flooding the show with plot points and characters from every show thus far, but even going so far as to get the original voices of [[Creator/PeterCullen Optimus Prime]] and [[FrankWelker Megatron]] back into the drivers seats of their characters.


* Many {{Elseworld}} books by DC end up being A-grade Mythology Porn. Given the {{DCU}}'s penchant for the CrisisCrossover, several {{Elseworld}} books are used as a means to create a mini Crisis, and reimagine characters in new ways.
** ''ComicBook/KingdomCome'' is perhaps the crowning achievement in this regard. By its nature - being a dual treatise on the absurdity of the UsefulNotes/TheDarkAgeOfComicBooks, as well as pointing out that rabid fans of UsefulNotes/TheSilverAgeOfComicBooks need to take off the NostalgiaFilter and admit that Age was far from perfect, as well - it tried to allude to nearly every character of note in DC's immense portfolio. With a cast of over 100 characters, introducing concepts popular enough that they began leeching into the main DCUniverse (such as Red Robin and the romantic tension between Franchise/WonderWoman and Franchise/{{Superman}}), and widely heralded as the mark of the end of the Dark Age and the beginning of UsefulNotes/TheModernAgeOfComicBooks, to say its success was spectacular is an understatement.
** ''ComicBook/SupermanRedSon'' takes as many concepts from the main {{DCU}} as possible and turns them sideways. The entire Franchise/{{Justice League|of America}}, albeit {{retool}}ed, takes part at various times, major villains Bizarro, Lex Luthor, and Brainiac play pivotal roles in the story, characters such as ComicBook/LanaLang and Franchise/{{Batman}} get Soviet {{expy}}s, ComicBook/LoisLane is present and the RedString nature of her and Superman's relationship is alluded to (but ultimately {{averted}}), and the number of EasterEggs to be found is dizzying.

to:

* Many {{Elseworld}} books by DC end up being A-grade Mythology Porn. Given the {{DCU}}'s Franchise/TheDCU's penchant for the CrisisCrossover, several {{Elseworld}} books are used as a means to create a mini Crisis, and reimagine characters in new ways.
** ''ComicBook/KingdomCome'' is perhaps the crowning achievement in this regard. By its nature - being a dual treatise on the absurdity of the UsefulNotes/TheDarkAgeOfComicBooks, as well as pointing out that rabid fans of UsefulNotes/TheSilverAgeOfComicBooks need to take off the NostalgiaFilter and admit that Age was far from perfect, as well - it tried to allude to nearly every character of note in DC's immense portfolio. With a cast of over 100 characters, introducing concepts popular enough that they began leeching into the main DCUniverse Franchise/DCUniverse (such as Red Robin and the romantic tension between Franchise/WonderWoman and Franchise/{{Superman}}), and widely heralded as the mark of the end of the Dark Age and the beginning of UsefulNotes/TheModernAgeOfComicBooks, to say its success was spectacular is an understatement.
** ''ComicBook/SupermanRedSon'' takes as many concepts from the main {{DCU}} Franchise/{{DCU}} as possible and turns them sideways. The entire Franchise/{{Justice League|of America}}, albeit {{retool}}ed, takes part at various times, major villains Bizarro, Lex Luthor, and Brainiac play pivotal roles in the story, characters such as ComicBook/LanaLang and Franchise/{{Batman}} get Soviet {{expy}}s, ComicBook/LoisLane is present and the RedString nature of her and Superman's relationship is alluded to (but ultimately {{averted}}), and the number of EasterEggs to be found is dizzying.


* The MarvelCinematicUniverse comes off as this. Some movies' basic plots are taken directly from comic story arcs; others are entirely new. But, regardless, the shear number of [[MythologyGag allusions]] or EasterEggs in each movie is enough to incur constant, explosive {{nerdgasm}}s for longtime Marvel fans. Made especially more egregious because fans wonder what's just a [[MythologyGag gag]], and what's {{foreshadowing}} to movies to come.

to:

* The MarvelCinematicUniverse Franchise/MarvelCinematicUniverse comes off as this. Some movies' basic plots are taken directly from comic story arcs; others are entirely new. But, regardless, the shear number of [[MythologyGag allusions]] or EasterEggs in each movie is enough to incur constant, explosive {{nerdgasm}}s for longtime Marvel fans. Made especially more egregious because fans wonder what's just a [[MythologyGag gag]], and what's {{foreshadowing}} to movies to come.


Maybe [[{{Transformers}} Optimus Prime]] will have an odd aversion to [[TransformersBeastWars gorillas or apes in general]]. Maybe [[ComicBook/{{Superboy}} Conner Kent]] will try on some round sunglasses before taking them off. Maybe SherlockHolmes will pass by a music shop, and, on a whim, pick up a violin to try and learn to play it.

to:

Maybe [[{{Transformers}} [[Franchise/{{Transformers}} Optimus Prime]] will have an odd aversion to [[TransformersBeastWars gorillas or apes in general]]. Maybe [[ComicBook/{{Superboy}} Conner Kent]] will try on some round sunglasses before taking them off. Maybe SherlockHolmes will pass by a music shop, and, on a whim, pick up a violin to try and learn to play it.



But when a work becomes heavily inundated with, or a work's entire raison d'etre IS to be laden with as many [[MythologyGag mythology gags]] and/or characters as possible, it becomes, to fans of the mythos, MythologyPorn.

Simply put, MythologyPorn is the phenomenon wherein the MythologyGag quotient in a work reaches critical mass. This can be achieved in two ways: first, a creator makes a work which references as many things as possible in a mythos while still telling a completely new story; second, that a creator purposefully creates a new work with the intent to make it '''THE''' definitive "omnibus" of the mythos, containing all major plot points, all major characters, all major aspects of mythology, etc., into a single, cohesive story while staying as faithful as possible to the original work.

A good litmus test for whether is a work is MythologyPorn or not is this: if it has so many Myth Gag examples in its trope page that it warrants a separate MythologyGag subpage, it's MythologyPorn.

to:

But when a work becomes heavily inundated with, or a work's entire raison d'etre IS to be laden with as many [[MythologyGag mythology gags]] and/or characters as possible, it becomes, to fans of the mythos, MythologyPorn.

Mythology Porn.

Simply put, MythologyPorn Mythology Porn is the phenomenon wherein the MythologyGag quotient in a work reaches critical mass. This can be achieved in two ways: first, a creator makes a work which references as many things as possible in a mythos while still telling a completely new story; second, that a creator purposefully creates a new work with the intent to make it '''THE''' definitive "omnibus" of the mythos, containing all major plot points, all major characters, all major aspects of mythology, etc., into a single, cohesive story while staying as faithful as possible to the original work.

A good litmus test for whether is a work is MythologyPorn Mythology Porn or not is this: if it has so many Myth Gag examples in its trope page that it warrants a separate MythologyGag subpage, it's MythologyPorn.
Mythology Porn.






* TransformersPrime, by design, was meant to incorporate as many aspects of every other {{Transformers}} story possible. The idea was to create a single story which would act as [[TheEarthPrimeTheory THE "truest" Transformers story possible]]. This was partially achieved not only by flooding the show with plot points and characters from every show thus far, but even going so far as to get the original voices of [[Creator/PeterCullen Optimus Prime]] and [[FrankWelker Megatron]] back into the drivers seats of their characters.
* This was the intent when T. H. White set to paper ''Literature/TheOnceAndFutureKing''. While it's far from incorporating EVERY story involved in Myth/ArthurianLegend, it is one of the most cohesive and complete, especially concerning the rise and fall of Camelot.
* An earlier work, ''Literature/LeMorteDarthur'' by Creator/ThomasMalory did a better job at incorporating as many fine details of the mythology as possible, though it shows its age by presenting the characters in a far less human light than White's novel.
* The MarvelCinematicUniverse comes off as this. Some movies' basic plots are taken directly from comic story arcs; others are entirely new. But, regardless, the shear number of [[MythologyGag allusions]] or EasterEggs in each movie is enough to incur constant, explosive {{nerdgasm}}s for longtime Marvel fans. Made especially more egregious because fans wonder what's just a [[MythologyGag gag]], and what's {{foreshadowing}} to movies to come.
* The ''Literature/FengshenYanyi'' acts as this for Myth/ChineseMythology. It simultaneously acts as a fictionalized account of the overthrow of the Shang Dynasty by the Zhou Dynasty, ''and'' as an origin story for the vast number of gods within the CelestialBureaucracy, including fan favorites Li Ching, Nezha, and Lei Zhenzhi.
* Many {{Elseworld}} books by DC end up being A-grade MythologyPorn. Given the {{DCU}}'s penchant for the CrisisCrossover, several {{Elseworld}} books are used as a means to create a mini Crisis, and reimagine characters in new ways.

to:

* TransformersPrime, by design, was meant to incorporate as many aspects of every other {{Transformers}} story possible. The idea was to create a single story which would act as [[TheEarthPrimeTheory THE "truest" Transformers story possible]]. This was partially achieved not only by flooding the show with plot points [[AC:{{Anime}} and characters from every show thus far, but even going so far as to get the original voices of [[Creator/PeterCullen Optimus Prime]] and [[FrankWelker Megatron]] back into the drivers seats of their characters.
{{Manga}}]]
* This was the intent when T. H. White set to paper ''Literature/TheOnceAndFutureKing''. While it's far from incorporating EVERY story involved in Myth/ArthurianLegend, it ''Anime/GundamBuildFighters'' is one of the most cohesive and complete, especially concerning the rise and fall of Camelot.
* An earlier work, ''Literature/LeMorteDarthur'' by Creator/ThomasMalory did a better job at incorporating as many fine details of the mythology as possible, though it shows its age by presenting the characters in a far less human light than White's novel.
* The MarvelCinematicUniverse comes off as this. Some movies' basic plots are taken directly from comic story arcs; others are entirely new. But, regardless, the shear number of [[MythologyGag allusions]] or EasterEggs in each movie is enough to incur constant, explosive {{nerdgasm}}s for longtime Marvel fans. Made especially more egregious because fans wonder what's just a [[MythologyGag gag]], and what's {{foreshadowing}} to movies to come.
* The ''Literature/FengshenYanyi'' acts as
this for Myth/ChineseMythology. It simultaneously acts as a fictionalized account of the overthrow of the Shang Dynasty by the Zhou Dynasty, ''and'' as an origin story for the vast number of gods within the CelestialBureaucracy, including fan favorites Li Ching, Nezha, ''Franchise/{{Gundam}}'' franchise, featuring mecha, characters, and Lei Zhenzhi.
even dialogue references from virtually all eras and continuities.

[[AC:ComicBooks]]
* Many {{Elseworld}} books by DC end up being A-grade MythologyPorn.Mythology Porn. Given the {{DCU}}'s penchant for the CrisisCrossover, several {{Elseworld}} books are used as a means to create a mini Crisis, and reimagine characters in new ways.



* ''Anime/GundamBuildFighters'' is this for the ''{{Gundam}}'' franchise, featuring mecha, characters, and even dialogue references from virtually all eras and continuities.

to:


[[AC:{{Film}}]]
* ''Anime/GundamBuildFighters'' The MarvelCinematicUniverse comes off as this. Some movies' basic plots are taken directly from comic story arcs; others are entirely new. But, regardless, the shear number of [[MythologyGag allusions]] or EasterEggs in each movie is enough to incur constant, explosive {{nerdgasm}}s for longtime Marvel fans. Made especially more egregious because fans wonder what's just a [[MythologyGag gag]], and what's {{foreshadowing}} to movies to come.

[[AC:{{Literature}}]]
* This was the intent when T. H. White set to paper ''Literature/TheOnceAndFutureKing''. While it's far from incorporating EVERY story involved in Myth/ArthurianLegend, it is one of the most cohesive and complete, especially concerning the rise and fall of Camelot.
* An earlier work, ''Literature/LeMorteDarthur'' by Creator/ThomasMalory did a better job at incorporating as many fine details of the mythology as possible, though it shows its age by presenting the characters in a far less human light than White's novel.
* The ''Literature/FengshenYanyi'' acts as
this for Myth/ChineseMythology. It simultaneously acts as a fictionalized account of the ''{{Gundam}}'' franchise, featuring mecha, characters, overthrow of the Shang Dynasty by the Zhou Dynasty, ''and'' as an origin story for the vast number of gods within the CelestialBureaucracy, including fan favorites Li Ching, Nezha, and Lei Zhenzhi.

[[AC:WesternAnimation]]
* TransformersPrime, by design, was meant to incorporate as many aspects of every other Franchise/{{Transformers}} story possible. The idea was to create a single story which would act as [[TheEarthPrimeTheory THE "truest" Transformers story possible]]. This was partially achieved not only by flooding the show with plot points and characters from every show thus far, but
even dialogue references from virtually all eras going so far as to get the original voices of [[Creator/PeterCullen Optimus Prime]] and continuities.[[FrankWelker Megatron]] back into the drivers seats of their characters.


* This was the intent when T. H. White set to paper ''Literature/TheOnceAndFutureKing''. While it's far from incorporating EVERY story involved in ArthurianMythology, it is one of the most cohesive and complete, especially concerning the rise and fall of Camelot.

to:

* This was the intent when T. H. White set to paper ''Literature/TheOnceAndFutureKing''. While it's far from incorporating EVERY story involved in ArthurianMythology, Myth/ArthurianLegend, it is one of the most cohesive and complete, especially concerning the rise and fall of Camelot.



* The MarvelCinematicUniverse comes off as this. Some movies' basic plots are taken directly from comic story arcs; others are entirely new. But, regardless, the shear number of [[MythologyGag allusions]] or easter eggs in each movie is enough to incur constant, explosive [[{{Nerdgasm}} nerdgasms]] for longtime Marvel fans. Made especially more egregious because fans wonder what's just a [[MythologyGag gag]], and what's {{foreshadowing}} to movies to come.

to:

* The MarvelCinematicUniverse comes off as this. Some movies' basic plots are taken directly from comic story arcs; others are entirely new. But, regardless, the shear number of [[MythologyGag allusions]] or easter eggs EasterEggs in each movie is enough to incur constant, explosive [[{{Nerdgasm}} nerdgasms]] {{nerdgasm}}s for longtime Marvel fans. Made especially more egregious because fans wonder what's just a [[MythologyGag gag]], and what's {{foreshadowing}} to movies to come.



** ''ComicBook/KingdomCome'' is perhaps the crowning achievement in this regard. By its nature - being a dual treatise on the absurdity of the DarkAgeOfComicBooks, as well as pointing out that rabid fans of UsefulNotes/TheSilverAgeOfComicBooks need to take off the NostalgiaFilter and admit that Age was far from perfect, as well - it tried to allude to nearly every character of note in DC's immense portfolio. With a cast of over 100 characters, introducing concepts popular enough that they began leeching into the main DCUniverse (such as Red Robin and the romantic tension between WonderWoman and Superman), and widely heralded as the mark of the end of the Dark Age and the beginning of the ModernAgeOfComicBooks, to say its success was spectacular is an understatement.
** ''ComicBook/SupermanRedSon'' takes as many concepts from the main {{DCU}} as possible and turns them sideways. The entire Franchise/{{Justice League|of America}}, albeit {{retooled}}, takes part at various times, major villains Bizarro, Lex Luthor, and Brainiac play pivotal roles in the story, characters such as ComicBook/LanaLang and Franchise/{{Batman}} get Soviet {{expy}}s, ComicBook/LoisLane is present and the RedString nature of her and Superman's relationship is alluded to (but ultimately {{averted}}), and the number of Easter Eggs to be found is dizzying.

to:

** ''ComicBook/KingdomCome'' is perhaps the crowning achievement in this regard. By its nature - being a dual treatise on the absurdity of the DarkAgeOfComicBooks, UsefulNotes/TheDarkAgeOfComicBooks, as well as pointing out that rabid fans of UsefulNotes/TheSilverAgeOfComicBooks need to take off the NostalgiaFilter and admit that Age was far from perfect, as well - it tried to allude to nearly every character of note in DC's immense portfolio. With a cast of over 100 characters, introducing concepts popular enough that they began leeching into the main DCUniverse (such as Red Robin and the romantic tension between WonderWoman Franchise/WonderWoman and Superman), Franchise/{{Superman}}), and widely heralded as the mark of the end of the Dark Age and the beginning of the ModernAgeOfComicBooks, UsefulNotes/TheModernAgeOfComicBooks, to say its success was spectacular is an understatement.
** ''ComicBook/SupermanRedSon'' takes as many concepts from the main {{DCU}} as possible and turns them sideways. The entire Franchise/{{Justice League|of America}}, albeit {{retooled}}, {{retool}}ed, takes part at various times, major villains Bizarro, Lex Luthor, and Brainiac play pivotal roles in the story, characters such as ComicBook/LanaLang and Franchise/{{Batman}} get Soviet {{expy}}s, ComicBook/LoisLane is present and the RedString nature of her and Superman's relationship is alluded to (but ultimately {{averted}}), and the number of Easter Eggs EasterEggs to be found is dizzying.


** ''ComicBook/KingdomCome'' is perhaps the crowning achievement in this regard. By its nature - being a dual treatise on the absurdity of the DarkAgeOfComicBooks, as well as pointing out that rabid UsefulNotes/TheSilverAgeOfComicBooks fans need to take off the NostalgiaFilter and admit that Age was far from perfect, as well - it tried to allude to nearly every character of note in DC's immense portfolio. With a cast of over 100 characters, introducing concepts popular enough that they began leeching into the main DCUniverse (such as Red Robin and the romantic tension between WonderWoman and Superman), and widely heralded as the mark of the end of the Dark Age and the beginning of the ModernAgeOfComicBooks, to say its success was spectacular is an understatement.

to:

** ''ComicBook/KingdomCome'' is perhaps the crowning achievement in this regard. By its nature - being a dual treatise on the absurdity of the DarkAgeOfComicBooks, as well as pointing out that rabid fans of UsefulNotes/TheSilverAgeOfComicBooks fans need to take off the NostalgiaFilter and admit that Age was far from perfect, as well - it tried to allude to nearly every character of note in DC's immense portfolio. With a cast of over 100 characters, introducing concepts popular enough that they began leeching into the main DCUniverse (such as Red Robin and the romantic tension between WonderWoman and Superman), and widely heralded as the mark of the end of the Dark Age and the beginning of the ModernAgeOfComicBooks, to say its success was spectacular is an understatement.


** ''ComicBook/KingdomCome'' is perhaps the crowning achievement in this regard. By its nature - being a dual treatise on the absurdity of the DarkAgeOfComicBooks, as well as pointing out that rabid SilverAgeOfComicBooks fans need to take off the NostalgiaFilter and admit that Age was far from perfect, as well - it tried to allude to nearly every character of note in DC's immense portfolio. With a cast of over 100 characters, introducing concepts popular enough that they began leeching into the main DCUniverse (such as Red Robin and the romantic tension between WonderWoman and Superman), and widely heralded as the mark of the end of the Dark Age and the beginning of the ModernAgeOfComicBooks, to say its success was spectacular is an understatement.

to:

** ''ComicBook/KingdomCome'' is perhaps the crowning achievement in this regard. By its nature - being a dual treatise on the absurdity of the DarkAgeOfComicBooks, as well as pointing out that rabid SilverAgeOfComicBooks UsefulNotes/TheSilverAgeOfComicBooks fans need to take off the NostalgiaFilter and admit that Age was far from perfect, as well - it tried to allude to nearly every character of note in DC's immense portfolio. With a cast of over 100 characters, introducing concepts popular enough that they began leeching into the main DCUniverse (such as Red Robin and the romantic tension between WonderWoman and Superman), and widely heralded as the mark of the end of the Dark Age and the beginning of the ModernAgeOfComicBooks, to say its success was spectacular is an understatement.

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