Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ''Film/BansheeChapter'' is a film about an entity that relentleslly pursues its victims, and no one knows how to get away from it for good.
Is there an issue? Send a MessageReason:
None
Changed line(s) 41 (click to see context) from:
* In the novel ''Literature/TheRingu'', Sadako is explicitly using the cursed videotape to spread her influence, but then she spreads to a report on the tape, a novelization of her story, the movie adaptation of the novel...
to:
* In the novel ''Literature/TheRingu'', ''Literature/TheRing'', Sadako is explicitly using the cursed videotape to spread her influence, but then she spreads to a report on the tape, a novelization of her story, the movie adaptation of the novel...
Is there an issue? Send a MessageReason:
None
Changed line(s) 22 (click to see context) from:
* The first American version of ''Film/{{Godzilla 1998}}'' [[spoiler:ended with eggs hatching]].
to:
* The first American version of ''Film/{{Godzilla 1998}}'' [[spoiler:ended ''Film/Godzilla1998'' [[spoiler:ends with eggs hatching]].
Changed line(s) 31 (click to see context) from:
* At the end of the American version of ''Film/TheRing'', the heroine and her son have learned that the only way to keep the curse from killing them is to copy the tape and show it to someone else. This means that, barring a rather horrifying HeroicSacrifice, the thing will just ''keep spreading''.
to:
* At the end of the American version of ''Film/TheRing'', ''Literature/TheRing'', the heroine and her son have learned that the only way to keep the curse from killing them is to copy the tape and show it to someone else. This means that, barring a rather horrifying HeroicSacrifice, the thing will just ''keep spreading''.
Changed line(s) 41 (click to see context) from:
* In the novel ''{{Literature/Ringu}}'', Sadako is explicitly using the cursed videotape to spread her influence, but then she spreads to a report on the tape, a novelization of her story, the movie adaptation of the novel...
to:
* In the novel ''{{Literature/Ringu}}'', ''Literature/TheRingu'', Sadako is explicitly using the cursed videotape to spread her influence, but then she spreads to a report on the tape, a novelization of her story, the movie adaptation of the novel...
Is there an issue? Send a MessageReason:
None
Changed line(s) 33 (click to see context) from:
* ''Film/TheBabadook'' is a case of this. In his book, it is stated "If it's in a word or it's in a look...You can't get rid of the Babadook." and both Protagonist Amelia as well as her handicapped son Samuel are very aware that they can't fight him or even get help. By the end of the movie, [[spoiler: Amelia and Samuel survive by scaring the creature through screaming, but the ending shows that the Babadook lives in their basement now, feeding on the worms he gets from Amelia and that he tries to re-possess her every single time she comes down the staircase]]. Subtextually, [[spoiler:The Babadook is a manifestation of Amelia's ugly feelings like grief, anger, and resentment over being widowed with a difficult-to-raise child; she can learn to control and live with it, but it'll never truly go away]].
to:
* ''Film/TheBabadook'' is a case of this. In his book, it is stated "If it's in a word or it's in a look...You can't get rid of the Babadook." Babadook" and both Protagonist Amelia as well as her handicapped son Samuel are very aware that they can't fight him or even get help. By the end of the movie, [[spoiler: Amelia and Samuel survive by scaring the creature through screaming, but the ending shows that the Babadook lives in their basement now, feeding on the worms he gets from Amelia and that he tries to re-possess her every single time she comes down the staircase]]. Subtextually, [[spoiler:The Babadook is a manifestation of Amelia's ugly feelings like grief, anger, and resentment over being widowed with a difficult-to-raise child; she can learn to control and live with it, but it'll never truly go away]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 59 (click to see context) from:
** In Helen's version of the ending, she finds Jennifer dead at her desk, with a pair of scissors in her back [[spoiler: and doesnt notice Scissorman is hiding right behind the door]]
to:
** In Helen's version of the ending, she finds Jennifer dead at her desk, with a pair of scissors in her back [[spoiler: and doesnt [[spoiler:and doesn't notice Scissorman is hiding right behind the door]]door]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 56 (click to see context) from:
%% * The Reaper fleet in MassEffect
to:
%% * The Reaper fleet in MassEffect''Franchise/MassEffect''.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* The bad endings to the second ''VideoGame/ClockTower'', where the search for the statue needed to break the Barrows curse comes to a dead end. Jennifer even notes in her journal that "there is no way for us to escape from Scissorman"... and then the scene cuts to black just as the sound of clanking scissors is heard outside the window.
** In Helen's version of the ending, she finds Jennifer dead at her desk, with a pair of scissors in her back [[spoiler: and doesnt notice Scissorman is hiding right behind the door]]
** In Helen's version of the ending, she finds Jennifer dead at her desk, with a pair of scissors in her back [[spoiler: and doesnt notice Scissorman is hiding right behind the door]]
Is there an issue? Send a MessageReason:
Changed line(s) 1,2 (click to see context) from:
%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
to:
%% ZeroContextExample Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
