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* In the first episode of ''Anime/DigimonTamers'', Takato witnesses Ruki and Renamon battling a Lynxmon during a [[DreamingOfThingsToCome dream sequence]]. Not having a digimon of his own yet, he is unable to do anything but watch.



* ''Fanfic/{{Volpimania}}'' has Rena Rouge ForcedToWatch as [[spoiler:poor Chloé]] is ambushed and [[SlashedThroat has their throat slit]] in front of them.



[[folder:Film]]

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[[folder:Film]][[folder:Film - Live-Action]]



* ''Literature/TalesOfPirxThePilot'': In ''Albatross'', two spaceships are lost due to a nuclear reactor explosion in full view of Pirx, and he can do nothing at all to help. First, he is currently flying as a passenger and not as a pilot, second, the ship he is on is a luxury liner and the crew can't risk the passengers' safety by getting closer to the disaster, so the space traffic controller commands them to leave.
* Patroclus in ''Literature/TheSongOfAchilles'' becomes one at the end of the book, [[spoiler:dying in battle and being forced to watch as a spirit as his lover Achilles goes mad with grief and fulfills the prophecy that leads to his death. He then sees Achilles' sociopathic son come in, kill Patroclus' friend Briseis, and disrespect Achilles' final wishes by refusing to put Patroclus' name on their grave, [[BarredFromTheAfterlife keeping Patroclus from joining Achilles in the Underworld.]]]] He is still able to communicate with Achilles' mother, the sea nymph Thetis.



* Patroclus in ''Literature/TheSongOfAchilles'' becomes one at the end of the book, [[spoiler:dying in battle and being forced to watch as a spirit as his lover Achilles goes mad with grief and fulfills the prophecy that leads to his death. He then sees Achilles' sociopathic son come in, kill Patroclus' friend Briseis, and disrespect Achilles' final wishes by refusing to put Patroclus' name on their grave, [[BarredFromTheAfterlife keeping Patroclus from joining Achilles in the Underworld.]]]] He is still able to communicate with Achilles' mother, the sea nymph Thetis.
* ''Literature/TalesOfPirxThePilot'': In ''Albatross'', two spaceships are lost due to a nuclear reactor explosion in full view of Pirx, and he can do nothing at all to help. First, he is currently flying as a passenger and not as a pilot, second, the ship he is on is a luxury liner and the crew can't risk the passengers' safety by getting closer to the disaster, so the space traffic controller commands them to leave.



* Season 1 of ''Podcast/Archive81'' is about Daniel Powell, an archivist digitizing the tapes of an oral history project about the Visser apartment building, collected by Melody Pendras. It quickly becomes clear that something is ''deeply'' wrong with Visser and Melody's in danger--but that all happened in 1994, and Dan's working on the tapes in 2015. [[spoiler: Even worse? He's not actually ''entirely'' helpless; he is in fact affecting events. Listening to the tapes is the final component of the Visser cultists' ritual...and by the time he realizes, it's too late.]]
* ''Podcast/TheMagnusArchives'': There's nothing Jon can do about the often-horrific fates of the people whose stories he's recording for the Magnus Institute, as by the nature of the format they all happen before he learns about them. [[spoiler: Taken to even worse extremes once he gains his powers as the Archivist. If Jon ''personally'' takes a statement from someone, that person is forced to relive their horrible experience every night in their dreams, and Jon is forced to watch.]]

to:

* Season 1 of ''Podcast/Archive81'' is about Daniel Powell, an archivist digitizing the tapes of an oral history project about the Visser apartment building, collected by Melody Pendras. It quickly becomes clear that something is ''deeply'' wrong with Visser and Melody's in danger--but that all happened in 1994, and Dan's working on the tapes in 2015. [[spoiler: Even [[spoiler:Even worse? He's not actually ''entirely'' helpless; he is in fact affecting events. Listening to the tapes is the final component of the Visser cultists' ritual... and by the time he realizes, it's too late.]]
* ''Podcast/TheMagnusArchives'': There's nothing Jon can do about the often-horrific fates of the people whose stories he's recording for the Magnus Institute, as by the nature of the format they all happen before he learns about them. [[spoiler: Taken [[spoiler:Taken to even worse extremes once he gains his powers as the Archivist. If Jon ''personally'' takes a statement from someone, that person is forced to relive their horrible experience every night in their dreams, and Jon is forced to watch.]]
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* Shellpeople in ''Literature/TheShipWho'' books have paralyzed human bodies [[ManInTheMachine locked into life support shells]] and installed into [[LivingShip brainships]], hospitals, and space stations, which they regard as their bodies. Normally they're quite able to influence the story, but their ships and stations are fallible as are their connections to them. With the right damage or exploits, shellpeople can be rendered [[AndIMustScream unable to sense the world outside their shells]], or still able to use sensors but helpless to do anything.
** In ''Partnership'', Nancia is depressed starting her first assignment, and disgusted to see the pack of sloppy {{Royal Brat}}s she's got to transport spilling alcohol in her nice new interior, so she doesn't address them and lets them think she's a drone ship. Feeling unobserved, they then openly plot horrific abuses of power. Nancia can't tell anyone legally because it's entrapment and given how well-connected they are it might actually count as treason.
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* Several ''Literature/{{Animorphs}}'' books have a viewpoint character temporarily be infested by a [[PuppeteerParasite Yeerk]], which leaves them [[AndIMustScream trapped inside their own minds]].

to:

* Several ''Literature/{{Animorphs}}'' books have a viewpoint character temporarily be infested by a [[PuppeteerParasite Yeerk]], which leaves them [[AndIMustScream trapped inside their own minds]]. They can ''try'' to talk to and argue with their Yeerks, but the Yeerks don't have to pay any attention to them.



** In ''Back to Before'', the alternate timeline's Tobias joins [[PathOfInspiration The Sharing]] and becomes a full member, not realising what he's getting into until it's too late. He spends the rest of his pagetime panicking.

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** In ''Back to Before'', the alternate timeline's Tobias joins [[PathOfInspiration The Sharing]] and becomes a full member, not realising what he's getting into until it's too late. He spends the rest of his pagetime panicking.first panicking, then filled with despair and self-loathing.
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* The lyrics of ''Brick Shithouse'' by Music/{{Placebo}} is about a ghost that can't do nothing but bitterly and hopelessly watch his lover having sex with the man who killed him.

to:

* The lyrics of ''Brick Shithouse'' by Music/{{Placebo}} is about a ghost that can't do nothing anything but bitterly and hopelessly watch his lover having sex with the man who killed him.
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None

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* ''Film/AuHasardBalthazar'': Balthazar is the viewpoint character and is stuck in the role of observer since he's an animal that can't communicate with the humans, who drive the story, around him.
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Audience Reactions do not belong here.


* Flyora Gaishun of ''Film/ComeAndSee'', an ordinary teenage boy in occupied Belarus in World War II who is dragged against his will into the war and can only bear witness to the most depraved atrocities of Nazi Germany while powerless to do anything. The film's SignatureScene involves him being held at gunpoint and ForcedToWatch as the SS burns down a church full of women and children.

to:

* Flyora Gaishun of ''Film/ComeAndSee'', an ordinary teenage boy in occupied Belarus in World War II who is dragged against his will into the war and can only bear witness to the most depraved atrocities of Nazi Germany while powerless to do anything. The film's SignatureScene involves him being He is held at gunpoint and ForcedToWatch as the SS burns down a church full of women and children.
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None


-->-- '''Tobias' narration''', ''Megamorphs #4: Back to Before''

to:

-->-- '''Tobias' narration''', ''Megamorphs ''[[Literature/{{Animorphs}} Megamorphs]] #4: Back to Before''



* ''[[Fanfic/{{Eleutherophobia}} City of Lost Children]]'' is told from the perspective of Tom while he's a [[MeatPuppet Controller]], so he can do nothing but watch as his mother and brother argue with each other. His only act of agency is a brief moment of FightingFromTheInside.

to:

* ''[[Fanfic/{{Eleutherophobia}} ''Fanfic/{{Eleutherophobia}}: City of Lost Children]]'' Children'' is told from the perspective of Tom while he's a [[MeatPuppet Controller]], so he can do nothing but watch as his mother and brother argue with each other. His only act of agency is a brief moment of FightingFromTheInside.
Is there an issue? Send a MessageReason:
None


* Season 1 of ''Podcast/Archive81'' is about Daniel Powell, an archivist digitizing the tapes of an oral history project about the Visser apartment building, collected by Melody Pendras. It quickly becomes clear that something is ''deeply'' wrong with Visser and Melody's in danger--but that all happened in 1994, and Dan's working on the tapes in 2015. [[spoiler: Even worse? He's not actually ''entirely'' helpless. Listening to the tapes is the final component of the Visser cultists' ritual...and by the time he realizes, it's too late.]]

to:

* Season 1 of ''Podcast/Archive81'' is about Daniel Powell, an archivist digitizing the tapes of an oral history project about the Visser apartment building, collected by Melody Pendras. It quickly becomes clear that something is ''deeply'' wrong with Visser and Melody's in danger--but that all happened in 1994, and Dan's working on the tapes in 2015. [[spoiler: Even worse? He's not actually ''entirely'' helpless.helpless; he is in fact affecting events. Listening to the tapes is the final component of the Visser cultists' ritual...and by the time he realizes, it's too late.]]
Is there an issue? Send a MessageReason:
None


** At the end of chapter 33, [[spoiler:the Drode takes Alloran to the splinter universe after he dies in the original timeline, where he's promptly re-infested and tormented by Visser Three.]]

to:

** At the end Chapter 33 ends with another Controller's point of chapter 33, [[spoiler:the Drode takes Alloran to the splinter universe after view: [[spoiler:Alloran. After he dies of old age in the original timeline, the Drode brings him to the splinter universe, where he's promptly re-infested and tormented by Visser Three.]]
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None

Added DiffLines:


[[folder:Podcasts]]
* Season 1 of ''Podcast/Archive81'' is about Daniel Powell, an archivist digitizing the tapes of an oral history project about the Visser apartment building, collected by Melody Pendras. It quickly becomes clear that something is ''deeply'' wrong with Visser and Melody's in danger--but that all happened in 1994, and Dan's working on the tapes in 2015. [[spoiler: Even worse? He's not actually ''entirely'' helpless. Listening to the tapes is the final component of the Visser cultists' ritual...and by the time he realizes, it's too late.]]
* ''Podcast/TheMagnusArchives'': There's nothing Jon can do about the often-horrific fates of the people whose stories he's recording for the Magnus Institute, as by the nature of the format they all happen before he learns about them. [[spoiler: Taken to even worse extremes once he gains his powers as the Archivist. If Jon ''personally'' takes a statement from someone, that person is forced to relive their horrible experience every night in their dreams, and Jon is forced to watch.]]
[[/folder]]

Added: 383

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Removed: 479

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* ''Animorphs'' fanfics:
** ''[[Fanfic/{{Eleutherophobia}} City of Lost Children]]'' is told from the perspective of Tom while he's a [[MeatPuppet Controller]], so he can do nothing but watch as his mother and brother argue with each other. His only act of agency is a brief moment of FightingFromTheInside.
** Chapter 6 of ''Fanfic/WhatTomorrowBrings'' is also told from the perspective of Tom, who's used to being helpless as Temrash 114 mercilessly tortures him. Fortunately, he gets better at the end.

to:

* ''Animorphs'' fanfics:
** ''[[Fanfic/{{Eleutherophobia}}
*''[[Fanfic/{{Eleutherophobia}} City of Lost Children]]'' is told from the perspective of Tom while he's a [[MeatPuppet Controller]], so he can do nothing but watch as his mother and brother argue with each other. His only act of agency is a brief moment of FightingFromTheInside.
** Chapter 6 of ''Fanfic/WhatTomorrowBrings'' is also told from the perspective of Tom, who's used to being helpless as Temrash 114 mercilessly tortures him. Fortunately, he gets better at the end.
FightingFromTheInside.


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* ''Fanfic/WhatTomorrowBrings'':
** Chapter 6 is told from the perspective of Tom, who's used to being helpless as Temrash 114 mercilessly tortures him. Fortunately, he gets better at the end.
** At the end of chapter 33, [[spoiler:the Drode takes Alloran to the splinter universe after he dies in the original timeline, where he's promptly re-infested and tormented by Visser Three.]]
Is there an issue? Send a MessageReason:
None


->''I was helpless. Powerless. Unable to move an eye. Unable to lift a finger. Unable to speak. Unable to alter a facial expression. To smile. Frown. Give any sign that I was alive within my own body, a captive inside my own brain.''

to:

->''I ->''"I was helpless. Powerless. Unable to move an eye. Unable to lift a finger. Unable to speak. Unable to alter a facial expression. To smile. Frown. Give any sign that I was alive within my own body, a captive inside my own brain.''"''

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The trope is about being a helpless observer throughout. Being helpless for one event and then taking an active role for the rest of the story is not an example.


* ''Literature/TalesOfPirxThePilot'':
** In ''Albatross'', two spaceships are lost due to a nuclear reactor explosion in full view of Pirx, and he can do nothing at all to help. First, he is currently flying as a passenger and not as a pilot, second, the ship he is on is a luxury liner and the crew can't risk the passengers' safety by getting closer to the disaster, so the space traffic controller commands them to leave.
** In ''Ananke'', a ship of a hundred thousand tons crashes on a Martian landing field, again in full view of Pirx ([[spoiler:due to faulty computer programming]]). Neither Pirx nor anyone else can do anything to help, as everything happens in the course of seconds: the most Pirx can do is investigate the crash afterwards.

to:

* ''Literature/TalesOfPirxThePilot'':
**
''Literature/TalesOfPirxThePilot'': In ''Albatross'', two spaceships are lost due to a nuclear reactor explosion in full view of Pirx, and he can do nothing at all to help. First, he is currently flying as a passenger and not as a pilot, second, the ship he is on is a luxury liner and the crew can't risk the passengers' safety by getting closer to the disaster, so the space traffic controller commands them to leave. \n** In ''Ananke'', a ship of a hundred thousand tons crashes on a Martian landing field, again in full view of Pirx ([[spoiler:due to faulty computer programming]]). Neither Pirx nor anyone else can do anything to help, as everything happens in the course of seconds: the most Pirx can do is investigate the crash afterwards.

Removed: 407

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[[folder:Video Games]]
* ''VideoGame/Hitman3'' has one of the final cutscenes be fully playable, and the only thing you can do is walk 47 forward while a voice taunts you. You walk deep into his [[spoiler:memories of his past assassinations, his nightmares of Diana betraying him, and [[ControllableHelplessness you are forced to kill the young Diana once again, as he did all those years ago.]]]]
[[/folder]]

Removed: 354

Is there an issue? Send a MessageReason:
Not an example. Shellpeople are not helpless observers in the sense that the trope is about; they are fully capable of taking actions that affect the plot.


* ''Literature/TheShipWho'' series is about human-computer cyborgs. Severely disabled children with high-functioning brains may become cyborgs in different professions, including space exploration. This is perhaps a variant of the helpless observer: a ship brain is powerful in many ways, but the human component is encapsulated in a life-support system.
Is there an issue? Send a MessageReason:
None


** Patroclus in ''Literature/TheSongOfAchilles'' becomes one at the end of the book, [[spoiler:dying in battle and being forced to watch as a spirit as his lover Achilles goes mad with grief and fulfills the prophecy that leads to his death. He then sees Achilles' sociopathic son come in, kill Patroclus' friend Briseis, and disrespect Achilles' final wishes by refusing to put Patroclus' name on their grave, [[BarredFromTheAfterlife keeping Patroclus from joining Achilles in the Underworld.]]]] He is still able to communicate with Achilles' mother, the sea nymph Thetis.

to:

** * Patroclus in ''Literature/TheSongOfAchilles'' becomes one at the end of the book, [[spoiler:dying in battle and being forced to watch as a spirit as his lover Achilles goes mad with grief and fulfills the prophecy that leads to his death. He then sees Achilles' sociopathic son come in, kill Patroclus' friend Briseis, and disrespect Achilles' final wishes by refusing to put Patroclus' name on their grave, [[BarredFromTheAfterlife keeping Patroclus from joining Achilles in the Underworld.]]]] He is still able to communicate with Achilles' mother, the sea nymph Thetis.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

** Patroclus in ''Literature/TheSongOfAchilles'' becomes one at the end of the book, [[spoiler:dying in battle and being forced to watch as a spirit as his lover Achilles goes mad with grief and fulfills the prophecy that leads to his death. He then sees Achilles' sociopathic son come in, kill Patroclus' friend Briseis, and disrespect Achilles' final wishes by refusing to put Patroclus' name on their grave, [[BarredFromTheAfterlife keeping Patroclus from joining Achilles in the Underworld.]]]] He is still able to communicate with Achilles' mother, the sea nymph Thetis.
Is there an issue? Send a MessageReason:
None


Compare UselessProtagonist, PinballProtagonist, FirstPersonPeripheralNarrator, RearWindowWitness.

to:

Compare UselessProtagonist, PinballProtagonist, FirstPersonPeripheralNarrator, RearWindowWitness.
RearWindowWitness, InnocentBystanderSeries.
Is there an issue? Send a MessageReason:
None


* ''VideoGame/Hitman3'' has one of the final cutscenes be fully playable, and the only thing you can do is walk 47 forward while a voice taunts you. You walk deep into his [[spoiler:memories of his past assassinations, his nightmares of Diana betraying him, and [[ControllableHelplessness you are forced to kill the young Diana once again, as he did all those years ago.]][[/spoiler]]

to:

* ''VideoGame/Hitman3'' has one of the final cutscenes be fully playable, and the only thing you can do is walk 47 forward while a voice taunts you. You walk deep into his [[spoiler:memories of his past assassinations, his nightmares of Diana betraying him, and [[ControllableHelplessness you are forced to kill the young Diana once again, as he did all those years ago.]][[/spoiler]]]]]]

Added: 396

Removed: 396

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None


[[folder:Myths & Religion]]
* ''Literature/TheBible'' has ''[[Literature/BookOfRevelation The Book of Revelation]]'', written by St. John of Patmos [[note]]A different person from St. John the Apostle[[/note]]. It is an account of TheEndOfTheWorldAsWeKnowIt, and, written as a Divine Revelation, shown to John in Prophetic vision, he can only bear witness to the events as they unfold.
[[/folder]]




[[folder:Myths & Religion]]
* ''Literature/TheBible'' has ''[[Literature/BookOfRevelation The Book of Revelation]]'', written by St. John of Patmos [[note]]A different person from St. John the Apostle[[/note]]. It is an account of TheEndOfTheWorldAsWeKnowIt, and, written as a Divine Revelation, shown to John in Prophetic vision, he can only bear witness to the events as they unfold.
[[/folder]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

[[folder:Video Games]]
* ''VideoGame/Hitman3'' has one of the final cutscenes be fully playable, and the only thing you can do is walk 47 forward while a voice taunts you. You walk deep into his [[spoiler:memories of his past assassinations, his nightmares of Diana betraying him, and [[ControllableHelplessness you are forced to kill the young Diana once again, as he did all those years ago.]][[/spoiler]]
[[/folder]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

[[folder:Comic Books]]
* ''ComicBook/KingdomCome'' is viewed from the perspective of Norman [=McCay=], a disillusioned pastor chosen by the Spectre to accompany him and serve as a human perspective to help him judge impending apocalypse.
[[/folder]]
Is there an issue? Send a MessageReason:
Redundancy


* The lyrics of ''Brick Shithouse'' by Music/{{Placebo}} is about a ghost that can't do nothing but bitterly and hopelessly watch his lover having sex with the man who killed him in life.

to:

* The lyrics of ''Brick Shithouse'' by Music/{{Placebo}} is about a ghost that can't do nothing but bitterly and hopelessly watch his lover having sex with the man who killed him in life.him.
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None

Added DiffLines:

* The lyrics of ''Brick Shithouse'' by Music/{{Placebo}} is about a ghost that can't do nothing but bitterly and hopelessly watch his lover having sex with the man who killed him in life.
Is there an issue? Send a MessageReason:
None


A Helpless Observer Protagonist is ForcedToWatch the story unfold in front of them, powerless to interact with anyone or anything. They're not just a witness to events far beyond their control; their agency is so nonexistent that they can't even influence the outcome in minor ways such as giving someone advice. They may be a [[PosthumousNarration ghost]], [[TragicIntangibility intangible]], trapped in an AndIMustScream situation, watching a recording of past events, or heavily oppressed. In prose, they're usually a first-person narrator.

to:

A Helpless Observer Protagonist is ForcedToWatch the story unfold in front of them, powerless to interact with anyone or anything. They're not just a witness to events so far beyond their control; their agency is so nonexistent control that they can't even influence the outcome in minor ways such as giving someone advice. They may be a [[PosthumousNarration ghost]], [[TragicIntangibility intangible]], trapped in an AndIMustScream situation, watching a recording of past events, or heavily oppressed. In prose, they're usually a first-person narrator.
Is there an issue? Send a MessageReason:
Added that clarification because of the Come and See example.


A Helpless Observer Protagonist is ForcedToWatch the story unfold in front of them, powerless to interact with anyone or anything. They're not just a witness to events far beyond their control; their agency is so nonexistent that they can't even influence the outcome in minor ways such as giving someone advice. They may be a [[PosthumousNarration ghost]], [[TragicIntangibility intangible]], trapped in an AndIMustScream situation, or watching a recording of past events. In prose, they're usually a first-person narrator.

to:

A Helpless Observer Protagonist is ForcedToWatch the story unfold in front of them, powerless to interact with anyone or anything. They're not just a witness to events far beyond their control; their agency is so nonexistent that they can't even influence the outcome in minor ways such as giving someone advice. They may be a [[PosthumousNarration ghost]], [[TragicIntangibility intangible]], trapped in an AndIMustScream situation, or watching a recording of past events.events, or heavily oppressed. In prose, they're usually a first-person narrator.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

[[folder:Film]]
* Flyora Gaishun of ''Film/ComeAndSee'', an ordinary teenage boy in occupied Belarus in World War II who is dragged against his will into the war and can only bear witness to the most depraved atrocities of Nazi Germany while powerless to do anything. The film's SignatureScene involves him being held at gunpoint and ForcedToWatch as the SS burns down a church full of women and children.
[[/folder]]
Is there an issue? Send a MessageReason:
A bit nitpicking, but a correction


* ''Literature/TheBible'' has ''The Book of Revelation'', written by John. It is an account of TheEndOfTheWorldAsWeKnowIt, and, written as a Divine Revelation, shown to John in Prophetic vision, he can only bear witness to the events as they unfold.

to:

* ''Literature/TheBible'' has ''The ''[[Literature/BookOfRevelation The Book of Revelation'', Revelation]]'', written by John.St. John of Patmos [[note]]A different person from St. John the Apostle[[/note]]. It is an account of TheEndOfTheWorldAsWeKnowIt, and, written as a Divine Revelation, shown to John in Prophetic vision, he can only bear witness to the events as they unfold.
Is there an issue? Send a MessageReason:
None





[[folder:Anime and Manga]]

to:

[[folder:Anime and & Manga]]



[[folder:Mythology and Religion]]

to:

[[folder:Mythology and [[folder:Myths & Religion]]
Is there an issue? Send a MessageReason:
Created from YKTTW

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->''I was helpless. Powerless. Unable to move an eye. Unable to lift a finger. Unable to speak. Unable to alter a facial expression. To smile. Frown. Give any sign that I was alive within my own body, a captive inside my own brain.''
-->-- '''Tobias' narration''', ''Megamorphs #4: Back to Before''

A Helpless Observer Protagonist is ForcedToWatch the story unfold in front of them, powerless to interact with anyone or anything. They're not just a witness to events far beyond their control; their agency is so nonexistent that they can't even influence the outcome in minor ways such as giving someone advice. They may be a [[PosthumousNarration ghost]], [[TragicIntangibility intangible]], trapped in an AndIMustScream situation, or watching a recording of past events. In prose, they're usually a first-person narrator.

Compare UselessProtagonist, PinballProtagonist, FirstPersonPeripheralNarrator, RearWindowWitness.

----

!!Examples:

[[foldercontrol]]

[[folder:Anime and Manga]]
* Most of ''Manga/{{Uzumaki}}'' consists of Kirie watching as her town is consumed by the Spiral Curse.
[[/folder]]

[[folder:Fan Works]]
* ''Animorphs'' fanfics:
** ''[[Fanfic/{{Eleutherophobia}} City of Lost Children]]'' is told from the perspective of Tom while he's a [[MeatPuppet Controller]], so he can do nothing but watch as his mother and brother argue with each other. His only act of agency is a brief moment of FightingFromTheInside.
** Chapter 6 of ''Fanfic/WhatTomorrowBrings'' is also told from the perspective of Tom, who's used to being helpless as Temrash 114 mercilessly tortures him. Fortunately, he gets better at the end.
* The ''Manga/FullmetalAlchemist'' fanfic ''[[https://www.fanfiction.net/s/10793296/1/I-m-Still-Here I'm Still Here]]'' is told from the perspective of Alphonse, whose soul was separated from his AnimatedArmor and is desperately trying to reach out to Edward despite being invisible.
[[/folder]]

[[folder:Literature]]
* Several ''Literature/{{Animorphs}}'' books have a viewpoint character temporarily be infested by a [[PuppeteerParasite Yeerk]], which leaves them [[AndIMustScream trapped inside their own minds]].
** Jake spends the last third of ''The Capture'' mentally arguing with a Yeerk named Temrash. At first, he tries to [[FightingFromTheInside fight back]] and warn the others, but he can't. Fortunately, Ax [[SpottingTheThread Spots the Thread]], so his friends [[KindRestraints tie him up in the woods]] and constantly monitor him until Temrash dies.
** Cassie allows [[NotAlwaysEvil Aftran]] into her brain ''The Departure'' to stop the Animorphs from killing Karen (Aftran's previous host), though it doesn't last for long and the book switches to Jake's perspective for the next few chapters.
** In ''Back to Before'', the alternate timeline's Tobias joins [[PathOfInspiration The Sharing]] and becomes a full member, not realising what he's getting into until it's too late. He spends the rest of his pagetime panicking.
* ''Cool!'' is about a boy in a coma reminiscing upon the events leading up to him being hit by a car, while his family try everything to make him wake up.
* ''Literature/IStopSomewhere'': Since her murder, Ellie has haunted her small town, but can't interact with anyone or anything. Nobody sees her and she repeatedly tries to catch the attention of others, whether it's Caleb and Noah's other victims or her father Alex, but never does.
* Overlapping with PosthumousNarration, the narrator of ''Literature/TheLovelyBones'' is Susie Salmon, a fourteen year old girl who was [[DeadToBeginWith horribly murdered]] by her neighbor shortly before the story begins. She narrates the story from the afterlife (she hasn't quite reached true Heaven yet). Although she can interact with the living world a little bit, it's extremely limited and Susie is mostly relegated to watching as her family and friends each deal with their grief in their own way. The only time she actively influences anything is when [[spoiler:Ruth, a young woman with extrasensory abilities, temporarily swaps bodies with her so Susie can experience life again for just a few hours]].
* ''Literature/TheShipWho'' series is about human-computer cyborgs. Severely disabled children with high-functioning brains may become cyborgs in different professions, including space exploration. This is perhaps a variant of the helpless observer: a ship brain is powerful in many ways, but the human component is encapsulated in a life-support system.
* ''Literature/TalesOfPirxThePilot'':
** In ''Albatross'', two spaceships are lost due to a nuclear reactor explosion in full view of Pirx, and he can do nothing at all to help. First, he is currently flying as a passenger and not as a pilot, second, the ship he is on is a luxury liner and the crew can't risk the passengers' safety by getting closer to the disaster, so the space traffic controller commands them to leave.
** In ''Ananke'', a ship of a hundred thousand tons crashes on a Martian landing field, again in full view of Pirx ([[spoiler:due to faulty computer programming]]). Neither Pirx nor anyone else can do anything to help, as everything happens in the course of seconds: the most Pirx can do is investigate the crash afterwards.
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[[folder:Music]]
* The FirstPersonPeripheralNarrator of Music/TheMechanisms' RockOpera ''The Bifrost Incident'' is a detective watching a recording of something that happened 80 years ago. Said recording eventually reveals that [[CosmicHorrorReveal the eldritch apocalypse]] is imminent, and since it was set in motion so long ago, there's nothing the narrator can do.
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[[folder:Mythology and Religion]]
* ''Literature/TheBible'' has ''The Book of Revelation'', written by John. It is an account of TheEndOfTheWorldAsWeKnowIt, and, written as a Divine Revelation, shown to John in Prophetic vision, he can only bear witness to the events as they unfold.
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