History Main / FadingIntoTheNextSong

* ''Film/IndianaJonesAndTheTempleOfDoom'' has several tracks where the film versions go straight into the next song while the album versions avert this trop.

* Music/{{U2}} (on their first album ''Music/{{Boy|Album}}''): "An Cat Dubh" → "Into the Heart" → "Out of Control".

** Even earlier than this, "Chump" and "Longview" on ''Dookie'' were mixed together in such a fashion. The band is quite fond of this trope.

** Several songs in ''A Thousand Suns'' have this as their exact purpose, fitting that album's [[ProtestSong larger purpose]].

** On ''City of Evil'', "Beast and the Harlot", "Burn It Down" and "Blinded in Chains" are so closely knit together you likely won't even noticed the track has changed at first. The latter two even have a nearly identical drum beat at the beginning.
** On the SelfTitledAlbum, "Unbound (Wild Ride)" ends with a HeartbeatSoundtrack that continues beating into the next track "Brompton Cocktail".

** Earlier than that, on "Nimrod" was "Jinx" → "Haushinka", and on ''Insomniac'' was "Brain Stew" → "Jaded" (although they're often played together as one song).

* Music/{{Beck|Musician}}: "E-Pro" → "Que Onda Guero" (''Guero'').

* The Music/{{Gorillaz}} album ''Music/DemonDaysAlbum'' has several songs that bleed into the next, perhaps the most noticeable example being the laughing of the children at the end of "Dirty Harry" morphing into the mad cackle at the beginning of "Feel Good Inc."; "Don't Get Lost in Heaven" and the title track also do this quite well.

** On ''Be Here Now'': "All Around the World" → "It's Gettin' Better (Man!!)" → "All Around the World (Reprise)".
* Though the songs on Music/MyBloodyValentine's magnum opus ''Loveless'' are largely distinct and self contained, there are few obvious song-break points.

* Music/{{Muse}} does this twice on ''Origin of Symmetry'', with "Hyper Music" → "Plug In Baby" (even though it's just the bass fading from one song to the next) and "Citizen Erased" → "Micro Cuts".
** Also, on ''The Resistance'', "United States of Eurasia (+ Collateral Damage)" → "Guiding Light" (you can hear a missile passing through during the outro of "Collateral Damage", and when it explodes, the following song starts).
** The same technique is employed on ''Absolution'', with "Intro" → "Apocalypse Please", "Sing for Absolution"→ "Stockholm Syndrome", and "Falling Away With You" → "Interlude" → "Hysteria".

* Music/{{U2}} (on their first album ''Boy''): "An Cat Dubh" → "Into the Heart" → "Out of Control".

** ''The Colour and the Shape'': "Hey, Johnny Park!" → "My Poor Brain" → "Wind Up"

* The Dandy Warhols' ''Thirteen Tales From Urban Bohemia'' has most of its tracks seamlessly blending into each other.

* Cut Copy is rather fond of this trope - both ''In Ghost Colours'' and ''Zonoscope'' are nearly gapless.

* Music/ArcticMonkeys: "This House Is a Circus" → "If You Were There, Beware" (''Favourite Worst Nightmare'').

* Music/{{Rush}}: "Caravan" → "[=BU2B=]" (''Music/ClockworkAngels'')

* ''Series/SesameStreet'''s "[[https://youtu.be/KUSwocntUMY?si=OzKR5Nbn6YMO8A8c Mechanical Technology]]" short film starts with Janko Nilovic's "Màneges aux tuileries", which seamlessly segues to "Portrait d'un robot" by the same artist. On his original album, ''Jouets musicaux'', these songs were separate.

* Music/{{Beck}}: "E-Pro" → "Que Onda Guero" (''Guero'').

* The soundtrack to ''VideoGame/MetalGearSolid4'' does this with almost every song.

* Juno Reactor's ''Beyond the Infinite'' is crossfaded through the first four tracks, and the last two tracks, "Rotorblade" and "Mars", are SiameseTwinSongs.

* Music/{{Autechre}} generally does this at least once per album, such as with "Eutow" → "C/Pach" (''Tri Repetae''), "Pro Radii" → "Augmatic Disport" (''Untilted''), and "Fol3" → "[=fwzE=]" → "90101-5I-L" → "bnc Castl" (''Quaristice'').

* The Music/{{Gorillaz}} album ''Music/DemonDays'' has several songs that bleed into the next, perhaps the most noticeable example being the laughing of the children at the end of "Dirty Harry" morphing into the mad cackle at the beginning of "Feel Good Inc."; "Don't Get Lost in Heaven" and the title track also do this quite well.

** A literal inversion occurs in ''Music/ADayAtTheRaces'' where the coda of "Teo Torriatte", the last song on the album, "fades into" the intro of "Tie Your Mother Down", [[{{Bookends}} the first song on the album]].

** The album ''Music/{{Destroyer}}'', "Detroit Rock City" ends with a car crash that transitions into "King of the Night Time World". "King of the Night Time World" begins with the very ending of the car crash, so it's odd to listen to it individually.

* Solar Fields' ''Ourdom'' is gapless, as is the CD edition of ''Random Friday''(the iTunes version separates all of the tracks, while the vinyl version is continuous over each side).

* Solar Fields' ''Ourdom'' is gapless, as are the physical editions of ''Random Friday''(the iTunes version separates the tracks).

* Solar Fields' ''Ourdom'' is gapless.

** ''Sabbath Bloody Sabbath'': "Who Are You" → "Looking for Today"

** ''Never Say Die!'': "Breakout" → "Swinging the Chain"