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* This happened a lot in ''Series/TheTwilightZone1959''.
** The one that sticks out most is "The Monsters Are Due on Maple Street", where by the end ''everyone'' is getting shot like this.
** Also used in the stand-on-shoulders scene from "Five Characters in Search of an Exit", to make it look like actors lying on a floor are vertical. Particularly obvious with the bagpiper, whose kilt is clearly hanging down to lie on the "wall".

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* This happened a lot ''Series/TheTwilightZone1959'':
** In "[[Recap/TheTwilightZone1959S1E1WhereIsEverybody Where Is Everybody?]]", they are used throughout the sequence
in ''Series/TheTwilightZone1959''.
which Mike Ferris flees in terror from the movie theater into the town square.
** In "[[Recap/TheTwilightZoneS1E9PerchanceToDream Perchance to Dream]]", the carnival DreamSequence features them prominently.
** "[[Recap/TheTwilightZoneS1E14ThirdFromTheSun Third from the Sun]]" makes extensive use of Dutch angles.
** In "[[Recap/TheTwilightZoneS1E17TheFever
The Fever]]", one that sticks out most is "The used for a shot of Franklin Gibbs at the slot machine after he's become obsessed and screamed at his wife Flora to leave him alone.
** In "[[Recap/TheTwilightZoneS1E22TheMonstersAreDueOnMapleStreet The
Monsters Are Due on Maple Street", where by Street]]", there are multiple such shots in the end ''everyone'' final scene when the residents of Maple Street go berserk and start rioting.
** They are used throughout "[[Recap/TheTwilightZoneS2E41TheHowlingMan The Howling Man]]".
** In "[[Recap/TheTwilightZoneS3E70AGameOfPool A Game of Pool]]", two are used during tense moments in the pool game.
** In "[[Recap/TheTwilightZoneS3E74DeathsHeadRevisited Deaths-Head Revisited]]", numerous Dutch angle shots are used during Gunter Lütze's trial at Dachau.
** In "[[Recap/TheTwilightZoneS3E91LittleGirlLost Little Girl Lost]]", they are used throughout the sequence set in the other dimension.
** In "[[Recap/TheTwilightZoneS3E98TheDummy The Dummy]]", they are used extensively after Jerry Etherson starts hearing Willie and seeing his shadow while leaving the theater.
** In "[[Recap/TheTwilightZoneS4E107Mute Mute]]", several such shots are used when Miss Frank tries to force Ilse Nielsen into saying her name in front of her class for the first time.
** In "[[Recap/TheTwilightZoneS4E108DeathShip Death Ship]]", one
is getting shot like this.
used to represent the E-89 being thrown off-course by Lt. Mike Carter's attempt to prevent Captain Paul Ross from landing the ship again.
** Also In "[[Recap/TheTwilightZoneS4E113TheParallel The Parallel]]", several are used to represent Gaines' disorientiation upon hearing radio signals immediately before he is sent back to his own universe.
** In "[[Recap/TheTwilightZoneS4E116OfLateIThinkOfCliffordville Of Late I Think of Cliffordville]]", multiple Dutch angles are used during the sequence in which William J. Feathersmith unsuccessfully tries to convince the people of Cliffordville, Indiana to invest in his ideas for new inventions in 1910, all of which are commonly available in 1963.
** In "[[Recap/TheTwilightZoneS5E121InPraiseOfPip In Praise of Pip]]", multiple Dutch angles are used during both the GoodTimesMontage of Max and Pip Phillips in the amusement park and their subsequent confrontation in the HallOfMirrors.
** In "[[Recap/TheTwilightZoneS5E140FromAgnesWithLove From Agnes - With Love]]", one is
used in the stand-on-shoulders opening scene from "Five Characters in Search of an Exit", to make it look like actors lying on a floor are vertical. Particularly obvious which James Elwood and his supervisor find Fred Danziger frantically arguing with the bagpiper, whose kilt is clearly hanging down to lie on the "wall".Agnes.


* Used a lot in the movie ''Film/{{Thor}}'', intended to be reminiscent of comic book panels. Notably occurs whenever Loki is onscreen. In the following film, Avengers Assemble, this is carried over, including one significant scene when Loki is not present - but his influence is.

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* Used a lot in the movie ''Film/{{Thor}}'', intended to be reminiscent of comic book panels. Notably occurs whenever Loki is onscreen. In the following film, Avengers Assemble, ''Film/TheAvengers2012'', this is carried over, including one significant scene when Loki is not present - but his influence is.


* In ''VideoGame/EternalDarkness'', the more insane your character gets, the more tilted the camera gets. One cutscene in the game even began with the camera tilted and in the lowest corner of a room.

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* In ''VideoGame/EternalDarkness'', the more insane your character gets, the more tilted the camera gets. One cutscene in the game even began with the camera tilted and in the lowest corner of a room. Indeed, if you use a Sanity-restoring spell or item, the tilt lessens until it disappears at full Sanity.


* In Creator/StevenSpielberg's ''Peter Pan'' homage, ''[[Hook Film/{{Hook}}]]'', when Mr. Smee has his "apostrophe" (i.e. his epiphany) that they could get Peter's kids to love Captain Hook, the camera suddenly tilts into a Dutch angle. Then as Smee begins walking toward Hook, it canters back and forth with each step, like the rocking of a boat.

to:

* In Creator/StevenSpielberg's ''Peter Pan'' homage, ''[[Hook Film/{{Hook}}]]'', ''Film/{{Hook}}'', when Mr. Smee has his "apostrophe" (i.e. his epiphany) that they could get Peter's kids to love Captain Hook, the camera suddenly tilts into a Dutch angle. Then as Smee begins walking toward Hook, it canters back and forth with each step, like the rocking of a boat.


* In Creator/StephenSpielberg's ''Peter Pan'' homage, ''[[Hook Film/{{Hook}}]]'', when Mr. Smee has his "apostrophe" (i.e. his epiphany) that they could get Peter's kids to love Captain Hook, the camera suddenly tilts into a Dutch angle. Then as Smee begins walking toward Hook, it canters back and forth with each step, like the rocking of a boat.

to:

* In Creator/StephenSpielberg's Creator/StevenSpielberg's ''Peter Pan'' homage, ''[[Hook Film/{{Hook}}]]'', when Mr. Smee has his "apostrophe" (i.e. his epiphany) that they could get Peter's kids to love Captain Hook, the camera suddenly tilts into a Dutch angle. Then as Smee begins walking toward Hook, it canters back and forth with each step, like the rocking of a boat.

Added DiffLines:

* In Creator/StephenSpielberg's ''Peter Pan'' homage, ''[[Hook Film/{{Hook}}]]'', when Mr. Smee has his "apostrophe" (i.e. his epiphany) that they could get Peter's kids to love Captain Hook, the camera suddenly tilts into a Dutch angle. Then as Smee begins walking toward Hook, it canters back and forth with each step, like the rocking of a boat.

Added DiffLines:

* ''Series/LogansRun'': In "Futurepast", several are used during Logan's nightmare about being forced to abandon Jessica.


* Used a lot in the movie ''Film/{{Thor}}'', intended to be reminiscent of comic book panels.

to:

* Used a lot in the movie ''Film/{{Thor}}'', intended to be reminiscent of comic book panels. Notably occurs whenever Loki is onscreen. In the following film, Avengers Assemble, this is carried over, including one significant scene when Loki is not present - but his influence is.


* The old-school 1960s ''Series/{{Batman}}'' TV series habitually tilted the camera 45 degrees so you'd have a visual cue that you were in a bad guy's lair. The Dutch Angle became so connected with the TV series that when ''Series/StarTrekTheOriginalSeries'' had Frank Gorshin (who played The Riddler) on as a guest star, they threw in a few as a homage.

to:

* The old-school 1960s ''Series/{{Batman}}'' TV series habitually tilted the camera 45 degrees so you'd have a visual cue that you were in a bad guy's lair. (The creators acknowledged that this was a VisualPun for the villains being "crooked".) The Dutch Angle became so connected with the TV series that when ''Series/StarTrekTheOriginalSeries'' had Frank Gorshin (who played The Riddler) on as a guest star, they threw in a few as a homage.

Added DiffLines:

* ''Series/EerieIndiana'':
** In "The Dead Letter", multiple Dutch angles are used during Marshall's DreamSequence.
** In "Marshall's Theory of Believability", several are used in the scene in which Professor Zirchon tries to sell the "space thing" to Eerie.
** In "Zombies in P.J.s", there is one when Marshall discovers most of the townspeople sleepwalking to the World O' Stuff to go on a shopping spree.


* This happened a lot in the old ''Series/TheTwilightZone'' series.

to:

* This happened a lot in the old ''Series/TheTwilightZone'' series.''Series/TheTwilightZone1959''.

Added DiffLines:

* In ''Manga/AssassinationClassroom'', the panel where Nagisa's [[spoiler:visible killing intent goes from 0 to 100 in an instant]] is drawn like this.


* The anime adaptation of ''Manga/TokyoGhoul'' uses a few strong ones. Of particular note includes a tilt as Kaneki first discovers that he has become a ghoul to highlight his newfound horror and frantic thinking. Another prominent moment is during one of his [[DreamSequence mental journeys]]] in the sequel :re, in which the camera slants as he strangles his child self.

to:

* The anime adaptation of ''Manga/TokyoGhoul'' uses a few strong ones. Of particular note includes a tilt as Kaneki first discovers that he has become a ghoul to highlight his newfound horror and frantic thinking. Another prominent moment is during one of his [[DreamSequence mental journeys]]] journeys]] in the sequel :re, in which the camera slants as he strangles his child self.

Added DiffLines:

* The anime adaptation of ''Manga/TokyoGhoul'' uses a few strong ones. Of particular note includes a tilt as Kaneki first discovers that he has become a ghoul to highlight his newfound horror and frantic thinking. Another prominent moment is during one of his [[DreamSequence mental journeys]]] in the sequel :re, in which the camera slants as he strangles his child self.

Added DiffLines:

* ''Webcomic/FoundationThePsychohistorians'': As Hari Seldon shows Gaal Dornick how the various probabilities of assassination, revolt, economic depression, declining exploration affect the [[GalacticSuperpower Galactic Empire]], the camera view is tilted back and slightly to the side, to show how the thought of Trantor's destruction is a frightening certainty.

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