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[[quoteright:251:https://static.tvtropes.org/pmwiki/pub/images/pedro_parama.jpg]]
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In reality, the book documents the rise and fall of both Pedro and the Town, shifting constantly from person to person and back and forth in time. Comala is the GhostTown (in more ways than one) trope taken to its extreme: most of its habitants are ghosts and/or memories unaware of their deaths, [[FridgeHorror and it is notoriously difficult both for Preciado and for the reader to tell between the living and dead]]. Comala, though dangerous in its own quiet way [[spoiler: as Preciado's spontaneous death midway through can probably attest]], is not so much creepy as it is as a melancholic place lingering with the defeat of death and forgetting. This being MagicalRealism it still manages to be eccentric and even somewhat funny.

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In reality, the book documents the rise and fall of both Pedro and the Town, shifting constantly from person to person and back and forth in time. Comala is the GhostTown (in more ways than one) trope taken to its extreme: most of its habitants are ghosts and/or memories unaware of their deaths, [[FridgeHorror and it is notoriously difficult both for Preciado and for the reader to tell between the living and dead]]. Comala, though dangerous in its own quiet way [[spoiler: as Preciado's spontaneous death midway through can probably attest]], way, is not so much creepy as it is as a melancholic place lingering with the defeat of death and forgetting. This being MagicalRealism it still manages to be eccentric and even somewhat funny.
funny.

It was adapted into a Mexican film in 1967, starring Creator/JohnGavin (who, while Amercan, is of Mexican ancestry) in the title role.

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* FisherKing: Pedro is so bitter about the townsfolk's failure to mourn Susana that he refuses to either use the land productively or give management to someone else, which totaly destroys the local economy.

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* FisherKing: Pedro is so bitter about the townsfolk's failure to mourn Susana that he refuses to either use the land productively or give management to someone else, which totaly totally destroys the local economy.


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** Along with a [[AmbiguousSituation Gainax Beginning]] and [[MindScrew Gainax Middle]].
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* FisherKing: Pedro is so bitter about the townsfolk's failure to mourn Susana that he refuses to either use the land productively or give management to someone else, which totaly destroys the local economy.

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* ByronicHero: the titular man.

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* ByronicHero: the The titular man.



* FilmOfTheBook: the book has several adaptations, an old one from old mexican cinema and a more recent one.

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* FilmOfTheBook: the The book has several adaptations, an old one from old mexican cinema and a more recent one.adaptations
* GainaxEnding



* UsefulNotes/TheMexicanRevolution: indirectly affects the plot.

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* UsefulNotes/TheMexicanRevolution: indirectly Indirectly affects the plot.
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** When Susana dies, Pedro Páramo orders the church’s bells rang endlessly for his grief. Everyone is curious about this, and instead of being a time of grief, [[GoneHorriblyWrong it attracts so much people of other towns that they make a great party]]. Pedro cannot stop them, so he decides make Comala a GhostTown.

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** When Susana dies, Pedro Páramo orders the church’s bells rang rung endlessly for his grief. Everyone is curious about this, and instead of being a time of grief, [[GoneHorriblyWrong it attracts so much people of other towns that they make a great party]]. Pedro cannot stop them, so he decides make Comala a GhostTown.



* MeaningfulName: at first it seems so but the truth is much more complicated. Juan Rulfo was known for his habit of wandering cemeteries and using the names in the tombs for his stories. All named characters got their names that way, but he still chose them accordingly: "Páramo" means "wasteland", "Preciado" means "prized, beloved" and much more.

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* MeaningfulName: at At first it seems so but the truth is much more complicated. Juan Rulfo was known for his habit of wandering cemeteries and using the names in the tombs for his stories. All named characters got their names that way, but he still chose them accordingly: "Páramo" means "wasteland", "Preciado" means "prized, beloved" and much more.



* ThemeNaming: a large amount of characters have biblical names, which is completely accurate from a mexican village.

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* ThemeNaming: a A large amount of characters have biblical names, which is completely accurate from for a mexican Mexican village.
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* DisproportionateRetribution: Perdo's father, Lucas, is killed in a wedding by an unknown man. So he kills every single person that attended the wedding.

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* DisproportionateRetribution: Perdo's Pedro's father, Lucas, is killed in a wedding by an unknown man. So he kills every single person that attended the wedding.

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--> "Illusion? That is expensive. To me living costed much more than it was due" --as said by a dead woman.

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--> "Illusion? ->''"Illusion? That is expensive. To me living costed much more than it was due" --as ''--as said by a dead woman.



* MexicanRevolution: indirectly affects the plot.

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* MexicanRevolution: UsefulNotes/TheMexicanRevolution: indirectly affects the plot.


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In reality, the book documents the rise and fall of both Pedro and the Town, shifting constantly from person to person and back and forth in time. Comala is the GhostTown (in more ways than one) trope taken to its extreme: most of its habitants are ghosts and/or memories unaware of their deaths, [[FridgeHorror and it is notoriously difficult both for Preciado and for the reader to tell between the living and dead]]. Comala , though dangerous in its own quiet way [[spoiler: as Preciado's spontaneous death midway through can probably attest]], is not so much creepy as it is as a melancholic place lingering with the defeat of death and forgetting. This being MagicalRealism it still manages to be eccentric and even somewhat funny.

to:

In reality, the book documents the rise and fall of both Pedro and the Town, shifting constantly from person to person and back and forth in time. Comala is the GhostTown (in more ways than one) trope taken to its extreme: most of its habitants are ghosts and/or memories unaware of their deaths, [[FridgeHorror and it is notoriously difficult both for Preciado and for the reader to tell between the living and dead]]. Comala , Comala, though dangerous in its own quiet way [[spoiler: as Preciado's spontaneous death midway through can probably attest]], is not so much creepy as it is as a melancholic place lingering with the defeat of death and forgetting. This being MagicalRealism it still manages to be eccentric and even somewhat funny.
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--> "Illusion? That is expensive. To me living costed much more than it was due" --as said by a dead woman.

''Pedro Páramo'' is a 1955 novel, a poetic and extremely sad novel by Juan Rulfo. It is ostensibly about the illegitimate son (Juan Preciado) of the title character returning to his father's hometown of Comala as a last request to his mother - to get back what his father owes him. It's considered by some one of the best mexican novels, ever, and is a classic of hispanic literature and even global literature, depending on who you ask.

In reality, the book documents the rise and fall of both Pedro and the Town, shifting constantly from person to person and back and forth in time. Comala is the GhostTown (in more ways than one) trope taken to its extreme: most of its habitants are ghosts and/or memories unaware of their deaths, [[FridgeHorror and it is notoriously difficult both for Preciado and for the reader to tell between the living and dead]]. Comala , though dangerous in its own quiet way [[spoiler: as Preciado's spontaneous death midway through can probably attest]], is not so much creepy as it is as a melancholic place lingering with the defeat of death and forgetting. This being MagicalRealism it still manages to be eccentric and even somewhat funny.

!!This book contains examples of the following tropes:

* AnachronicOrder: AND HOW.
* BookEnds: The novel begins and ends on Abundio.
* BrokenBird: Several characters, especially Dolores, the narrator's mother.
* BrotherSisterIncest: Implied between the two naked people Juan runs into as he explores the town. ItMakesSenseInContext.
* ByronicHero: the titular man.
* TheCasanova: Pedro and his son Miguel (the only one he considers legitimate) are both of the monster variety.
* DeadAllAlong: [[spoiler: Everyone. Including the narrator. Possibly.]]
* DisproportionateRetribution: Perdo's father, Lucas, is killed in a wedding by an unknown man. So he kills every single person that attended the wedding.
** When Susana dies, Pedro Páramo orders the church’s bells rang endlessly for his grief. Everyone is curious about this, and instead of being a time of grief, [[GoneHorriblyWrong it attracts so much people of other towns that they make a great party]]. Pedro cannot stop them, so he decides make Comala a GhostTown.
* FilmOfTheBook: the book has several adaptations, an old one from old mexican cinema and a more recent one.
* GenerationXerox: Pedro and Miguel Páramo.
* GhostTown: Comala may be the ultimate example, both literary and figuratively.
* HeroicBastard: Juan Preciado may or may not count, as he was born from Pedro Páramo's only real marriage (even tough it is ambiguously implied he may be Damiana's son) but didn't inherit the last name and was never acknowledged by Pedro. Miguel Páramo is more of an Anti-heroic Bastard and so is Abundio.
* HormoneAddledTeenager: Susana.
* MagicalRealism: Considered by many to be the TropeMaker.
* MeaningfulName: at first it seems so but the truth is much more complicated. Juan Rulfo was known for his habit of wandering cemeteries and using the names in the tombs for his stories. All named characters got their names that way, but he still chose them accordingly: "Páramo" means "wasteland", "Preciado" means "prized, beloved" and much more.
* MexicanRevolution: indirectly affects the plot.
* MindScrew
* SeekerArchetype: Juan Preciado.
* SelfMadeOrphan: [[spoiler: Pedro Páramo is killed by Abundio Martínez, one of his many illegitimate sons.]]
* ParentalIncest: Implied between Susana and her father.
* ThemeNaming: a large amount of characters have biblical names, which is completely accurate from a mexican village.

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