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Trope was cut/disambiguated due to cleanup


-->To save time, I shall place all of us in the same row at the Metro cinema; Robert Taylor is mirrored in our eyes as we sit in flickering trances -- and also in symbolic sequence: Saleem Sinai is sitting-next-to-and-in-love-with Evie Burns who is sitting-next-to-and-in-love-with Sonny Ibrahim who is sitting-next-to-and-in-love-with the Brass Monkey [[TheLastOfTheseIsNotLikeTheOthers who is sitting next to the aisle and feeling starving hungry]].

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-->To save time, I shall place all of us in the same row at the Metro cinema; Robert Taylor is mirrored in our eyes as we sit in flickering trances -- and also in symbolic sequence: Saleem Sinai is sitting-next-to-and-in-love-with Evie Burns who is sitting-next-to-and-in-love-with Sonny Ibrahim who is sitting-next-to-and-in-love-with the Brass Monkey [[TheLastOfTheseIsNotLikeTheOthers who is sitting next to the aisle and feeling starving hungry]].hungry.

Changed: 1269

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Improved introduction.


The novel is structured as the hastily-written and occasionally verging-on-incoherent autobiography of Saleem Sinai, born [[note]]sort of[[/note]] into a wealthy Indian [[UsefulNotes/{{Islam}} Muslim]] family at precisely midnight on 15th August 1947[[note]]the exact point in time at which India became independent from UsefulNotes/TheBritishEmpire[[/note]]. This results in Saleem and 1,000 other children born between midnight and one a.m. developing odd supernatural powers, with those born closest to midnight being the most powerful. The two children born at midnight exactly have the strongest powers of all: Saleem, whose telepathy manifests at the age of nine and allows him initially to read everyone's thoughts and later to telepathically connect the five hundred and eighty-one surviving midnight's children; and Shiva, whose powers are never described in great detail but whose name - the destroyer - he lives up to.

Saleem has an incredibly strange and convoluted life, but this is not, in many ways, a novel about Saleem; nor is it a novel about cool supernatural abilities. First and foremost, it is a book about India.

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The novel is structured as the hastily-written and occasionally verging-on-incoherent autobiography of Saleem Sinai, born [[note]]sort of[[/note]] precisely at midnight on 15th August 1947 into a wealthy Indian [[UsefulNotes/{{Islam}} Muslim]] family at precisely midnight on 15th August 1947[[note]]the exact point in time at which India became independent from UsefulNotes/TheBritishEmpire[[/note]]. This results in Bombay. Before he can get to that point, however, Saleem rewinds the clock to his grandfather losing his faith as a young foreign-returned doctor in the princely state of Jammu and 1,000 other Kashmir and follows his own descendants down to his birth at the precise moment of India's independence from UsefulNotes/TheBritishEmpire. Astonishingly, all the 1,001 children born between midnight and one a.m. developing odd within India's borders in that first hour of independent India develop a variety of supernatural powers, with those born closest to midnight being powers as they grow, but none as powerfully as the most powerful. The two children born precisely at midnight exactly have the strongest powers of all: midnight: Saleem, whose telepathy manifests at the age of nine and allows him initially to read everyone's thoughts and later to telepathically connect the five hundred and eighty-one surviving midnight's children; Midnight's Children; and his nemesis Shiva, whose powers are never described in great detail born into poverty but whose name - the destroyer - he lives up to.

with a ruthlessness that propels him through Bombay's gangs and eventually to fame and power.

As
Saleem has an incredibly describes his strange and convoluted life, but this racing against the destruction of his body to an unseeable, unknowable medical condition, it becomes clear that he is not, in many ways, a novel about Saleem; nor obsessed that his life is it a novel about cool supernatural abilities. First magically linked to the country of his birth, intersecting with significant historical events and foremost, it is in which a book about India.
youthful India's successes and failures reflect and are reflected by Saleem's own life.
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** After the traumatic events of the Widow's Hostel, Saleem hears the outcome of the historic 1977 election, where Indira Gandhi is defeated and loses her iron grip on the country. But when we return to the present day, Saleem dejectedly notes that she is experiencing a political second wind, and stands poised to become prime minister again. (In RealLife, this did happen in 1980.)

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** After the traumatic events of the Widow's Hostel, Saleem hears the outcome of the historic 1977 election, where Indira Gandhi is defeated and loses her iron grip on the country. But when we return to the present day, Saleem dejectedly notes that she is experiencing a political second wind, and stands poised to become prime minister again. (In RealLife, this did happen in 1980.1980- but she'd be [[BodyguardBetrayal assassinated by her bodyguards]] 4 years later.)
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* LoveTriangle: During Saleem's childhood there is a [[TriangRelations Type 5]]. He develops a crush on [[MeaningfulName Evelyn Lilith Burns]] (an American girl who moves into his gated community), but ''she'' develops a crush on his friend Sonny, who in turn is enamored with Saleem's sister the Brass Monkey. The Brass Monkey doesn't love anyone, and reacts violently to shows of affection.

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* LoveTriangle: During Saleem's childhood there is a [[TriangRelations Type 5]]. He childhood, he develops a crush on [[MeaningfulName Evelyn Lilith Burns]] (an American girl who moves into his gated community), but ''she'' develops a crush on his friend Sonny, who in turn is enamored with Saleem's sister the Brass Monkey. The Brass Monkey doesn't love anyone, and reacts violently to shows of affection.
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Positive Discrimination is no longer a trope


* PositiveDiscrimination: Averted. Though there are many women in the book, they're just as varied and flawed as the men. [[TheNarrator Saleem]] himself scoffs at the notion that WomenAreWiser.
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Up To Eleven is a defunct trope


* {{Foreshadowing}}: Taken UpToEleven, possibly even to the point of parody. Though the narrative is mostly linear, Saleem acts like a literature student performing a deep reading of a work, and excitedly references future events whenever he notices something significant. It may even overlap with DoomedByCanon, as Saleem will sometimes spoil future events outright (particularly the deaths of certain characters). But in particular, [[spoiler:the negation of Saleem's {{Telepathy}} after his sinus operation foreshadows that surgical operations can remove the midnight powers, which occurs when the Widow castrates all of them at the end of the story]].

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* {{Foreshadowing}}: Taken UpToEleven, Exaggerated, possibly even to the point of parody. Though the narrative is mostly linear, Saleem acts like a literature student performing a deep reading of a work, and excitedly references future events whenever he notices something significant. It may even overlap with DoomedByCanon, as Saleem will sometimes spoil future events outright (particularly the deaths of certain characters). But in particular, [[spoiler:the negation of Saleem's {{Telepathy}} after his sinus operation foreshadows that surgical operations can remove the midnight powers, which occurs when the Widow castrates all of them at the end of the story]].
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-->-- '''Jawaharlal Nehru''' to '''Saleem Sinai'''

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-->-- '''Jawaharlal Nehru''' Nehru''', in a letter to '''Saleem Sinai'''
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-->-- '''''Jawaharlal Nehru''' to Saleem Sinai''

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-->-- '''''Jawaharlal '''Jawaharlal Nehru''' to Saleem Sinai''
'''Saleem Sinai'''
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Asexuality is now a disambiguation page.


* {{Asexuality}}: Doctor Narlikar, possibly. He has no children of his own and is downright ''ecstatic'' when Ahmed confides that he's lost his sex drive.

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