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--->Her voice was calm and even, her gaze unflinching. "I’m saying we have to stop them," she said. "There’s too many, and these three are nothing compared to what else is out there. We have to find them, and we have to stop them."
--->"But I lost Forman’s phone," I said. "That was our only link. That was the only way we could find them, and track them, and—"
--->"I don’t think you understand," said Brooke. "We don’t need Forman’s phone. I told you, I remember everything."
--->I stood silently, processing her words and their ramifications. Everything. I nodded. "Okay. Now try to rest; it’s over for now."
--->She laid back in the bed, staring at the ceiling. "No, John. It will never be over."

to:

--->Her -->Her voice was calm and even, her gaze unflinching. "I’m saying we have to stop them," she said. "There’s too many, and these three are nothing compared to what else is out there. We have to find them, and we have to stop them."
--->"But -->"But I lost Forman’s phone," I said. "That was our only link. That was the only way we could find them, and track them, and—"
--->"I -->"I don’t think you understand," said Brooke. "We don’t need Forman’s phone. I told you, I remember everything."
--->I -->I stood silently, processing her words and their ramifications. Everything. I nodded. "Okay. Now try to rest; it’s over for now."
--->She -->She laid back in the bed, staring at the ceiling. "No, John. It will never be over."



--->I lowered my voice a bit. "I have a key to your house." That wasn't true, but it sounded great on the phone.

to:

--->I -->I lowered my voice a bit. "I have a key to your house." That wasn't true, but it sounded great on the phone.



--->'''John:''' Remember this the next time you doubt me. Of the two of us, I'm the one who held back when a fight turned violent.

to:

--->'''John:''' -->'''John:''' Remember this the next time you doubt me. Of the two of us, I'm the one who held back when a fight turned violent.



--->'''Marci:''' Does all usually go well?
--->'''John:''' It never has before.

to:

--->'''Marci:''' -->'''Marci:''' Does all usually go well?
--->'''John:''' -->'''John:''' It never has before.



* DownerEnding: To the point that it's surprising that this was once meant to end John's story permanently. [[spoiler:Brooke is alive, but she's badly traumatized, Agent Ostler's comments imply that most of the deaths could have been avoided if John had let her help, and he discovers he still has a heart just in time to lose his first love and then his mother, to someone he brought into town.]] Ouch.



--->'''John:''' Mom's not keeping me out because it's a dead friend, she's keeping me out because it's a dead sixteen-year-old girl with no clothes on.
--->'''Lauren:''' And that's officially the creepiest thing you've ever said. Seriously-yuck.
--->'''John:''' I've got a live girlfriend, what do I need dead ones for?
--->'''Lauren:''' I'm not listening!

to:

--->'''John:''' -->'''John:''' Mom's not keeping me out because it's a dead friend, she's keeping me out because it's a dead sixteen-year-old girl with no clothes on.
--->'''Lauren:''' -->'''Lauren:''' And that's officially the creepiest thing you've ever said. Seriously-yuck.
--->'''John:''' -->'''John:''' I've got a live girlfriend, what do I need dead ones for?
--->'''Lauren:''' -->'''Lauren:''' I'm not listening!



--->Brooke’s house was just two doors down from mine, a two-story tract home that followed the same basic layout as every other house in the neighbourhood – except ours, of course, which was just an apartment over the mortuary. I sat in my car, parked innocuously on the curb, and catalogued Brooke’s house in my head: there was the front porch, with the door right in the center; this led back into a long hallway that stretched to the rear of the house. On the left was the living room, small but cozy, with a large picture window, and on the right was a dining room that turned into a kitchen at the back; this had a large sliding glass door that led out to their backyard. The back corner on the left side was a bathroom and a large pantry.
--->The first floor I didn’t know nearly as well, having never been up there, but I’d been in the Crowleys’ house so I could guess where everything was. The staircase led up to a master bedroom – presumably her parents – at the top on the front right corner. I could see the windows from my seat in the car: white lace curtains and a couple of cutesy knick-knacks. Across the hall was a smaller bedroom which was probably her brother Ethan’s. The back left corner was Brooke’s room, with a wide view of the woods beyond. This I knew for certain, because I used to sit in the darkness of that wood and watch her through the uncurtained window. But I was better than that now.
--->Well, obviously not that much better.

to:

--->Brooke’s -->Brooke’s house was just two doors down from mine, a two-story tract home that followed the same basic layout as every other house in the neighbourhood – except ours, of course, which was just an apartment over the mortuary. I sat in my car, parked innocuously on the curb, and catalogued Brooke’s house in my head: there was the front porch, with the door right in the center; this led back into a long hallway that stretched to the rear of the house. On the left was the living room, small but cozy, with a large picture window, and on the right was a dining room that turned into a kitchen at the back; this had a large sliding glass door that led out to their backyard. The back corner on the left side was a bathroom and a large pantry.
--->The -->The first floor I didn’t know nearly as well, having never been up there, but I’d been in the Crowleys’ house so I could guess where everything was. The staircase led up to a master bedroom – presumably her parents – at the top on the front right corner. I could see the windows from my seat in the car: white lace curtains and a couple of cutesy knick-knacks. Across the hall was a smaller bedroom which was probably her brother Ethan’s. The back left corner was Brooke’s room, with a wide view of the woods beyond. This I knew for certain, because I used to sit in the darkness of that wood and watch her through the uncurtained window. But I was better than that now.
--->Well, -->Well, obviously not that much better.

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Armor Piercing Slap is no longer a trope


* ArmorPiercingSlap: [[ParentsAsPeople Mrs. Cleaver]] to John, evoking a rare StunnedSilence from him.



* CallBack: After the ArmorPiercingSlap above, John grabs the same kitchen knife he threatened April with in ''I Am Not A Serial Killer'' and sets it down in front of her.

to:

* CallBack: After the ArmorPiercingSlap above, Mrs. Cleaver slaps him, John grabs the same kitchen knife he threatened April with in ''I Am Not A Serial Killer'' and sets it down in front of her.
Is there an issue? Send a MessageReason:
Big Damn Villains has been disambiguated.


What's more, he wasn't expecting [[NamesToRunAwayFromReallyFast Nobody]] to [[BigDamnVillains come with backup]].

to:

What's more, he wasn't expecting [[NamesToRunAwayFromReallyFast Nobody]] to [[BigDamnVillains come with backup]].
backup.
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* BlackComedy: John "stalking" Mrs. Andelin's son to get information out of her is either this or AdultFear.

to:

* BlackComedy: John "stalking" Mrs. Andelin's son to get information out of her is either this or AdultFear.her.
Is there an issue? Send a MessageReason:
Not So Different has been renamed, and it needs to be dewicked/moved


* NotSoDifferent: A rare case in which the hero notes it instead of the villain. When facing off against the Handyman, John realizes exactly what it is he's looking at. A human sociopath, traumatized by and ashamed of his own sins, trying desperately to make up for them with what he thinks is right.

to:

* NotSoDifferent: NotSoDifferentRemark: A rare case in which the hero notes it instead of the villain. When facing off against the Handyman, John realizes exactly what it is he's looking at. A human sociopath, traumatized by and ashamed of his own sins, trying desperately to make up for them with what he thinks is right.
Is there an issue? Send a MessageReason:
None


The final book in the first "John Cleaver" trilogy by Creator/DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. [[TrilogyCreep A second trilogy is on the way]], starting with a novella and {{Interquel}}, ''Literature/NextOfKin'', serving as a bridge between the first and second trilogies, and the first book in the new series being ''[[Literature/TheDevilsOnlyFriend The Devil's Only Friend]]''.

to:

The final book in the first "John Cleaver" trilogy by Creator/DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. [[TrilogyCreep A second trilogy is on the way]], starting with a novella and {{Interquel}}, ''Literature/NextOfKin'', ''Next of Kin'', serving as a bridge between the first and second trilogies, and the first book in the new series being ''[[Literature/TheDevilsOnlyFriend The Devil's Only Friend]]''.
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Changed: 34

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* DanceOfRomance: [[SugarWiki/HeartwarmingMoments John experiences a rare moment of human connection dancing with Marci.]] When [[spoiler:considering what actions of hers could actually have been Nobody's]], he thinks of this before he thinks of kissing her.

to:

* DanceOfRomance: [[SugarWiki/HeartwarmingMoments John experiences a rare moment of human connection dancing with Marci.]] Marci. When [[spoiler:considering what actions of hers could actually have been Nobody's]], he thinks of this before he thinks of kissing her.
Is there an issue? Send a MessageReason:
None


* DanceOfRomance: [[SugarWiki/CrowningMomentOfHeartwarming John experiences a rare moment of human connection dancing with Marci.]] When [[spoiler:considering what actions of hers could actually have been Nobody's]], he thinks of this before he thinks of kissing her.

to:

* DanceOfRomance: [[SugarWiki/CrowningMomentOfHeartwarming [[SugarWiki/HeartwarmingMoments John experiences a rare moment of human connection dancing with Marci.]] When [[spoiler:considering what actions of hers could actually have been Nobody's]], he thinks of this before he thinks of kissing her.
Is there an issue? Send a MessageReason:


The final book in the first "John Cleaver" trilogy by DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. [[TrilogyCreep A second trilogy is on the way]], starting with a novella and {{Interquel}}, ''Literature/NextOfKin'', serving as a bridge between the first and second trilogies, and the first book in the new series being ''[[Literature/TheDevilsOnlyFriend The Devil's Only Friend]]''.

to:

The final book in the first "John Cleaver" trilogy by DanWells, Creator/DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. [[TrilogyCreep A second trilogy is on the way]], starting with a novella and {{Interquel}}, ''Literature/NextOfKin'', serving as a bridge between the first and second trilogies, and the first book in the new series being ''[[Literature/TheDevilsOnlyFriend The Devil's Only Friend]]''.

Added: 6045

Changed: 5066

Is there an issue? Send a MessageReason:
None


The final book in the first "John Cleaver" trilogy by DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. [[TrilogyCreep A second trilogy is on the way]], starting with a novella and {{Interquel}}, ''Literature/NextOfKin'', serving as a bridge between the first and second trilogies, and the first book in the new series being ''Literature/TheDevilsOnlyFriend''.

to:

The final book in the first "John Cleaver" trilogy by DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. [[TrilogyCreep A second trilogy is on the way]], starting with a novella and {{Interquel}}, ''Literature/NextOfKin'', serving as a bridge between the first and second trilogies, and the first book in the new series being ''Literature/TheDevilsOnlyFriend''.
''[[Literature/TheDevilsOnlyFriend The Devil's Only Friend]]''.



* BettyAndVeronica - Brooke and Marci.
* BoundAndGagged - John has a brief moment of imagining Marci this way.
* ChekhovsGun - The Handyman arrives at the same time as a chain of apparent suicides.
* DemonicPossession - John and Father Erikson discuss this as a possibility, although [[spoiler: it's only partly accurate]].
* DumbBlonde, BrainyBrunette: Double Subverted. Brooke (blonde) is generally described as more of the smart and sensitive loner archetype as well as being decribed as tall and willowy. Marci (brunette) is set up as a LovableAlphaBitch and is described as more of a voluptuous bombshell. In this book we get a better look at Marci and learn that she is, if anything, more intelligent than Brooke and certainly more empathic and insightful.
** Debatable. Brooke isn't as empathic and insightful as Marci when it comes to profiling a serial killer... but given the [[AloneWithThePsycho highly traumatic experience she had with one]] [[Literature/MrMonster in the previous book]] and her distrust of [[SociopathicHero John because of his questionable actions at the time]] this isn't really a good indicator.
* DrivenToSuicide - Nobody's victims. [[spoiler:Nobody herself, for that matter, recurringly.]]
* EvenBadMenLoveTheirMamas - Assuming that we can qualify John as bad, this trope applies. [[spoiler: Although he doesn't actually realize it until after she dies.]]
* [[spoiler: FirstGirlWins - Zigzagged. At first glance the novel appears to play the trope straight, although in this case "wins" doesn't mean "gets the guy" so much as "lives out the trilogy", but in terms of who is John's real love interest this is averted; it's Marci, his second girlfriend, that really earns his love. However, John never stops focusing on Brooke even when she's dating other guys and he's supposedly happy with his own new girlfriend, and Nobody observes that he's had experiences with Brooke that "Marci never had" with him.]]
* HeroicSacrifice - [[spoiler: Mrs. Cleaver]]
* HollywoodSilencer - Played straight with [[spoiler:The Handyman's]] gun where John doesn't even know it's being fired until holes appear in the car trunk.

to:

* BettyAndVeronica - Brooke AndTheAdventureContinues: The melancholy variant.
--->Her voice was calm
and Marci.
even, her gaze unflinching. "I’m saying we have to stop them," she said. "There’s too many, and these three are nothing compared to what else is out there. We have to find them, and we have to stop them."
--->"But I lost Forman’s phone," I said. "That was our only link. That was the only way we could find them, and track them, and—"
--->"I don’t think you understand," said Brooke. "We don’t need Forman’s phone. I told you, I remember everything."
--->I stood silently, processing her words and their ramifications. Everything. I nodded. "Okay. Now try to rest; it’s over for now."
--->She laid back in the bed, staring at the ceiling. "No, John. It will never be over."
* BoundAndGagged - AnguishedDeclarationOfLove: John for [[spoiler:both Marci and his mother in the last chapter,]] although the former is more straightforward of a case.
* ArmorPiercingSlap: [[ParentsAsPeople Mrs. Cleaver]] to John, evoking a rare StunnedSilence from him.
* BettyAndVeronica: Brooke, a quiet blonde ''literal'' GirlNextDoor who wants to forget everything that happened with Forman vs. Marci, a dark-headed LovableAlphaBitch who helps John profile the Handyman.
* BigDamnHeroes: [[spoiler:April]] performs one as John is losing the fight with Nobody.
* BlackComedy: John "stalking" Mrs. Andelin's son to get information out of her is either this or AdultFear.
--->I lowered my voice a bit. "I have a key to your house." That wasn't true, but it sounded great on the phone.
* BodySurf: Nobody's MO.
* BoundAndGagged:
John has a brief moment of imagining Marci this way.
way when she says she's "all tied up".
* ChekhovsGun - CallBack: After the ArmorPiercingSlap above, John grabs the same kitchen knife he threatened April with in ''I Am Not A Serial Killer'' and sets it down in front of her.
--->'''John:''' Remember this the next time you doubt me. Of the two of us, I'm the one who held back when a fight turned violent.
** During an earlier argument, she tells him to talk to the police instead of doing it all himself, John replies that last time he trusted the FBI, he ended up drinking his own urine in a pit in a murder house. Not doing that again.
* ChekhovsGun:
The Handyman arrives at the same time as a chain of apparent suicides.
* DemonicPossession - CombatTentacles: Nobody's true form seems to be made up solely of these.
* ContinuityNod: John mentions [[KickTheDog the burned-out warehouse]] past the town border.
* DanceOfRomance: [[SugarWiki/CrowningMomentOfHeartwarming John experiences a rare moment of human connection dancing with Marci.]] When [[spoiler:considering what actions of hers could actually have been Nobody's]], he thinks of this before he thinks of kissing her.
* ADeathInTheLimelight: [[spoiler:Marci.]] She's a background character or the first two books, then gains importance here [[spoiler:as the most serious relationship we've seen John have outside his family.]] Bye bye.
* DemonicPossession:
John and Father Erikson discuss this as a possibility, although [[spoiler: it's only partly accurate]].
* DespiteThePlan: Lampshaded.
--->'''Marci:''' Does all usually go well?
--->'''John:''' It never has before.
* DoesThisRemindYouOfAnything: Nobody pinning John to the ground and [[PuppeteerParasite attempting to literally force herself inside him]], ignoring his clear shock and disgust when she says she loves him.
* DownerEnding: To the point that it's surprising that this was once meant to end John's story permanently. [[spoiler:Brooke is alive, but she's badly traumatized, Agent Ostler's comments imply that most of the deaths could have been avoided if John had let her help, and he discovers he still has a heart just in time to lose his first love and then his mother, to someone he brought into town.]] Ouch.
* DudeShesLikeInAComa: An unusually sweet ''and'' dark variation in the last chapter. Sweet because it's a thoroughly chaste kiss, and one of the few times in the series, much less in this book, when John shows or accepts physical affection. Dark because [[spoiler:Marci isn't in a coma. She's dead.]]
* DumbBlonde, BrainyBrunette: Double Subverted. Brooke (blonde) is generally described as more of the smart and sensitive loner archetype as well as being decribed described as tall and willowy. Marci (brunette) is set up as a LovableAlphaBitch and is described as more of a voluptuous bombshell. In this book we get a better look at Marci and learn that she is, if anything, more intelligent than Brooke and certainly more empathic and insightful.
** Debatable. Brooke isn't
insightful.
* DrivenToSuicide: A rash of teen suicides begins
as empathic and insightful as Marci when it comes to profiling a serial killer... but given the [[AloneWithThePsycho highly traumatic experience she book does, frustrating [[GlorySeeker John]], who doesn't understand what the point of saving people is if they're just going to undo it. [[spoiler:Turns out he had with one]] [[Literature/MrMonster in the previous book]] and her distrust of [[SociopathicHero John because of nothing to worry about; his questionable actions at did matter. Because the time]] this isn't really a good indicator.
* DrivenToSuicide - Nobody's victims. [[spoiler:Nobody herself, for that matter, recurringly.
demon he called into town killed them.]]
* EvenBadMenLoveTheirMamas - EvenBadMenLoveTheirMamas: Assuming that we can qualify John as bad, this trope applies. [[spoiler: Although he doesn't actually realize it how much until after she dies.]]
* [[spoiler: FirstGirlWins - FirstGirlWins: Zigzagged. At first glance the novel appears to play the trope straight, [[spoiler: although in this case "wins" doesn't mean "gets the guy" so much as "lives out the trilogy", but in terms of who is John's real love interest this is averted; it's Marci, his second girlfriend, that really earns his love. However, John never stops focusing on Brooke even when she's dating other guys and he's supposedly happy with his own new girlfriend, and Nobody observes that he's had experiences with Brooke that "Marci never had" with him.]]
* HeroicSacrifice - HeroicSacrifice: [[spoiler: Mrs. Cleaver]]
Cleaver, getting rid of Nobody for good, but primarily to save John.]]
* HollywoodSilencer - HollywoodSilencer: Played straight with [[spoiler:The Handyman's]] gun where John doesn't even know it's being fired until holes appear in the car trunk.trunk.
* ILoveTheDead: [[DeadpanSnarker John]] trolling Lauren about why their mother won't let him help embalm the teen suicides.
--->'''John:''' Mom's not keeping me out because it's a dead friend, she's keeping me out because it's a dead sixteen-year-old girl with no clothes on.
--->'''Lauren:''' And that's officially the creepiest thing you've ever said. Seriously-yuck.
--->'''John:''' I've got a live girlfriend, what do I need dead ones for?
--->'''Lauren:''' I'm not listening!
* InLoveWithYourCarnage: [[ClingyJealousGirl Nobody]] says she's been in love with [[BloodKnight John]] since he called her to say he was going to kill her.



* LikeYouWouldReallyDoIt - Invoked by Nobody. John wouldn't really [[spoiler:kill [[TheVirus Brooke's body]] simply in order to kill Nobody, too]] would he? [[spoiler:[[SociopathicHero Yes, actually, he would]].]]
* MamaBear - Mrs. Cleaver.
* PoliceAreUseless - Averted. John gets quite a lot of information out of Marci's father. [[spoiler:Agent Ostler turns out to be trying to hunt down Nobody, too; and if John had ''known'' she was trustworthy quite a bit of death could have been averted.]]

to:

* LikeYouWouldReallyDoIt - LikeYouWouldReallyDoIt: Invoked by Nobody. John wouldn't really [[spoiler:kill [[TheVirus Brooke's body]] simply in order to kill Nobody, too]] would he? [[spoiler:[[SociopathicHero Yes, actually, [[spoiler:Yes, yes, he would]].would.]]
* MamaBear - MamaBear: Mrs. Cleaver.Cleaver jacks it up a notch in this book.
* MeaningfulName: Nobody. She feels constantly inadequate and either can't survive on her own or hates herself enough that she rarely tries.
* NauseaFuel: InUniverse. Marci could have gone her whole life without seeing those crime scene photos.
* NotSoDifferent: A rare case in which the hero notes it instead of the villain. When facing off against the Handyman, John realizes exactly what it is he's looking at. A human sociopath, traumatized by and ashamed of his own sins, trying desperately to make up for them with what he thinks is right.

* PoliceAreUseless - PoliceAreUseless: Averted. John gets quite a lot of information out of Marci's father. [[spoiler:Agent Ostler turns out to be trying to hunt down Nobody, too; and if John had ''known'' she was trustworthy quite a bit of death could have been averted.]]



* ReluctantPsycho - John will get worse before he gets better...
* SacrificialLion - [[spoiler:Marci, and Mrs. Cleaver.]]
* SociopathicHero - [[MeaningfulName John Wayne Cleaver]]. [[spoiler: Averted by the end, as in grieving the death of his mother and of Marci he realizes he does have the capacity to love after all.]]
* StalkerWithACrush - John hasn't entirely gotten over this tendency. [[spoiler:It also turns out to be Nobody's entire ''modus operandi''.]]
* TakingYouWithMe - Done by [[spoiler: Mrs. Cleaver, to Nobody]].
* TalkingToTheDead - [[spoiler: John to Marci at the end]]

to:

* ReluctantPsycho - ReluctantPsycho: John will get worse before he gets better...
* SacrificialLion - [[spoiler:Marci, SacrificialLion: [[spoiler:Marci and Mrs. Cleaver.]]
* SociopathicHero - [[MeaningfulName SoHappyTogether: John Wayne Cleaver]]. [[spoiler: Averted by the end, as and Marci. [[LackOfEmpathy John]] experiences a rare moment of human connection dancing with her, and sits, brooding in grieving the death of his mother and of Marci he realizes he does have the capacity car, wondering what it means for him/them. The next time they speak, she hesitantly tells him she loves him. [[spoiler:Just in time to love after all.die horribly.]]
* StalkerWithACrush - StalkerWithACrush: John hasn't entirely gotten over this tendency. [[spoiler:It also turns tendency.
--->Brooke’s house was just two doors down from mine, a two-story tract home that followed the same basic layout as every other house in the neighbourhood – except ours, of course, which was just an apartment over the mortuary. I sat in my car, parked innocuously on the curb, and catalogued Brooke’s house in my head: there was the front porch, with the door right in the center; this led back into a long hallway that stretched to the rear of the house. On the left was the living room, small but cozy, with a large picture window, and on the right was a dining room that turned into a kitchen at the back; this had a large sliding glass door that led
out to be Nobody's entire ''modus operandi''.]]
* TakingYouWithMe - Done by
their backyard. The back corner on the left side was a bathroom and a large pantry.
--->The first floor I didn’t know nearly as well, having never been up there, but I’d been in the Crowleys’ house so I could guess where everything was. The staircase led up to a master bedroom – presumably her parents – at the top on the front right corner. I could see the windows from my seat in the car: white lace curtains and a couple of cutesy knick-knacks. Across the hall was a smaller bedroom which was probably her brother Ethan’s. The back left corner was Brooke’s room, with a wide view of the woods beyond. This I knew for certain, because I used to sit in the darkness of that wood and watch her through the uncurtained window. But I was better than that now.
--->Well, obviously not that much better.
**
[[spoiler: Mrs. Cleaver, Nobody as well.]] ''For John.''
* SwordOverHead: John v. The Handyman. Or, should we say, gun
to head.
* TakingYouWithMe: [[spoiler: April v.
Nobody]].
* TalkingToTheDead - TalkingToTheDead: [[spoiler: John to Marci at the end]]end.]]


Added DiffLines:

* VillainessesWantHeroes: As a self-hating demon, Nobody finds John's passion for killing her kind very attractive.
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None


* TalkingToTheDead - In a spectacularly creepy scene near the end, John gets to fulfill his fantasy of embalming a loved one, complete with this.

to:

* TalkingToTheDead - In a spectacularly creepy scene near the end, [[spoiler: John gets to fulfill his fantasy of embalming a loved one, complete with this.Marci at the end]]
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None


* SociopathicHero - [[MeaningfulName John Wayne Cleaver]]. [[spoiler: Averted by the end, as in grieving the death of his mother he realizes he does have the capacity to love after all.]]

to:

* SociopathicHero - [[MeaningfulName John Wayne Cleaver]]. [[spoiler: Averted by the end, as in grieving the death of his mother and of Marci he realizes he does have the capacity to love after all.]]
Is there an issue? Send a MessageReason:
None


The final book in the first "John Cleaver" trilogy by DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. A second trilogy is on the way, starting with a novella and {{Interquel}}, ''Literature/NextOfKin'', serving as a bridge between the first and second trilogies, and the first book in the series being ''Literature/TheDevilsOnlyFriend''.

to:

The final book in the first "John Cleaver" trilogy by DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. [[TrilogyCreep A second trilogy is on the way, way]], starting with a novella and {{Interquel}}, ''Literature/NextOfKin'', serving as a bridge between the first and second trilogies, and the first book in the new series being ''Literature/TheDevilsOnlyFriend''.
Is there an issue? Send a MessageReason:
None


The final book in the first "John Cleaver" trilogy by DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. A second trilogy is on the way, starting with a novella and Interquel, ''Literature/NextOfKin'', serving as a bridge between the first and second trilogies, and the first book in the series being ''Literature/TheDevil'sOnlyFriend''.

to:

The final book in the first "John Cleaver" trilogy by DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. A second trilogy is on the way, starting with a novella and Interquel, {{Interquel}}, ''Literature/NextOfKin'', serving as a bridge between the first and second trilogies, and the first book in the series being ''Literature/TheDevil'sOnlyFriend''.
''Literature/TheDevilsOnlyFriend''.
Is there an issue? Send a MessageReason:
None


The final book in the first "John Cleaver" trilogy by DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. A second trilogy is on the way, starting with a novella and Interquel, ''Literature/NextOfKin'', bridging the two trilogies, and the first book in the series, ''Literature/TheDevilsOnlyFriend'', having come out.

to:

The final book in the first "John Cleaver" trilogy by DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. A second trilogy is on the way, starting with a novella and Interquel, ''Literature/NextOfKin'', bridging serving as a bridge between the two first and second trilogies, and the first book in the series, ''Literature/TheDevilsOnlyFriend'', having come out.
series being ''Literature/TheDevil'sOnlyFriend''.
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The final book in the first "John Cleaver" trilogy by DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. A second trilogy is on the way, with ''Literature/TheDevilsOnlyFriend'' being the first in the series.

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The final book in the first "John Cleaver" trilogy by DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''. A second trilogy is on the way, starting with ''Literature/TheDevilsOnlyFriend'' being a novella and Interquel, ''Literature/NextOfKin'', bridging the two trilogies, and the first book in the series.
series, ''Literature/TheDevilsOnlyFriend'', having come out.

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There\'s a second trilogy now!


The final book in the "John Cleaver" trilogy by DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster'' (Dan Wells has claimed that he plans on more adventures for John and [[spoiler:Brooke]] as they battle the demons, but plans to make that a new series).

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The final book in the first "John Cleaver" trilogy by DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster'' (Dan Wells has claimed that he plans ''Literature/MrMonster''. A second trilogy is on more adventures for John and [[spoiler:Brooke]] as they battle the demons, but plans to make that a new series).
way, with ''Literature/TheDevilsOnlyFriend'' being the first in the series.

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** Debatable. Brooke isn't as empathic and insightful as Marci when it comes to profiling a serial killer... but given the [[AloneWithThePsycho highly traumatic experience she had with one]] [[Literature/MrMonster in the previous book]] and her distrust of [[SociopathicHero John because of his questionable actions at the time]] this isn't really a good indicator.



* [[spoiler: FirstGirlWins - Because the other one died.]]

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* [[spoiler: FirstGirlWins - Because Zigzagged. At first glance the novel appears to play the trope straight, although in this case "wins" doesn't mean "gets the guy" so much as "lives out the trilogy", but in terms of who is John's real love interest this is averted; it's Marci, his second girlfriend, that really earns his love. However, John never stops focusing on Brooke even when she's dating other one died.guys and he's supposedly happy with his own new girlfriend, and Nobody observes that he's had experiences with Brooke that "Marci never had" with him.]]
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The final book in the "John Cleaver" trilogy by Dan Wells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster'' (Dan Wells has claimed that he plans on more adventures for John and [[spoiler:Brooke]] as they battle the demons, but plans to make that a new series).

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The final book in the "John Cleaver" trilogy by Dan Wells, DanWells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster'' (Dan Wells has claimed that he plans on more adventures for John and [[spoiler:Brooke]] as they battle the demons, but plans to make that a new series).

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The comment about new stories going into a new series is from an email I have from the author.


The final book in the "John Cleaver" trilogy by Dan Wells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''.

to:

The final book in the "John Cleaver" trilogy by Dan Wells, following ''Literature/IAmNotASerialKiller'' and ''Literature/MrMonster''.
''Literature/MrMonster'' (Dan Wells has claimed that he plans on more adventures for John and [[spoiler:Brooke]] as they battle the demons, but plans to make that a new series).


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* [[TalkingIsAFreeAction Internal Monologuing Is A Free Action]]: Throughout the series, but particularly in this book, John is very prone to pausing in the middle of a conversation and monologuing for paragraphs before returning to the conversation. He is, once, called on it when someone on the phone asks him why he's being so quiet.

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* HollywoodSilencer - Played straight with [[spoiler:The Handyman's]] gun where John doesn't even know it's being fired until holes appear in the car trunk.



* RedHerring - For the characters as well as the readers. When the Handyman arrives in Clayton [[spoiler:John assumes he must be the demon and spends most of the book trying to profile him based on that assumption]]. Similarly, [[spoiler: the revelation that the Handyman mutilated the eyes of his most recent victim right after John had a discussion about another serial killer with a fixation on eyes with Marci and her dad.]]

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* RedHerring - RedHerring
**
For the characters as well as the readers. When the Handyman arrives in Clayton [[spoiler:John assumes he must be the demon and spends most of the book trying to profile him based on that assumption]].
**
Similarly, [[spoiler: the revelation that the Handyman mutilated the eyes of his most recent victim right after John had a discussion about another serial killer with a fixation on eyes with Marci and her dad.]]]]
** The phone calls that the suicide victims spam out to the next target the night before their suicide suggest [[TheVirus a method of transmission]], but are actually [[spoiler:Nobody trying to reach out in her loneliness]].



* TalkingToTheDead - In a spectacularly creepy scene near the end, John gets to fulfil his fantasy of embalming a loved one, complete with this.

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* TalkingToTheDead - In a spectacularly creepy scene near the end, John gets to fulfil fulfill his fantasy of embalming a loved one, complete with this.
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The final book in the "John Cleaver" trilogy by Dan Wells, following ''IAmNotASerialKiller'' and ''MrMonster''.

to:

The final book in the "John Cleaver" trilogy by Dan Wells, following ''IAmNotASerialKiller'' ''Literature/IAmNotASerialKiller'' and ''MrMonster''.
''Literature/MrMonster''.
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moved to namespace

Added DiffLines:

The final book in the "John Cleaver" trilogy by Dan Wells, following ''IAmNotASerialKiller'' and ''MrMonster''.

[[SociopathicHero John Wayne Cleaver]] is ''still'' not a serial killer, because to be a serial killer you have to kill [[UrbanFantasy people]]. Of course, his first action after successfully defeating [[HumanoidAbomination Agent Forman]] was to use his cell phone to contact one of his associates and [[DoNotTauntCthulhu announce that he plans to kill her]] - even though he has no idea what she might be able to do to him, or force him to do to his family...

What's more, he wasn't expecting [[NamesToRunAwayFromReallyFast Nobody]] to [[BigDamnVillains come with backup]].

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!This book has examples of:

* BettyAndVeronica - Brooke and Marci.
* BoundAndGagged - John has a brief moment of imagining Marci this way.
* ChekhovsGun - The Handyman arrives at the same time as a chain of apparent suicides.
* DemonicPossession - John and Father Erikson discuss this as a possibility, although [[spoiler: it's only partly accurate]].
* DumbBlonde, BrainyBrunette: Double Subverted. Brooke (blonde) is generally described as more of the smart and sensitive loner archetype as well as being decribed as tall and willowy. Marci (brunette) is set up as a LovableAlphaBitch and is described as more of a voluptuous bombshell. In this book we get a better look at Marci and learn that she is, if anything, more intelligent than Brooke and certainly more empathic and insightful.
* DrivenToSuicide - Nobody's victims. [[spoiler:Nobody herself, for that matter, recurringly.]]
* EvenBadMenLoveTheirMamas - Assuming that we can qualify John as bad, this trope applies. [[spoiler: Although he doesn't actually realize it until after she dies.]]
* [[spoiler: FirstGirlWins - Because the other one died.]]
* HeroicSacrifice - [[spoiler: Mrs. Cleaver]]
* LikeYouWouldReallyDoIt - Invoked by Nobody. John wouldn't really [[spoiler:kill [[TheVirus Brooke's body]] simply in order to kill Nobody, too]] would he? [[spoiler:[[SociopathicHero Yes, actually, he would]].]]
* MamaBear - Mrs. Cleaver.
* PoliceAreUseless - Averted. John gets quite a lot of information out of Marci's father. [[spoiler:Agent Ostler turns out to be trying to hunt down Nobody, too; and if John had ''known'' she was trustworthy quite a bit of death could have been averted.]]
* RedHerring - For the characters as well as the readers. When the Handyman arrives in Clayton [[spoiler:John assumes he must be the demon and spends most of the book trying to profile him based on that assumption]]. Similarly, [[spoiler: the revelation that the Handyman mutilated the eyes of his most recent victim right after John had a discussion about another serial killer with a fixation on eyes with Marci and her dad.]]
* ReluctantPsycho - John will get worse before he gets better...
* SacrificialLion - [[spoiler:Marci, and Mrs. Cleaver.]]
* SociopathicHero - [[MeaningfulName John Wayne Cleaver]]. [[spoiler: Averted by the end, as in grieving the death of his mother he realizes he does have the capacity to love after all.]]
* StalkerWithACrush - John hasn't entirely gotten over this tendency. [[spoiler:It also turns out to be Nobody's entire ''modus operandi''.]]
* TakingYouWithMe - Done by [[spoiler: Mrs. Cleaver, to Nobody]].
* TalkingToTheDead - In a spectacularly creepy scene near the end, John gets to fulfil his fantasy of embalming a loved one, complete with this.
* TalkingTheMonsterToDeath: [[spoiler: John successfully convinces the Handyman, who has him at gunpoint, to shoot himself instead.]]
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