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Misplaced, moving to the correct tab (this example is for CSI:NY, correct one just added to Leverage Recap 04.06)


* DataDriveMacGuffin: A stolen flash drive pursued by various characters throughout most of Season 5 is said to contain scandalous information that could ruin the lives and careers of a number of city officials.
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Crosswicking new trope.

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* DataDriveMacGuffin: A stolen flash drive pursued by various characters throughout most of Season 5 is said to contain scandalous information that could ruin the lives and careers of a number of city officials.
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** Aldis Hodge plays the violin. In "The Scheherazade Job", he gets a chance to show his skills off — while he actually doesn't play in the episode, his experience makes the motions much more convincing.

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** Aldis Hodge plays the violin. In "The Scheherazade Job", he gets a chance to show his skills off while he actually doesn't play in the episode, his experience makes the motions much more convincing.



** Sophie: Black Queen. The most versatile and dangerous piece on the board, but vulnerable if threatened.

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** Sophie: Black Queen. The most versatile and dangerous piece on the board, but vulnerable if threatened. Unlike the other pieces she also doesn't have a backup use once exposed (Hardison can still hack targets aware of his threat, Eliot can fight his way out, and Parker can avoid detection).

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* TheCon: With "The Miracle Job", a priest is assaulted by gang members, who were paid by a real estate mogul trying to buy up the land his church (which is in danger of closing) is on. The gang tries to prevent the church's closing by faking a miracle... which backfires, as the mogul's now going to build around the "crying statue" and turn the place into a faith-based moneymaker.

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* TheCon: With "The Miracle Job", a priest The series is assaulted by gang members, entirely about the heroes doing this to untouchable businessmen who've victimized the client of the week. It's also pretty common for them to turn it around, setting things up so that the one person who were paid by a real estate mogul trying to buy up the land his church (which target assumes is in danger of closing) scamming them is on. The gang legit --and therefore pissed when the target tries to prevent get them arrested. They don't charge their clients a dime since walking away with a good chunk of the church's closing by faking target's money is how they get paid. In fact, their clients usually walk away with at least a miracle... which backfires, as the mogul's now going to build around the "crying statue" and turn the place into a faith-based moneymaker.few million in cash afterwards.
-->"[[UnusualEuphemism We work on an alternative revenue stream.]]"

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corrected spelling, deleted word cruft, fixed some improper indentations, removed an instance of a trope potholing to itself


** Hardison will often say the people he's trying to hack are going against his ethnicy, and then say "Jewish". He'll also say "You think we all look the same".
** Not to mention the ubiquitous phrases "We're going with a much bigger scam" and "Let's go steal ourselves a <usually large event or location which is actually impossible to steal in real life>," (by which he usually means Let's go fake the ownership of _) which is a classic MadLibsCatchPhrase.

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** Hardison will often say the people he's trying to hack are going against his ethnicy, ethnicity, and then say "Jewish". He'll also say "You think we all look the same".
** Not to mention All the ubiquitous phrases "We're going with a much bigger scam" and "Let's go steal ourselves a <usually large event or location which is actually impossible to steal in real life>," (by which he usually means Let's go fake the ownership of _) which is a classic MadLibsCatchPhrase.



** "[[https://www.youtube.com/watch?v=jd3K-soFdU4 It's a very distinctive]] _______"-- Eliot's response whenever someone's astonished at how he can identify people/weapons using cues like knife fighting style/stance/sound of a gunshot/shoeprints.
*** Gets [[LampshadeHanging lampshaded]] by Parker after Eliot identifies the mark's hireling as being former Spetsnaz based on a single bootprint in "The Long Way Down Job".

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** "[[https://www.youtube.com/watch?v=jd3K-soFdU4 It's a very distinctive]] _______"-- Eliot's response whenever someone's astonished at how he can identify people/weapons using cues like knife fighting style/stance/sound of a gunshot/shoeprints.
*** Gets
gunshot/shoeprints. This gets [[LampshadeHanging lampshaded]] by Parker after Eliot identifies the mark's hireling as being former Spetsnaz based on a single bootprint in "The Long Way Down Job".



** "Dammit, Hardison!" -- Eliot's response to being the recipient of Hardison's mistakes or pranks.
*** Hardison finally gets a turnabout in The Gone Fishin' Job and gets a "Dammit, Eliot!"

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** "Dammit, Hardison!" -- Eliot's response to being the recipient of Hardison's mistakes or pranks.
***
pranks. Hardison finally gets a turnabout in The Gone Fishin' Job and gets a "Dammit, Eliot!"



** "Seriously?" -- A go-to expression of dismay or surprise. Usually said by Hardison, though Sophie seems to have started saying it occasionally too, and everyone's said it at least once. (Nate upon opening the fridge to find lots of orange soda, Eliot when Hardison just happens to have a blacklight on him, Parker when Eliot goes on about sleeping with lots of models...) It's a habit of co-showrunner Creator/JohnRogers, who gets a kick out of how each actor has made it his/her own.
*** Also "Really?" used in the same way as "Seriously?"

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** "Seriously?" -- A go-to expression of dismay or surprise. Usually said by Hardison, though Sophie seems to have started saying it occasionally too, and everyone's said it at least once. (Nate upon opening the fridge to find lots of orange soda, Eliot when Hardison just happens to have a blacklight on him, Parker when Eliot goes on about sleeping with lots of models...) It's a habit of co-showrunner Creator/JohnRogers, who gets a kick out of how each actor has made it his/her own.
***
own. Also "Really?" used in the same way as "Seriously?"



** "There is something ''wrong'' with you!" -- Usually uttered by Eliot whenever he finds out about another one of Parker's quirks.
*** Of course, they ''all'' get something like that at one point or another, as when people look askance at Eliot for being able to identify "distinctive" things, or watching fights in his downtime because "What? You never know when you might need to fight on ice." They all have very esoteric hobbies related to their specialties and they're all quite GenreBlind about it.

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** "There is something ''wrong'' with you!" -- Usually uttered by Eliot whenever he finds out about another one of Parker's quirks.
***
quirks. Of course, they ''all'' get something like that at one point or another, as when people look askance at Eliot for being able to identify "distinctive" things, or watching fights in his downtime because "What? You never know when you might need to fight on ice." They all have very esoteric hobbies related to their specialties and they're all quite GenreBlind about it.



'''Eliot:''' Well ma'am, we'd be TheCavalry.
*** Parker repeats this in "The San Lorenzo Job," complete with an imitation of Eliot's accent.

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'''Eliot:''' Well ma'am, we'd be TheCavalry.
***
the cavalry.
**
Parker repeats this tells someone in "The San Lorenzo Job," Job" that they're the cavalry, complete with an imitation of Eliot's accent.



*** Before the show started, he was the aforementioned White Knight. As an insurance agent, he moved in unpredictable ways, and skipped past defenses that criminals had put up that would stop police, but not him.

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*** ** Before the show started, he Nate was the aforementioned White Knight. As an insurance agent, he moved in unpredictable ways, and skipped past defenses that criminals had put up that would stop police, but not him.



** Hardison: Black Bishop. Confined to only one type of square, he's a tiny god in cyberspace but unable to do a pick to save his life. A good long-range piece.
*** However, in "The 12-Step Job" (and others) he begins to show the capability to kick serious ass.

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** Hardison: Black Bishop. Confined to only one type of square, he's a tiny god in cyberspace but unable to do a pick to save his life. A good long-range piece. \n*** However, in "The 12-Step Job" (and others) he begins to show the capability to kick serious ass.



** Everyone Else: The pawns. Not able to do much on their own, but together, they decide where and how the game is played.
*** We could go on. White Turned Black Pawns (no pun intended) could very well be the victims. White King can be the head of the villains they face off. Other White pieces would be another major bad guy except for the White Pawns. They would be the stereotypical henchmen. Black Pawns can be the few allies like [[spoiler: Nate's wife in "The First and Second David Job" and the doctor in "The Tap-Out Job".]]

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** Everyone Else: The pawns. Not able to do much on their own, but together, they decide where and how the game is played.
*** We could go on.
played. White Turned Black Pawns (no pun intended) could very well be the victims. White King can be the head of the villains they face off. Other White pieces would be another major bad guy except for the White Pawns. They would be the stereotypical henchmen. Black Pawns can be the few allies like [[spoiler: Nate's wife in "The First and Second David Job" and the doctor in "The Tap-Out Job".]]
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*** Gets [[LampshadeHanging lampshaded]] by Parker after Eliot identifies the mark's hireling as being former Spetnaz based on a single bootprint in "The Long Way Down Job".

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*** Gets [[LampshadeHanging lampshaded]] by Parker after Eliot identifies the mark's hireling as being former Spetnaz Spetsnaz based on a single bootprint in "The Long Way Down Job".
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** Parker is possibly the best thief on the planet but she has...quirks. Enough so that she spent an entire scene dressed as a nun in "The Beantown Bailout Job" -- and Eliot wasn't sure whether she was wearing it for a job or just being Parker. This borders on CrazIsCool, in that it's implied in "The Inside Job" and elsewhere that her quirks are the result of her having been thieving as opposed to having a normal childhood.

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** Parker is possibly the best thief on the planet but she has...quirks. Enough so that she spent an entire scene dressed as a nun in "The Beantown Bailout Job" -- and Eliot wasn't sure whether she was wearing it for a job or just being Parker. This borders on CrazIsCool, CrazyIsCool, in that it's implied in "The Inside Job" and elsewhere that her quirks are the result of her having been thieving as opposed to having a normal childhood.
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** Quite possibly the best example is "The Queen's Gambit Job" in Season 4, where Nate prepares a gambit on the fact that he knows Sterling must be pulling a gambit on him. And the implication that Sterling was planning on that.[[note]]Specifically, Sterling manipulates the entire crew to leave them in the wind while he rescues his daughter. Nate doesn't know about the daughter, but predicts a trap, so sets up a backup plan, where if Parker fails to steal the nuclear devise, she ends up filling the chamber with sand, which will cause it's to become worthless. It's implied that Sterling chose Nate, because he knew that he could rescue his daughter without risking Dubai getting a nuclear power, because he knew that Nate would have a backup plan when dealing with Sterling[[/note]]

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** Quite possibly the best example is "The Queen's Gambit Job" in Season 4, where Nate prepares a gambit on the fact that he knows Sterling must be pulling a gambit on him. And the implication that Sterling was planning on that.[[note]]Specifically, Sterling manipulates the entire crew to leave them in the wind while he rescues his daughter. Nate doesn't know about the daughter, but predicts a trap, so sets up a backup plan, where if Parker fails to steal the nuclear devise, device, she ends up filling the chamber with sand, which will cause it's it to become worthless. It's implied that Sterling chose Nate, Nate because he knew that he could rescue his daughter without risking Dubai getting a nuclear power, weapon, because he knew that Nate would have a backup plan when dealing with Sterling[[/note]]
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* TheAlcatraz: The prison Nate is in "The Jailhouse Job". Eliot repeatedly describes it as state-of-the-art and escape proof. Naturally, nate immediately starts planning a GreatEscape from the inside.

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* TheAlcatraz: The prison Nate is in "The Jailhouse Job". Eliot repeatedly describes it as state-of-the-art and escape proof. escape-proof. Naturally, nate Nate immediately starts planning a GreatEscape from the inside.
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Fixing bullet point in Borrowed Without Permission


* In "The Frame Up Job," Sterling accuses Nate and Sophie of stealing a priceless painting. They didn't but later need it to prove someone else guilty of murder. As Nate heads in its direction, Sophie exclaims, "We're going to steal it?!" and Nate replies, "No, just borrow it."

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* ** In "The Frame Up Job," Sterling accuses Nate and Sophie of stealing a priceless painting. They didn't but later need it to prove someone else guilty of murder. As Nate heads in its direction, Sophie exclaims, "We're going to steal it?!" and Nate replies, "No, just borrow it."
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** In "The Homecoming Job," Sophie reveals that Congressman Jenkins lied about not knowing about their client's shooting in Iraq because he looked her straight in the eye when he said it, rather than at any other part of her anatomy. Apparently, the only time ''any'' man ''ever'' looks a woman in the eye is when he's making an effort to lie to her. Alternate explanations (e.g., he's StraightGay, [[UsefulNotes/{{Asexuality}} Asexual]], or just HappilyMarried) apparently do not exist.

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** In "The Homecoming Job," Sophie reveals that Congressman Jenkins lied about not knowing about their client's shooting in Iraq because he looked her straight in the eye when he said it, rather than at any other part of her anatomy. Apparently, the only time ''any'' man ''ever'' looks a woman in the eye is when he's making an effort to lie to her. Alternate explanations (e.g., he's StraightGay, [[UsefulNotes/{{Asexuality}} Asexual]], UsefulNotes/{{asexual}}, or just HappilyMarried) apparently do not exist.
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* TheComedyDrop: An early episode finds expert thief/cat-burglar Parker and techno-wizard Hardison needing to escape from a rooftop. She straps him into a harness and pushes him over the side. Being completely inexperienced, he gets tangled, screams in terror, and ends up dangling upside down. She thinks he's just messing with her and brushes off his reaction. Several episodes later, the rest of the team bring up the incident and explain to her that not everyone finds that sort of thing easy or fun. She's astonished and says, "You mean he really ''was'' scared??"

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