History Gush / Vocaloid

* What about his "Magical Doctor"? Everything about it is just awesome. It almost doesn't sound like music, but that's exactly why I love it. The song and video are trippy as hell, fitting for a song about drug addiction. I love the short segment near the end that sounds like a normal MARETU song, only for it to cut back to madness again and then end.

* Powapowa-P. Oh, lord, Powapowa-P! He was such a wonderful producer with so much potential, and the songs he made were absolutely beautiful. He experimented with several different genres, from slow ambient songs, to jittery technopop tunes, to powerful alternative rock ballads. And that's not getting into the kinds of stories his songs told - many of his songs discuss sensitive subjects like depression, easily striking a chord with many, many listeners, and some would even be themed around moving on from past trauma and looking to the future. He also made a few song series; the [[https://vocadb.net/T/6511/strobe-series Strobe Series]], which appears to be about finding the meaning of life, even when it's not obvious, and moving forward, no matter what. Another is the Kubozono Chiyoko series (consisting of [[https://vocadb.net/S/21110 these]] [[http://vocadb.net/S/1825 three]] [[https://youtu.be/nLCqWvXVtOo songs]] with very [[LongTitle long titles]]), which tells the story of the titular Chiyoko, as she grows up and learns her place in the world, then fights against an invisible enemy. "Joining of the Cabinet" is cute and has very melancholic moments, but ultimately is a sweet song, to be followed by "Phantom Thief" which entails Chiyoko's journey as she's older. Finally, the very first (yet unfortunately obscure) series he ever made was [[https://vocadb.net/T/6510/monogatari-zinnia-to-meme Story of Zinnia and Meme]], which is about two girls who love each other, but are forced to separate, and their journey of finding each other again. Each song is heartrending yet lovely, but [[https://vocadb.net/S/10378 stoy.]] is probably the best and most beautiful song in the series - perhaps even one of the best songs Powapowa-P has made.

* Okay, how bout "The Flavor of A Cockroach"? MARETU really knows how to fool people into thinking he's made an innocent song for once. Even with the innocent melody, the song is absolute baller at relaying it's messages at just how [[BarbaricBully absolutely fucked up bullies can be]] sometimes. It's like if [[Series/TheBoys2019 The Boys]] was a high school anime and I love it.

* "Urotander, Underhanded Rangers" by Shin-P is one of the best songs that most western audiences have never heard. Not only is the song funny and charming as a parody of Super Sentai Anime, KAITO sounds great for it being a meme song that isn't meant to be taken seriously.

* Once again same trouper, and this time to talk about [[https://youtu.be/WdHRGH1Qv70 Dreamin ChuChu]] by emon. It's extremely cute and such a unique use of Luka's voice. For a Vocaloid with a mature voice bank, she just sounds so freaking cute here, and the visuals just add to it!

** Same person here. While I was thinking about going on a tangent about about how much I love the Kagamines and Miku along with KAITO, I also love flower a lot. At first I thought she had a strange voice that grows on you over time, but there's something unique about her deep, androgynous voice that gives it an addictive quality. It makes you want to listen to her songs over and over as they stick in your head. I guess you could say her voice itself is an ear worm, along with the ear worm songs she's featured in.

* MAJOR love for Jade S., who may not be as well known but is an AMAZING tuner. Seriously, their covers are always crystal clear, from Buttercup by Jack Stauber with Fukase, to Whatever~Whatever~Whatever with Piko and Gakupo, to their iconic Miku and Fukase Lost One Weeping cover with a REALISTIC SCREAM at the end!

[[AC: Albums]]

* [[https://www.youtube.com/watch?v=70GLrjr-vu8 Animalistic]] by Creep-P really makes excellent use of Daina's vocals, and I can't say much for it other than it's an amazing song!

* Music/{{Mothy}} aka Akuno-P. His "Daughter of Evil" became the beginning of the very complex and breathtaking saga called the Franchise/EvilliousChronicles. He is the master of [[TearJerker tear-evoking]], occasionally adding some NightmareFuel. His skill at storytelling is also incredible. Can you take a bunch of seemingly unrelated stories and tie them with each other so convincingly? He can, and he does. Can you give a new breath to the good, old tropes like SevenDeadlySins and FairytaleMotifs? He can, and he does. Can you write books based on a series of songs? He can, and... [[OverlyLongGag well, you get my point]].

* My favorite Vocaloid is Maika! Her design, her voice, her songs, all of them are amazing, however the most amazing trait is her capacity of basically sing anything in any rhythym (she singing [[Disney/{{Frozen}} Let It Go]] in [[https://www.youtube.com/watch?v=M2SQEQQWYig 25 languages]] is definite proof of that).

* [=LamazeP=]. Famous for his absolutely nonsensical and cute songs, this guy is truly amazing. And yes, while he can make songs about vegetable juice and/or stupidity and make them into an EarWorm, [=LamazeP=] is also a master of equally cute, one-sided love songs, the likes of which permeate the other half of his works. Despite all this, he has also shown the ability to create relaxing, (but still cute) slow-paced songs and even some [[OverlyLongGag cute rock songs]] [[CutenessOverload as well!]] Oh, he also does the drawings in his song [=PVs=] by himself. Viva [=LamazeP=]!

* Nijihara Peperon aka Peperon-P. If only every producer used Vocaloid so adeptly... Whether you love ultra-realistic vocals, amazing melodies, or great style diversity, you will agree with one statement: you can't NOT love their songs. They also produce the February representatives in ''Franchise/{{Tsukiuta}}''.

* You listen to some deep, meaningful song. The music is gorgeous, lyrics capture your heart... then, without any warning, techno-soundtrack kicks in! Lyrics are suddenly about a Voodoo game show, or a girl who shoots death rays from mishandled eye lenses! This is how Utata-P (also known as t.Komine) makes songs. And believe, they are awesome! First of his biggest hits, "This is Happiness and Peace of Mind Committee", is both catchy and creepy; it really feels like Miku is trying to force happiness into you. The sequel of "Committee", "Hop! Step! Instant Death", holds the mark, only with much more "creepy". And tell me, tropers... are you happy? [[HappinessIsMandatory It's your duty!~]] They also produce the August representatives in ''Franchise/{{Tsukiuta}}''.

* Nijihara Peperon aka Peperon-P. If only every producer used Vocaloid so adeptly... Whether you love ultra-realistic vocals, amazing melodies, or great style diversity, you will agree with one statement: you can't NOT love their songs.

* You listen to some deep, meaningful song. The music is gorgeous, lyrics capture your heart... then, without any warning, techno-soundtrack kicks in! Lyrics are suddenly about a Voodoo game show, or a girl who shoots death rays from mishandled eye lenses! This is how Utata-P (also known as t.Komine) makes songs. And believe, they are awesome! First of his biggest hits, "This is Happiness and Peace of Mind Committee", is both catchy and creepy; it really feels like Miku is trying to force happiness into you. The sequel of "Committee", "Hop! Step! Instant Death", holds the mark, only with much more "creepy". And tell me, tropers... are you happy? [[HappinessIsMandatory It's your duty!~]]