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* The superhero scene, whether it be Melinda [[OverlyLongGag spinning in place]] or [[spoiler:Chris getting decapitated in mid-change, causing ''two'' see-through Chrises to fall to the floor along with their severed heads]].

to:

* The superhero scene, segment, whether it be Melinda [[OverlyLongGag spinning in place]] or [[spoiler:Chris getting decapitated in mid-change, causing ''two'' see-through Chrises to fall to the floor along with their severed heads]].


* The superhero transformations, whether it be Melinda [[OverlyLongGag spinning in place]] or [[spoiler:Chris getting decapitated in mid-change, causing ''two'' see-through Chrises to fall to the floor, along with their severed heads]].

to:

* The superhero transformations, scene, whether it be Melinda [[OverlyLongGag spinning in place]] or [[spoiler:Chris getting decapitated in mid-change, causing ''two'' see-through Chrises to fall to the floor, floor along with their severed heads]].


* The part when [[spoiler:the credits are anthropomorphized and the people are forced to act as ''their'' credits]] is funny for [[CrossesTheLineTwice all the wrong reasons]].

to:

* The part when [[spoiler:the credits are anthropomorphized and the people are forced to act as ''their'' credits]] is funny for [[CrossesTheLineTwice all the wrong reasons]].reasons]].
* The superhero transformations, whether it be Melinda [[OverlyLongGag spinning in place]] or [[spoiler:Chris getting decapitated in mid-change, causing ''two'' see-through Chrises to fall to the floor, along with their severed heads]].

Added DiffLines:

** On that note, Katie hiding from the Killer in the closet - [[spoiler: only to be given away by her credits glowing through the slats]].


* Smarf's first appearance. It comes out of nowhere and is the first big clue that things are starting to go askew. But his cheesy smile and the implication that this fictional sitcom is so [[TastesLikeDiabetes sappy]] that it features a cute puppet ''and'' gives him credit seems pretty funny, especially [[spoiler:when you watch it again and know what's going happen to him]].

to:

* Smarf's first appearance. It comes out of nowhere and is the first big clue that things are starting to go askew. But his cheesy smile and the implication that this fictional sitcom is so [[TastesLikeDiabetes sappy]] that it features a cute puppet ''and'' gives him a CharacterAsHimself credit seems is pretty funny, especially [[spoiler:when you watch it again and know what's going happen to him]].


* Smarf's first appearance. It comes out of nowhere and is the first big clue that things are starting to go askew. But his cheesy smile and the implication that this fictional sitcom is so [[TastesLikeDiabetes sappy]] that it features a cute puppet ''and'' gives him a credit are pretty funny, especially [[spoiler:when you watch it again and know what's going happen to him]].

to:

* Smarf's first appearance. It comes out of nowhere and is the first big clue that things are starting to go askew. But his cheesy smile and the implication that this fictional sitcom is so [[TastesLikeDiabetes sappy]] that it features a cute puppet ''and'' gives him a credit are seems pretty funny, especially [[spoiler:when you watch it again and know what's going happen to him]].


* Earlier, [[spoiler:the detective surveying on Melinda's body, before the Killer gets him and [[CrossesTheLineTwice the silly sitcom music starts back up again as he screams]].]]

to:

* Earlier, [[spoiler:the detective surveying on Melinda's body, before the Killer gets him and [[CrossesTheLineTwice the silly sitcom music music]] [[SoundtrackDissonance starts back up again as he screams]].]]

Added DiffLines:

* Earlier, [[spoiler:the detective surveying on Melinda's body, before the Killer gets him and [[CrossesTheLineTwice the silly sitcom music starts back up again as he screams]].]]


* When things ''really'' start to go haywire, [[spoiler: characters start to glitch between the genres. At one point, the space lizard, the robot and the police captain are shown having a pillow fight.]]

to:

* When things ''really'' start to go haywire, [[spoiler: characters start to glitch between the genres. At one point, the space lizard, the robot and the police captain are shown having a pillow fight.]]]]
* The part when [[spoiler:the credits are anthropomorphized and the people are forced to act as ''their'' credits]] is funny for [[CrossesTheLineTwice all the wrong reasons]].


* Smarf's first appearance. It comes out of nowhere and is the first big clue that things are starting to go askew. But his cheesy smile and the implication that this fictional sitcom is so [[TastesLikeDiabetes sappy]] that it features a cute puppet ''and'' gives him a credit are pretty funny, especially [[spoiler:when you watch it again and know what's going happen to him]].

to:

* Smarf's first appearance. It comes out of nowhere and is the first big clue that things are starting to go askew. But his cheesy smile and the implication that this fictional sitcom is so [[TastesLikeDiabetes sappy]] that it features a cute puppet ''and'' gives him a credit are pretty funny, especially [[spoiler:when you watch it again and know what's going happen to him]].him]].
* When things ''really'' start to go haywire, [[spoiler: characters start to glitch between the genres. At one point, the space lizard, the robot and the police captain are shown having a pillow fight.]]


** Followed immediately by Lars Von Trier as "Pie".

to:

** Followed immediately by Lars Von Trier as "Pie"."Pie".
* Smarf's first appearance. It comes out of nowhere and is the first big clue that things are starting to go askew. But his cheesy smile and the implication that this fictional sitcom is so [[TastesLikeDiabetes sappy]] that it features a cute puppet ''and'' gives him a credit are pretty funny, especially [[spoiler:when you watch it again and know what's going happen to him]].


* The shrug and half-hearted smile that Marc Bradley gives after getting a bunch of documents dumped into his grasp.

to:

* The shrug and half-hearted smile that Marc Bradley gives after getting a bunch of documents dumped into his grasp.hands.


* ''Too Many Cooks'' going SpaceOpera, as the heroic Cybernetic Operational Optimized Knights of Science versus the evil Beast Rebels Of The Hellscape.

to:

* ''Too Many Cooks'' going SpaceOpera, as the heroic Cybernetic Operational Optimized Knights of Science versus the evil Beast Rebels Of The Hellscape.Hellscape.
* The shrug and half-hearted smile that Marc Bradley gives after getting a bunch of documents dumped into his grasp.
* Josh Lowder's criminal character thrashing around on the ground after the cops incapacitate him. As they're unmasking him, it's clear that he's carrying an angry, hostile expression... until the camera freezes to show his credits, at which point he's smiling for the camera as if nothing is the matter.
* The revelation of Matthew Kody Foster as... "Coat", who smiles for the camera in a half-dazed fashion.
** Followed immediately by Lars Von Trier as "Pie".


* [[{{Eagleland}} The GI Joe-style animated segment]] features a guy getting punched so hard, his *knife* breaks into tiny pieces.

to:

* [[{{Eagleland}} The GI Joe-style animated segment]] features a guy getting punched so hard, his *knife* ''knife'' breaks into tiny pieces.


Added DiffLines:

* The Killer [[spoiler: merrily chowing down on a human foot as the song goes: "It takes a lot to make a stew, [[CrossesTheLineTwice when it's made of me and you]], and him, and her, [[DeadBabyComedy and the baby too...]]"]]

Added DiffLines:

* [[{{Eagleland}} The GI Joe-style animated segment]] features a guy getting punched so hard, his *knife* breaks into tiny pieces.

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