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* If you talk to the mugger, one thing he says is that his mother doesn't allow him to speak with strangers.

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* If you talk to the mugger, one thing he says is that his mother doesn't allow him to speak with strangers.strangers.
* Kill someone by throwing him into a hot oven, whether in a kitchen or Tito Morelli's mortuary, and his death is described as an "[[GallowsHumor overcooked execution]]".


'''Tom Hagen:''' [[InsultBackfire I'm German-Irish]]. \\

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'''Tom Hagen:''' [[InsultBackfire [[InsultMisfire I'm German-Irish]]. \\

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** Which makes the fact that decades later, Clemenza, the man who roped Vito into his first crimes, will be taking orders from him in the long run far more HilariousInHindsight.


* Vito is now the new local crime lord. Signora Columbo, a widowed friend of his wife, is threatened with eviction because her son's dog's barking is disturbing the neighbors. Vito tries to talk to the landlord Signor Roberto, on the street and offers to pay the woman's rent as long as the dog stays. The landlord angrily refuses and Vito tells him to ask around the neighborhood about him. Later Roberto comes to see Vito at his office, now scared to death after finding out who he is and agrees to let the widow keep the dog. Vito without saying anything also gets Roberto to lower her rent. The man then can't get out of there fast enough but can't open the door! He tries and tries until Genco, an associate of Vito's unlocks it for him and he hastily leaves. Genco then jokes to Vito that the man will probably move to the Bronx.
** Doubly so in that it was an example of {{Enforced Method Acting}} - the actor playing Signor Roberto was a well known Italian comedian, so Coppola had the actor playing Genco rig the door shut with a nail to see how he'd act when he couldn't open the door. Genco removes the nail when he opens it for Signor Roberto (notice that the latch is not visible to the camera).
* Vito, Clemenza, Tessio, and Genco are proudly watching the sign for their new business being put up. And then have to scramble out of the way because they're doing so in the middle of the street and a car nearly runs them over. Clemenza caps the scene by flipping off the driver.

to:

* Vito is now the new local crime lord. Signora Columbo, a widowed friend of his wife, is threatened with eviction because her son's dog's barking is disturbing the neighbors. [[https://www.youtube.com/watch?v=6N_19EGEins Vito tries to talk to the landlord Signor Roberto, Roberto]], on the street and offers to pay the woman's rent as long as the dog stays. The landlord angrily refuses and Vito tells him to ask around the neighborhood about him. Later [[https://www.youtube.com/watch?v=FFVkolpFCUM&t=7s Later]], Roberto comes to see Vito at his office, now scared to death after finding out who he is and agrees to let the widow keep the dog. Vito without saying anything also gets Roberto to lower her rent. The man then can't get out of there fast enough but can't open the door! He tries and tries until Genco, an associate of Vito's unlocks it for him and he hastily leaves. Genco then jokes to Vito that the man will probably move to the Bronx.
** Doubly so in that it was an example of {{Enforced Method Acting}} - {{enforced method acting}}. Leopoldo Trieste, the actor playing Signor Roberto Roberto, was a well known Italian comedian, so Coppola had the actor playing Genco rig the door shut with a nail to see how he'd act when he couldn't open the door. Genco removes the nail when he opens it for Signor Roberto (notice that the latch is not visible to the camera).
* **After this, Vito, Clemenza, Tessio, and Genco are proudly watching the sign for their new business being put up. And then have to scramble out of the way because they're doing so in the middle of the street and a car nearly runs them over. Clemenza caps the scene by flipping off the driver.


* Michael's bodyguards in Sicily chat up with a local restaurant owner about the beautiful women in town, who talks and jokes along until they describe the specific girl that caught Michael's attention. The mood shift is so severe, with the man cutting the conversation short and going indoors yelling angrily, that the bodyguards understand they were describing his daughter ''and should leave immediately.'' When Michael refuses and asks them to call the man back, the guard is clearly in awe of the father's wrath, so he brings his shotgun along just in case.

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* Michael's bodyguards in Sicily chat up with a local restaurant owner up about the beautiful women in town, who town. The man talks and jokes along until they describe the specific girl that caught Michael's attention. The mood shift is so severe, with the man cutting the conversation short and going indoors yelling angrily, that the bodyguards understand they were describing his daughter ''and should leave immediately.'' When Michael refuses and asks them to call the man back, the guard is clearly in awe of the father's wrath, so he brings his shotgun along just in case.



to:

* Michael's bodyguards in Sicily chat up with a local restaurant owner about the beautiful women in town, who talks and jokes along until they describe the specific girl that caught Michael's attention. The mood shift is so severe, with the man cutting the conversation short and going indoors yelling angrily, that the bodyguards understand they were describing his daughter ''and should leave immediately.'' When Michael refuses and asks them to call the man back, the guard is clearly in awe of the father's wrath, so he brings his shotgun along just in case.


* The fast wit of Jack Woltz as he uses every ethnic slur he can think of when Tom Hagen comes calling about getting a part for Johnny Fontane. He doesn't miss a beat even after Tom corrects him:

to:

* The *Woltz's fast wit of Jack Woltz as he uses every ethnic slur he can think of when Tom Hagen comes calling about getting a part for Johnny Fontane. He doesn't miss a beat even after Tom corrects him:



'''Tom Hagen:''' I'm German-Irish. \\

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'''Tom Hagen:''' [[InsultBackfire I'm German-Irish.German-Irish]]. \\



* His reason for denying the part for Fontane crosses enough lines into macabre humor:

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* His reason **[[https://www.youtube.com/watch?v=Qpfj3I18Eic Jack Woltz' reason]] for denying the part for Fontane crosses enough lines into macabre humor:

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*When Fredo is ordering a drink in Spanish:
-->'''Fredo:''' Uno... por favor... ''(to Michael)'' How do you say 'banana daiquiri' in Spanish?\\
'''Michael:''' Banana daiquiri.


* When Sonny beats the bejezus of out of Carlo for hitting Connie, the third and fourth punch ''[[FightSceneFailure clearly]]'' did not connect (with the fourth actually hitting thin air), and Carlo ''still'' hilariously reacts as if he's been hit full force respectively in the right-ribs and left jaw.

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* Unintentional: When Sonny beats the bejezus of out of Carlo for hitting Connie, the third and fourth punch ''[[FightSceneFailure clearly]]'' did do not connect (with the fourth actually hitting thin air), and Carlo ''still'' hilariously reacts as if he's been hit full force respectively in the right-ribs and left jaw.force.


* When Sonny beats the bejezus of out of Carlo for hitting Connie, the third and fourth punch ''[[SpecialEffectsFailure clearly]]'' did not connect (with the fourth actually hitting thin air), and Carlo ''still'' hilariously reacts as if he's been hit full force respectively in the right-ribs and left jaw.

to:

* When Sonny beats the bejezus of out of Carlo for hitting Connie, the third and fourth punch ''[[SpecialEffectsFailure ''[[FightSceneFailure clearly]]'' did not connect (with the fourth actually hitting thin air), and Carlo ''still'' hilariously reacts as if he's been hit full force respectively in the right-ribs and left jaw.


* When Sonny beat the bejezus of out of Carlo for hitting Connie, [[SpecialEffectsFailure the third and '''especailly''' fourth punch '''clearly''' did not connect (with the fourth actually hitting '''thin air''')]], and Carlo '''still''' hilariously reacts as if he's been hit full force respectively in the right-ribs and left jaw.

to:

* When Sonny beat beats the bejezus of out of Carlo for hitting Connie, [[SpecialEffectsFailure the third and '''especailly''' fourth punch '''clearly''' ''[[SpecialEffectsFailure clearly]]'' did not connect (with the fourth actually hitting '''thin air''')]], thin air), and Carlo '''still''' ''still'' hilariously reacts as if he's been hit full force respectively in the right-ribs and left jaw.


* Vito, Clemenza, Tessio, and Genco are proudly watching the sign for their new business being put up. And then have scramble out of the way because they're doing so in the middle of the street and a car nearly runs them over. Clemenza caps the scene by flipping off the driver.

to:

* Vito, Clemenza, Tessio, and Genco are proudly watching the sign for their new business being put up. And then have to scramble out of the way because they're doing so in the middle of the street and a car nearly runs them over. Clemenza caps the scene by flipping off the driver.

Added DiffLines:

* When Sonny beat the bejezus of out of Carlo for hitting Connie, [[SpecialEffectsFailure the third and '''especailly''' fourth punch '''clearly''' did not connect (with the fourth actually hitting '''thin air''')]], and Carlo '''still''' hilariously reacts as if he's been hit full force respectively in the right-ribs and left jaw.


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!!The Game

* Pull out any weapon that isn't a gun and pedestrians start screaming "HE'S GOTTA GUN!!"
* One Corleone guard tells you not crowd him, that he needs his space.
* If you talk to the mugger, one thing he says is that his mother doesn't allow him to speak with strangers.

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** The earlier bit where Clemenza is headed out for the day's work, with his wife nagging him not to forget the cannoli, is similarly funny. He's a mob lieutenant preparing to execute a traitor, but his wife has a honeydew list [[NotSoAboveItAll just like any other man's wife would.]]

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