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[[/folder]]
[[folder:Hector's the true ancestor]]
[[/folder]]
[[folder:Dante's a spirit animal]]
[[/folder]]
[[folder:Miscellanous]]
[[/folder]]
* The drunken musicians passing the Riveras' house are singing "La Llorona," the same song Imelda sings.
** Also, Miguel shines the shoes of a mariachi playing that song.
* In the beginning of the movie, we're first introduced to Dante after Miguel passes a table full of Alebrije figurines.
** In addition, near the far end of the table, is a model of Pepita, Mama Imelda's alebrije.
* When Elena is explaining the importance of Dia de los Meurtos to Miguel and chastises him for mentioning Coco's papa (aka Héctor), Coco, who has been sitting there unresponsive thus far despite the intense argument happening right in front of her, suddenly takes notice and asks if her papa is coming home. This foreshadows that despite her dementia, anything about her papa clearly jogs her memory and her lucidity, which comes back later when Miguel uses "Remember Me" to restore her memories.
* When climbing up to Miguel's hideout, Dante's footing displaces a few stacks of bricks, which would take quite a feat of strength to do effortlessly. This could hint that Dante is an alebrije and has supernatural strength because of it.
** Also, in regards to "Dante's Lunch", there's the fact that Dante goes through an unusual amount of injuries whilst holding on to the bone (crashing clean through a fence, through tables of cacti, flour and luchador costumes). Normally, this would be taken as cartoon physics. But as it turns out, Dante is an alebrije, and it's likely he's much sturdier than the average dog.
* "I'm going to play in Mariachi Plaza [[TemptingFate if it kills me]]!"
* When Miguel knocks over the photo and finds the hidden section, he asks Coco if this is her father, Ernesto De La Cruz. Coco never actually says yes - she points at the photo and says "Papa", but she never actually confirms that the name of the man in the photo is Ernesto.
* In a bit of FreezeFrameBonus, the photo shows what Miguel thinks is Ernesto, but if you look at him, the man in the photo is noticeably less burly than Ernesto, hinting it's not him, and it turns out to be Héctor.



* Earlier in the movie, Abuelita asked Miguel "Do you want to end up like that man?! ''Forgotten''? Left off your family's ofrenda?" It doesn't just foreshadow that Héctor (Miguel's ''real'' great-great-grandfather) is in reality nearly forgotten: it's a hint towards Ernesto's ultimate fate, forgotten and left off his "familia's"[[note]] the worldwide fans'[[/note]] ofrendas.
* The fact that Dante can still see and hear Miguel after Miguel is transported to the other side despite no one else being able to do so likewise hints at the dog's true nature.
* While sorting through the issue that Miguel is cursed, the Clerk explains that a curse is invoked when someone steals from the dead on Dia de los Muertos, on a day meant for giving to the dead. It's momentarily hand-waved why the guitar cursed Miguel when he 'asked' Ernesto for his permission to take said guitar, and there's even a RedHerring that perhaps it was Imelda's photo that might've been the "stolen" object. But it turns out, the guitar didn't belong to Ernesto, but rather ''Héctor'', and Miguel unwittingly robbed it of its original owner.



* When Miguel tells Dante that they need to find his great-great grandfather, Dante 'wanders off', immediately leading Miguel into the room where Héctor is being processed.



* Another one in the same scene, Héctor's {{Leitmotif}} during the entire scene is rusty guitar music.
* Frida Kahlo immediately saw Dante for what he actually is, although she also quite humorously took it back later.
* Upon meeting Héctor, when Miguel asks him how he knows Ernesto, Héctor says he used to play with Ernesto, and "taught him everything he knows". Since Héctor is introduced as a con artist, the audience takes this as a total lie. This turns out to be true. So true that Ernesto killed Héctor for his songs when Héctor was about to leave the life and go back to his family.

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* Another one in the same scene, Héctor's {{Leitmotif}} during the entire scene is rusty guitar music.
* Frida Kahlo immediately saw Dante for what he actually is, although she also quite humorously took it back later.
* Upon meeting Héctor, when Miguel asks him how he knows Ernesto, Héctor says he used to play with Ernesto, and "taught him everything he knows". Since Héctor is introduced as a con artist, the audience takes this as a total lie. This turns out to be true. So true true, in fact, that Ernesto killed Héctor for his songs when Héctor was about to leave the life and go back to his family.



* Miguel's family angrily berates him every time he mentions [[UnPerson his great-great grandfather]], but not when he mentions De La Cruz. This is a clue that they're not actually the same.
* At Frida Kahlo's studio, when Miguel is talking with Frida, Héctor enters the scene and scolds Miguel "not to wander off" or "bother the celebrity". At first, it seems like Héctor simply wants Miguel to remain low-key and stick with him. But a second time watching this, it's apparent Héctor is acting just like a parent would: making sure their kids learn not to wander anywhere without adult supervision, and not to bother strangers.



* When he's going on about Ernesto's talent at the beginning, Miguel says "He played in movies, he had a cool guitar, he could fly!" Ernesto ''does'' go flying at the end of the movie, thanks to [[KickTheSonOfABitch Pepita.]]
* Also in the above quote: Héctor ''can'' sing and he ''does'' have a cool guitar. But Miguel never considers whether or not Ernesto ''wrote'' his own songs. He never wrote a thing, every song he sung he stole from Héctor.
* In the ripped up photo, the belt buckle of the mystery relative shows two crossed guitars, while Ernesto’s belt buckle is just normal with no guitars on it. The crossed guitars on the photo hints at a double act in the film, foreshadowing Ernesto and Héctor’s hardship and the fact Ernesto isn’t who he seems to be.
* Miguel tries to stagger to act like a skeleton, and Héctor tells him that isn't how they walk. Miguel points out that's how Héctor walks, which may be a clue towards Héctor approaching "Final Death" and gradually losing his energy. In fact, Héctor's entire design makes him look shabbier and more decayed than the other skeletons, signifying his slowly being forgotten.

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* When he's Miguel's going on about Ernesto's talent at the beginning, Miguel says he mentions that "He played in movies, he had a cool guitar, [[TheLastOfTheseIsNotLikeTheOthers he could fly!" fly]]!". While Ernesto ''does'' go flying at the end of the movie, thanks to [[KickTheSonOfABitch Pepita.]]
* Also in the above quote: Héctor
''can'' sing and he ''does'' have a cool guitar. But guitar, Miguel never considers considered whether or not Ernesto he ''wrote'' his own songs. He never wrote a thing, every song he sung he stole from Héctor.
* In the ripped up photo, the belt buckle of the mystery relative shows two crossed guitars, while Ernesto’s belt buckle is just normal with no guitars on it. The crossed guitars on the photo hints at a double act in the film, foreshadowing Ernesto and Héctor’s hardship and the fact Ernesto isn’t who he seems to be.
* Miguel tries to stagger to act like a skeleton, and Héctor tells him that isn't how they walk. Miguel points out that's how Héctor walks, which may be a clue towards Héctor approaching "Final Death" and gradually losing his energy. In fact, Héctor's entire design makes him look shabbier and more decayed than the other skeletons, signifying his slowly being forgotten.
Héctor.



* Héctor takes Miguel to visit a forgotten friend of his to get a guitar and serves a couple of drinks, but the friend becomes DeaderThanDead and as such, Héctor drinks a single glass and leaves it upside down on the table, next to the full one. We learn later that Ernesto de la Cruz murdered him by slipping poison in a similar drink.
* Or it could be interpreted as meaning: one glass is drunk in honour of the finally departed Chicharron, one remains for Hector, who is close to finally dying as well.
* When we first meet Héctor his leitmotif is a rusty, clumsy guitar playing in a drunken manner in order to show that he is goofy, shifty and untrustworthy. Once he plays Chicharron's last request and shows a gentler, kinder version of himself his theme now changes into a soulful, mournful guitar solo... The same one that was playing in the beginning that showed the walkway musician and his family.
* When Miguel excitedly exclaims that he's going to play "Remember Me" in the battle of the bands, Héctor immediately and uncomfortably negates the idea, saying that it's too popular and everyone will be singing it (which is true, and a legitimate concern). But later it's revealed that Héctor has a likely ulterior motive for not wanting Miguel to perform it: "Remember Me" is an extremely personal song to Héctor; he wrote it as a love song for his daughter Coco.
* Dante's efforts to keep Miguel and Héctor together serves as foreshadowing for both Dante being a spirit guide and, again, Héctor being the real great-great grandfather.
* During Miguel's KickTheDog moment on Imelda, she sings part of the lyrics to "La Llorona" to convince him to listen to her reasons for banning music from the Rivera family. This foreshadows her performance of the song at Ernesto's Sunrise Spectacular.



* Ernesto is very surprised to be told he has a great-great-grandson. Since Miguel's great-great-grandfather had a family and knew his daughter, Ernesto shouldn't be this shocked he has descendants: the first clue that he and Miguel aren't related. He still goes with it, as it's possible that Miguel may be related to an unrecognized offspring... which given Ernesto's fame, might be a real possibility.
* Similarly, when Miguel learns that Ernesto was his grandfather all along, his family incredulously responds "That's impossible." They know full well who his grandfather was, and it wasn't Ernesto.
** Or they could mean "That's impossible, there's no way to instantly know for sure this stranger is the mystery great-great-grandfather." All the same, it foreshadows that it's impossible for [[ReallyGetsAround a man]] [[ItsAllAboutMe like]] [[TheUnfettered Ernesto]] to be related to the family-orientated Riveras.
** Also, whenever Miguel's family talks about Coco's father, it is mentioned that he was forgotten and left off the ofrenda. Ernesto, on the other hand, is remembered by many people, both living and dead. This is the most obvious hint that Ernesto is not Miguel's great-great-grandfather.

to:

* Ernesto is very surprised to be told he has a great-great-grandson. Since Miguel's great-great-grandfather had a family and knew his daughter, Ernesto shouldn't be this shocked he has descendants: the first clue that he and Miguel aren't related. He still goes with it, as it's possible that Miguel may be related to an unrecognized offspring... which offspring (which, given Ernesto's fame, might be a real possibility.
possibility).
* Similarly, when Miguel learns that Ernesto was his grandfather all along, his family incredulously responds "That's impossible." This could mean two things:
** 1.
They know full well who his grandfather was, and it wasn't Ernesto.
** Or they 2. They could mean "That's impossible, there's no way to instantly know for sure this stranger is the mystery great-great-grandfather." All the same, it foreshadows that it's impossible for [[ReallyGetsAround a man]] [[ItsAllAboutMe like]] [[TheUnfettered Ernesto]] to be related to the family-orientated Riveras.
** Also, whenever * Whenever Miguel's family talks about Coco's father, it is mentioned that he was forgotten and left off the ofrenda. Ernesto, on the other hand, is remembered by many people, both living and dead. This is the most obvious hint that Ernesto is not Miguel's great-great-grandfather.



* In the flashback to the last time Héctor and Ernesto saw each other in life, Héctor is carrying a guitar case, which Ernesto picks up after Héctor dies, foreshadowing that the iconic guitar that led Miguel to believe Ernesto is his ancestor originally belonged to Héctor.
* Mama Imelda wears a ''lot'' of purple, even having purple markings on her skull. Who else is the only other character noticeably wearing purple? Her husband and Miguel's true great-great grandfather, Héctor who wears a tattered purple shirt.
* When Abuelita loads a bouquet of marigolds upon Miguel, he's still so upset about not being able to sign up for the talent show that he gets some petals into his mouth and spits them out. Héctor, too, is so upset about things not going his way that he ends up breathing flowers. [[LikeFatherLikeSon Like great-great-grandfather, like great-great-grandson]] indeed.
* Héctor uses shoe polish to disguise Miguel as a skeleton. However, he doesn't wear any shoes. Why would he carry around shoe polish, if not as a sort of keepsake to connect him to his shoemaker family?
* During Ernesto's party, when Miguel shows off his dimple ("dimple, no dimple, dimple, no dimple"), Ernesto is one to point out "no dimple". Second time watching it, it's apparent that Ernesto is [[StealthInsult subtly demeaning]] Miguel as nothing special (it's not uncommon to lack dimples), foreshadowing the measure of his [[ItsAllAboutMe ego]].

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* In the flashback to the last time Héctor and Ernesto saw each other in life, Héctor is carrying a guitar case, which Ernesto picks up after Héctor dies, foreshadowing that the iconic guitar that led Miguel to believe Ernesto is his ancestor originally belonged to Héctor.
* Mama Imelda wears a ''lot'' of purple, even having purple markings on her skull. Who else is the only other character noticeably wearing purple? Her husband and Miguel's true great-great grandfather, Héctor who wears a tattered purple shirt.
* When Abuelita loads a bouquet of marigolds upon Miguel, he's still so upset about not being able to sign up for the talent show that he gets some petals into his mouth and spits them out. Héctor, too, is so upset about things not going his way that he ends up breathing flowers. [[LikeFatherLikeSon Like great-great-grandfather, like great-great-grandson]] indeed.
* Héctor uses shoe polish to disguise Miguel as a skeleton. However, he doesn't wear any shoes. Why would he carry around shoe polish, if not as a sort of keepsake to connect him to his shoemaker family?
* During Ernesto's party, when Miguel shows off his dimple ("dimple, no dimple, dimple, no dimple"), Ernesto is one to point out "no dimple". Second time watching Upon rewatching it, it's apparent that Ernesto is [[StealthInsult subtly demeaning]] Miguel as nothing special (it's not uncommon to lack dimples), foreshadowing the measure of his [[ItsAllAboutMe ego]].



* If examined closely, Héctor‘s bangs are straight parted and messy like Miguel’s, while Ernesto’s are curled and slicked back. Héctor also shares Miguel’s BeautyMark and dimple when alive, while Ernesto doesn’t. This is a hint of StrongFamilyResemblance indicating who the real great-great grandfather is. Which makes even more sense when Miguel himself is the one that draws attention to the fact he has a dimple on one side when he smiles but not the other!
* Chicharron says right before dying that the song Héctor played for him "brings back memories." By the end of the movie, it's a song that helps Coco renew her memories of her father.
* Very noticeably, not once does Miguel's family in the land of the dead ever refer to his great-great-grandfather by name. Of course, had anyone even said Héctor's name around him or had Miguel mention Ernesto de la Cruz around them, the plot would have gone differently. He also never brings up their names around anyone else, not even Ernesto, who only vaguely knew Imelda as she was his best friend's wife.



* Héctor admits that eventually, everybody ends up forgotten by those in the land of the living, exactly what starts happening to Ernesto once the truth is revealed.
* The poster pretty much sums up everyone's role in the film. The guitar played by Ernesto de la Cruz divides the Land of the Living and the Land of the Dead. Ernesto is positioned between Héctor and Imelda, hinting that he's the reason they are separated. Two skeletal hands are touching the guitar; one is undoubtedly Héctor's, while the other could be either Héctor's or Ernesto's, foreshadowing Miguel's mistaken belief of the identity of the guitar's true owner. Imelda being at the bottom of the poster foreshadows the weight of the years that passed since her husband's departure, as well as her caring attitude in spite of it. Miguel and Héctor being at the top foreshadows that they are family. Dante being across from de la Cruz foreshadows him as an alebrije, protecting Miguel from harm. And Coco being at the bottom foreshadows the struggles she herself endured in wanting to see her father again.
* In the deleted scene "Tour Guide", Héctor (as a tour guide) mentions that part of his "craft" is showing tourists "there's more to this city than de la Cruz; there's art, culture, history". Meanwhile, the bus drives by [[FunnyBackgroundEvent a bunch of de la Cruz posters]]. It may seem PlayedForLaughs, but it's meant to represent the {{Irony}} that despite being lauded as a great artist by the world, de la Cruz does ''not'' represent art or culture as much as he does fame and attention.
** He also makes a frustrated fuss about Miguel interrupting his "craft", like any ''artist'' would at having their art disrupted.
** According to Héctor, the reason he no longer makes tours near Ernesto's house is because Ernesto asked him a favor to stop driving by his house. It becomes very obvious foreshadowing that Ernesto wants Héctor as far away from him as possible, either so he won't suspect he earned his fame with Héctor's song, ''or'' because [[TruthInTelevision most murderers want to stay away from their victims]].
* Another deleted scene "Alebrije Attack" has Miguel and Héctor eating tangerines on their way to Plaza de la Cruz. Just like the ones Miguel shared with Mama Coco in the beginning of the movie.
* In the deleted scene "Bus Escape", Héctor says that when you're faced with loneliness that separates you from loved ones, the only thing that can save you is a song. One can only guess how a song saves ''him'' in the end.
* The deleted scene of the showtune "prologue" starts out with a reverent and beautiful ballad, before it erupts into an over-the-top show tune that practically bastardizes the very meaning of Dia de los Muertos. Dia de los Muertos is meant to be a personal holiday, meant to reverently pray and visit dead family members. This could've been intended to foreshadow how Ernesto took something as personal as "Remember me", and twisted into something flashy and showy to garner attention.
* There's a blink-and-you'll-miss-it moment, right after Ernesto takes the now-dead Héctor's songbook and flips through it, where "Remember Me" (and "The World Es Mi Familia") is shown. The song notes above the notation state "simply, tenderly," as lullabies are sung. This sets up for when Héctor sings it as it should have been performed (instead of the bombastic, over the top ballad Ernesto turned it into). Doubles as well to point out subtly that Ernesto may have taken Héctor's songs, but he didn't have the talent or skill to ever perform any of them how they ''should'' have been done--and it's likely that none of the songs were ever sang properly by Ernesto the way Héctor intended for them.
* The photo features the great-great-grandfather's head missing as it was torn off. The photo Héctor gives Miguel is only his head. A subtle nod that it's his head that was missing from the picture.
* Both Imelda and Héctor react very similarly to tech (if less violently in Héctor's case) with Imelda calling a computer "devil box" and Héctor calling the scanner a "blinky thingy".
* When Héctor sings to Chicharron, he changes a lyric to be more kid-appropriate in the presence of Miguel. It's a hint that Héctor is a parent himself.
* When Chicharron goes through the FinalDeath, Miguel is the only person confused what happened. Dante is [[OOCIsSeriousBusiness uncharacteristically saddened by his fate]] like Héctor, indicating he knows more about the Land of the Dead than it seems.

to:

* Héctor admits that eventually, everybody ends up forgotten by those in the land of the living, exactly what starts happening to Ernesto once the truth is revealed.
* The poster pretty much sums up everyone's role in the film. The guitar played by Ernesto de la Cruz divides the Land of the Living and the Land of the Dead. Ernesto is positioned between Héctor and Imelda, hinting that he's the reason they are separated. Two skeletal hands are touching the guitar; one is undoubtedly Héctor's, while the other could be either Héctor's or Ernesto's, foreshadowing Miguel's mistaken belief of the identity of the guitar's true owner. Imelda being at the bottom of the poster foreshadows the weight of the years that passed since her husband's departure, as well as her caring attitude in spite of it. Miguel and Héctor being at the top foreshadows that they are family. Dante being across from de la Cruz foreshadows him as an alebrije, protecting Miguel from harm. And Coco being at the bottom foreshadows the struggles she herself endured in wanting to see her father again.
* In the deleted scene "Tour Guide", Héctor (as a tour guide) mentions explains that part of his "craft" is showing tourists "there's more to this city than de la Cruz; there's art, culture, history". Meanwhile, the bus drives by [[FunnyBackgroundEvent a bunch of de la Cruz posters]]. It may seem PlayedForLaughs, but it's meant to represent the {{Irony}} that despite being lauded as a great artist by the world, de la Cruz does ''not'' represent art or culture as much as he does fame and attention.
** He also makes a frustrated fuss about Miguel interrupting his "craft", like any ''artist'' would at having their art disrupted.
** According to Héctor,
the reason he no longer makes tours near Ernesto's house is because Ernesto asked him a favor to stop driving by his house. It becomes very obvious foreshadowing that Ernesto wants Héctor as far away from him as possible, either so he won't suspect he earned his fame with Héctor's song, ''or'' because [[TruthInTelevision most murderers want to stay away from their victims]].
* Another deleted scene "Alebrije Attack" has Miguel and Héctor eating tangerines on their way to Plaza de la Cruz. Just like the ones Miguel shared with Mama Coco in the beginning of the movie.
* In the deleted scene "Bus Escape", Héctor says that when you're faced with loneliness that separates you from loved ones, the only thing that can save you is a song. One can only guess how a song saves ''him'' in the end.
* The deleted scene of the showtune "prologue" starts out with a reverent and beautiful ballad, before it erupts into an over-the-top show tune that practically bastardizes the very meaning of Dia de los Muertos. Dia de los Muertos is meant to be a personal holiday, meant to reverently pray and visit dead family members. This could've been intended to foreshadow Had this made it into the final film, it would've foreshadowed how Ernesto took something as personal as "Remember me", and twisted into something flashy and showy to garner attention.
* There's a blink-and-you'll-miss-it moment, right after Ernesto takes the now-dead Héctor's songbook and flips through it, where "Remember Me" (and "The World Es Mi Familia") is shown. The song notes above the notation state "simply, tenderly," as lullabies are sung. This sets up for when Héctor sings it as it should have been performed (instead of the bombastic, over the top ballad Ernesto turned it into). Doubles as well to point out subtly that Ernesto may have taken Héctor's songs, but he didn't have the talent or skill to ever perform any of them how they ''should'' have been done--and it's likely that none of the songs were ever sang properly by Ernesto the way Héctor intended for them.
* The photo features the great-great-grandfather's head missing as it was torn off. The photo Héctor gives Miguel is only his head. A subtle nod that it's his head that was missing from the picture.
* Both Imelda and Héctor react very similarly to tech (if less violently in Héctor's case) with Imelda calling a computer "devil box" and Héctor calling the scanner a "blinky thingy".
* When Héctor sings to Chicharron, he changes a lyric to be more kid-appropriate in the presence of Miguel. It's a hint that Héctor is a parent himself.
* When Chicharron goes through the FinalDeath, Miguel is the only person confused what happened. Dante is [[OOCIsSeriousBusiness uncharacteristically saddened by his fate]] like Héctor, indicating he knows more about the Land of the Dead than it seems.
attention.



* When Elena, Berto, and Rosa are dragging Miguel back from Mariachi Plaza, Elena chases Dante away with her chancla at one point; Miguel protests that "it's just Dante", and her response is "Never name a street dog; they'll follow you forever." Since Dante is Miguel's spirit guide, he probably will, one way or another.

to:

[[/folder]]

[[folder:Hector is Miguel's true ancestor]]
* When Miguel knocks over the photo and finds the hidden section, he asks Coco if this is her father, Ernesto De La Cruz. Coco never actually says yes - she points at the photo and says "Papa", but she never actually confirms that the name of the man in the photo is Ernesto.
* In a bit of FreezeFrameBonus, the photo shows what Miguel thinks is Ernesto, but if you look at him, the man in the photo is noticeably less burly than Ernesto, hinting it's not him, and it turns out to be Héctor.
* When Miguel tells Dante that they need to find his great-great grandfather, Dante 'wanders off', immediately leading Miguel into the room where Héctor is being processed.
* While sorting through the issue that Miguel is cursed, the Clerk explains that a curse is invoked when someone steals from the dead on Dia de los Muertos, on a day meant for giving to the dead. It's momentarily hand-waved why the guitar cursed Miguel when he 'asked' Ernesto for his permission to take said guitar, and there's even a RedHerring that perhaps it was Imelda's photo that might've been the "stolen" object. But it turns out, the guitar didn't belong to Ernesto, but rather ''Héctor'', and Miguel unwittingly robbed it of its original owner.
* In the scene where Héctor's being processed after trying to cross into the land of the living, his {{Leitmotif}} during the entire scene is rusty guitar music.
* Miguel's family angrily berates him every time he mentions [[UnPerson his great-great grandfather]], but not when he mentions De La Cruz. This is a clue that they're not actually the same.
* At Frida Kahlo's studio, when Miguel is talking with Frida, Héctor enters the scene and scolds Miguel "not to wander off" or "bother the celebrity". At first, it seems like Héctor simply wants Miguel to remain low-key and stick with him. But a second time watching this, it's apparent Héctor is acting just like a parent would: making sure their kids learn not to wander anywhere without adult supervision, and not to bother strangers.
* When we first meet Héctor his leitmotif is a rusty, clumsy guitar playing in a drunken manner in order to show that he is goofy, shifty and untrustworthy. Once he plays Chicharron's last request and shows a gentler, kinder version of himself his theme now changes into a soulful, mournful guitar solo... The same one that was playing in the beginning that showed Miguel's great-grandfather walking away from his family.
* In the flashback to the last time Héctor and Ernesto saw each other in life, Héctor is carrying a guitar case, which Ernesto picks up after Héctor dies, foreshadowing that the iconic guitar that led Miguel to believe Ernesto is his ancestor originally belonged to Héctor.
* Mama Imelda wears a ''lot'' of purple, even having purple markings on her skull. Who else is the only other character noticeably wearing purple? Her husband and Miguel's true great-great grandfather, Héctor who wears a tattered purple shirt.
* When Abuelita loads a bouquet of marigolds upon Miguel, he's still so upset about not being able to sign up for the talent show that he gets some petals into his mouth and spits them out. Héctor, too, is so upset about things not going his way that he ends up breathing flowers. [[LikeFatherLikeSon Like great-great-grandfather, like great-great-grandson]] indeed.
* Héctor uses shoe polish to disguise Miguel as a skeleton. However, he doesn't wear any shoes. Why would he carry around shoe polish, if not as a sort of keepsake to connect him to his shoemaker family?
* If examined closely, Héctor‘s bangs are straight parted and messy like Miguel’s, while Ernesto’s are curled and slicked back. Héctor also shares Miguel’s BeautyMark and dimple when alive, while Ernesto doesn’t. This is a hint of StrongFamilyResemblance indicating who the real great-great grandfather is. Which makes even more sense when Miguel himself is the one that draws attention to the fact he has a dimple on one side when he smiles but not the other!
* Very noticeably, not once does Miguel's family in the land of the dead ever refer to his great-great-grandfather by name. Of course, had anyone even said Héctor's name around him or had Miguel mention Ernesto de la Cruz around them, the plot would have gone differently. He also never brings up their names around anyone else, not even Ernesto, who only vaguely knew Imelda as she was his best friend's wife.
* Another deleted scene "Alebrije Attack" has Miguel and Héctor eating tangerines on their way to Plaza de la Cruz. Just like the ones Miguel shared with Mama Coco in the beginning of the movie.
* The photo features the great-great-grandfather's head missing as it was torn off. The photo Héctor gives Miguel is only his head. A subtle nod that it's his head that was missing from the picture.
* Both Imelda and Héctor react very similarly to tech (if less violently in Héctor's case) with Imelda calling a computer "devil box" and Héctor calling the scanner a "blinky thingy".
* When Héctor sings to Chicharron, he changes a lyric to be more kid-appropriate in the presence of Miguel. It's a hint that Héctor is a parent himself.
[[/folder]]

[[folder:Dante is a spirit animal]]
* In the beginning of the movie, we're first introduced to Dante after Miguel passes a table full of alebrije figurines.
** In addition, near the far end of the table, is a model of Pepita, Mama Imelda's alebrije.
* When climbing up to Miguel's hideout, Dante's footing displaces a few stacks of bricks, which would take quite a feat of strength to do effortlessly. This could hint that Dante is an alebrije and has supernatural strength because of it.
** Also, in regards to "Dante's Lunch", there's the fact that Dante goes through an unusual amount of injuries whilst holding on to the bone (crashing clean through a fence, through tables of cacti, flour and luchador costumes). Normally, this would be taken as cartoon physics. But as it turns out, Dante is an alebrije, and it's likely he's much sturdier than the average dog.
* The fact that Dante can still see and hear Miguel after Miguel is transported to the other side despite no one else being able to do so likewise hints at the dog's true nature.
* Frida Kahlo immediately saw Dante for what he actually is, although she also quite humorously took it back later.
* When Chicharron goes through the FinalDeath, Miguel is the only person confused what happened. Dante is [[OOCIsSeriousBusiness uncharacteristically saddened by his fate]] like Héctor, indicating he knows more about the Land of the Dead than it seems.
* When Elena, Berto, and Rosa are dragging Miguel back from Mariachi Plaza, Elena chases Dante away with her chancla at one point; Miguel protests that "it's just Dante", and her response is "Never name a street dog; they'll follow you forever." Since Dante is Miguel's spirit guide, he probably will, one way or another.another.
[[/folder]]

[[folder:Multiple/Miscellaneous]]
* The drunken musicians passing the Riveras' house are singing "La Llorona," the same song Imelda sings.
** Also, Miguel shines the shoes of a mariachi playing that song.
* When Elena is explaining the importance of Dia de los Meurtos to Miguel and chastises him for mentioning Coco's papa (aka Héctor), Coco, who has been sitting there unresponsive thus far despite the intense argument happening right in front of her, suddenly takes notice and asks if her papa is coming home. This foreshadows that despite her dementia, anything about her papa clearly jogs her memory and her lucidity, which comes back later when Miguel uses "Remember Me" to restore her memories.
* "I'm going to play in Mariachi Plaza [[TemptingFate if it kills me]]!"
* Earlier in the movie, Abuelita asked Miguel "Do you want to end up like that man?! ''Forgotten''? Left off your family's ofrenda?" Not only is this foreshadowing that Héctor (Miguel's ''real'' great-great-grandfather) is in reality nearly forgotten: it's a hint towards Ernesto's ultimate fate, forgotten and left off his "familia's" (worldwide fans') ofrendas.
* When he's going on about Ernesto's talent at the beginning, Miguel says "He played in movies, he had a cool guitar, he could fly!" Ernesto ''does'' go flying at the end of the movie, thanks to [[KickTheSonOfABitch Pepita.]]
* In the ripped up photo, the belt buckle of the mystery relative shows two crossed guitars, while Ernesto’s belt buckle is just normal with no guitars on it. The crossed guitars on the photo hints at a double act in the film, foreshadowing Ernesto and Héctor’s hardship and the fact Ernesto isn’t who he seems to be.
* Miguel tries to stagger to act like a skeleton, and Héctor tells him that isn't how they walk. Miguel points out that's how Héctor walks, which may be a clue towards Héctor approaching "Final Death" and gradually losing his energy. In fact, Héctor's entire design makes him look shabbier and more decayed than the other skeletons, signifying his slowly being forgotten.
* Héctor takes Miguel to visit a forgotten friend of his to get a guitar and serves a couple of drinks, but the friend becomes DeaderThanDead and as such, Héctor drinks a single glass and leaves it upside down on the table, next to the full one. We learn later that Ernesto de la Cruz murdered him by slipping poison in a similar drink.
** It could also be interpreted as meaning: one glass is drunk in honor of the finally departed Chicharron, one remains for Hector, who is close to final death as well.
* When Miguel excitedly exclaims that he's going to play "Remember Me" in the battle of the bands, Héctor immediately and uncomfortably negates the idea, saying that it's too popular and everyone will be singing it (which is true, and a legitimate concern). But later it's revealed that Héctor has a likely ulterior motive for not wanting Miguel to perform it: "Remember Me" is an extremely personal song to Héctor; he wrote it as a love song for his daughter Coco.
* Dante's efforts to keep Miguel and Héctor together serves as foreshadowing for both Dante being a spirit guide and, again, Héctor being the real great-great grandfather.
* During Miguel's KickTheDog moment on Imelda, she sings part of the lyrics to "La Llorona" to convince him to listen to her reasons for banning music from the Rivera family. This foreshadows her performance of the song at Ernesto's Sunrise Spectacular.
* Chicharron says right before dying that the song Héctor played for him "brings back memories." By the end of the movie, it's a song that helps Coco renew her memories of her father.
* Héctor admits that eventually, everybody ends up forgotten by those in the land of the living, exactly what starts happening to Ernesto once the truth is revealed.
* The poster pretty much sums up everyone's role in the film. The guitar played by Ernesto de la Cruz divides the Land of the Living and the Land of the Dead. Ernesto is positioned between Héctor and Imelda, hinting that he's the reason they are separated. Two skeletal hands are touching the guitar; one is undoubtedly Héctor's, while the other could be either Héctor's or Ernesto's, foreshadowing Miguel's mistaken belief of the identity of the guitar's true owner. Imelda being at the bottom of the poster foreshadows the weight of the years that passed since her husband's departure, as well as her caring attitude in spite of it. Miguel and Héctor being at the top foreshadows that they are family. Dante being across from de la Cruz foreshadows him as an alebrije, protecting Miguel from harm. And Coco being at the bottom foreshadows the struggles she herself endured in wanting to see her father again.
* In the deleted scene "Tour Guide", Héctor (as a tour guide) mentions that part of his "craft" is showing tourists "there's more to this city than de la Cruz; there's art, culture, history". Meanwhile, the bus drives by [[FunnyBackgroundEvent a bunch of de la Cruz posters]]. It may seem PlayedForLaughs, but it's meant to represent the {{Irony}} that despite being lauded as a great artist by the world, de la Cruz does ''not'' represent art or culture as much as he does fame and attention.
** He also makes a frustrated fuss about Miguel interrupting his "craft", like any ''artist'' would at having their art disrupted.
* In the deleted scene "Bus Escape", Héctor says that when you're faced with loneliness that separates you from loved ones, the only thing that can save you is a song. One can only guess how a song saves ''him'' in the end.
* There's a blink-and-you'll-miss-it moment, right after Ernesto takes the now-dead Héctor's songbook and flips through it, where "Remember Me" (and "The World Es Mi Familia") is shown. The song notes above the notation state "simply, tenderly," as lullabies are sung. This sets up for when Héctor sings it as it should have been performed (instead of the bombastic, over the top ballad Ernesto turned it into). Doubles as well to point out subtly that Ernesto may have taken Héctor's songs, but he didn't have the talent or skill to ever perform any of them how they ''should'' have been done--and it's likely that none of the songs were ever sang properly by Ernesto the way Héctor intended for them.
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[[folder:Ernesto isn't who he seems]]
[[/folder]]
[[folder:Hector's the true ancestor]]
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[[folder:Dante's a spirit animal]]
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[[folder:Miscellanous]]
[[/folder]]


* Ernesto is very surprised that he has a great-great-grandson. Since Miguel's great-great-grandfather had a family and knew his daughter, Ernesto shouldn't be this surprised he has descendants: the first clue that he and Miguel aren't related. He still goes with it, as it's possible that Miguel may be related to an unrecognized offspring... which given Ernesto's fame, might be a real possibility.

to:

* Ernesto is very surprised that to be told he has a great-great-grandson. Since Miguel's great-great-grandfather had a family and knew his daughter, Ernesto shouldn't be this surprised shocked he has descendants: the first clue that he and Miguel aren't related. He still goes with it, as it's possible that Miguel may be related to an unrecognized offspring... which given Ernesto's fame, might be a real possibility.

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* Or it could be interpreted as meaning: one glass is drunk in honour of the finally departed Chicharron, one remains for Hector, who is close to finally dying as well.


* When Elena, Berto, and Rosa are dragging Miguel back from Mariachi Plaza, Elena chases Dante away with her chancla at one point; Miguel protests that "it's just Dante", and her response is "Never name a street dog; they'll follow you forever." Since Dante is Miguel's spirit guide, he probably will, one way or another.
* The very fact that de la Cruz's guitar's skeleton head had one gold tooth just like Hector was a huge clue.

to:

* When Elena, Berto, and Rosa are dragging Miguel back from Mariachi Plaza, Elena chases Dante away with her chancla at one point; Miguel protests that "it's just Dante", and her response is "Never name a street dog; they'll follow you forever." Since Dante is Miguel's spirit guide, he probably will, one way or another.
* The very fact that de la Cruz's guitar's skeleton head had one gold tooth just like Hector was a huge clue.
another.


* When Elena, Berto, and Rosa are dragging Miguel back from Mariachi Plaza, Elena chases Dante away with her chancla at one point; Miguel protests that "it's just Dante", and her response is "Never name a street dog; they'll follow you forever." Since Dante is Miguel's spirit guide, he probably will, one way or another.

to:

* When Elena, Berto, and Rosa are dragging Miguel back from Mariachi Plaza, Elena chases Dante away with her chancla at one point; Miguel protests that "it's just Dante", and her response is "Never name a street dog; they'll follow you forever." Since Dante is Miguel's spirit guide, he probably will, one way or another.another.
* The very fact that de la Cruz's guitar's skeleton head had one gold tooth just like Hector was a huge clue.


* When we first meet Héctor his leitmotif is a rusty, clumsly guitar playing in a drunken manner in order to show that he is goofy, shifty and untrustworthy. Once he plays Chicharron's last request and shows a gentler, kinder version of himself his theme now changes into a soulful, mournful guitar solo... The same one that was playing in the beginning that showed the walkway musician and his family.

to:

* When we first meet Héctor his leitmotif is a rusty, clumsly clumsy guitar playing in a drunken manner in order to show that he is goofy, shifty and untrustworthy. Once he plays Chicharron's last request and shows a gentler, kinder version of himself his theme now changes into a soulful, mournful guitar solo... The same one that was playing in the beginning that showed the walkway musician and his family.


* When Héctor sings to Chicharon, he changes a lyric to be more kid-appropriate in the presence of Miguel. It's a hint that Héctor is a parent himself.

to:

* When Héctor sings to Chicharon, Chicharron, he changes a lyric to be more kid-appropriate in the presence of Miguel. It's a hint that Héctor is a parent himself.



* When Héctor confronts Ernesto while the latter was about to give a blessing to Miguel, watch closely. Ernesto is ''pushing'' Miguel in front of him, not ''behind'' him. And this is when Ernesto didn't recognize Héctor and thought he was a potentially dangerous stranger. In other words, Ernesto was going to use his supposed great-great grandson as a shield. A subtle hint that Ernesto isn't a good guy.

to:

* When Héctor confronts Ernesto while the latter was about to give a blessing to Miguel, watch closely. Ernesto is ''pushing'' Miguel in front of him, not ''behind'' him. And this is when Ernesto didn't recognize Héctor and thought he was a potentially dangerous stranger. In other words, Ernesto was going to use his supposed great-great grandson as a shield. A subtle hint that Ernesto isn't a good guy.guy.
* When Elena, Berto, and Rosa are dragging Miguel back from Mariachi Plaza, Elena chases Dante away with her chancla at one point; Miguel protests that "it's just Dante", and her response is "Never name a street dog; they'll follow you forever." Since Dante is Miguel's spirit guide, he probably will, one way or another.

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**Also, whenever Miguel's family talks about Coco's father, it is mentioned that he was forgotten and left off the ofrenda. Ernesto, on the other hand, is remembered by many people, both living and dead. This is the most obvious hint that Ernesto is not Miguel's great-great-grandfather.

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* When we first meet Héctor his leitmotif is a rusty, clumsly guitar playing in a drunken manner in order to show that he is goofy, shifty and untrustworthy. Once he plays Chicharron's last request and shows a gentler, kinder version of himself his theme now changes into a soulful, mournful guitar solo... The same one that was playing in the beginning that showed the walkway musician and his family.

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* During Ernesto's party, when Miguel shows off his dimple ("dimple, no dimple, dimple, no dimple"), Ernesto is one to point out "no dimple". Second time watching it, it's apparent that Ernesto is [[StealthInsult subtly demeaning]] Miguel as nothing special (it's not uncommon to lack dimples), foreshadowing the measure of his [[ItsAllAboutMe ego]].


* Miguel tries to stagger to act like a skeleton, and Héctor tells him that isn't how they walk. Miguel points out that's how Héctor walks, which may be a clue towards Héctor approaching "Final Death" and gradually losing his energy.

to:

* Miguel tries to stagger to act like a skeleton, and Héctor tells him that isn't how they walk. Miguel points out that's how Héctor walks, which may be a clue towards Héctor approaching "Final Death" and gradually losing his energy. In fact, Héctor's entire design makes him look shabbier and more decayed than the other skeletons, signifying his slowly being forgotten.

Added DiffLines:

* When Elena is explaining the importance of Dia de los Meurtos to Miguel and chastises him for mentioning Coco's papa (aka Héctor), Coco, who has been sitting there unresponsive thus far despite the intense argument happening right in front of her, suddenly takes notice and asks if her papa is coming home. This foreshadows that despite her dementia, anything about her papa clearly jogs her memory and her lucidity, which comes back later when Miguel uses "Remember Me" to restore her memories.


* Dante's efforts to keep Miguel and Héctor together serves as foreshadowing for both Dante being a spirit guide and, again, [[spoiler: Héctor being the real great-great grandfather]].

to:

* Dante's efforts to keep Miguel and Héctor together serves as foreshadowing for both Dante being a spirit guide and, again, [[spoiler: Héctor being the real great-great grandfather]].grandfather.


* While sorting through the issue that Miguel is cursed, the Clerk explains that a curse is invoked when someone steals from the dead on Dia de los Muertos, on a day meant for giving to the dead. It's momentarily hand-waved why the guitar cursed Miguel when he 'asked' Ernesto for his permission to take said-guitar, and there's even a RedHerring that perhaps it was Imelda's photo that might've been the "stolen" object. But it turns out, the guitar didn't belong to Ernesto, but rather ''Héctor'', and Miguel unwittingly robbed it of its original owner.

to:

* While sorting through the issue that Miguel is cursed, the Clerk explains that a curse is invoked when someone steals from the dead on Dia de los Muertos, on a day meant for giving to the dead. It's momentarily hand-waved why the guitar cursed Miguel when he 'asked' Ernesto for his permission to take said-guitar, said guitar, and there's even a RedHerring that perhaps it was Imelda's photo that might've been the "stolen" object. But it turns out, the guitar didn't belong to Ernesto, but rather ''Héctor'', and Miguel unwittingly robbed it of its original owner.

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