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* CompositeCharacter: The Mummy in this movie is a version of Kharis, and he took the strength, backstory and being TheDragon to the priests from Karnak. But he is a High Priest here, as Imhotep in ''Film/TheMummy1932''. In the ''Franchise/UniversalHorror'' version, Kharis was a Prince from the Royal House.
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* AdaptationalWimp: In the original Universal film, the Mummy was the BigBad and a gifted sorcerer who was able to mask his true nature as an undead in order to pose as a modern Egyptian scholar. Here, he's TheDragon to Mehemet and is little more than DumbMuscle.
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* AdaptationalWimp: In the original Universal film, the Mummy was the BigBad and a gifted sorcerer who was able to mask his true nature as an undead in order to pose as a modern Egyptian scholar. Here, he's TheDragon to Mehemet and is little more than DumbMuscle. Even Kharis is considerably less durable here, in comparison with his original portrayal in ''Franchise/UniversalHorror'', where neither, bullets and even fire or swamps can't really harm him.
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!!This film has the examples of:
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!!This film has the provides examples of:
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Critical Research Failure is a disambiguation page
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* ArtisticLicenseReligion: [[CriticalResearchFailure Karnak was not an Egyptian deity. It's the name of a temple complex near Thebes.]]
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* ArtisticLicenseReligion: [[CriticalResearchFailure Karnak was not an Egyptian deity. It's the name of a temple complex near Thebes.]]
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* AdaptationalWimp: In the original Universal film, the Mummy was the BigBad and a gifted sorcerer who was able to mask his true nature as an undead in order to pose as a modern Egyptian scholar. Here, he's TheDragon to Mehemet and is little more than DumbMuscle.
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* VillainHasAPoint: Let's be honest, Mehemet Bey is exactly right when he accuses
John of looting and desecrating graves and taking what he finds to the British Museum.
John of looting and desecrating graves and taking what he finds to the British Museum.
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* VillainHasAPoint: Let's be honest, Mehemet Bey is exactly right when he accuses
accuses John of looting and desecrating graves and taking what he finds to the British Museum.
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* AdaptationAmalgamation: Although intended as a remake of ''Film/TheMummy1932'', the plot and most of its principle characters are taken from ''Film/TheMummysHand'' and ''Film/TheMummysTomb''. The 1932 movie's famous and early scene of the sight of the mummy walking across the tomb floor driving a member of the archaeological team insane is re-created here, but not seen in any of the 1940s movies. The finale of ''Film/TheMummysGhost'' is also interpolated into this movie, albeit with a somewhat different outcome. Despite all this, there is no credit to any pre-existing source material at all.
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* AdaptationAmalgamation: Although intended as a remake of ''Film/TheMummy1932'', the plot and most of its principle characters are taken from ''Film/TheMummysHand'' and ''Film/TheMummysTomb''.''The Mummy's Tomb''. The 1932 movie's famous and early scene of the sight of the mummy walking across the tomb floor driving a member of the archaeological team insane is re-created here, but not seen in any of the 1940s movies. The finale of ''Film/TheMummysGhost'' ''The Mummy's Ghost'' is also interpolated into this movie, albeit with a somewhat different outcome. Despite all this, there is no credit to any pre-existing source material at all.
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* ArtisticLicenseReligion: [[CriticalResearchFailure Karnak was not an Egyptian deity. It's the name of a temple complex near Thebes.]]
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In 1895 Egypt, a group of archeologists led by John Banning (Cushing) open the tomb of Princess Ananka (Yvonne Furneaux), despite the warnings of a death curse which will fall upon desecrators. Three years later in England, a vengeful Egyptian man arrives and unleashes the living mummy Kharis (Lee) on the men. But the mummy's revenge is complicated when he discovers that Banning's wife Isobel is the spitting image of his beloved, long-dead Ananka.
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In 1895 Egypt, a group team of British archeologists led by John Banning (Cushing) open opens the tomb of Princess Ananka (Yvonne Furneaux), despite the warnings of a death curse which will fall upon any desecrators. Three years later in England, a vengeful Egyptian man arrives and unleashes the living mummy Kharis (Lee) on the men. But the mummy's revenge is complicated when he discovers that Banning's wife Isobel is the spitting image of his beloved, long-dead Ananka.
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The first Film/HammerHorror film to feature a {{Mummy}}, released in 1959 and reuniting the director (Terence Fisher) and stars (Creator/PeterCushing and Creator/ChristopherLee) of the studio's previous hits ''Film/TheCurseOfFrankenstein'' and ''Film/HorrorOfDracula''.
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The first Film/HammerHorror film to feature feature, yes, a {{Mummy}}, released in 1959 and reuniting the director (Terence Fisher) and the stars (Creator/PeterCushing and Creator/ChristopherLee) of the studio's previous hits ''Film/TheCurseOfFrankenstein'' and ''Film/HorrorOfDracula''.
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* AdaptationAmalgamation: Although intended as a remake of ''Film/TheMummy1932'', the plot and most of its principle characters are taken from ''Film/TheMummysHand'' and ''Film/TheMummysTomb''. The 1932 movie's famous and early scene of the sight of the mummy walking across the tomb floor driving a member of the archaeological team insane is re-created here, but not seen in any of the 1940s movies. The finale of ''Film/TheMummysGhost'' is also interpolated into this movie, albeit with a somewhat different outcome. Despite all this, there is no credit to any pre-existing source material at all.
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* IdenticalStranger: Isobel bears a striking resemblance to the long-dead Princess Anakara. This comes in handy later.
* MoralityChainBeyondTheGrave: Kharis loved Princess Anakara very much in life. Isobel, whom bears an uncanny resemblance to her, is able to disarm and stop Kharis through EmergencyImpersonation.
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* VillainHasAPoint: Let's be honest, Mehemet Bey is exactly right when he accuses John of looting and desecrating graves and taking what he finds to the British Museum.
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* VillainBall: Mehemet tries to kill Isobel (who resembles Anakara) himself in front of Kharis. It doesn't bode well for him.
* VillainHasAPoint: Let's be honest, Mehemet Bey is exactly right when heaccuses accuses
John of looting and desecrating graves and taking what he finds to the British Museum.
* VillainHasAPoint: Let's be honest, Mehemet Bey is exactly right when he
John of looting and desecrating graves and taking what he finds to the British Museum.
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* YouKilledMyFather: John resents Mehmet andKharis due to their previous victims being his father and uncle.
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* YouKilledMyFather: John resents Mehmet andKharis and Kharis due to their previous victims being his father and uncle.
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* AdaptationDistillation: The film condenses the overarching plot of Universal's ''Film/TheMummysHand'', ''The Mummy's Tomb'', and ''The Mummy's Ghost'' into one movie while removing some major plot holes from the originals.
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* AdaptationDistillation: The film condenses the overarching plot of Universal's ''Film/TheMummysHand'', ''The Mummy's Tomb'', and ''The Mummy's Ghost'' into one movie while removing some major plot holes from the originals. It also incorporates several elements from the original Universal ''Film/TheMummy1932''
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The first Film/HammerHorror film to feature a {{Mummy}}, released in 1959. Directed by Terence Fisher.
In 1895 Egypt, a group of archeologists led by John Banning (Creator/PeterCushing) open the tomb of Princess Ananka (Yvonne Furneaux), despite the warnings of a death curse which will fall upon desecrators. Three years later in England, a vengeful Egyptian man arrives and unleashes the living mummy Kharis (Creator/ChristopherLee) on the men. But the mummy's revenge is complicated when he discovers that Banning's wife Isobel is the spitting image of his beloved, long-dead Ananka.
In 1895 Egypt, a group of archeologists led by John Banning (Creator/PeterCushing) open the tomb of Princess Ananka (Yvonne Furneaux), despite the warnings of a death curse which will fall upon desecrators. Three years later in England, a vengeful Egyptian man arrives and unleashes the living mummy Kharis (Creator/ChristopherLee) on the men. But the mummy's revenge is complicated when he discovers that Banning's wife Isobel is the spitting image of his beloved, long-dead Ananka.
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The first Film/HammerHorror film to feature a {{Mummy}}, released in 1959. Directed by Terence Fisher.
1959 and reuniting the director (Terence Fisher) and stars (Creator/PeterCushing and Creator/ChristopherLee) of the studio's previous hits ''Film/TheCurseOfFrankenstein'' and ''Film/HorrorOfDracula''.
In 1895 Egypt, a group of archeologists led by John Banning(Creator/PeterCushing) (Cushing) open the tomb of Princess Ananka (Yvonne Furneaux), despite the warnings of a death curse which will fall upon desecrators. Three years later in England, a vengeful Egyptian man arrives and unleashes the living mummy Kharis (Creator/ChristopherLee) (Lee) on the men. But the mummy's revenge is complicated when he discovers that Banning's wife Isobel is the spitting image of his beloved, long-dead Ananka.
In 1895 Egypt, a group of archeologists led by John Banning
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* ReasonableAuthortiyFigure: Inspector Mulrooney is understandably skeptical about the idea of a curse but keeps an open mind during his investigation, talks to all of the right people, is willing to acknowledge when his findings make a curse seem likely and plots guards to protect John and Isobel.
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* ReasonableAuthortiyFigure: ReasonableAuthorityFigure: Inspector Mulrooney is understandably skeptical about the idea of a curse but keeps an open mind during his investigation, talks to all of the right people, is willing to acknowledge when his findings make a curse seem likely and plots guards to protect John and Isobel.
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* EvilPoacher: Averted, he's portrayed as more of a comical figure hunting to eat.
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* ReasonableAuthortiyFigure: Inspector Mulrooney is understandably skeptical about the idea of a curse but keeps an open mind during his investigation, talks to all of the right people, is willing to acknowledge when his findings make a curse seem likely and plots guards to protect John and Isobel.
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* YouKilledMyFather: John resents Mehmet andKharis due to their previous victims being his father and uncle.
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* CurseOfThePharaoh: Similar to the 1932 version except that an egyptian warns the explorers to not enter the tomb at all and the Mummy (named Kharis in this version) is specifically focused on killing the people who entered his dead lover's tomb.
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* ActionGirl: Isobel. She proves this not once, but TWICE even though she never gets physical when saving John from Kharis despite the former specifically telling her to lock herself in her room for her own safety prior to the first attack, and to stay outside with Inspector Mulrooney the second.
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* ActionGirl: Isobel. She proves this not once, but TWICE even though she never gets physical when saving John from Kharis despite the former specifically telling her to lock herself in her room for her own safety prior to the first attack, and to stay outside with Inspector Mulrooney during the second.second, although she ends up fainting and being carried away by Kharis.
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* ActionGirl: Isobel. She proves this not once, but TWICE when saving John from Kharis despite the former specifically telling her to lock herself in her room for her own safety prior to the first attack, and to stay outside with Inspector Mulrooney the second.
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* ActionGirl: Isobel. She proves this not once, but TWICE even though she never gets physical when saving John from Kharis despite the former specifically telling her to lock herself in her room for her own safety prior to the first attack, and to stay outside with Inspector Mulrooney the second.
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* PluckyGirl: Isobel. She manages to save her husband from Kharis not once, but twice just by her mere presence, and quick thinking.
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Not only is this entry zero-context, but it's not formatted properly. If you want to add it back, use proper formatting and explain how it applies.
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* Action Girl: Isobel. She proves this not once, but TWICE when saving John from Kharis despite the former specifically telling her to lock herself in her room for her own safety prior to the first attack, and to stay outside with Inspector Mulrooney the second.
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* Action Girl: ActionGirl: Isobel. She proves this not once, but TWICE when saving John from Kharis despite the former specifically telling her to lock herself in her room for her own safety prior to the first attack, and to stay outside with Inspector Mulrooney the second.
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* Plucky Girl: Isobel.
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* Action Girl: Isobel. She proves this not once, but TWICE when saving John from Kharis despite the former specifically telling her to lock herself in her room for her own safety prior to the first attack, and to stay outside with Inspector Mulrooney the second.
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* Plucky Girl: Isobel. She proves this not once, but TWICE when saving John from Kharis despite the former specifically telling her to lock herself in her room for her own safety prior to the first attack, and to stay outside with Inspector Mulrooney the second.
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* Plucky Girl: Isobel. She proves this not once, but TWICE when saving John from Kharis despite the former specifically telling her to lock herself in her room for her own safety prior to the first attack, and to stay outside with Inspector Mulrooney the second.
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* VillainHasAPoint: Let's be honest, Mehemet Bey is exactly write when he accuses John of looting and desecrating graves and taking what he finds to the British Museum.
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* VillainHasAPoint: Let's be honest, Mehemet Bey is exactly write right when he accuses John of looting and desecrating graves and taking what he finds to the British Museum.
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* ForScience: John's justification when Mehemet Bay politely but accurately accuses him of desecrating sacred graves.
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* VictorianLondon
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* VictorianLondonVillainHasAPoint: Let's be honest, Mehemet Bey is exactly write when he accuses John of looting and desecrating graves and taking what he finds to the British Museum.
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* ConversationCut: From the drunken hunter in the inspector's office, telling the inspector about seeing the mummy in the woods, smoothly transitioning to the drunken carter in the pub, telling the instructor about losing the crate that contained "Egyptian relics".