History Film / TheManInTheGlassBooth

* TheReveal: It seems the prosecution has an open and shut case against Dorf at first, particularly since he proudly admits to all the crimes they accuse him of. [[spoiler: Except-a dentist is called in to authenticate an X-Ray of Dorf's teeth, who at last reveals they were replaced with the defendant's for money. The physician is recalled to confess that he did the same with X-Rays of Dorf's spine from a surgery. He was Goldman all along. When asked why he did it, Goldman first locks himself in the booth, then sits inside as the memory of his experience overtakes him. At last he goes catatonic, having apparently been driven insane by this experience. It seems that was his reason for pretending to be Dorf in this way.]].

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/the_man_in_the_glass_booth_9.jpg]]

Shaw originally wrote ''Glass Booth'' as a novel inspired by the kidnapping and trial of Nazi war criminal Adolf Eichmann, but later decided the story worked better as a play. The original Broadway production was directed by Creator/HaroldPinter and starred Creator/DonaldPleasence as Goldman, with Creator/FMurrayAbraham and Abe Vigoda among the supporting cast. The movie version was adapted by Arthur Hiller as part of the American Film Theatre series.

A 1975 film, adapted from a 1971 Broadway play by Creator/RobertShaw, starring Maximilian Schell as highly eccentric, possibly insane Jewish New York City businessman Arthur Goldman.

A 1975 film, adapted from a 1971 Broadway play by Creator/RobertShaw[[note]]Yes, ''that'' [[Film/{{Jaws}} Robert Shaw]][[/note]], starring Maximilian Schell as highly eccentric, possibly insane Jewish New York City businessman Arthur Goldman.

A 1975 film, adapted from a 1971 Broadway play by Robert Shaw[[note]]Yes, ''that'' [[Film/{{Jaws}} Robert Shaw]][[/note]], starring Maximilian Schell as highly eccentric, possibly insane Jewish New York City businessman Arthur Goldman.

Shaw had originally written ''Glass Booth'' as a novel, but later decided to adapt it for the stage. The original Broadway production was directed by Creator/HaroldPinter and starred Creator/DonaldPleasence as Goldman, with Creator/FMurrayAbraham and Abe Vigoda among the supporting cast. The movie version was adapted by Arthur Hiller as part of the American Film Theatre series.

The original story also has some unusually strong links to the ''Franchise/StarTrek'' franchise: Creator/LeonardNimoy played the lead role in the original play after Pleasance, and the story was remade into the ''Series/StarTrekDeepSpaceNine'' BottleEpisode, "[[Recap/StarTrekDeepSpaceNineS01E19Duet Duet]]," one of the finest episodes of that series.

Shaw had originally written ''Glass Booth'' as a novel, but later decided to adapt it for the stage. The original Broadway production was directed by Creator/HaroldPinter and starred Creator/DonaldPleasance as Goldman, with Creator/FMurrayAbraham and Abe Vigoda among the supporting cast. The movie version was adapted by Arthur Hiller as part of the American Film Theatre series.

The original story has some unusually strong links to the ''Franchise/StarTrek'' franchise: Creator/LeonardNimoy played the lead role in the original play and the story was remade into the ''Series/StarTrekDeepSpaceNine'' BottleEpisode, "[[Recap/StarTrekDeepSpaceNineS01E19Duet Duet]]," one of the finest episodes of that series.

A 1975 film, adapted from a 1971 Broadway play by Robert Shaw[[note]]Yes, ''that'' [[Film/{{Jaws}} Robert Shaw]][[/note]], starring Maximilian Schell as highly eccentric, possibly insane Jewish New York City businessman Arthur Goldman. We are introduced to Goldman as he issues orders to his assistant Charlie Cohen over business, rants about the death of his father in Auschwitz at the hands of SS Colonel Karl Dorf, whom he barely survived, and seems paranoid that Dorf remains alive, plotting to finish him. Goldman compares himself to Jesus Christ and generally comes off as a raving, nearly deranged man. Then his paranoid fantasies seem to be justified, as the same car is seen across from his building numerous times, and he finally orders Charlie to go confront its occupants. They turn out to be Israeli agents, who burst into his apartment with guns drawn, accusing him of ''being'' Dorf, and displaying medical evidence which they say proves it. Proudly admitting it now, he is taken back to Israel and put on trial for crimes against humanity, where he defends himself (in SS uniform) from inside of a bulletproof glass booth, hence the film title.

A 1975 film, adapted from a 1971 Broadway play, starring Maximilian Schell as highly eccentric, possibly insane Jewish New York City businessman Arthur Goldman. We are introduced to Goldman as he issues orders to his assistant Charlie Cohen over business, rants about the death of his father in Auschwitz at the hands of SS Colonel Karl Dorf, whom he barely survived, and seems paranoid that Dorf remains alive, plotting to finish him. Goldman compares himself to Jesus Christ and generally comes off as a raving, nearly deranged man. Then his paranoid fantasies seem to be justified, as the same car is seen across from his building numerous times, and he finally orders Charlie to go confront its occupants. They turn out to be Israeli agents, who burst into his apartment with guns drawn, accusing him of ''being'' Dorf, and displaying medical evidence which they say proves it. Proudly admitting it now, he is taken back to Israel and put on trial for crimes against humanity, where he defends himself (in SS uniform) from inside of a bulletproof glass booth, hence the film title.

* TheReveal: It seems the prosecution has an open and shut case against Dorf at first, particularly since he proudly admits to all the crimes they accuse him of. [[spoiler: Except-a dentist is called in to authenticate an X-Ray of Dorf's teeth, who at last reveals they were replaced with the defendant's for money. The physician is recalled to confess that he did the same with X-Rays of Dorf's spine from a surgery. He was Goldman all along. When asked why he did it, Goldman first locks himself in the booth, then sits inside as the memory of his experience overtakes him. At last he goes catatonic, having apparently been driven insane by this experience. It seems that was his reason for pretending to be Dorf in this way. The people in the courtroom surround him, reciting a Jewish prayer]].

* TheReveal: It seems the prosecution has an open and shut case against Dorf at first, particularly since he proudly admits to all the crimes they accuse him of. [[spoiler: Except-a dentist is called in to authenticate an X-Ray of Dorf's teeth, who at last reveals they were replaced with the defendant's for money. The physician is recalled to confess that he did the same with X-Rays of Dorf's spine from a surgery. He was Goldman all along. When asked why he did it, Goldman first locks himself in the booth, then sits inside as the memory of his experience overtakes him. At last he goes catatonic, having apparently been driven insane by this experience. It seems that was his reason for pretending to be Dorf in this way. [[{{Tearjerker}} The people in the courtroom surround him, reciting a Jewish prayer]]]].

A 1975 film, adapted from a 1971 {{Broadway}} play, starring Maximilian Schell as highly eccentric, possibly insane Jewish New York City businessman Arthur Goldman. We are introduced to Goldman as he issues orders to his assistant Charlie Cohen over business, rants about the death of his father in Auschwitz at the hands of SS Colonel Karl Dorf, whom he barely survived, and seems paranoid that Dorf remains alive, plotting to finish him. Goldman compares himself to Jesus Christ and generally comes off as a raving, nearly deranged man. Then his paranoid fantasies seem to be justified, as the same car is seen across from his building numerous times, and he finally orders Charlie to go confront its occupants. They turn out to be Israeli agents, who burst into his apartment with guns drawn, accusing him of ''being'' Dorf, and displaying medical evidence which they say proves it. Proudly admitting it now, he is taken back to Israel and put on trial for crimes against humanity, where he defends himself (in SS uniform) from inside of a bulletproof glass booth, hence the film title.

* TheReveal: It seems the prosecution has an open and shut case against Dorf at first, particularly since he proudly admits to all the crimes they accuse him of. [[spoiler: Except -- a dentist is called in to authenticate an X-Ray of Dorf's teeth, who at last reveals they were replaced with the defendant's for money. The physician is recalled to confess that he did the same with X-Rays of Dorf's spine from a surgery. He was Goldman all along. When asked why he did it, Goldman first locks himself in the booth, then sits inside as the memory of his experience overtakes him. At last he goes catatonic, having apparently been driven insane by this experience. It seems that was his reason for pretending to be Dorf in this way. [[{{Tearjerker}} The people in the courtroom surround him, reciting a Jewish prayer]]]].

The original story has some unusually strong links to the ''Franchise/StarTrek'' franchise: Creator/LeonardNimoy played the lead role in the original play and the story was remade into the ''Series/StarTrekDeepSpaceNine'' BottleEpisode, "Duet," one of the finest episodes of that series.

A 1975 film starring Maximilian Schell as highly eccentric, possibly insane Jewish New York City businessman Arthur Goldman. We are introduced to Goldman as he issues orders to his assistant Charlie Cohen over business, rants about the death of his father in Auschwitz at the hands of SS Colonel Karl Dorf, whom he barely survived, and seems paranoid that Dorf remains alive, plotting to finish him. Goldman compares himself to Jesus Christ and generally comes off as a raving, nearly deranged man. Then his paranoid fantasies seem to be justified, as the same car is seen across from his building numerous times, and he finally orders Charlie to go confront its occupants. They turn out to be Israeli agents, who burst into his apartment with guns drawn, accusing him of ''being'' Dorf, and displaying medical evidence which they say proves it. Proudly admitting it now, he is taken back to Israel and put on trial for crimes against humanity, where he defends himself (in SS uniform) from inside of a bulletproof glass booth, hence the film title.

* TheReveal: It seems the prosecution has an open and shut case against Dorf at first, particularly since he proudly admits to all the crimes they accuse him of. [[spoiler: Except -- a dentist is called in to authenticate an X-Ray of Dorf's teeth, who at last reveals they were replaced with the defendant's for money. The physician is recalled to confess that he did the same with X-Rays of Dorf's spine from a surgery. He was Goldman all along. When asked why he did it, Goldman first locks himself in the booth, then sits inside as the memory of his experience overtakes him. At last he goes catatonic, having apparently been driven insane by this experience. It seems that was his reason for pretending to be Dorf in this way. [[{{Tearjerker The people in the courtroom surround him, reciting a Jewish prayer}}]].

* LargeHam: Schell is an incredible example, hamming it up nonstop in the film as Goldman/Dorf, chewing the scenery furiously.

* TheReveal: It seems the prosecution has an open and shut case against Dorf at first, particularly since he proudly admits to all the crimes they accuse him of. [[spoiler: Except -- a dentist is called in to authenticate an X-Ray of Dorf's teeth, who at last reveals they were replaced with the defendant's for money. The physician is recalled to confess that he did the same with X-Rays of Dorf's spine from a surgery. He was Goldman all along. When asked why he did it, Goldman first locks himself in the booth, then sits inside as the memory of his experience overtakes him. At last he goes catatonic, having apparently been driven insane by this experience. It seems that was his reason for pretending to be Dorf in this way]].

* SomeAnvilsNeedToBeDropped: Nowadays most audiences will have seen films going into far more detail on the Nazi crimes in the Holocaust. At [[TheSeventies the time]], however, this was not as widely known, and it was one of the first films about the subject.

* WhatHappenedToTheMouse: [[spoiler: How did Goldman manage to learn so much about Dorf, and have himself identified as being him by eyewitnesses?]].

A 1975 film starring Maximilian Schell as highly eccentric, possibly insane Jewish New York City businessman Arthur Goldman. We are introduced to Goldman as he issues orders to his assistant Charlie Cohen over business, rants about the death of his father in Auschwitz at the hands of SS Colonel Karl Dorf, whom he barely survived, and seems paranoid that Dorf remains alive, plotting to finish him. Goldman compares himself to Jesus Christ and generally comes off as a raving, nearly mad man. Then his paranoid fantasies seem to be justified, as the same car is seen across from his building numerous times, and he finally orders Charlie to go confront its occupants. They turn out to be Israeli agents, who burst into his apartment with guns drawn, accusing him of ''being'' Dorf, and displaying medical evidence which they say proves it. Proudly admitting it now, he is taken back to Israel and put on trial for crimes against humanity, where he defends himself (in SS uniform) from inside of a glass booth, hence the title.

* TheReveal: It seems the prosecution has an open and shut case against Dorf at first, particularly since he proudly admits all the evidence they present. [[spoiler: Except -- a dentist is called in to authenticate an X-Ray of Dorf's teeth, who reveals they were replaced with the defendant's for money. The physician is recalled to confess that he did the same with X-Rays of Dorf's spine from a surgery. He was Goldman all along. When asked why he did it, Goldman first locks himself in the booth, then sits inside as the memory of his experience overtakes him. At last he goes catatonic, having apparently been driven insane by this experience. It seems that was his reason for pretending to be Dorf in this way]].

A 1975 film starring Maximilian Schell as highly eccentric, possibly insane Jewish New York City businessman Arthur Goldman. We are introduced to Goldman as he issues orders to his assistant Charlie Cohen over business, rants about the death of his father in
Auschwitz at the hands of SS Colonel Karl Dorf, whom he barely survived, and seems paranoid that Dorf remains alive, trying to finish him. Goldman compares himself to Jesus Christ and generally comes off as a raving, nearly mad man. Then his paranoid fantasies seem to be justified, as the same car is seen across from his building numerous times, and he finally orders Charlie to go confront its occupants. They turn out to be Israeli agents, who burst into his apartment with guns drawn, accusing him of being Dorf, and displaying medical evidence which they say prove it. Proudly admitting it now, Dorf is taken back to Israel and put on trial for crimes against humanity, where he defends himself (in SS uniform) from inside of a glass booth, hence the title.

* HannibalLecture: Dorf delivers several epic ones, most while on trial.

* TheReveal: It seems the prosecution has an open and shut case against Dorf at first, particularly since he corroborates all the evidence they present, with pride. [[spoiler: Except -- a dentist is called to authenticate an X-Ray of Dorf's teeth, who reveals they were replaced with the defendant's for money. The physician is recalled to admit that he did the same with X-Rays of Dorf's spine from a surgery. He was Goldman all along. When asked why he did it, Goldman first locks himself in the booth, then sits inside as the memory of his experience overtakes him. At last he goes catatonic, having apparently been driven insane by this. It seems that was his reason for pretending to be Dorf in this way]].

* WhatHappenedtotheMouse: [[spoiler: How did Goldman manage to learn so much about Dorf, and have himself identified as being him by eyewitnesses?]].