Changed line(s) 31 (click to see context) from:
* IAteWhat: Implied. While Carter is dining with an ArabOilSheikh and his entourage, he tells one of the Sheikh's men to tell him that the "fried grapes" are delicious. The man tells him that they are not, and while it isn't heard what he told him that they are since he said it on his ear, the man makes some cupping and chopping hand gestures, implying that they are animal testicles. Aside from a subdued OhCrap expression, Carter otherwise sems to take it on stride, repeating that they are delicious.
to:
* IAteWhat: Implied.Downplayed. While Carter is dining with an ArabOilSheikh and his entourage, he tells one of the Sheikh's men to tell him that the "fried grapes" are delicious. The man tells him that they are not, and while it isn't heard what he told him that they are since he said it on his ear, the man makes some cupping and chopping hand gestures, implying that they are animal testicles. Aside from a subdued OhCrap expression, Carter otherwise sems seems to take it on stride, repeating that they are delicious.
Changed line(s) 30 (click to see context) from:
* HaveAGayOldTime: Carter's friend Richard tells Carter that their boss likes HappilyMarried men, to which Carter replies that he (Carter) has been perfectly happy as a still-legally-married-but-separated man. Richard's reaction? "No more gay married bachelor."[[note]]Said to the later-revealed-to-be-gay Rock Hudson, no less.[[/note]]
to:
* HaveAGayOldTime: Carter's friend Richard Bramwell tells Carter that their boss likes HappilyMarried men, to which Carter replies that he (Carter) has been perfectly happy as a still-legally-married-but-separated man. Richard's reaction? "No more gay married bachelor."[[note]]Said to the later-revealed-to-be-gay Rock Hudson, no less.[[/note]]
Changed line(s) 30 (click to see context) from:
* HaveAGayOldTime: Carter's friend Richard Bramwell's reaction to Carter telling him, after Bramwell told him that their boss likes HappilyMarried men, that he has been perfectly happy as a still legally married but separated man: "No more gay married bachelor."[[note]]Said to the later-revealed-to-be-gay Rock Hudson, no less.[[/note]]
to:
* HaveAGayOldTime: Carter's friend Richard Bramwell's reaction to tells Carter telling him, after Bramwell told him that their boss likes HappilyMarried men, to which Carter replies that he (Carter) has been perfectly happy as a still legally married but separated man: still-legally-married-but-separated man. Richard's reaction? "No more gay married bachelor."[[note]]Said to the later-revealed-to-be-gay Rock Hudson, no less.[[/note]]
Changed line(s) 13 (click to see context) from:
* AdvertisedExtra: Creator/TerryThomas was heavily featured in some promotional material, but he ultimately only appears for a few minutes as a mortician who helps Carter towards the end of the film, in what was basically a glorified {{cameo}}.
to:
* AdvertisedExtra: Creator/TerryThomas was heavily featured in some promotional material, but he ultimately only appears for a few minutes as a mortician who helps Carter towards the end of the film, in what was basically a glorified {{cameo}}.[[TheCameo cameo]].
Changed line(s) 1,2 (click to see context) from:
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/strange_bedfellows.jpg]]
to:
Changed line(s) 3,4 (click to see context) from:
''Strange Bedfellows'' is a 1965 American comedy film directed by Melvin Frank, starring Creator/RockHudson, Creator/GinaLollobrigida, and Creator/GigYoung.
to:
''Strange Bedfellows'' is a 1965 American romantic comedy film directed by Melvin Frank, starring Creator/RockHudson, Creator/GinaLollobrigida, and Creator/GigYoung.
Changed line(s) 3,5 (click to see context) from:
''Strange Bedfellows'' is a 1965 American comedy film directed by Melvin Frank and starring Creator/RockHudson and Creator/GinaLollobrigida.
An American businessman, Carter Harrison (Hudson) and a bohemian Italian woman, Toni (Lollobrigida) meet in London and impulsively marry. However, they find shortly after that they have virtually nothing in common and separate. Seven years later, just days before the divorce is due to be finalized, they meet again and begin to rekindle the romance. Complicating things is that an important promotion for Carter hinges on whether he's married, and a protest stunt by Toni's bohemian collective that could destroy his career.
An American businessman, Carter Harrison (Hudson) and a bohemian Italian woman, Toni (Lollobrigida) meet in London and impulsively marry. However, they find shortly after that they have virtually nothing in common and separate. Seven years later, just days before the divorce is due to be finalized, they meet again and begin to rekindle the romance. Complicating things is that an important promotion for Carter hinges on whether he's married, and a protest stunt by Toni's bohemian collective that could destroy his career.
to:
''Strange Bedfellows'' is a 1965 American comedy film directed by Melvin Frank and Frank, starring Creator/RockHudson Creator/RockHudson, Creator/GinaLollobrigida, and Creator/GinaLollobrigida.
Creator/GigYoung.
An American businessman, Carter Harrison(Hudson) (Hudson), and a bohemian Italian woman, Toni (Lollobrigida) (Lollobrigida), meet in London and impulsively marry. However, they find shortly after that they have virtually nothing in common and separate. Seven years later, just days before the divorce is due to be finalized, they meet again and begin to rekindle the romance. Complicating things is that an important promotion for Carter hinges on whether he's married, and a protest stunt by Toni's bohemian collective that could destroy his career.career.
An American businessman, Carter Harrison
Changed line(s) 12 (click to see context) from:
* AdvertisedExtra: Creator/TerryThomas was heavily featured in some promotional material, but he ultimately only appears for a few minutes as a mortician who helps Carter towards the end of the film, in what was basically a glorified cameo.
to:
* AdvertisedExtra: Creator/TerryThomas was heavily featured in some promotional material, but he ultimately only appears for a few minutes as a mortician who helps Carter towards the end of the film, in what was basically a glorified cameo.{{cameo}}.
Changed line(s) 26 (click to see context) from:
* FourthDateMarriage: The narrator at the beginning of the film says that Carter and Toni married 24 hours after meeting each other.
to:
[[TheDreaded Nurse Ratched]]
*FourthDateMarriage: FacialScruff: The narrator at beard worn by Harry Jones, Toni's Bohemian friend and rival for her husband Carter's affections, is used as a source of humor from his very first appearance in the beginning of the film says that movie, where Carter puts him down with the comment "I'll thank you to keep your food-stained beard out of my affairs AND my eggs!" At another point, the two men end up sharing a bed. Carter turns around and Toni married 24 hours after meeting each other.reaches for what he thinks is his wife's face, and realizes that it's actually Harry when he ends up stroking Harry's whiskers. Later, when Harry is blocking his way, Carter tells him: "Are you gonna move or do I have to shove that bush down your throat?"
*
Changed line(s) 32 (click to see context) from:
* {{Leitmotif}}: After Bramwell tells Carter that he "can be Yankee Doodle right in your town on a solid-gold pony," snippets of "Yankee Doodle Dandy" accompany the majority of Carter's scenes (made all the more important since he's an American in London). On the contrary, his main rival, the British Harry Jones, is given "Rule Britannia."
to:
* {{Leitmotif}}: After Bramwell tells Carter that he "can be Yankee Doodle right in your town on a solid-gold pony," snippets of "Yankee Doodle Dandy" Doodle" accompany the majority of Carter's scenes (made all the more important since he's an American in London). On the contrary, his main rival, the British Harry Jones, is given "Rule Britannia."
* GossipEvolution: Carter asks his cab driver if he can use his radio to rely a message to Toni, and after a tip, he accepts. Problem is, all parts involved in relying the message (Carter's driver, the operator, and Toni's driver) treat it as a game of telephone, resulting in things such as him saying that he's a "completely changed man" and wanting to have a child being turned into him having a sex reassignment operation (not helped by Carter talking about having "a tricky operation in the Middle East," actually referring to a business deal there) and the example he gives about wanting to have coexistance regaring his and Toni's different ideologies ("Let's face it, I'm not in love with the Premier of the Soviet Union, but I do want to live with him.") gets turned into him "want[ing] to set up house with the Russian Prime Minister."
Deleted line(s) 28 (click to see context) :
* GossipEvolution: Carter asks his cab driver if he can use his radio to rely a message to Toni, and after a tip, he accepts. Problem is, all parts involved in relying the message (Carter's driver, the operator, and Toni's driver) treat it as a game of telephone, resulting in things such as him saying that he's a "completely changed man" and wanting to have a child being turned into him having a sex reassignment operation (not helped by Carter talking about having "a tricky operation in the Middle East," actually referring to a business deal there) and the example he gives about wanting to have coexistance regaring his and Toni's different ideologies ("Let's face it, I'm not in love with the Premier of the Soviet Union, but I do want to live with him.") gets turned into him "want[ing] to set up house with the Russian Prime Minister."
* ItaliansTalkWithHands: The longer the arguments between Carter and Toni, greater are the chances of Toni starting to talk with her hands.
Deleted line(s) 32,34 (click to see context) :
* ItaliansTalkWithHands: The longer the arguments between Carter and Toni, greater are the chances of Toni starting to talk with her hands.
* MeetCute: Carter and Toni met when Toni absentmindedly swatted a paintbrush on his face while she was painting a protest mural.
* MaleGaze: When Carter and Toni meet again at the office of the judge in charge of their divorce, Carter has a glance of Toni's legs.
* MeetCute: Carter and Toni met when Toni absentmindedly swatted a paintbrush on his face while she was painting a protest mural.
* MaleGaze: When Carter and Toni meet again at the office of the judge in charge of their divorce, Carter has a glance of Toni's legs.
Added DiffLines:
* MaleGaze: When Carter and Toni meet again at the office of the judge in charge of their divorce, Carter has a glance of Toni's legs.
* MeetCute: Carter and Toni met when Toni absentmindedly swatted a paintbrush on his face while she was painting a protest mural.
* MeetCute: Carter and Toni met when Toni absentmindedly swatted a paintbrush on his face while she was painting a protest mural.
Added DiffLines:
* AddedAlliterativeAppeal: Toni comes up with a quite inspired alliterative phrase when insulting Carter, albeit with some help from Harry Jones.
-->'''Toni:''' You are the most barbaric, bothersome, boorish, bourgeois...
-->'''Harry Jones:''' "Bore"?
-->'''Toni:''' BORE I'VE EVER MET!
* AdvertisedExtra: Creator/TerryThomas was heavily featured in some promotional material, but he ultimately only appears for a few minutes as a mortician who helps Carter towards the end of the film, in what was basically a glorified cameo.
-->'''Toni:''' You are the most barbaric, bothersome, boorish, bourgeois...
-->'''Harry Jones:''' "Bore"?
-->'''Toni:''' BORE I'VE EVER MET!
* AdvertisedExtra: Creator/TerryThomas was heavily featured in some promotional material, but he ultimately only appears for a few minutes as a mortician who helps Carter towards the end of the film, in what was basically a glorified cameo.
Added DiffLines:
* BreadEggsBreadedEggs: When Carter leaves Toni at her house:
-->'''Carter:''' What is it, a studio house?
-->'''Toni:''' Mm-hmm. You see, it's actually a studio...I mean, as well as a house.
-->'''Carter:''' Probably why they call it a studio house.
* DeadpanSnarker: Carter has his moments. For example, after Toni talks about an artist named Petrocini, who Carter doesn't know about.
-->'''Toni:''' Petrocini! Oh, certainly you've heard of Petrocini!
-->'''Carter:''' No, but it sounds fattening.
* DivorceInReno: Discussed. The British judge in charge of Carter and Toni's divorce states that, due to Carter being American, it would be more viable to file "an American divorce, probably in Reno."
* DriverOfABlackCab: Being in London, Carter and Toni eventually end up having to ride with these (and they always seem to pick the same ones). Surprisingly, they aren't as judgemental as usual examples (especially considering that GossipEvolution led them to assume some outlandish things about Carter), although they are certainly very interested in following Carter and Toni's story (especially Carter's driver).
* FourthDateMarriage: The narrator at the beginning of the film says that Carter and Toni married 24 hours after meeting each other.
* GratuitousItalian: Toni tends to slip into Italian during her discussions with Carter. She in particular gives a long string of Italian during her first argument with Carter following their reunion.
* GossipEvolution: Carter asks his cab driver if he can use his radio to rely a message to Toni, and after a tip, he accepts. Problem is, all parts involved in relying the message (Carter's driver, the operator, and Toni's driver) treat it as a game of telephone, resulting in things such as him saying that he's a "completely changed man" and wanting to have a child being turned into him having a sex reassignment operation (not helped by Carter talking about having "a tricky operation in the Middle East," actually referring to a business deal there) and the example he gives about wanting to have coexistance regaring his and Toni's different ideologies ("Let's face it, I'm not in love with the Premier of the Soviet Union, but I do want to live with him.") gets turned into him "want[ing] to set up house with the Russian Prime Minister."
* HaveAGayOldTime: Carter's friend Richard Bramwell's reaction to Carter telling him, after Bramwell told him that their boss likes HappilyMarried men, that he has been perfectly happy as a still legally married but separated man: "No more gay married bachelor."[[note]]Said to the later-revealed-to-be-gay Rock Hudson, no less.[[/note]]
-->'''Carter:''' What is it, a studio house?
-->'''Toni:''' Mm-hmm. You see, it's actually a studio...I mean, as well as a house.
-->'''Carter:''' Probably why they call it a studio house.
* DeadpanSnarker: Carter has his moments. For example, after Toni talks about an artist named Petrocini, who Carter doesn't know about.
-->'''Toni:''' Petrocini! Oh, certainly you've heard of Petrocini!
-->'''Carter:''' No, but it sounds fattening.
* DivorceInReno: Discussed. The British judge in charge of Carter and Toni's divorce states that, due to Carter being American, it would be more viable to file "an American divorce, probably in Reno."
* DriverOfABlackCab: Being in London, Carter and Toni eventually end up having to ride with these (and they always seem to pick the same ones). Surprisingly, they aren't as judgemental as usual examples (especially considering that GossipEvolution led them to assume some outlandish things about Carter), although they are certainly very interested in following Carter and Toni's story (especially Carter's driver).
* FourthDateMarriage: The narrator at the beginning of the film says that Carter and Toni married 24 hours after meeting each other.
* GratuitousItalian: Toni tends to slip into Italian during her discussions with Carter. She in particular gives a long string of Italian during her first argument with Carter following their reunion.
* GossipEvolution: Carter asks his cab driver if he can use his radio to rely a message to Toni, and after a tip, he accepts. Problem is, all parts involved in relying the message (Carter's driver, the operator, and Toni's driver) treat it as a game of telephone, resulting in things such as him saying that he's a "completely changed man" and wanting to have a child being turned into him having a sex reassignment operation (not helped by Carter talking about having "a tricky operation in the Middle East," actually referring to a business deal there) and the example he gives about wanting to have coexistance regaring his and Toni's different ideologies ("Let's face it, I'm not in love with the Premier of the Soviet Union, but I do want to live with him.") gets turned into him "want[ing] to set up house with the Russian Prime Minister."
* HaveAGayOldTime: Carter's friend Richard Bramwell's reaction to Carter telling him, after Bramwell told him that their boss likes HappilyMarried men, that he has been perfectly happy as a still legally married but separated man: "No more gay married bachelor."[[note]]Said to the later-revealed-to-be-gay Rock Hudson, no less.[[/note]]
Added DiffLines:
* {{Leitmotif}}: After Bramwell tells Carter that he "can be Yankee Doodle right in your town on a solid-gold pony," snippets of "Yankee Doodle Dandy" accompany the majority of Carter's scenes (made all the more important since he's an American in London). On the contrary, his main rival, the British Harry Jones, is given "Rule Britannia."
* ItaliansTalkWithHands: The longer the arguments between Carter and Toni, greater are the chances of Toni starting to talk with her hands.
* ItaliansTalkWithHands: The longer the arguments between Carter and Toni, greater are the chances of Toni starting to talk with her hands.
Added DiffLines:
* MaleGaze: When Carter and Toni meet again at the office of the judge in charge of their divorce, Carter has a glance of Toni's legs.
* LemonyNarrator: The narrator at the beginning of the film certainly has a particular way of explaining Carter and Toni's story and their conflict.
-->'''Narrator:''' And when words failed, she resorted to pure Italian logic.
-->''[shows Toni throwing a pizza on Carter's face]''
* RambunctiousItalian: Toni. It's not so much that she gets mad easily (she seems lovely most of the time), but when Carter manages to infuriate her during their discussions (which is a lot of the time), she's as hot-tempered and loud as you'd expect an Italian to be. The narrator at the beginning of the film snarks that her aim when throwing paint pots at Carter is better than her English.
* TitleDrop: When Bramwell is trying to convince Carter to keep his marriage for the sake of his (Carter's) job:
-->'''Bramwell:''' Look Carter, politics makes strange bedfellows, why not big business?
* LemonyNarrator: The narrator at the beginning of the film certainly has a particular way of explaining Carter and Toni's story and their conflict.
-->'''Narrator:''' And when words failed, she resorted to pure Italian logic.
-->''[shows Toni throwing a pizza on Carter's face]''
* RambunctiousItalian: Toni. It's not so much that she gets mad easily (she seems lovely most of the time), but when Carter manages to infuriate her during their discussions (which is a lot of the time), she's as hot-tempered and loud as you'd expect an Italian to be. The narrator at the beginning of the film snarks that her aim when throwing paint pots at Carter is better than her English.
* TitleDrop: When Bramwell is trying to convince Carter to keep his marriage for the sake of his (Carter's) job:
-->'''Bramwell:''' Look Carter, politics makes strange bedfellows, why not big business?
Added DiffLines:
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/strange_bedfellows.jpg]]
''Strange Bedfellows'' is a 1965 American comedy film directed by Melvin Frank and starring Creator/RockHudson and Creator/GinaLollobrigida.
An American businessman, Carter Harrison (Hudson) and a bohemian Italian woman, Toni (Lollobrigida) meet in London and impulsively marry. However, they find shortly after that they have virtually nothing in common and separate. Seven years later, just days before the divorce is due to be finalized, they meet again and begin to rekindle the romance. Complicating things is that an important promotion for Carter hinges on whether he's married, and a protest stunt by Toni's bohemian collective that could destroy his career.
----
!!This film features examples of:
* ArabOilSheikh: Carter is shown reuniting with one of these after his initial separation from Toni.
* ArsonMurderAndJaywalking: The narrator at the beginning of the film says with regards of Carter and Toni discovering that they disagreed on a lot of viewpoints:
-->'''Narrator:''' They agreed on nothing: Politics, poligamy, peanut butter, Pushkin, you name it!
* BaitAndSwitch: When big-shot businessman Carter has a reunion with an ArabOilSheikh and his entourage in a tent, a camel and a modern luxury car are seen outside the tent. After they exit the reunion, it is revealed that the camel is ''Carter's'', and the car is the Sheikh and his entourage's.
* IAteWhat: Implied. While Carter is dining with an ArabOilSheikh and his entourage, he tells one of the Sheikh's men to tell him that the "fried grapes" are delicious. The man tells him that they are not, and while it isn't heard what he told him that they are since he said it on his ear, the man makes some cupping and chopping hand gestures, implying that they are animal testicles. Aside from a subdued OhCrap expression, Carter otherwise sems to take it on stride, repeating that they are delicious.
* MeetCute: Carter and Toni met when Toni absentmindedly swatted a paintbrush on his face while she was painting a protest mural.
----
''Strange Bedfellows'' is a 1965 American comedy film directed by Melvin Frank and starring Creator/RockHudson and Creator/GinaLollobrigida.
An American businessman, Carter Harrison (Hudson) and a bohemian Italian woman, Toni (Lollobrigida) meet in London and impulsively marry. However, they find shortly after that they have virtually nothing in common and separate. Seven years later, just days before the divorce is due to be finalized, they meet again and begin to rekindle the romance. Complicating things is that an important promotion for Carter hinges on whether he's married, and a protest stunt by Toni's bohemian collective that could destroy his career.
----
!!This film features examples of:
* ArabOilSheikh: Carter is shown reuniting with one of these after his initial separation from Toni.
* ArsonMurderAndJaywalking: The narrator at the beginning of the film says with regards of Carter and Toni discovering that they disagreed on a lot of viewpoints:
-->'''Narrator:''' They agreed on nothing: Politics, poligamy, peanut butter, Pushkin, you name it!
* BaitAndSwitch: When big-shot businessman Carter has a reunion with an ArabOilSheikh and his entourage in a tent, a camel and a modern luxury car are seen outside the tent. After they exit the reunion, it is revealed that the camel is ''Carter's'', and the car is the Sheikh and his entourage's.
* IAteWhat: Implied. While Carter is dining with an ArabOilSheikh and his entourage, he tells one of the Sheikh's men to tell him that the "fried grapes" are delicious. The man tells him that they are not, and while it isn't heard what he told him that they are since he said it on his ear, the man makes some cupping and chopping hand gestures, implying that they are animal testicles. Aside from a subdued OhCrap expression, Carter otherwise sems to take it on stride, repeating that they are delicious.
* MeetCute: Carter and Toni met when Toni absentmindedly swatted a paintbrush on his face while she was painting a protest mural.
----
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