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* DidNotGetTheGirl: It's established from the very beginning that they don't end up together and that they only have a brief window of time together.

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* DidNotGetTheGirl: It's established from the very beginning that they Marianne and Héloïse don't end up together and that they only have a brief window of time together.



* FemaleGaze: The main motif of the movie is a woman observing a woman, and gradually falling in love in the process. Céline Sciamma has further acknowledge that the movie is all about FemaleGaze.

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* FemaleGaze: The main motif of the movie is a woman observing a woman, and gradually falling in love in the process. Céline Sciamma has further acknowledge acknowledged that this gaze is what drives the movie is all about FemaleGaze.movie.
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''Portrait of a Lady on Fire'' (French: ''Portrait de la jeune fille en feu'') is a 2019 French romantic period drama film written and directed by Creator/CelineSciamma, starring Noémie Merlant and Adèle Haenel (the latter actress having previously starred in Sciamma's debut film ''Film/WaterLilies'').

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''Portrait of a Lady on Fire'' (French: ''Portrait de la jeune fille en feu'') is a 2019 French romantic period drama film written and directed by Creator/CelineSciamma, starring Noémie Merlant Creator/NoemieMerlant and Adèle Haenel (the latter actress having previously starred in Sciamma's debut film ''Film/WaterLilies'').
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* AllThereInTheManual: There is no indication in the film itself to when and where in France does the story takes place, other than the ocean and 18th century fashion. Official synopsis says Brittany in 1770.

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* AllThereInTheManual: There is no indication in the film itself to when and where in France does the story takes take place, other than the ocean and 18th century fashion. Official synopsis says Brittany in 1770.
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* AllThereInTheManual: There is no indication in the film itself to when and where in France does the story takes place, other than the ocean and 18th century fashion. Official synopsis says Brittany in 1770.
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At the end of the 18th century, young painter Marianne (Merlant) is commissioned to paint a portrait of a young woman to be used to elicit marriage proposals. Knowing that the woman, Héloïse (Haenel), has previously refused to sit for portraits as she does not want to be married, Marianne disguises herself as a lady's maid in order to gain her subject's trust only to find herself inadvertently falling in love with her.

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At the end of the 18th century, In 1770, young painter Marianne (Merlant) is commissioned to paint a portrait of a young woman to be used to elicit marriage proposals. Knowing that the woman, Héloïse (Haenel), has previously refused to sit for portraits as she does not want to be married, Marianne disguises herself as a lady's maid in order to gain her subject's trust only to find herself inadvertently falling in love with her.



* ArtisticLicenseHistory: "The Four Seasons", like the rest of Antonio Vivaldi's music, was largely forgotten about after the composer's death in 1741 until his oeuvre underwent a major revival in the 20th century. The years of the film are never specified, but it would have been an unlikely musical touchstone in the latter half of the 18th century.

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* ArtisticLicenseHistory: "The Four Seasons", like the rest of Antonio Vivaldi's music, was largely forgotten about after the composer's death in 1741 until his oeuvre underwent a major revival in the 20th century. The years of the film are never specified, but it It would have been an unlikely musical touchstone in the latter half of the 18th century.

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* ArtisticLicenseHistory: "The Four Seasons", like the rest of Antonio Vivaldi's music, was largely forgotten about after the composer's death in 1741 until his oeuvre underwent a major revival in the 20th century. The years of the film are never specified, but it would have been an unlikely musical touchstone in the latter half of the 18th century.
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* IResembleThatRemark: The page quote. Héloïse demonstrates her closeness and intimacy with Marianne by telling her the little things she does to give away her emotions, and Marianne responds by doing exactly what Héloïse describes.
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* BackToCameraPose: The film includes a shot where Héloïse looks meditatively out at the ocean in her signature green dress with her back turned to the camera.

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At the end of the 18th century, young painter Marianne (Merlant) is commissioned to paint a portrait of a young woman to be used to elicit marriage proposals. Knowing that the woman, Héloïse (Haenel), has previously refused to sit for portraits as she does not want to be married, Marianne disguises herself as a lady's maid in order to gain her subject's trust only to find herself inadvertently falling in love with her. Other notable characters include Héloïse's mother, an Italian widow who wishes to go back to Milan and hires Marianne, and Sophie, Héloïse's maid.

to:

At the end of the 18th century, young painter Marianne (Merlant) is commissioned to paint a portrait of a young woman to be used to elicit marriage proposals. Knowing that the woman, Héloïse (Haenel), has previously refused to sit for portraits as she does not want to be married, Marianne disguises herself as a lady's maid in order to gain her subject's trust only to find herself inadvertently falling in love with her. her.

Other notable characters include Héloïse's mother, an Italian widow who wishes to go back to Milan and hires Marianne, and Sophie, Héloïse's maid.
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None


''Portrait of a Lady on Fire'' (French: ''Portrait de la jeune fille en feu'') is a 2019 French romantic period drama film written and directed by Creator/CelineSciamma.

At the end of the 18th century, young painter Marianne is commissioned to paint a portrait of a young woman to be used to elicit marriage proposals. Knowing that the woman, Héloïse, has previously refused to sit for portraits as she does not want to be married, Marianne disguises herself as a lady's maid in order to gain her subject's trust only to find herself inadvertently falling in love with her. Other notable characters include Héloïse's mother, an Italian widow who wishes to go back to Milan and hires Marianne, and Sophie, Héloïse's maid.

to:

''Portrait of a Lady on Fire'' (French: ''Portrait de la jeune fille en feu'') is a 2019 French romantic period drama film written and directed by Creator/CelineSciamma.

Creator/CelineSciamma, starring Noémie Merlant and Adèle Haenel (the latter actress having previously starred in Sciamma's debut film ''Film/WaterLilies'').

At the end of the 18th century, young painter Marianne (Merlant) is commissioned to paint a portrait of a young woman to be used to elicit marriage proposals. Knowing that the woman, Héloïse, Héloïse (Haenel), has previously refused to sit for portraits as she does not want to be married, Marianne disguises herself as a lady's maid in order to gain her subject's trust only to find herself inadvertently falling in love with her. Other notable characters include Héloïse's mother, an Italian widow who wishes to go back to Milan and hires Marianne, and Sophie, Héloïse's maid.
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None


* FemaleGaze: the main motif of the movie is a woman observing a woman, and gradually falling in love in the process. Céline Sciamma has further acknowledge that the movie is all about FemaleGaze.

to:

* FemaleGaze: the The main motif of the movie is a woman observing a woman, and gradually falling in love in the process. Céline Sciamma has further acknowledge that the movie is all about FemaleGaze.
Is there an issue? Send a MessageReason:
None


''Portrait of a Lady on Fire'' (French: ''Portrait de la jeune fille en feu'') is a 2019 French period drama film directed and written by Creator/CelineSciamma.

At the end of the eighteenth century Marianne, a young painter, is commissioned to paint a portrait of a young woman to be used to elicit marriage proposals. Knowing that the woman, Héloïse, has previously refused to sit for portraits as she does not want to be married, Marianne disguises herself as a lady's maid in order to gain her subject's trust only to find herself inadvertently falling in love with her. Other notable characters include Héloïse's mother, an Italian widow who wishes to go back to Milan and hires Marianne, and Sophie, Héloïse's maid.

to:

''Portrait of a Lady on Fire'' (French: ''Portrait de la jeune fille en feu'') is a 2019 French romantic period drama film written and directed and written by Creator/CelineSciamma.

At the end of the eighteenth century Marianne, a 18th century, young painter, painter Marianne is commissioned to paint a portrait of a young woman to be used to elicit marriage proposals. Knowing that the woman, Héloïse, has previously refused to sit for portraits as she does not want to be married, Marianne disguises herself as a lady's maid in order to gain her subject's trust only to find herself inadvertently falling in love with her. Other notable characters include Héloïse's mother, an Italian widow who wishes to go back to Milan and hires Marianne, and Sophie, Héloïse's maid.

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Removed: 153

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At the end of the eighteenth century Marianne, a young painter, is commissioned to paint a portrait of a young woman to be used to elicit marriage proposals. Knowing that the woman, Héloïse, has previously refused to sit for portraits as she does not want to be married, Marianne disguises herself as a lady's maid in order to gain her subject's trust only to find herself inadvertently falling in love with her.

Other notable characters are:
* Héloïse's mother, who has hired Marianne. She is an Italian widow and wishes to go back to Milan.
* Sophie, Héloïse's maid.

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At the end of the eighteenth century Marianne, a young painter, is commissioned to paint a portrait of a young woman to be used to elicit marriage proposals. Knowing that the woman, Héloïse, has previously refused to sit for portraits as she does not want to be married, Marianne disguises herself as a lady's maid in order to gain her subject's trust only to find herself inadvertently falling in love with her.

her. Other notable characters are:
*
include Héloïse's mother, who has hired Marianne. She is an Italian widow and who wishes to go back to Milan.
*
Milan and hires Marianne, and Sophie, Héloïse's maid.
maid.
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* FemaleGaze: the main motif of the movie is a woman observing a woman, and gradually falling in love in the process. Céline Sciamma has further acknowledge that the movie is all about FemaleGaze.
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Misuse of Double Standard


* DoubleStandard:

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* DoubleStandard:DeliberateValuesDissonance:
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* HairContrastDuo: The two leads are a brunette and a blonde.
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* ShoutOut: The film makes references to [[Myth/ClassicalMythology Orpheus and Eurydice]]. First, the characters read from the text and discuss it. Later when Marianne leaves the house, Héloïse calls her back and disappears into darkness when Marianne turns around just like what happened in the Greek legend. In the present, we see Marianne standing in front of a painting of hers showing the moment of separation between Orpheus and Eurydice.

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* ShoutOut: The film makes references pays homage to [[Myth/ClassicalMythology Orpheus and Eurydice]]. First, the characters read from the text and discuss it. Later when Marianne leaves the house, Héloïse calls her back and disappears into darkness when Marianne turns around just like what happened in the Greek legend. In the present, we see Marianne standing in front of a painting of hers showing the moment of separation between Orpheus and Eurydice.
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* VisualTitleDrop: We get to see Héloïse with her dress on fire which becomes the inspiration for the painting.
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not applicable. first, Up To Eleven doesnt work because it needs a known 10 to work and secondly it refers to The Bechdel Test which is a useful note and not a trope


* UpToEleven: How this film passes UsefulNotes/TheBechdelTest. There are no men except in the very beginning and ending of the film, they are not named and only one of them (barely) speaks. The only time babies are mentioned is about abortion.
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misuse. as it says on the trope page, cases where the period is plot-relevant don't count


* NoPeriodsPeriod: Averted. Marianne gets cramps as hers starts up, and Sophie makes a remedy for her. It also leads to the reveal of Sophie's pregnancy, as she's missed three in a row, as comes up in their conversation.
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edits


** Sophie has to try ridiculous and cumbersome tricks to get rid of her unwanted pregnancy. She ultimately has to go to a local 'faiseuse d'anges' (abortionist healer).

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** Sophie has to try ridiculous and cumbersome tricks to get rid of her unwanted pregnancy. She ultimately has to go to a local 'faiseuse d'anges' (abortionist healer).([[BackAlleyDoctor abortionist healer]]).



* PublicDomainSoundtrack: One of the only two songs featured in the entire movie is the third movement of "Summer" from Vivaldi's Four Seasons. It's featured in two scenes- the first being when Marianne plays a bit of it for Héloïse on the harpsichord, the second being [[spoiler: the ending scene, where Marianne witnesses Héloïse being overcome with emotion while experiencing it being played by a full orchestra.]]

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* PublicDomainSoundtrack: One of the only two songs featured in the entire movie is the third movement of "Summer" from Vivaldi's Four Seasons. It's featured in two scenes- scenes -- the first being when Marianne plays a bit of it for Héloïse on the harpsichord, the second being [[spoiler: the ending scene, where Marianne witnesses Héloïse being overcome with emotion while experiencing it being played by a full orchestra.]]



* RealityHasNoSoundtrack: The film has almost no soundtrack to reflect how precious Héloïse finds music in a time period where recordings don't exist and concerts are typically a privilege only enjoyed by the rich. The rare instances of music in the film are all diegetic and very important.

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* RealityHasNoSoundtrack: The film has almost no soundtrack to reflect how precious Héloïse finds music in a time period where recordings don't exist and concerts are typically a privilege only enjoyed by the rich. The rare instances of music in the film are all diegetic [[SourceMusic diegetic]] and very important.
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grammar corrections


* Héloïse's mother, who has hired Marianne. She is an Italian widow, and wishes to go back to Milan.

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* Héloïse's mother, who has hired Marianne. She is an Italian widow, widow and wishes to go back to Milan.



* ArrangedMarriage: Because her mother wishes to live there, Héloïse will have to marry with some wealthy guy in Milan.

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* ArrangedMarriage: Because her mother wishes to live there, Héloïse will have to marry with some wealthy guy in Milan.



* DidNotGetTheGirl: It's established from the very beginning that they don't end up together, and that they only have a brief window of time together.

to:

* DidNotGetTheGirl: It's established from the very beginning that they don't end up together, together and that they only have a brief window of time together.



* DrivenToSuicide: It is heavily implied that the death of Héloïse's sister was not an accident but a suicide in order to escape her impending ArrangedMarriage.

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* DrivenToSuicide: It is heavily implied that the death of Héloïse's sister was not an accident but a suicide in order to escape her impending ArrangedMarriage.



* FireWaterJuxtaposition: All over the place. Scenes are often taking place by the ocean under a strong but cold daylight or by a fire, usually at night or indoors. One can argue that water symbolizes freedom and the outside world while fire represents intimacy, community and, of course, love.

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* FireWaterJuxtaposition: All over the place. Scenes are often taking place by the ocean under a strong but cold daylight or by a fire, usually at night or indoors. One can argue that water symbolizes freedom and the outside world while fire represents intimacy, community and, of course, love.[[FlamesOfLove love]].



* LipstickLesbian: Héloïse is a {{proper lady}} in her appearance and mannter per 18th century French standards, who also has an affair with Marianne, the female painter commissioned to do her portrait.

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* LipstickLesbian: Héloïse is a {{proper lady}} in her appearance and mannter manner per 18th century French standards, who also has an affair with Marianne, the female painter commissioned to do her portrait.

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adding new tropes



* AlmostKiss: The two leads come face to face during one of the painting sessions but nothing happens beyond a HeldGaze.



* {{Fauxshadowing}}: Some emphasis is placed on characters being able/not able to swim which opens up the potential for drama. Early on Marianne displays her ChekhovsSkill of swimming when having to rescue her canvas in the sea. Later Héloïse reveals that she doesn't know if she can swim and then goes for a bath and disappears in the waves. However, nothing comes of it and the scene cuts to Héloïse having returned to the beach.



* FramingDevice: The story is framed by showing Marianne some time after the events with her starting to reflect back on what happened.



* InterclassFriendship: The friendship with Sophie, the servant, goes beyond the class relationship.



* LongingLook: Héloïse took Marianne's stealing looks at her for a sign of affection while the latter was actually scouting her for the painting.



* LovingDetails: During one of the painting sessions both Héloïse and Marianne mention little things they observed in the other.



* MinimalistCast: Doubles as ChromosomeCasting. The main story plays out with four female characters.



* PublicDomainSoundtrack: One of the only two songs featured in the entire movie is the third movement of "Summer" from Vivaldi's Four Seasons. It's featured in two scenes- the first being when Marianne plays a bit of it for Héloïse on the harpsichord, the second being [[spoiler: the ending scene, where Marianne witnesses Héloïse being overcome with emotion while experiencing it being played by a full orchestra.]]



* PublicDomainSoundtrack: One of the only two songs featured in the entire movie is the third movement of "Summer" from Vivaldi's Four Seasons. It's featured in two scenes- the first being when Marianne plays a bit of it for Héloïse on the harpsichord, the second being [[spoiler: the ending scene, where Marianne witnesses Héloïse being overcome with emotion while experiencing it being played by a full orchestra.]]


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* ShoutOut: The film makes references to [[Myth/ClassicalMythology Orpheus and Eurydice]]. First, the characters read from the text and discuss it. Later when Marianne leaves the house, Héloïse calls her back and disappears into darkness when Marianne turns around just like what happened in the Greek legend. In the present, we see Marianne standing in front of a painting of hers showing the moment of separation between Orpheus and Eurydice.


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* ThirdActMisunderstanding: Héloïse and Marianne have a fallout towards the end of their time together but quickly reconcile.


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* UnresolvedSexualTension: Exists between the two main characters until it gets resolved with a [[TheBigDamnKiss Big Damn Kiss]] at the cave.
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* ExpositoryPronoun: Marianne and Héloïse are not social equals, so they address each other with the formal pronoun "vous", even after becoming lovers. There are only two occasions when they use the informal "tu": when Marianne is telling her not to fall asleep on their last night together ("Ne dors pas, ne dors pas..."), and when Héloïse tells Marianne to turn around just before she leaves ("Retourne-toi!").
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* MatchCut: At the bonfire, Marianne takes Héloïse's hand after the latter falls due to her dress catching fire. The scene cuts from that to Marianne taking Héloïse's hand again, but this time they're at the beach in the afternoon and Marianne is helping Héloïse climb some rocks.
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* TheMuse: Héloïse continues to inspire Marianne's art beyond the portrait the latter was commissioned to create, even way after they have gone their separate ways.
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Orpheus is actually wearing blue in Marianne's painting.


* ColorCodedCharacters: Up until the end, the characters are consistently symbolized by primary colors. Marianne always wears red, Héloïse mainly wears blue ([[SignificantWardrobeShift then green and white]]) and Sophie wears yellow. [[spoiler:This is alluded to in the final painting of Marianne, in which Orpheus wears a red scarf and Eurydice wears white, making clear that the painting is about her relationship with Héloïse]].

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* ColorCodedCharacters: Up until the end, the characters are consistently symbolized by primary colors. Marianne always wears red, red during the flashback portion, Héloïse mainly wears blue ([[SignificantWardrobeShift then green and white]]) and Sophie wears yellow. Marianne wears blue in the present day. [[spoiler:This is alluded to in the final painting of Marianne, in which Orpheus wears a red blue scarf and Eurydice wears white, making clear that the painting is about her relationship with Héloïse]].



* EtherealChoir: At the women's bonfire gathering.

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* EtherealChoir: At The women singing at the women's bonfire gathering.



* StarCrossedLovers: Marianne and Héloïse, both due to Héloïse's impending marriage and there's being a same-sex relationship. [[spoiler:They are parted in the end.]]
* TitleDrop: Marianne says it loud quite early. ''Portrait of a Lady on Fire'' is the name of a painting, by her.

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* StarCrossedLovers: Marianne and Héloïse, both due to Héloïse's impending marriage and there's them being a same-sex relationship.of the same sex. [[spoiler:They are parted in the end.]]
* TitleDrop: Marianne says it loud quite early.at the start, seemingly substituting for ''showing'' the title onscreen as is typical. ''Portrait of a Lady on Fire'' is the name of a painting, by her.

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