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Changed line(s) 87 (click to see context) from:
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Visual Kei bands and artists such as Music/LArcEnCiel, GLAY, Music/DirEnGrey, Music/{{Gackt}} and Music/XJapan were far more well-known; but even then, musicians that would have their image all over billboards and Jumbotrons in 2004 would be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda or Music/UtadaHikaru (or perhaps even L'Arc~En~Ciel and Gackt, as they were all LighterAndSofter by then), since the entire visual kei subculture is far too out-there for the conservative Japanese palate, nor did it exist in a mainstream demographic until the 2010s.
to:
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Visual Kei bands and artists such as Music/LArcEnCiel, GLAY, Music/DirEnGrey, Music/{{Gackt}} and Music/XJapan were far more well-known; but even then, musicians that would have their image all over billboards and Jumbotrons in 2004 would be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda Music/KodaKumi or Music/UtadaHikaru (or perhaps even L'Arc~En~Ciel and Gackt, as they were all LighterAndSofter by then), since the entire visual kei subculture is far too out-there for the conservative Japanese palate, nor did it exist in a mainstream demographic until the 2010s.
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- Adorkable TRS cleanup. It is now YMMV. ZCE are being removed.
Deleted line(s) 24,26 (click to see context) :
* TheEighties: The majority of the film takes place in 1984.
* AdamWesting: Miyavi.
* {{Adorkable}}: Miyavi and Shinni.
* AdamWesting: Miyavi.
* {{Adorkable}}: Miyavi and Shinni.
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Changed line(s) 85 (click to see context) from:
** In Japanese, "''[[UsefulNotes/JapanesePronouns oresama]]''" is a highly arrogant way of referring to oneself, affixing the honorific of ''"-sama"'' (generally reserved for very important people and to be used with the utmost respect) to the casual masculine self-identifier, ''"ore"''. [[note]]Giving an example, in the Japanese dub of ''Disney/TheLionKing'', Scar almost exclusively refers to himself as ''oresama.''[[/note]]
to:
** In Japanese, "''[[UsefulNotes/JapanesePronouns oresama]]''" is a highly arrogant way of referring to oneself, affixing the honorific of ''"-sama"'' (generally reserved for very important people and to be used with the utmost respect) to the casual masculine self-identifier, ''"ore"''. [[note]]Giving an example, in the Japanese dub of ''Disney/TheLionKing'', ''WesternAnimation/TheLionKing1994'', Scar almost exclusively refers to himself as ''oresama.''[[/note]]
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Fix
Changed line(s) 85 (click to see context) from:
** In Japanese, "''[[UsefulNotes/JapanesePronouns oresama]]''" is a highly arrogant way of referring to oneself, affixing the honorific of ''"-sama"'' (generally reserved for very important people and to be used with the utmost respect) to the casual masculine self-identifier, ''"ore"''. [[note]]Giving an example, in the Japanese dub of Film/TheLionKing, Scar almost exclusively refers to himself as ''oresama.''[[/note]]
to:
** In Japanese, "''[[UsefulNotes/JapanesePronouns oresama]]''" is a highly arrogant way of referring to oneself, affixing the honorific of ''"-sama"'' (generally reserved for very important people and to be used with the utmost respect) to the casual masculine self-identifier, ''"ore"''. [[note]]Giving an example, in the Japanese dub of Film/TheLionKing, ''Disney/TheLionKing'', Scar almost exclusively refers to himself as ''oresama.''[[/note]]
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Changed line(s) 2 (click to see context) from:
[[caption-width-right:253:The official DVD cover]]
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Changed line(s) 18,19 (click to see context) from:
* Matsushima Ryouta as Ryuu [[spoiler: a.k.a, Ryuuji, the younger version of Miyavi]]
to:
* Matsushima Ryouta as Ryuu [[spoiler: a.k.a, Ryuuji, the younger version of Miyavi]]
Ryuu
Changed line(s) 22,23 (click to see context) from:
!! '''''Oresama''''' includes the following tropes:
to:
!! '''''Oresama''''' ''Oresama'' includes the following tropes:
* TheEighties: The majority of the film takes place in 1984.
* TheEighties: The majority of the film takes place in 1984.
Changed line(s) 93 (click to see context) from:
* TheEighties: The majority of the film takes place in 1984.
to:
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* PutOnABus: You never hear about the bus driver once they fall into the time slip in the tunnel.
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Changed line(s) 16 (click to see context) from:
* Music/{{Miyavi}}, as himself
to:
* Music/{{Miyavi}}, Music/{{Miyavi}} [[AsHimself as himselfhimself]]
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Changed line(s) 16 (click to see context) from:
* Miyavi, as himself
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* Miyavi, Music/{{Miyavi}}, as himself
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Not to be confused with Anime/OresamaTeacher.
to:
Not to be confused with Anime/OresamaTeacher.[[Manga/OresamaTeacher this manga, which has Oresama in the name]].
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Not to be confused with Anime/OresamaTeacher.
Changed line(s) 81 (click to see context) from:
** In Japanese, "''oresama''" is a highly arrogant way of referring to oneself, affixing the honorific of ''"-sama"'' (generally reserved for very important people and to be used with the utmost respect) to the casual masculine self-identifier, ''"ore"''. [[note]]Giving an example, in the Japanese dub of Film/TheLionKing, Scar almost exclusively refers to himself as ''oresama.''[[/note]]
to:
** In Japanese, "''oresama''" "''[[UsefulNotes/JapanesePronouns oresama]]''" is a highly arrogant way of referring to oneself, affixing the honorific of ''"-sama"'' (generally reserved for very important people and to be used with the utmost respect) to the casual masculine self-identifier, ''"ore"''. [[note]]Giving an example, in the Japanese dub of Film/TheLionKing, Scar almost exclusively refers to himself as ''oresama.''[[/note]]
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** A minor example. He asks Ryuu what his full name is when he realizes it's a nickname, discovering it is Ryuuji. [[spoiler: ''Miyavi's'' real name is Ryuuji, and he realizes Ryuu is his childhood self. Since Miyavi had deliberately kept his birth name a secret until 2009, some fans mistakenly believed his name was in fact Ryuuji. It's Takamasa.]]
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Changed line(s) 43 (click to see context) from:
* FingerGun: When Miyavi returns to the train tracks to transport back to 1984, Fujiko and Shinni chase him down. When Miyavi turns to them, they pretend to shoot him with finger guns, saying they'd rather say goodbye with a smile.
to:
* FingerGun: When Miyavi returns to the train tracks to transport back to 1984, 2004, Fujiko and Shinni chase him down. When Miyavi turns to them, they pretend to shoot him with finger guns, saying they'd rather say goodbye with a smile.
Changed line(s) 70 (click to see context) from:
* TemporalParadox: Played with. When he meets Shinni and starts a band with him, Shinni gets ecstatic and tries to convince Miyavi to go with him to a recording studio. Miyavi advises against it, opting instead to just play music with Shinni.
to:
* TemporalParadox: Played with.with, but on the whole it's played straight. When he meets Shinni and starts a band with him, Shinni gets ecstatic and tries to convince Miyavi to go with him to a recording studio. Miyavi advises against it, opting instead to just play music with Shinni.
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* TheReveal: There are two.
** When Miyavi is in a restaurant, he sees live TV broadcasts, magazines, and newspapers dating to August 1984. He asks the waitress if they're current, and what year it is. He then finds out he's in 1984.
** While Ryuu and Miyavi are playing soccer, he hears a woman calling for Ryuu and realizes its his grandmother. [[spoiler: He then finds out Ryuu is her grandson, Ryuuji--making Ryuu the young Miyavi himself.]]
** When Miyavi is in a restaurant, he sees live TV broadcasts, magazines, and newspapers dating to August 1984. He asks the waitress if they're current, and what year it is. He then finds out he's in 1984.
** While Ryuu and Miyavi are playing soccer, he hears a woman calling for Ryuu and realizes its his grandmother. [[spoiler: He then finds out Ryuu is her grandson, Ryuuji--making Ryuu the young Miyavi himself.]]
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Changed line(s) 82 (click to see context) from:
** The fact that he's eight in 1984. In reality, he would have been two years old.
to:
** The fact that he's eight in 1984. In reality, Miyavi was actually two years old in August 1984, so if he would have traveled back in time to witness a major moment in his life, it would have been to attend his third birthday party two years old.weeks later.
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Changed line(s) 76,79 (click to see context) from:
* UnreliableNarrator: Bear in mind, the premise of this film borrows liberally from Miyavi's life, to the point of it being [[VeryLooselyBasedOnATrueStory semi-autobiographical.]] However, since its a VanityProject about his life, there are some factual discrepancies.
** Miyavi sustained his knee injury when he was fifteen, around 1995 to 1996. In the film, it happens when he is eight.
** The fact that he's eight in 1984. In reality, he would have been two years old.
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Visual Kei bands and artists such as Music/LArcEnCiel, GLAY, Music/DirEnGrey, Music/{{Gackt}} and Music/XJapan were far more well-known; but even then, musicians that would have their image all over billboards and Jumbotrons in 2004 would be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda or Music/UtadaHikaru (or perhaps even L'Arc~En~Ciel and Gackt, as they were all LighterAndSofter by then), since the entire visual kei subculture is far too out-there for the conservative Japanese palate, nor did it exist in a mainstream demographic until the 2010s.
** Miyavi sustained his knee injury when he was fifteen, around 1995 to 1996. In the film, it happens when he is eight.
** The fact that he's eight in 1984. In reality, he would have been two years old.
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Visual Kei bands and artists such as Music/LArcEnCiel, GLAY, Music/DirEnGrey, Music/{{Gackt}} and Music/XJapan were far more well-known; but even then, musicians that would have their image all over billboards and Jumbotrons in 2004 would be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda or Music/UtadaHikaru (or perhaps even L'Arc~En~Ciel and Gackt, as they were all LighterAndSofter by then), since the entire visual kei subculture is far too out-there for the conservative Japanese palate, nor did it exist in a mainstream demographic until the 2010s.
to:
* UnreliableNarrator: Bear in mind, the premise of this film borrows liberally from Miyavi's life, to the point of it being [[VeryLooselyBasedOnATrueStory semi-autobiographical.]] However, since its a VanityProject about his life, there are some factual discrepancies.
** Miyavi sustained his knee injury when he was fifteen, around 1995due to 1996. In SmallNameBigEgo and the film, it happens when he is eight.
** Thefact that he's eight in 1984. In reality, he would have been two years old.
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Visual Kei bandsit is, for all intents and artists such as Music/LArcEnCiel, GLAY, Music/DirEnGrey, Music/{{Gackt}} and Music/XJapan were far more well-known; but even then, musicians that would have their image all over billboards and Jumbotrons purposes, a VanityProject, everything pertaining to factual events in 2004 would his life should be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda or Music/UtadaHikaru (or perhaps even L'Arc~En~Ciel and Gackt, as they were all LighterAndSofter by then), since the entire visual kei subculture is far too out-there for the conservative Japanese palate, nor did it exist in taken with a mainstream demographic until the 2010s.grain of salt.
** Miyavi sustained his knee injury when he was fifteen, around 1995
** The
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Visual Kei bands
Changed line(s) 81 (click to see context) from:
** In Japanese, "''oresama''" is a highly arrogant way of referring to oneself, affixing the honorific of "-sama" (generally reserved for very important people and to be used with the utmost respect) to the casual masculine form of "me", "ore". [[note]]Giving an example, in the Japanese dub of Film/TheLionKing, Scar almost exclusively refers to himself as ''oresama.''[[/note]]
to:
** In Japanese, "''oresama''" is a highly arrogant way of referring to oneself, affixing the honorific of "-sama" ''"-sama"'' (generally reserved for very important people and to be used with the utmost respect) to the casual masculine form of "me", "ore".self-identifier, ''"ore"''. [[note]]Giving an example, in the Japanese dub of Film/TheLionKing, Scar almost exclusively refers to himself as ''oresama.''[[/note]]
Changed line(s) 83 (click to see context) from:
* VeryLooselyBasedOnATrueStory: There are factual elements to the story. Miyavi really did tear a ligament during a soccer game that effectively ruined his chances at a professional soccer career, which devastated him. But there's still the whole TimeTravel thing, plus the fact that Miyavi was not as big the celebrity as he was portrayed as in 2004.
to:
* VeryLooselyBasedOnATrueStory: There are factual elements to the story. Miyavi really did tear a ligament during a soccer game that effectively ruined his chances at a professional soccer career, which devastated him. But there's still the whole TimeTravel thing, plus a bunch of minor little things, that justify this trope.
** Miyavi sustained his knee injury when he was fifteen, around 1995 to 1996. In the film, it happens when he is eight.
** The fact that he's eight in 1984. In reality, he would have been two years old.
** Just how famous he is during the film. Miyaviwas not as wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Visual Kei bands and artists such as Music/LArcEnCiel, GLAY, Music/DirEnGrey, Music/{{Gackt}} and Music/XJapan were far more well-known; but even then, musicians that would have their image all over billboards and Jumbotrons in 2004 would be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda or Music/UtadaHikaru (or perhaps even L'Arc~En~Ciel and Gackt, as they were all LighterAndSofter by then), since the celebrity as he was portrayed as entire visual kei subculture is far too out-there for the conservative Japanese palate, nor did it exist in 2004.a mainstream demographic until the 2010s.
** Miyavi sustained his knee injury when he was fifteen, around 1995 to 1996. In the film, it happens when he is eight.
** The fact that he's eight in 1984. In reality, he would have been two years old.
** Just how famous he is during the film. Miyavi
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Changed line(s) 79 (click to see context) from:
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Visual Kei bands and artists such as Music/LArcEnCiel, GLAY, Music/DirEnGrey, Music/{{Gackt}} and Music/XJapan were far more well-known, but even then, musicians that would have their image all over billboards and Jumbotrons in 2004 would be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda or Music/UtadaHikaru (or perhaps even L'Arc~En~Ciel and Gackt, as they were all LighterAndSofter by then), since the entire visual kei subculture is far too out-there for the conservative Japanese palate, nor did it exist in a mainstream demographic until the 2010s.
to:
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Visual Kei bands and artists such as Music/LArcEnCiel, GLAY, Music/DirEnGrey, Music/{{Gackt}} and Music/XJapan were far more well-known, well-known; but even then, musicians that would have their image all over billboards and Jumbotrons in 2004 would be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda or Music/UtadaHikaru (or perhaps even L'Arc~En~Ciel and Gackt, as they were all LighterAndSofter by then), since the entire visual kei subculture is far too out-there for the conservative Japanese palate, nor did it exist in a mainstream demographic until the 2010s.
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Changed line(s) 79 (click to see context) from:
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Visual Kei bands and artists such as Music/LArcEnCiel, GLAY, Music/DirEnGrey, Music/{{Gackt}} and Music/XJapan were far more well-known, but even then, musicians that would have their image all over billboards and Jumbotrons in 2004 would be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda or Music/UtadaHikaru (or perhaps even L'Arc~En~Ciel and Gackt, as they were all LighterAndSofter by then), since it is far too out-there for the conservative Japanese palate, nor did it exist in a mainstream demographic until the 2010s.
to:
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Visual Kei bands and artists such as Music/LArcEnCiel, GLAY, Music/DirEnGrey, Music/{{Gackt}} and Music/XJapan were far more well-known, but even then, musicians that would have their image all over billboards and Jumbotrons in 2004 would be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda or Music/UtadaHikaru (or perhaps even L'Arc~En~Ciel and Gackt, as they were all LighterAndSofter by then), since it the entire visual kei subculture is far too out-there for the conservative Japanese palate, nor did it exist in a mainstream demographic until the 2010s.
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Changed line(s) 76 (click to see context) from:
* UnreliableNarrator: Bear in mind, the premise of this film borrows liberally from Miyavi's life, to the point of it being [[VeryLooselyBasedOnATrueStory semi-autobiographical.]] However, there are some factual discrepancies.
to:
* UnreliableNarrator: Bear in mind, the premise of this film borrows liberally from Miyavi's life, to the point of it being [[VeryLooselyBasedOnATrueStory semi-autobiographical.]] However, since its a VanityProject about his life, there are some factual discrepancies.
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Changed line(s) 79 (click to see context) from:
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Bands such as Music/LArcEnCiel, Music/{{Glay}}, Music/DirEnGrey, and Music/XJapan were far more well-known, but even then, musicians that would have their image all over billboards and Jumbotrons in 2004 would be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda or Music/UtadaHikaru.
to:
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Bands Visual Kei bands and artists such as Music/LArcEnCiel, Music/{{Glay}}, GLAY, Music/DirEnGrey, Music/{{Gackt}} and Music/XJapan were far more well-known, but even then, musicians that would have their image all over billboards and Jumbotrons in 2004 would be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda or Music/UtadaHikaru.Music/UtadaHikaru (or perhaps even L'Arc~En~Ciel and Gackt, as they were all LighterAndSofter by then), since it is far too out-there for the conservative Japanese palate, nor did it exist in a mainstream demographic until the 2010s.
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Added DiffLines:
* UnreliableNarrator: Bear in mind, the premise of this film borrows liberally from Miyavi's life, to the point of it being [[VeryLooselyBasedOnATrueStory semi-autobiographical.]] However, there are some factual discrepancies.
** Miyavi sustained his knee injury when he was fifteen, around 1995 to 1996. In the film, it happens when he is eight.
** The fact that he's eight in 1984. In reality, he would have been two years old.
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Bands such as Music/LArcEnCiel, Music/{{Glay}}, Music/DirEnGrey, and Music/XJapan were far more well-known, but even then, musicians that would have their image all over billboards and Jumbotrons in 2004 would be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda or Music/UtadaHikaru.
** Miyavi sustained his knee injury when he was fifteen, around 1995 to 1996. In the film, it happens when he is eight.
** The fact that he's eight in 1984. In reality, he would have been two years old.
** Just how famous he is during the film. Miyavi wasn't a big sensation in Japan in 2004, having little to no notoriety outside of VisualKei fans. Bands such as Music/LArcEnCiel, Music/{{Glay}}, Music/DirEnGrey, and Music/XJapan were far more well-known, but even then, musicians that would have their image all over billboards and Jumbotrons in 2004 would be more mainstream-friendly acts like Music/AyumiHamasaki, Kumi Koda or Music/UtadaHikaru.
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Changed line(s) 26 (click to see context) from:
* AmbiguouslyGay: Miyavi. He [[Fanservice makes out with]] [[HoYay Shinni]] on stage, sounds like he's flirting with Shinni when he meets him, critiques others' fashion, wears makeup, and gives Shinni a very effeminate makeover, all while seeming very disinterested with the FemaleGaze that seems to accompany him wherever (and whatever time period) he goes to.
to:
* AmbiguouslyGay: Miyavi. He [[Fanservice [[Main/{{Fanservice}} makes out with]] [[HoYay Shinni]] on stage, sounds like he's flirting with Shinni when he meets him, critiques others' fashion, wears makeup, and gives Shinni a very effeminate makeover, all while seeming very disinterested with the FemaleGaze that seems to accompany him wherever (and whatever time period) he goes to.
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* AmbiguouslyGay: Miyavi. He [[Fanservice makes out with]] [[HoYay Shinni]] on stage, sounds like he's flirting with Shinni when he meets him, critiques others' fashion, wears makeup, and gives Shinni a very effeminate makeover, all while seeming very disinterested with the FemaleGaze that seems to accompany him wherever (and whatever time period) he goes to.
** He does however tell Ryuu that he has a lot of girlfriends, so it may be a case of AmbiguouslyBi or CampStraight.
** He does however tell Ryuu that he has a lot of girlfriends, so it may be a case of AmbiguouslyBi or CampStraight.
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** The rather deep kiss [[HoYay Shinni and Miyavi]] share onstage takes the cake.
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Changed line(s) 30 (click to see context) from:
* Callback: At the beginning of the film, he sees a woman in a [[IWasQuiteAFashionVictim white and orange, outdated polka-dotted dress]] and thinks to himself, "Wow, lame dress." At the end of the film he sees her again and thinks, "cute dress!"
to:
* Callback: CallBack: At the beginning of the film, he sees a woman in a [[IWasQuiteAFashionVictim white and orange, outdated polka-dotted dress]] and thinks to himself, "Wow, lame dress." At the end of the film he sees her again and thinks, "cute dress!"
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* Callback: At the beginning of the film, he sees a woman in a [[IWasQuiteAFashionVictim white and orange, outdated polka-dotted dress]] and thinks to himself, "Wow, lame dress." At the end of the film he sees her again and thinks, "cute dress!"
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Added DiffLines:
* {{Cloudcuckoolander}}: As he is in real life, so Miyavi is in this film.
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* GilliganCut: When he bolts out of the restaurant after TheReveal and tries to calm himself down after his freak out, a black screen with Japanese on it appears, saying "dude, calm down," complete with a voiceover. It cuts back to Miyavi...frozen in a kung-fu pose.
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* FingerGun: When Miyavi returns to the train tracks to transport back to 1984, Fujiko and Shinni chase him down. When Miyavi turns to them, they pretend to shoot him with finger guns, saying they'd rather say goodbye with a smile.
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Changed line(s) 5,6 (click to see context) from:
Twenty-three year old rock star [[Music/{{Miyavi}} Miyavi Ishihara]] is a major music sensation in his home country of Japan. A superstar of the thriving VisualKei underground scene, he can barely walk out of his apartment in Tokyo without being mobbed by adoring fans, playing sold out venues night after night. This is the life he wanted, the life he left his little home in Osaka City when he was seventeen to live. But a life in the limelight can get exhausting, and he’d be lying if he didn’t say there were times where he missed home. So one night, he decides to get into the car and go to Osaka for a visit, and falls asleep on the way.
to:
* ComicBookTime: Miyavi's childhood counterpart is eight years old in August 1984. In reality, Miyavi was born in September 1981. If Miyavi had traveled to 1984 and looked for the younger version of himself, he would have found a toddler just shy of his third birthday.
Changed line(s) 43 (click to see context) from:
--> '''Miyavi''': "Super power: Wall! *Pantomiming in the corner*"
to:
--> '''Miyavi''': '''''Miyavi''': "Super power: Wall! *Pantomiming in the corner*"corner*"''
Changed line(s) 46 (click to see context) from:
--> '''Miyavi''': "There are people who miss me." \\
to:
--> '''Miyavi''': '''''Miyavi''': "There are people who miss me." \\
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'''Miyavi''': "Tons of them. My body can't take them all!"
to:
'''Miyavi''': "Tons of them. My body can't take them all!"all!"''
* SmallNameBigEgo: In 1984, when Miyavi introduces himself to Shinni, he does so by proclaiming he's an accomplished rock star. He proceeds to tell everyone else in 1984 the same thing.
Deleted line(s) 71 (click to see context) :
** Miyavi was born in September 1981, and the time travel takes him to August 1984. He would have been two weeks and some change shy of his third birthday, but [[spoiler: Ryuu]] is eight years old.