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A 2014 independent {{dramedy}} film produced by Cavegirl Productions, based on the 2011 play of the same title by Cameron [=McNary=]. Set in 2006, it concerns a group of thirtyish TabletopRPG gamers reacting to the announcement that one of them has enlisted in the Marines and is [[TheWarOnTerror going to Iraq]].
to:
A 2014 independent {{dramedy}} film produced by Cavegirl Productions, based on the 2011 play of the same title by Cameron [=McNary=]. Set in 2006, it concerns a group of thirtyish TabletopRPG gamers reacting to the announcement that one of them has enlisted in the Marines and is [[TheWarOnTerror [[UsefulNotes/TheWarOnTerror going to Iraq]].
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No longer a trope
Deleted line(s) 34 (click to see context) :
* EverythingsBetterWithPrincesses: As the daughter of a prince and a queen, Alaya is a ''double'' princess, i.e. princess of two separate kingdoms.
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A 2014 independent {{dramedy}} film produced by Cavegirl Productions, based on the play of the same title by Cameron [=McNary=]. Set in 2006, it concerns a group of thirtyish TabletopRPG gamers reacting to the announcement that one of them has enlisted in the Marines and is [[TheWarOnTerror going to Iraq]].
to:
A 2014 independent {{dramedy}} film produced by Cavegirl Productions, based on the 2011 play of the same title by Cameron [=McNary=]. Set in 2006, it concerns a group of thirtyish TabletopRPG gamers reacting to the announcement that one of them has enlisted in the Marines and is [[TheWarOnTerror going to Iraq]].
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Changed line(s) 54 (click to see context) from:
* RepetitiveName: Durak [=McMackMack=] (son of Clendak [=McMackMack,=] son of Gorak [=McMackMack=], son of Gak [=McMack=], son of Mack).
to:
* RepetitiveName: Durak [=McMackMack=] (son of Clendak [=McMackMack,=] son of Gorak [=McMackMack=], son of Gak [=McMack=], son of Mack the Mack).
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-->'''John Alex:''' Nobody actually reads ''Literature/WutheringHeights.'' Except English Majors. And even they don't enjoy it.
to:
-->'''John Alex:''' Nobody actually reads ''Literature/WutheringHeights.'' Except English Majors.majors. And even they don't enjoy it.
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* WrittenInAbsence: John Francis creates one for Edward's character when Edward is kicked out of the group.
to:
* WrittenInAbsence: In-universe, John Francis creates one for Edward's character when Edward is kicked out of the group.
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A 2014 independent {{dramedy}} film produced by Cavegirl Productions, based on the play of the same title by Cameron [=McNary=]. Set in 2006, it concerns a group of thirtysomething TabletopRPG gamers reacting to the announcement that one of them has enlisted in the Marines and is [[TheWarOnTerror going to Iraq]].
to:
A 2014 independent {{dramedy}} film produced by Cavegirl Productions, based on the play of the same title by Cameron [=McNary=]. Set in 2006, it concerns a group of thirtysomething thirtyish TabletopRPG gamers reacting to the announcement that one of them has enlisted in the Marines and is [[TheWarOnTerror going to Iraq]].
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* UnrequitedLoveSwitcheroo: John Francis and Tara ... repeatedly. They are both interested in each other, but every few months, just as one of them is getting up the courage to make a Love Confession, the other will announce excitedly that he/she has just met someone ''great...''
to:
* UnrequitedLoveSwitcheroo: John Francis and Tara ... repeatedly. They are both interested in each other, but every few months, just as one of them is getting up the courage to make a Love Confession, LoveConfession, the other will announce excitedly that he/she has just met someone ''great...''
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* OneSteveLimit: Averted. John Francis even mentions that he and John Alex have the same last name, though he doesn't say what it is.
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Changed line(s) 7 (click to see context) from:
* '''John Alex,''' his best friend since childhood. His PlayerCharacter is a 12th-level rogue named Spango Garnetkiller XVII (or Spango Garnetkiller XXII in the play).[[note]]Spango's movie introduction speech was modified to remove the reference to several Spangos who died in the TabletopGame/TombOfHorrors, as the movie did not have permission to mention copyrighted DungeonsAndDragons material.[[/note]]
to:
* '''John Alex,''' his best friend since childhood. His PlayerCharacter is a 12th-level rogue named Spango Garnetkiller XVII (or Spango Garnetkiller XXII in the play).[[note]]Spango's movie introduction speech was modified to remove the reference to several Spangos who died in the TabletopGame/TombOfHorrors, as the movie did not have permission to mention copyrighted DungeonsAndDragons ''TabletopGame/DungeonsAndDragons'' material.[[/note]]
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* GodwinsLaw: John Alex's rant about how Second Edition ''DungeonsAndDragons'' got rid of demons and devils ends with him comparing Pat Robertson to Hitler looking for ''lebensraum.''
to:
* GodwinsLaw: John Alex's rant about how Second Edition ''DungeonsAndDragons'' ''TabletopGame/DungeonsAndDragons'' got rid of demons and devils ends with him comparing Pat Robertson to Hitler looking for ''lebensraum.''
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* BittersweetEnding: [[spoiler:The group breaks up due to so many people leaving town, but they all remain on good terms, and John Francis decides gaming is worthwhile as an adult.]]
to:
* BittersweetEnding: [[spoiler:The group breaks up due to so many people leaving town, but they all remain on good terms, and terms. John Francis and Tara finally get together, and he decides gaming is worthwhile as an adult.]]
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** The stage show also places the final game sequence midway between the game world and the real world. The actors wear the costumes of the players rather than the characters, but they carry the characters' weapons. The dialogue freely switches in and our of character.
to:
** The stage show also places the final game sequence midway between the game world and the real world. The actors wear the costumes of the players rather than the characters, but they carry the characters' weapons. The dialogue freely switches in and our out of character.
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* AmbiguousEnding: [[spoiler:Whether Jason is killed in Iraq is left uncertain, as he is still there when the story ends.]]
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* '''Tara,''' who has played with the group for a few years. She plays a half-elf wizard named Alaya[[note]]--actually, the name's much longer than that, but you probably don't want to get into that right now[[/note]].
to:
* '''Tara,''' who has played with the group for a few years. She plays a half-elf wizard wizard[[note]]though she also describes her character as a sorceress[[/note]] named Alaya[[note]]--actually, the name's much longer than that, but you probably don't want to get into that right now[[/note]].
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* {{Backstory}}: Alaya has loads of it, which she will be happy to reel off at the drop of a hat. The backstory contains its own set of tropes, including BloodOath CainAndAbel, CircusBrat, DeathByOriginStory, DoorstopBaby, FirstLove, KidsAreCruel, MuggleFosterParents, ParentalAbandonment, and RoyalBlood.
to:
* {{Backstory}}: Alaya has loads of it, which she will be happy to reel off at the drop of a hat. The backstory contains its own set of tropes, including BloodOath BloodOath, CainAndAbel, CircusBrat, DeathByOriginStory, DoorstopBaby, FirstLove, KidsAreCruel, MuggleFosterParents, ParentalAbandonment, and RoyalBlood.
Changed line(s) 37 (click to see context) from:
* FunetikAksent: Durak's accent is spelled out phonetically in the stage script, and presumably in the screenplay as well.
to:
* FunetikAksent: Durak's accent "truly ludicrous Scottish accent" is spelled out phonetically in the stage script, and presumably in the screenplay as well.
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* SirSwearsalot: John Alex. His swearing is not only profane but creative, sometimes managing to be filthy without using any of the classic four-letter words.
to:
* SirSwearsalot: John Alex. His swearing is not only profane but creative, sometimes managing to be filthy without using any of the classic four-letter words. It is also a lifelong habit, evidenced by the fact that his eight-year-old self uses words like "cowsucking" and "dumbsuckers."
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Changed line(s) 23 (click to see context) from:
* {{Backstory}}: Alaya has loads of it, which she will be happy to reel off at the drop of a hat.
to:
* {{Backstory}}: Alaya has loads of it, which she will be happy to reel off at the drop of a hat. The backstory contains its own set of tropes, including BloodOath CainAndAbel, CircusBrat, DeathByOriginStory, DoorstopBaby, FirstLove, KidsAreCruel, MuggleFosterParents, ParentalAbandonment, and RoyalBlood.
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* '''Jason,''' who has been gaming with John Francis and John Alex since high school. He plays a paladin named Kester the Younger.
to:
* '''Jason,''' who has been gaming with John Francis and John Alex since high school. He plays a paladin [[ThePaladin paladin]] named Kester the Younger.
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* '''Linda,''' who hosts the game at her and Brandon's house. She plays a dwarf cleric named Durak [=McMackMack=].
* '''Brandon,''' Linda's husband, who plays mostly as a social activity. His character is a barbarian named Throg.
* '''Brandon,''' Linda's husband, who plays mostly as a social activity. His character is a barbarian named Throg.
to:
* '''Linda,''' who hosts the game at her and Brandon's house. She plays a dwarf cleric [[CombatMedic cleric]] named Durak [=McMackMack=].
* '''Brandon,''' Linda's husband, who plays mostly as a social activity. His character is abarbarian [[BarbarianHero barbarian]] named Throg.
* '''Brandon,''' Linda's husband, who plays mostly as a social activity. His character is a
* TheBerserker: Throg, during the final combat [[spoiler:as a result of seeing Durak get killed by the dragon.]]
* DeepImmersionGaming: The characters introduce themselves to the audience as if they existed separately from their players, although they are portrayed by the same actors. During the final game sequence, the lines blur a bit, as the characters sometimes speak lines within the game world that are obviously being said by the players at the game table.
** The stage show also places the final game sequence midway between the game world and the real world. The actors wear the costumes of the players rather than the characters, but they carry the characters' weapons. The dialogue freely switches in and our of character.
** The stage show also places the final game sequence midway between the game world and the real world. The actors wear the costumes of the players rather than the characters, but they carry the characters' weapons. The dialogue freely switches in and our of character.
* FunetikAksent: Durak's accent is spelled out phonetically in the stage script, and presumably in the screenplay as well.
-->'''Durak:''' It also allooz me the privilege of calling doon specTACKular divoine blessin’s upon moiself an’ moi compatriots, which primarily involves resoiting spoine-chillin’ theological incuntEEtions in this knee-wobblingly resOOnding bahritone which ye hear...
* GlassCannon: Alaya.
-->'''Durak:''' It also allooz me the privilege of calling doon specTACKular divoine blessin’s upon moiself an’ moi compatriots, which primarily involves resoiting spoine-chillin’ theological incuntEEtions in this knee-wobblingly resOOnding bahritone which ye hear...
* GlassCannon: Alaya.
Changed line(s) 49 (click to see context) from:
* SkewedPriorities: In a {{Flashback}}, John Francis and Jason are angry at Edward for cheating on Tara because he broke her heart. John Alex is angry at Edward for cheating on Tara because now they have to decide which one to kick out of the gaming group. And he's genuinely conflicted about which one to keep: on the one hand, Edward was a complete {{Jerkass}}, but on the other hand, "he gives really good roleplay."
to:
* SkewedPriorities: In a {{Flashback}}, John Francis and Jason are angry at Edward for cheating on Tara because he broke her heart. John Alex is angry at Edward for cheating on Tara because now they have to decide which one to kick out of the gaming group. And he's genuinely conflicted about which one to keep: on the one hand, Edward was is a complete {{Jerkass}}, but on the other hand, "he gives really good roleplay."
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* TheyKilledKennyAgain: Alaya dies constantly.
* TrueArtIsBoring: Discussed in-universe by John Alex when John Francis is deciding which books to take along on his move.
* TrueArtIsBoring: Discussed in-universe by John Alex when John Francis is deciding which books to take along on his move.
to:
* TheyKilledKennyAgain: Alaya dies constantly.
constantly. Justified in that she's a character in a roleplaying game where DeathIsCheap.
* TrueArtIsBoring:Discussed Mentioned in-universe by John Alex when John Francis is deciding which books to take along on his move.
* TrueArtIsBoring:
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* WrittenInAbsence: John Francis creates one for Edward's character when Edward is kicked out of the group.
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* AshesToCrashes: Brandon's story of how he threw the vase containing his grandmother's ashes at the wall when he was upset over a football game.
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* MomentKiller: Tara and John Francis almost have a moment just before the game, until John Alex barges in on it.
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* BittersweetEnding: [[spoiler:The group breaks up due to so many people leaving, but they all remain on good terms, and John Francis decides gaming is worthwhile.]]
to:
* BittersweetEnding: [[spoiler:The group breaks up due to so many people leaving, leaving town, but they all remain on good terms, and John Francis decides gaming is worthwhile.worthwhile as an adult.]]
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* BittersweetEnding: [[spoiler:The group breaks up due to so many people leaving, but they all remain on good terms, and John Francis decides gaming is worthwhile.]]
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* EverythingsBetterWithPrincesses: As the daughter of a prince and a queen, Alaya is a ''double'' princess, i.e. princess of two separate kingdoms.
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Changed line(s) 45 (click to see context) from:
* SkewedPriorities: John Alex is genuinely conflicted about whether to kick Edward out of the group when he cheats on Tara. On the one hand, he was a complete {{Jerkass}}, but on the other hand, "he gives really good roleplay."
to:
* SkewedPriorities: In a {{Flashback}}, John Francis and Jason are angry at Edward for cheating on Tara because he broke her heart. John Alex is angry at Edward for cheating on Tara because now they have to decide which one to kick out of the gaming group. And he's genuinely conflicted about whether which one to kick Edward out of the group when he cheats keep: on Tara. On the one hand, he Edward was a complete {{Jerkass}}, but on the other hand, "he gives really good roleplay."
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* TakeThat: Done in-universe to Tara's ex-boyfriend; John Francis [[WrittenInAbsence arranges for his character to exit the game]] in the most painful and humiliating way imaginable.
to:
* TakeThat: Done in-universe to Edward, Tara's ex-boyfriend; John Francis [[WrittenInAbsence arranges for his character to exit the game]] in the most painful and humiliating way imaginable.
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* {{Flashback}}: Much of the story is told this way.
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* SkewedPriorities: John Alex is genuinely conflicted about whether to kick Edward out of the group when he cheats on Tara. On the one hand, he was a complete {{Jerkass}}, but on the other hand, "he gives really good roleplay."
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Changed line(s) 22 (click to see context) from:
* {{Backstory}}: Alaya has loads of it, which Tara will be happy to reel off at the drop of a hat.
to:
* {{Backstory}}: Alaya has loads of it, which Tara she will be happy to reel off at the drop of a hat.
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* TheRoleplayer: Tara.
Changed line(s) 45 (click to see context) from:
* SquishyWizard: Alaya. When Tara asks John Francis why she keeps dying so much, he replies, "You're the party's wizard. It's kind of your job."
to:
* SquishyWizard: Alaya. When Tara asks John Francis why she keeps dying so much, he John Francis replies, "You're the party's wizard. It's kind of your job."
Changed line(s) 48 (click to see context) from:
* TrueArtIsBoring: Discussed in-story by John Alex when John Francis is deciding which books to take along on his move.
to:
* TheyKilledKennyAgain: Alaya dies constantly.
* TrueArtIsBoring: Discussedin-story in-universe by John Alex when John Francis is deciding which books to take along on his move.
* TrueArtIsBoring: Discussed
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Changed line(s) 4,5 (click to see context) from:
The group consists of these characters:
to:
The group consists of these characters:
Changed line(s) 7 (click to see context) from:
* '''John Alex,''' his best friend since childhood. His PlayerCharacter is a 12th-level rogue named Spango Garnetkiller XVII.
to:
* '''John Alex,''' his best friend since childhood. His PlayerCharacter is a 12th-level rogue named Spango Garnetkiller XVII.XVII (or Spango Garnetkiller XXII in the play).[[note]]Spango's movie introduction speech was modified to remove the reference to several Spangos who died in the TabletopGame/TombOfHorrors, as the movie did not have permission to mention copyrighted DungeonsAndDragons material.[[/note]]
Changed line(s) 19 (click to see context) from:
* ArcWords: "When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now I see through a glass, darkly" (1 Corinthians 13:11-12, slightly paraphrased). They reflect John Francis's dilemma about whether gaming is worth doing as an adult, or just childish play.
to:
* ArcWords: "When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now I see through a glass, darkly" (1 Corinthians 13:11-12, slightly paraphrased). 13:11-12). They reflect John Francis's Francis' dilemma about whether gaming is worth doing as an adult, or just childish play.play that should be forgotten when you grow up.
Changed line(s) 21 (click to see context) from:
* {{Backstory}}: Alaya has loads of it, which Tara will be happy to tell at the drop of a hat.
to:
* AwesomeMcCoolname: "Spango Garnetkiller" was this to John Alex at the age of eight.
* {{Backstory}}: Alaya has loads of it, which Tara will be happy totell reel off at the drop of a hat.
* {{Backstory}}: Alaya has loads of it, which Tara will be happy to
Changed line(s) 24 (click to see context) from:
* BreakingTheFourthWall: All the characters address the audience directly from time to time, but especially John Francis, who serves as the narrator.
to:
* BreakingTheFourthWall: All the characters address the audience PlayerCharacters introduce themselves directly from time to time, but especially the audience, and John Francis, who Francis serves as the narrator.
Changed line(s) 29 (click to see context) from:
* GodwinsLaw: John Alex's rant about how Second Edition ''DungeonsAndDragons'' got rid of demons and devils ends with him comparing it to Hitler looking for ''lebensraum.''
to:
* GodwinsLaw: John Alex's rant about how Second Edition ''DungeonsAndDragons'' got rid of demons and devils ends with him comparing it Pat Robertson to Hitler looking for ''lebensraum.''
* HappyDance: John Alex does one when he rolls a CriticalHit.
* HeroicLineage: All of the Spangos.
* HeroicLineage: All of the Spangos.
* PardonMyKlingon: Alaya says some rude things in Elvish.
-->'''John Francis:''' Just because it’s a made-up language doesn’t mean I didn’t understand you.
-->'''John Francis:''' Just because it’s a made-up language doesn’t mean I didn’t understand you.
Changed line(s) 39,40 (click to see context) from:
* SirSwearsalot: John Alex.
* SquishyWizard: Alaya.
* SquishyWizard: Alaya.
to:
* SirSwearsalot: John Alex.
Alex. His swearing is not only profane but creative, sometimes managing to be filthy without using any of the classic four-letter words.
* SquishyWizard: Alaya. When Tara asks John Francis why she keeps dying so much, he replies, "You're the party's wizard. It's kind of your job."
* SquishyWizard: Alaya. When Tara asks John Francis why she keeps dying so much, he replies, "You're the party's wizard. It's kind of your job."
* TrueArtIsBoring: Discussed in-story by John Alex when John Francis is deciding which books to take along on his move.
-->'''John Alex:''' Nobody actually reads ''Literature/WutheringHeights.'' Except English Majors. And even they don't enjoy it.
-->'''John Alex:''' Nobody actually reads ''Literature/WutheringHeights.'' Except English Majors. And even they don't enjoy it.
Changed line(s) 44 (click to see context) from:
* UnrequitedLoveSwitcheroo: John Francis and Tara ... repeatedly.
to:
* UnrequitedLoveSwitcheroo: John Francis and Tara ... repeatedly. They are both interested in each other, but every few months, just as one of them is getting up the courage to make a Love Confession, the other will announce excitedly that he/she has just met someone ''great...''
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Changed line(s) 2,3 (click to see context) from:
A 2014 independent {{dramedy}} film produced by Cavegirl Productions, based on the play of the same title by Cameron [=McNary=]. Set in 2006, it concerns a group of thirtysomething gamers reacting to the announcement that one of them has enlisted in the Marines and is [[TheWarOnTerror going to Iraq]].
to:
A 2014 independent {{dramedy}} film produced by Cavegirl Productions, based on the play of the same title by Cameron [=McNary=]. Set in 2006, it concerns a group of thirtysomething TabletopRPG gamers reacting to the announcement that one of them has enlisted in the Marines and is [[TheWarOnTerror going to Iraq]].
Changed line(s) 11,14 (click to see context) from:
* '''Brandon,''' Linda's husband, who plays mostly as a social activity. He plays a barbarian named Throg.
They have been playing fantasy TabletopRPG games together for several years--going back to their school days in the case of the first three. Jason's announcement that he has enlisted throws the group into turmoil. John Alex picks a fight with Jason because he [[CannotSpitItOut can't express his concern any other way,]] and John Francis starts to question the point of gaming at all. They only have [[OneLastJob one last game session]] before Jason's deployment to heal the rift in the group.
They have been playing fantasy TabletopRPG games together for several years--going back to their school days in the case of the first three. Jason's announcement that he has enlisted throws the group into turmoil. John Alex picks a fight with Jason because he [[CannotSpitItOut can't express his concern any other way,]] and John Francis starts to question the point of gaming at all. They only have [[OneLastJob one last game session]] before Jason's deployment to heal the rift in the group.
to:
* '''Brandon,''' Linda's husband, who plays mostly as a social activity. He plays His character is a barbarian named Throg.
They have been playing fantasy TabletopRPG games together for several years--going back to their school days in the case of the first three. Jason's announcement that he has enlisted throws the group into turmoil. John Alex picks a fight with Jason because he [[CannotSpitItOut can't express his concern any other way,]] and John Francis starts to question the point of gaming at all. They only have [[OneLastJob one last game session]] before Jason's deployment to heal the rift in the group.
Changed line(s) 19,20 (click to see context) from:
* ArcWords: "When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now I see through a glass, darkly" (1 Corinthians 13:11-12, slightly paraphrased). They reflect John Francis's dilemma about whether gaming is worth doing, or just childish play.
* ArtifactOfDoom: The ''Libris Mortis,'' which will cause, as Tara puts it, "massive, world-ending zombie badness" if not destroyed.
* ArtifactOfDoom: The ''Libris Mortis,'' which will cause, as Tara puts it, "massive, world-ending zombie badness" if not destroyed.
to:
* ArcWords: "When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now I see through a glass, darkly" (1 Corinthians 13:11-12, slightly paraphrased). They reflect John Francis's dilemma about whether gaming is worth doing, doing as an adult, or just childish play.
* ArtifactOfDoom: The ''LibrisMortis,'' Mortis'' or Book of All Souls, which will cause, as Tara puts it, "massive, world-ending zombie badness" if not destroyed.
* ArtifactOfDoom: The ''Libris
* BasementDweller: Subverted. John Francis lives in his mom's basement, but he doesn't have any of the social problems normally associated with the trope, and he's about to move out in order to take a job offer in another town.
* CombatMedic: Durak, who has a warhammer and an arsenal of offensive spells in addition to healing abilities.
* {{Foreshadowing}}: The dragon figure used in the final game session can be seen on John Francis' shelf in the first scene.
* GrapplingWithGrapplingRules: Averted. When asked to make a grapple check, John Alex just rolls and no one complains.
* HeroicSacrifice: [[spoiler:Spango gives up his life for Kester, as John Alex's way of apologizing to Jason and expressing his concern.]]
* HeroicSacrifice: [[spoiler:Spango gives up his life for Kester, as John Alex's way of apologizing to Jason and expressing his concern.]]
Changed line(s) 29,30 (click to see context) from:
* OverlyLongName: Alaya's full name.
* RepetitiveName: Durak [=McMackMack=].
* RepetitiveName: Durak [=McMackMack=].
to:
* OverlyLongName: Alaya's full name.
name has twenty-seven parts.
* ThePaladin: Kester.
* RepetitiveName: Durak[=McMackMack=].[=McMackMack=] (son of Clendak [=McMackMack,=] son of Gorak [=McMackMack=], son of Gak [=McMack=], son of Mack).
* TheRoleplayer: Tara.
* ThePaladin: Kester.
* RepetitiveName: Durak
* TheRoleplayer: Tara.
* TakeThat: Done in-universe to Tara's ex-boyfriend; John Francis [[WrittenInAbsence arranges for his character to exit the game]] in the most painful and humiliating way imaginable.
Changed line(s) 35,36 (click to see context) from:
* [=UST=]: John Francis and Tara.
* UnrequitedLoveSwitcheroo: John Francis and Tara ... repeatedly.
* UnrequitedLoveSwitcheroo: John Francis and Tara ... repeatedly.
to:
* [=UST=]: {{UST}}: John Francis and Tara.
* UnrequitedLoveSwitcheroo: John Francis and Tara ...repeatedly.repeatedly.
* WeHelpTheHelpless: Kester's stated philosophy; presumably the rest of the group is in on it as well.
----
* UnrequitedLoveSwitcheroo: John Francis and Tara ...
* WeHelpTheHelpless: Kester's stated philosophy; presumably the rest of the group is in on it as well.
----
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Changed line(s) 4,6 (click to see context) from:
John Francis, John Alex, Jason, Tara, Brandon, and Linda has been playing fantasy TabletopRPG games together for several years--going back to their school days in the case of the first three. Jason's announcement that he has enlisted throws the group into turmoil. John Alex picks a fight with Jason because he [[CannotSpitItOut can't express his concern any other way,]] and John Francis starts to question the point of gaming at all. They only have one last session before Jason's deployment to heal the rift in the group.
----
----
to:
The group consists of these characters:
* '''John Francis,''' the DungeonMaster and narrator.
* '''John Alex,''' his best friend since childhood. His PlayerCharacter is a 12th-level rogue named Spango Garnetkiller XVII.
* '''Jason,''' who has been gaming with JohnFrancis, Francis and John Alex, Jason, Tara, Brandon, Alex since high school. He plays a paladin named Kester the Younger.
* '''Tara,''' who has played with the group for a few years. She plays a half-elf wizard named Alaya[[note]]--actually, the name's much longer than that, but you probably don't want to get into that right now[[/note]].
* '''Linda,''' who hosts the game at her andLinda has Brandon's house. She plays a dwarf cleric named Durak [=McMackMack=].
* '''Brandon,''' Linda's husband, who plays mostly as a social activity. He plays a barbarian named Throg.
They have been playing fantasy TabletopRPG games together for several years--going back to their school days in the case of the first three. Jason's announcement that he has enlisted throws the group into turmoil. John Alex picks a fight with Jason because he [[CannotSpitItOut can't express his concern any other way,]] and John Francis starts to question the point of gaming at all. They only have [[OneLastJob one lastsession game session]] before Jason's deployment to heal the rift in the group.
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!!''Of Dice and Men'' provides examples of the following tropes:
* ArcWords: "When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now I see through a glass, darkly" (1 Corinthians 13:11-12, slightly paraphrased). They reflect John Francis's dilemma about whether gaming is worth doing, or just childish play.
* ArtifactOfDoom: The ''Libris Mortis,'' which will cause, as Tara puts it, "massive, world-ending zombie badness" if not destroyed.
* {{Backstory}}: Alaya has loads of it, which Tara will be happy to tell at the drop of a hat.
* BerserkButton: Jason is sensitive about being called stupid. It's implied that he dropped out of college.
* BreakingTheFourthWall: All the characters address the audience directly from time to time, but especially John Francis, who serves as the narrator.
* DoubleEntendre: Durak's introduction speech is full of them.
* FreezeFrameBonus: John Alex's drawings of the previous Spango Garnetkillers.
* GodwinsLaw: John Alex's rant about how Second Edition ''DungeonsAndDragons'' got rid of demons and devils ends with him comparing it to Hitler looking for ''lebensraum.''
* JerkWithAHeartOfGold: John Alex.
* NoSocialSkills: John Alex.
* OverlyLongName: Alaya's full name.
* RepetitiveName: Durak [=McMackMack=].
* ShipperOnDeck: Linda, for Tara and John Francis.
* SirSwearsalot: John Alex.
* SquishyWizard: Alaya.
* TeamMom: Linda.
* [=UST=]: John Francis and Tara.
* UnrequitedLoveSwitcheroo: John Francis and Tara ... repeatedly.
* '''John Francis,''' the DungeonMaster and narrator.
* '''John Alex,''' his best friend since childhood. His PlayerCharacter is a 12th-level rogue named Spango Garnetkiller XVII.
* '''Jason,''' who has been gaming with John
* '''Tara,''' who has played with the group for a few years. She plays a half-elf wizard named Alaya[[note]]--actually, the name's much longer than that, but you probably don't want to get into that right now[[/note]].
* '''Linda,''' who hosts the game at her and
* '''Brandon,''' Linda's husband, who plays mostly as a social activity. He plays a barbarian named Throg.
They have been playing fantasy TabletopRPG games together for several years--going back to their school days in the case of the first three. Jason's announcement that he has enlisted throws the group into turmoil. John Alex picks a fight with Jason because he [[CannotSpitItOut can't express his concern any other way,]] and John Francis starts to question the point of gaming at all. They only have [[OneLastJob one last
!!''Of Dice and Men'' provides examples of the following tropes:
* ArcWords: "When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now I see through a glass, darkly" (1 Corinthians 13:11-12, slightly paraphrased). They reflect John Francis's dilemma about whether gaming is worth doing, or just childish play.
* ArtifactOfDoom: The ''Libris Mortis,'' which will cause, as Tara puts it, "massive, world-ending zombie badness" if not destroyed.
* {{Backstory}}: Alaya has loads of it, which Tara will be happy to tell at the drop of a hat.
* BerserkButton: Jason is sensitive about being called stupid. It's implied that he dropped out of college.
* BreakingTheFourthWall: All the characters address the audience directly from time to time, but especially John Francis, who serves as the narrator.
* DoubleEntendre: Durak's introduction speech is full of them.
* FreezeFrameBonus: John Alex's drawings of the previous Spango Garnetkillers.
* GodwinsLaw: John Alex's rant about how Second Edition ''DungeonsAndDragons'' got rid of demons and devils ends with him comparing it to Hitler looking for ''lebensraum.''
* JerkWithAHeartOfGold: John Alex.
* NoSocialSkills: John Alex.
* OverlyLongName: Alaya's full name.
* RepetitiveName: Durak [=McMackMack=].
* ShipperOnDeck: Linda, for Tara and John Francis.
* SirSwearsalot: John Alex.
* SquishyWizard: Alaya.
* TeamMom: Linda.
* [=UST=]: John Francis and Tara.
* UnrequitedLoveSwitcheroo: John Francis and Tara ... repeatedly.
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[[quoteright:338:http://static.tvtropes.org/pmwiki/pub/images/of_dice_and_men_350.jpg]]
A 2014 independent {{dramedy}} film produced by Cavegirl Productions, based on the play of the same title by Cameron [=McNary=]. Set in 2006, it concerns a group of thirtysomething gamers reacting to the announcement that one of them has enlisted in the Marines and is [[TheWarOnTerror going to Iraq]].
John Francis, John Alex, Jason, Tara, Brandon, and Linda has been playing fantasy TabletopRPG games together for several years--going back to their school days in the case of the first three. Jason's announcement that he has enlisted throws the group into turmoil. John Alex picks a fight with Jason because he [[CannotSpitItOut can't express his concern any other way,]] and John Francis starts to question the point of gaming at all. They only have one last session before Jason's deployment to heal the rift in the group.
----
A 2014 independent {{dramedy}} film produced by Cavegirl Productions, based on the play of the same title by Cameron [=McNary=]. Set in 2006, it concerns a group of thirtysomething gamers reacting to the announcement that one of them has enlisted in the Marines and is [[TheWarOnTerror going to Iraq]].
John Francis, John Alex, Jason, Tara, Brandon, and Linda has been playing fantasy TabletopRPG games together for several years--going back to their school days in the case of the first three. Jason's announcement that he has enlisted throws the group into turmoil. John Alex picks a fight with Jason because he [[CannotSpitItOut can't express his concern any other way,]] and John Francis starts to question the point of gaming at all. They only have one last session before Jason's deployment to heal the rift in the group.
----