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* NonIdleRich: An interesting subverion of the wildspread stereotype of the film. While on the trip many characters might appear bored and stricken by the upper-class ennui in regular life some of them actually work.
** Sandro might have sold out and given up his high artistsic dreams but his boss recognises that he cannot do without his calculations. His work makes him rich, he confesses to own several appartments but it resulted from work, catering to the preferences of the tasteless bourgeois. Which pays.
** Corrado is implied to be an official who is present at various conferences. [[spoiler: Where he is unable to give up snarking]]

to:

* NonIdleRich: An interesting subverion subversion of the wildspread widespread stereotype of the film. While on the trip many characters might appear bored and stricken by the upper-class ennui in regular life some of them actually work.
** Sandro might have sold out and given up his high artistsic artistic dreams but his boss recognises recognizes that he cannot do without his calculations. His work makes him rich, he confesses to own several appartments apartments but it resulted from work, catering to the preferences of the tasteless bourgeois. Which pays.
** Corrado is implied to be an official who is present at various conferences. [[spoiler: Where [[spoiler:Where he is unable to give up snarking]]



* OnlyInItForTheMoney: Sandro retains his current job only due to that reason. It does not satisfy his creatrive urges.

to:

* OnlyInItForTheMoney: Sandro retains stays at his current job only solely due to that this reason. It does not satisfy his creatrive creative urges.



** Every character has only a name in the credits, no surnames are mentioned. Well, with the exception of the Anna's father who is only referred to as such.
** Subverted in the sole case of Gloria Perkins, an aspiring actress who arrived from the USA. [[spoiler: That proves to be a bad sign as she seduces Sandro]]
* PassiveAggressiveKombat: What goes on between Patrizia and Raimondo who are together on trip but are not lovers.

to:

** Every character has only a name in the credits, no surnames are mentioned. Well, with the exception of the Anna's father father, who is only referred to as such.
** Subverted in the sole case of Gloria Perkins, an aspiring actress who arrived from the USA. [[spoiler: That [[spoiler:That proves to be a bad sign as she seduces Sandro]]
Sandro.]]
* PassiveAggressiveKombat: What goes on between Patrizia and Raimondo who are together on the trip but are not lovers.



* PleaseDontLeaveMe: Giulia says exactly that to Claudia when Giulia is going to the room of the young artist passionately in love with her. Claudia only reluctantly agrees. [[spoiler: Soon after they arrive to the room Giulia says LeaveMeAlone as the passion of the artist ignites her too.]]

to:

* PleaseDontLeaveMe: Giulia says exactly that this to Claudia when Giulia is going to the room of the young artist passionately in love with her. Claudia only reluctantly agrees. [[spoiler: Soon [[spoiler:Soon after they arrive to at the room Giulia says LeaveMeAlone as the passion of the artist ignites her too.]]



* PricelessMingVase: The ancient vase is found on the island during the searches for Anna. Party members pass it on one to another until Raimondo drops it with predictable consequences then reacts with the DullSurprise.
* PrinceCharming: Goffredo the painter who actually possesses a title of the prince. Also he charms Giulia.

to:

* PricelessMingVase: The An ancient vase is found on the island during the searches searche for Anna. Party members pass it on to one to another until Raimondo drops it it, with predictable consequences consequences; then reacts with the DullSurprise.
* PrinceCharming: Goffredo the painter who actually possesses a title of the prince. Also he charms Giulia.



** The police interrogation of the smugglers which does not lead anywhere. [[spoiler: They quite probably indeed smuggle the goods into Italy on their boats but have nothing to do with Anna's disappearance.]]
** Also the following actions of Sandro who meets several people who tell him about a girl which might be the missing Anna. [[spoiler: Later all this is dropped.]].
* RevealShot: In Noto Claudia is shown in the close shot on the street under the stairs. A cut to the wider shot reveals that half a dozen of men are watching her both on the same level and from the stairs. Then a further pan reveals that a whole crowd is observing her. A dialogue reveals that she is taken for a French.

to:

** The police interrogation of the smugglers which does not lead anywhere. [[spoiler: They [[spoiler:They quite probably indeed smuggle the goods into Italy on their boats but have nothing to do with Anna's disappearance.]]
** Also the following actions of Sandro who meets several people who tell him about a girl which who might be the missing Anna. [[spoiler: Later [[spoiler:Later all this is dropped.]].
* RevealShot: In Noto Claudia is shown in the close shot on the street under the stairs. A cut to the wider shot reveals that half a dozen of men are watching her both on the same level and from the stairs. Then a further pan reveals that a whole crowd is observing her. A dialogue reveals that she is taken for a French.



* SleepingSingle Patrizia and Ettore sleep not only in different beds but also in different rooms.

to:

* SleepingSingle SleepingSingle: Patrizia and Ettore sleep not only in different beds but also in different rooms.



** Zigzagged with Claudia who also sees this trend towards the cynical flank in herself and is very much ashamed of that. She tries to improve her ways with mixed results.
* {{Socialite}}: Gloria Perkins implies that she is the one though it is hinted that she is something else.
* TitleDrop: Sandro to Claudia when she reproaches him that he now seems entirely different person than before to her. He answeres that it is for the better because that makes for a new adventure.

to:

** Zigzagged with Claudia who also sees this trend towards the cynical flank in herself and is very much ashamed of that. She tries to improve her ways with mixed results.
* {{Socialite}}: Gloria Perkins implies that she is the one though it is hinted that she is something else.
* TitleDrop: Sandro to Claudia when she reproaches him that he now seems to be an entirely different person than before to her. He answeres answers that it is for the better because that makes for a new adventure.



* UnresolvedSexualTension: It emerges between Claudia and Sandro after Anna disappears while they search for her or simply aimlessly roam the island. [[spoiler: It is resolved VERY soon by their kiss.]]

to:

* UnresolvedSexualTension: It emerges between Claudia and Sandro after Anna disappears while they search for her or simply aimlessly roam the island. [[spoiler: It [[spoiler:It is resolved VERY soon by their kiss.]]



* WardrobeMalfunction: A rip in the skirt of Gloria Perkins
* WhenIWasYourAge: Sandro mentions this to a student whose architectural drawing he has just deliberately destroyed spilling an inkpot all over it. When the student comes up to him Sandro asks his age and when a student replies "23" says that at that age he fought so many time the student would not even think about it. The scene ends peacefully.

to:

* WardrobeMalfunction: A rip in the skirt of Gloria Perkins
Perkins.
* WhenIWasYourAge: Sandro mentions this to a student whose architectural drawing he has just deliberately destroyed by spilling an inkpot all over it. When the student comes up to him him, Sandro asks his age and when a the student replies "23" Sandro says that at that age he fought so many time times the student would not even think about it. The scene ends peacefully.



** Giulia cheats on her snarky wealthy husband Corrado with a young painter Goffredo. Lampshaded as she remarks that her little heart beats like crazy [[spoiler: as she is about to give in to Goffredo.]].

to:

** Giulia cheats on her snarky wealthy husband Corrado with a young painter Goffredo. Lampshaded as she remarks that her little heart beats like crazy [[spoiler: as [[spoiler:as she is about to give in to Goffredo.]].



** In the end [[spoiler: Sandro cheats on Claudia with Gloria Perkins.]]

to:

** In the end [[spoiler: Sandro [[spoiler:Sandro cheats on Claudia with Gloria Perkins.]]


* GhostTown: Claudia and Sandro visit one of those during their searches for Anna. They discover it is abandoned some time after they arrive. [[spoiler: It works as an aphrodisiac because they make sex immediately after leaving the town in the grass near the railway.]]
* GreyAndGrayMorality: Claudia appears the most sympathetic character however she confesses once that while previously she would like to find Anna and was horrified that she would not be found now she is horrified that Anna would be found. Other characters are visibly more cynical. [[spoiler: some of them even suppose that Sandro might have knocked off Anna.]]
* HalfwayPlotSwitch
* HumansAreDiplomats: Subverted by Anna's father who also lampshades this subversion. He reports that when he was a career diplomat so for many years he was oblidged to never tell what he thought but now this obligation no longer exists.
* {{Jerkass}}: Sandro is the one of epic proportions. Once he destroys a technical drawing of an architecture student.

to:

* GhostTown: Claudia and Sandro visit one of those during their searches for Anna. They discover it is abandoned some time after they arrive. [[spoiler: It [[spoiler:It works as an aphrodisiac because they make have sex immediately after leaving the town in the grass near the railway.]]
* GreyAndGrayMorality: Claudia appears to be the most sympathetic character however character. However, at one point she confesses once that while previously she would like wanted to find Anna Anna, and was horrified that she would not be found found, now she is horrified that Anna would be found. Other characters are visibly more cynical. [[spoiler: some [[spoiler:Some of them even suppose that Sandro might have knocked off Anna.]]
* HalfwayPlotSwitch
HalfwayPlotSwitch:
* HumansAreDiplomats: Subverted by Anna's father who also lampshades this subversion. He reports says that when he was a career diplomat so for many years that he was oblidged obliged to never tell say what he really thought but now this obligation no longer exists.
* {{Jerkass}}: Sandro is the one of epic proportions. Once At one point he destroys a technical drawing of an architecture student.student made.



* LikesOlderWomen: Goffredo insistently tries to seduce Giulia. [[spoiler: He succeeds.]]

to:

* LikesOlderWomen: Goffredo insistently tries to seduce Giulia. [[spoiler: He [[spoiler:He succeeds.]]



* LoveHurts: Vittoria learns it nearly immediately after falling in love with Sandro.

to:

* LoveHurts: Vittoria learns it nearly this almost immediately after falling in love with Sandro.


* EveryoneCallsHimBarkeep: Old Man on the Island is credited in this way. Might be due to ValuesDissonance because in the movie dedicated to the upper-class characters a poor islander couldn't receive a name.
* EveryoneLooksSexierIfFrench: Claudia is taken for a Frenchwoman in the conservative Italian south
* FirstKiss: Between Claudia and Sandro happens too soon after the disappearance of Anna.

to:

* EveryoneCallsHimBarkeep: Old Man on the Island is credited in this way. Might be due to ValuesDissonance because in the a movie dedicated to the upper-class characters characters, a poor islander couldn't receive a name.
* EveryoneLooksSexierIfFrench: Claudia is taken for a Frenchwoman in the conservative Italian south
south.
* FirstKiss: Between Claudia and Sandro Sandro. It happens too soon after the disappearance of Anna.



** Claudia in the hotel room sings 'NO, no, non ti lascero' (Meaning "No, no, I won't leave you"). [[spoiler: In the end she forgivens Sandro and indeed stays with him.]]
** An example of this trope working within the author canon. The blonde Claudia once puts on a black wig which makes her closely resemble Valeria Gherardini, the character of {{Film/La notte}}

to:

** Claudia in the hotel room sings 'NO, no, non ti lascero' (Meaning "No, no, I won't leave you"). [[spoiler: In [[spoiler:In the end she forgivens forgives Sandro and indeed stays with him.]]
** An example of this trope working within the author canon. The blonde Claudia once puts on a black wig which makes her closely resemble Valeria Gherardini, the character of {{Film/La notte}}Notte}}


* EveryoneCallsHimBarkeep: Old Man on the Island is credited in this way. Might be due to {{ValuesDissonance}} because in the movie dedicated to the upper-class characters a poor islander couldn't receive a name.

to:

* EveryoneCallsHimBarkeep: Old Man on the Island is credited in this way. Might be due to {{ValuesDissonance}} ValuesDissonance because in the movie dedicated to the upper-class characters a poor islander couldn't receive a name.


* EveryoneCallsHimBarkeep: Old Man on the Island is credited in this way. Might be die to {{ValuesDissonance}} because in the movie dedicated to the upper-class characters a poor islander couldn't receive a name.

to:

* EveryoneCallsHimBarkeep: Old Man on the Island is credited in this way. Might be die due to {{ValuesDissonance}} because in the movie dedicated to the upper-class characters a poor islander couldn't receive a name.


* CryingWolf: Anna while swimming starts to cry that a shark is near. Then when everyonу is back on board the shark is nowhere to be seen. Most probably she was reproducing this trop craving for attention. After her disappearance other characters make suggestions about her motives.
* TheCynic: Sandro. When Claudia notes to him that he appears another person he replies that is only for good because it would make a new adventure.

to:

* CryingWolf: While swimming, Anna while swimming starts to cry that a shark is near. Then when everyonу everyone is back on board the shark is nowhere to be seen. Most probably likely she was reproducing this trop trope in a craving for attention. After her disappearance disappearance, other characters make suggestions about her motives.
* TheCynic: Sandro. When Claudia notes to him that he appears to be another person he replies that is only for good because it would make a new adventure.


* DarknessInducedApathy: For Claudia in the end as she says that everything becomes so damned easy. Even the suffering.



* ManChild: Sandro.

Added DiffLines:

* DarknessInducedApathy: For Claudia in the end as she says that everything becomes so damned easy. Even the suffering.


* CryingWolf: Anna while swimming starts to cry that a shark is near. Most probably she was reproducing this trop. After her disappearance other characters make suggestions about her motives.

to:

* CryingWolf: Anna while swimming starts to cry that a shark is near. Then when everyonу is back on board the shark is nowhere to be seen. Most probably she was reproducing this trop.trop craving for attention. After her disappearance other characters make suggestions about her motives.



* DullSurprise: Raimondo is unconcerned when he drops the ancient vase so that it breaks.

to:

* DullSurprise: DullSurprise:
**
Raimondo is unconcerned when he drops the ancient vase so that it breaks.



* ForeShadowing: Claudia in the hotel room sings 'NO, no, non ti lascero' (Meaning "No, no, I won't leave you"). [[spoiler: In the end she forgivens Sandro and indeed stays with him.]]

to:

* ForeShadowing: ForeShadowing:
**
Claudia in the hotel room sings 'NO, no, non ti lascero' (Meaning "No, no, I won't leave you"). [[spoiler: In the end she forgivens Sandro and indeed stays with him.]]



* OnlyOneName: Every character has only a name in the credits, no surnames are mentioned. Well, with the exception of the Anna's father who is only referred to as such.

to:

* OnlyOneName: OnlyOneName:
**
Every character has only a name in the credits, no surnames are mentioned. Well, with the exception of the Anna's father who is only referred to as such.



* PricelessMingVase: The ancient vase is found on the island during the searches for Anna. Party members pass it from one to another until Raimondo drops it with predictable consequences then reacts with the DullSurprise.

to:

* PricelessMingVase: The ancient vase is found on the island during the searches for Anna. Party members pass it from on one to another until Raimondo drops it with predictable consequences then reacts with the DullSurprise.



* RedHerring: The police interrogation of the smugglers which does not lead anywhere. [[spoiler: They quite probably indeed smuggle the goods into Italy on their boats but have nothing to do with Anna's disappearance.]]
** Also the following actions of Sandro who meets several people who tell him against a girl which might be the missing Anna. [[spoiler: Later this all is dropped.]].
* RevealShot: In Noto Claudia is shown in close shot on the street under the stairs. A cut to the wider shot reveals that half a dozen of men watch her both on the same level and from the stairs. Then a further pan reveals that a whole crowd is observing her. A dialogue reveals that she is taken for a French.

to:

* RedHerring: RedHerring:
**
The police interrogation of the smugglers which does not lead anywhere. [[spoiler: They quite probably indeed smuggle the goods into Italy on their boats but have nothing to do with Anna's disappearance.]]
** Also the following actions of Sandro who meets several people who tell him against about a girl which might be the missing Anna. [[spoiler: Later all this all is dropped.]].
* RevealShot: In Noto Claudia is shown in the close shot on the street under the stairs. A cut to the wider shot reveals that half a dozen of men watch are watching her both on the same level and from the stairs. Then a further pan reveals that a whole crowd is observing her. A dialogue reveals that she is taken for a French.



* SlidingScaleOfIdealismVersusCynicism: Most characters are firmly on the cynical end of the scale.

to:

* SlidingScaleOfIdealismVersusCynicism: SlidingScaleOfIdealismVersusCynicism:
**
Most characters are firmly on the cynical end of the scale.



* TitleDrop: Sandro to Claudia when she reproaches him that he now seems entirely different person to her. He answeres that it is for the better because that makes for a new adventure.

to:

* TitleDrop: Sandro to Claudia when she reproaches him that he now seems entirely different person than before to her. He answeres that it is for the better because that makes for a new adventure.


* OnlyInItForTheMoney: Sandro retains his curreent job only due to that reason. It does not satisfy his creatrive urges.

to:

* OnlyInItForTheMoney: Sandro retains his curreent current job only due to that reason. It does not satisfy his creatrive urges.


* TheJerk: Sandro is the one of epic proportions. Once he destroys a technical drawing of an architecture student.

to:

* TheJerk: {{Jerkass}}: Sandro is the one of epic proportions. Once he destroys a technical drawing of an architecture student.



* NeverFoundTheBody: You never see Anna again, alive or dead. Main/WordOfGod says that they shot the scene where the body of Anna was found in the water. However it was excluded due to the timing reasons.

to:

* NeverFoundTheBody: You never see Anna again, alive or dead. Main/WordOfGod WordOfGod says that they shot the scene where the body of Anna was found in the water. However it was excluded due to the timing reasons.


* PricelessMingVase: The ancient vase is found on the island during the searches for Patricia. Party members pass it from one to another until Raimondo drops it with predictable consequences.

to:

* PricelessMingVase: The ancient vase is found on the island during the searches for Patricia. Anna. Party members pass it from one to another until Raimondo drops it with predictable consequences.consequences then reacts with the DullSurprise.

Added DiffLines:

* WorldOfSnark: the trip party is this.


** Also Basiluzzo which is mentioned when a boat passes near it is uninhabited.

to:

** Also Basiluzzo which is mentioned when a boat passes near it this one. It is uninhabited.


* DeadpanSnarker: Almost every secondary character in the movie, Claudio is not, curiously Sandro is also not the best example of that. Sandro might be evil at times but he doesn't often make snarky remarks. Patrizia and Raimondo as well as Corrado are frequently this. Also a drugstore assistant and his wife.

to:

* DeadpanSnarker: Almost every secondary character in the movie, Claudio Claudia is not, curiously Sandro is also not the best example of that. Sandro might be evil at times but he doesn't often make snarky remarks. Patrizia and Raimondo as well as Corrado are frequently this. Also a drugstore assistant and his wife.

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