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** Later, American sailors walk around Havana singing an obnoxious (and fictional) patriotic song, before assaulting and nearly raping a young Cuban woman. She's saved by Enrique.
* VoiceoverTranslation: Some editions of the film have all the English and Spanish dialogue over-dubbed with a Russian voiceover.

to:

** Later, American sailors walk around Havana singing an obnoxious (and fictional) patriotic song, before assaulting and [[AttemptedRape nearly raping raping]] a young Cuban woman. She's saved by Enrique.
* VoiceoverTranslation: Some editions of the film have all the English and Spanish dialogue over-dubbed with a Russian voiceover.voiceover.
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* {{Eagleland}}: Unsurprisingly for a Soviet propaganda film, arrogant, crude Americans exploit the locals economically and sexually.
** One highlight has the john who patronizes Maria get lost and stumble through the slums.
** Later, American sailors walk around Havana singing an obnoxious (and fictional) patriotic song, before assaulting and nearly raping a young Cuban woman. She's saved by Enrique.


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* UglyAmericanStereotype: Unsurprisingly for a Soviet propaganda film, arrogant, crude Americans exploit the locals economically and sexually.
** One highlight has the john who patronizes Maria get lost and stumble through the slums.
** Later, American sailors walk around Havana singing an obnoxious (and fictional) patriotic song, before assaulting and nearly raping a young Cuban woman. She's saved by Enrique.
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''I Am Cuba'' was a PropagandaPiece meant to portray the cruelty of the capitalist Batista regime and to celebrate the revolution which swept UsefulNotes/FidelCastro into power. As a socialist film, it was less than successful. Cubans did not care for the stereotypical portrayal of the Cuban people, and the Soviets felt that it was too arty and not ideological enough. (The Soviets also felt that the portrayal of life in Batista-era Havana might have seemed [[AlternateAesopInterpretation too much fun]].) Consequently, the film was barely released in the USSR and Cuba in 1964, and was not seen at all in the West. Thirty years later it was VindicatedByHistory when it was re-released, and celebrated mainly for its jaw-dropping camera work that features many, many [[EpicTrackingShot Epic Tracking Shots]] and swooping crane shots.

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''I Am Cuba'' was a PropagandaPiece meant to portray the cruelty of the capitalist Batista regime and to celebrate the revolution which that swept UsefulNotes/FidelCastro into power. As a socialist film, it was less than successful. Cubans did not care for the stereotypical portrayal of the Cuban people, and the Soviets felt that it was too arty and not ideological enough. (The Soviets also felt that the portrayal of life in Batista-era Havana might have seemed [[AlternateAesopInterpretation too much fun]].) Consequently, the film was barely released in the USSR and Cuba in 1964, and was not seen at all in the West. Thirty years later it was VindicatedByHistory when it was re-released, and celebrated mainly for its jaw-dropping camera work that features many, many [[EpicTrackingShot Epic Tracking Shots]] and swooping crane shots.
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* EmpathyDollShot: When Mariano's sun is killed by a bomb, all Mariano can find is his doll.

to:

* EmpathyDollShot: When Mariano's sun son is killed by a bomb, all Mariano can find is his doll.
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* {{Eagleland}}: Unsurprisingly for a Soviet propaganda film, this one is Flavor 2 all the way. Arrogant, crude Americans exploit the locals economically and sexually.

to:

* {{Eagleland}}: Unsurprisingly for a Soviet propaganda film, this one is Flavor 2 all the way. Arrogant, arrogant, crude Americans exploit the locals economically and sexually.



* EpicTrackingShot: The film's main claim to fame, as it is filled with shot after shot after shot, each of which would be a memorable EpicTrackingShot and highlight of another movie.

to:

* EpicTrackingShot: The film's main claim to fame, as it is filled with shot after shot after shot, each of which epic tracking shots that would be a memorable EpicTrackingShot and individually highlight of another any other movie. Made more impressive by being done with 1964 technology. Some of the shots were made possible by crewmembers simply handing the camera off to one another.



** Another, even more staggering tracking shot starts at street level during Enrique's funeral procession. The camera then rises four floors, then goes through a building (this part was done by crewmembers passing the camera hand-to-hand), then goes back to the crane shot as the camera leaves the building and continues to follow the procession.

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** Another, even more staggering tracking shot starts at street level during Enrique's funeral procession. The camera then rises four floors, then goes through a building (this part was done by crewmembers passing the camera hand-to-hand), building, then goes back to the crane shot as the camera leaves the building and continues to follow the procession.



* FauxFluency: The "American" businessmen in the first story speak English with some not very convincing accents. The American sailors aren't much better.

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* FauxFluency: The "American" businessmen in the first story speak English with some not very convincing not-very-convincing accents. The American sailors aren't much better.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/soycuba03.jpg]]
[[caption-width-right:350:At least United Fruit won't get it.]]

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''I Am Cuba'' was a PropagandaPiece meant to portray the cruelty of the capitalist Batista regime and to celebrate the revolution which swept UsefulNotes/FidelCastro into power. As a socialist film, it was less than successful. Cubans did not care for the stereotypical portrayal of the Cuban people, and the Soviets felt that it was too arty and not ideological enough. (The Soviets also felt that the portrayal of life in Batista-era Havana might have seemed [[AlternateAesopInterpretation too much fun]]. Consequently, the film was barely released in the USSR and Cuba in 1964, and was not seen at all in the West. Thirty years later it was VindicatedByHistory when it was re-released, and celebrated mainly for its jaw-dropping camera work that features many, many [[EpicTrackingShot Epic Tracking Shots]] and swooping crane shots.

to:

''I Am Cuba'' was a PropagandaPiece meant to portray the cruelty of the capitalist Batista regime and to celebrate the revolution which swept UsefulNotes/FidelCastro into power. As a socialist film, it was less than successful. Cubans did not care for the stereotypical portrayal of the Cuban people, and the Soviets felt that it was too arty and not ideological enough. (The Soviets also felt that the portrayal of life in Batista-era Havana might have seemed [[AlternateAesopInterpretation too much fun]]. ) Consequently, the film was barely released in the USSR and Cuba in 1964, and was not seen at all in the West. Thirty years later it was VindicatedByHistory when it was re-released, and celebrated mainly for its jaw-dropping camera work that features many, many [[EpicTrackingShot Epic Tracking Shots]] and swooping crane shots.


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* TheCallKnowsWhereYouLive: Mariano refuses an invitation from a soldier to join Castro's army. Immediately after this happens, a government bombing raid kills his son.


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* EmpathyDollShot: When Mariano's sun is killed by a bomb, all Mariano can find is his doll.


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* IAmSpartacus: The Mariano sequence begins with three ragged Communist soldiers being captured by government men. An officer demands to know where Fidel is, and all three of them say "Soy Fidel" in turn.


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* RefusalOfTheCall: Mariano wants to live in peace, and thus refuses an invitation to join Fidel's army. Tragedy makes him change his mind.
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''I Am Cuba'' was a PropagandaPiece meant to portray the cruelty of the capitalist Batista regime and to celebrate the revolution which swept UsefulNotes/FidelCastro into power. As a socialist film, it was less than successful. Cubans did not care for the stereotypical portrayal of the Cuban people, and the Soviets felt that it was too arty and not ideological enough. (The Soviets also felt that the portrayal of life in Batista-era Havana might have seemed [[AlternateAesopInterpretation too much fun]]. Consequently, the film was barely released in the USSR and Cuba in 1964, and was not seen at all in the West. Thirty years later it was VindicatedByHistory when it was re-released, and celebrated mainly for its jaw-dropping camera work that features many, many [[EpicTrackingShot Epic Tracking Shots]].

to:

''I Am Cuba'' was a PropagandaPiece meant to portray the cruelty of the capitalist Batista regime and to celebrate the revolution which swept UsefulNotes/FidelCastro into power. As a socialist film, it was less than successful. Cubans did not care for the stereotypical portrayal of the Cuban people, and the Soviets felt that it was too arty and not ideological enough. (The Soviets also felt that the portrayal of life in Batista-era Havana might have seemed [[AlternateAesopInterpretation too much fun]]. Consequently, the film was barely released in the USSR and Cuba in 1964, and was not seen at all in the West. Thirty years later it was VindicatedByHistory when it was re-released, and celebrated mainly for its jaw-dropping camera work that features many, many [[EpicTrackingShot Epic Tracking Shots]].
Shots]] and swooping crane shots.

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* DisturbedDoves: They're sent flying when the cops fire off a warning volley in an attempt to get the audience at Enrique's speech to disperse. A second volley actually shoots one of the doves out of the air, whereupon the film goes super-{{Anvilicious}} as Enrique leads a march away, holding the dead dove in front.



* {{Eagleland}}: Unsurprisingly for a Soviet propaganda film, this one is Flavor 2 all the way. Arrogant, crude Americans exploit the locals economically and sexually. One highlight has the john who patronizes Maria get lost and stumble through the slums.
* EpicTrackingShot: The film's main claim to fame, as it is filled with shot after shot after shot, each of which would be a memorable EpicTrackingShot and highlight of another movie. The most famous one starts out with a camera at a rooftop party. The shot goes down a couple of floors of stairs to a hotel pool, then follows a bikini-clad swimmer as she walks to the pool, and then goes ''under the water'' with her as she dives. This scene was lifted over 30 years later by Creator/PaulThomasAnderson in ''Film/BoogieNights''.
* FauxFluency: The "American" businessmen in the first story speak English with some not very convincing accents.
* HongKongDub: The first story features some atrociously bad dubbing in the nightclub scene, especially from the singer.

to:

* {{Eagleland}}: Unsurprisingly for a Soviet propaganda film, this one is Flavor 2 all the way. Arrogant, crude Americans exploit the locals economically and sexually.
**
One highlight has the john who patronizes Maria get lost and stumble through the slums.
** Later, American sailors walk around Havana singing an obnoxious (and fictional) patriotic song, before assaulting and nearly raping a young Cuban woman. She's saved by Enrique.
* EpicTrackingShot: The film's main claim to fame, as it is filled with shot after shot after shot, each of which would be a memorable EpicTrackingShot and highlight of another movie.
**
The most famous one starts out with a camera at a rooftop party. The shot goes down a couple of floors of stairs to a hotel pool, then follows a bikini-clad swimmer as she walks to the pool, and then goes ''under the water'' with her as she dives. This scene was lifted over 30 years later by Creator/PaulThomasAnderson in ''Film/BoogieNights''.
** Another, even more staggering tracking shot starts at street level during Enrique's funeral procession. The camera then rises four floors, then goes through a building (this part was done by crewmembers passing the camera hand-to-hand), then goes back to the crane shot as the camera leaves the building and continues to follow the procession.
* ExtraExtraReadAllAboutIt: An elderly newspaper boy on a bicycle delivers false government reports that Castro has been killed in the mountains.
* FauxFluency: The "American" businessmen in the first story speak English with some not very convincing accents.
accents. The American sailors aren't much better.
* HitlerCam: How Enrique is framed when he's giving a speech to a large crowd. Since the camera is never still in this movie, this then becomes a crane shot where the camera rises to capture Enrique from the opposite perspective, from above and behind.
* HongKongDub: The first story features some atrociously bad dubbing in the nightclub scene, especially from the singer. The Enrique story also features some very bad dubbing when the American sailors are singing and then talking to Enrique.
* InTheBack: How Enrique's revolutionary friend dies, shot in the back by a cop while being frog-marched away by two other cops.


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* POVCam: Another showy camera stunt. When Pedro is hacking away at his sugar cane, the camera yanks back and forth in sync with the blade. Later, as one of Enrique's friends goes plunging off a balcony to his death, the camera spins around as he falls.

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''I Am Cuba'' was a PropagandaPiece meant to portray the cruelty of the capitalist Batista regime and to celebrate the revolution which swept UsefulNotes/FidelCastro into power. As a socialist film, it was less than successful. Cubans did not care for the stereotypical portrayal of the Cuban people, and the Soviets felt that it was too arty and not ideological enough. Consequently, the film was barely released in the USSR and Cuba in 1964, and was not seen at all in the West. Thirty years later it was VindicatedByHistory when it was re-released, and celebrated mainly for its jaw-dropping camera work that features many, many [[EpicTrackingShot Epic Tracking Shots]].

to:

''I Am Cuba'' was a PropagandaPiece meant to portray the cruelty of the capitalist Batista regime and to celebrate the revolution which swept UsefulNotes/FidelCastro into power. As a socialist film, it was less than successful. Cubans did not care for the stereotypical portrayal of the Cuban people, and the Soviets felt that it was too arty and not ideological enough. (The Soviets also felt that the portrayal of life in Batista-era Havana might have seemed [[AlternateAesopInterpretation too much fun]]. Consequently, the film was barely released in the USSR and Cuba in 1964, and was not seen at all in the West. Thirty years later it was VindicatedByHistory when it was re-released, and celebrated mainly for its jaw-dropping camera work that features many, many [[EpicTrackingShot Epic Tracking Shots]].



* TitleDrop: First line of the movie, as the narrator is the voice of Cuba.

to:

* TitleDrop: First line of the movie, as the narrator is the voice of Cuba.Cuba.
* VoiceoverTranslation: Some editions of the film have all the English and Spanish dialogue over-dubbed with a Russian voiceover.
Is there an issue? Send a MessageReason:
more to come very soon

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''I Am Cuba'' (''Soy Cuba'') is a 1964 Soviet film set in UsefulNotes/{{Cuba}}, about life in Cuba in the days leading up to the revolution. It was directed by Mikhail Kalatozov (''Film/TheCranesAreFlying'').

The film presents four vignettes of life in Cuba:

* The first centers around Maria, a young woman from the Havana slums who degrades herself by working as a bar prostitute servicing American tourists and businessmen.
* The second tells the story of Pedro, a tenant sugar cane farmer who loses everything when his landlord sells the farm and his house out from under him to the United Fruit Company (notorious for its abuses in the Caribbean and Central America).
* The third features Enrique, a student radical who is pushing for more vigorous resistance against the Batista regime.
* The fourth is about Mariano, a peasant farmer who rejects the call for revolution, only to suffer a terrible tragedy at the hands of the Batista government.

''I Am Cuba'' was a PropagandaPiece meant to portray the cruelty of the capitalist Batista regime and to celebrate the revolution which swept UsefulNotes/FidelCastro into power. As a socialist film, it was less than successful. Cubans did not care for the stereotypical portrayal of the Cuban people, and the Soviets felt that it was too arty and not ideological enough. Consequently, the film was barely released in the USSR and Cuba in 1964, and was not seen at all in the West. Thirty years later it was VindicatedByHistory when it was re-released, and celebrated mainly for its jaw-dropping camera work that features many, many [[EpicTrackingShot Epic Tracking Shots]].

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!!Tropes:

* AnthologyFilm: Four stories of life in pre-revolutionary Cuba.
* DriveInTheater: A drive-in is firebombed by Enrique and his fellow radicals.
* DutchAngle: Used repeatedly in the Pedro story as soon as Señor Acosta shows up, riding a horse, to drop the bomb on Pedro.
* {{Eagleland}}: Unsurprisingly for a Soviet propaganda film, this one is Flavor 2 all the way. Arrogant, crude Americans exploit the locals economically and sexually. One highlight has the john who patronizes Maria get lost and stumble through the slums.
* EpicTrackingShot: The film's main claim to fame, as it is filled with shot after shot after shot, each of which would be a memorable EpicTrackingShot and highlight of another movie. The most famous one starts out with a camera at a rooftop party. The shot goes down a couple of floors of stairs to a hotel pool, then follows a bikini-clad swimmer as she walks to the pool, and then goes ''under the water'' with her as she dives. This scene was lifted over 30 years later by Creator/PaulThomasAnderson in ''Film/BoogieNights''.
* FauxFluency: The "American" businessmen in the first story speak English with some not very convincing accents.
* HongKongDub: The first story features some atrociously bad dubbing in the nightclub scene, especially from the singer.
* {{Narrator}}: Segments are linked by a female narrator that is meant to be the personification of Cuba itself.
* StockFootage: A newsreel of Batista plays in a drive-in.
* ThunderEqualsDownpour: Pedro's story opens with a clap of thunder and an immediate rain shower as he looks over his crops.
* TitleDrop: First line of the movie, as the narrator is the voice of Cuba.

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