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* ModelingIsGlamorous: The film is about Diana Scott, a beauteous model from Swinging Sixties London, who gets into multiple romantic entanglements, attends high-profile charity galas, and flies around the world for various jobs. However, her personal unfulfillment, amorality, and disillusionment with the jet set are running themes, and the film ends with her stuck in a marriage to an Italian prince.
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* ModelingIsGlamorous: The film is about Diana Scott, a beauteous model from Swinging Sixties London, who gets into multiple romantic entanglements, attends high-profile charity galas, and flies around the world for various jobs. However, her personal unfulfillment, unfulfilment, amorality, and disillusionment with the jet set are running themes, and the film ends with her stuck in a marriage to an Italian prince.
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* ModelingIsGlamorous: The film is about Diana Scott, a beauteous model from Swinging Sixties London, who gets into multiple romantic entanglements, attends high-profile charity galas, and flies around the world for various jobs. However, her personal unfulfillment, amorality, and disillusionment with the jet set are running themes, and the film ends with her stuck in a marriage to an Italian prince.
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Changed line(s) 10,11 (click to see context) from:
Christie had been seen in a few supporting roles but this film and ''Film/DoctorZhivago'', which came out in the same year, made her a huge star. The film was nominated for five UsefulNotes/{{Academy Award}}s, winning for Best Actress (Christie), Original Screenplay (Frederic Raphael), and Black-And-White Costume Design (Julie Harris--no, not [[Creator/JulieHarris that one]]).
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Christie had been seen in a few supporting roles but this film and ''Film/DoctorZhivago'', which came out in the same year, made her a huge star. The film was nominated for five UsefulNotes/{{Academy Award}}s, winning for Best Actress (Christie), Original Screenplay (Frederic Raphael), and Black-And-White Black-and-White Costume Design (Julie Harris--no, not [[Creator/JulieHarris that one]]).
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Changed line(s) 10,11 (click to see context) from:
Christie had been seen in a few supporting roles but this film and ''Film/DoctorZhivago'', which came out in the same year, made her a huge star. The film received five UsefulNotes/AcademyAward nominations, winning for Best Actress (Christie), Original Screenplay (Frederic Raphael), and Black-And-White Costume Design (Julie Harris--no, not [[Creator/JulieHarris that one]]).
to:
Christie had been seen in a few supporting roles but this film and ''Film/DoctorZhivago'', which came out in the same year, made her a huge star. The film received was nominated for five UsefulNotes/AcademyAward nominations, UsefulNotes/{{Academy Award}}s, winning for Best Actress (Christie), Original Screenplay (Frederic Raphael), and Black-And-White Costume Design (Julie Harris--no, not [[Creator/JulieHarris that one]]).
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Changed line(s) 10,11 (click to see context) from:
Christie had been seen in a few supporting roles but this film and ''Film/DoctorZhivago'', which came out in the same year, made her a huge star. The film received five UsefulNotes/AcademyAward nominations, winning for Best Actress (Christie), Original Screenplay (Frederic Raphael), and Black-And-White Costume Design (Julie Harris -- no, not [[Creator/JulieHarris that one]]).
to:
Christie had been seen in a few supporting roles but this film and ''Film/DoctorZhivago'', which came out in the same year, made her a huge star. The film received five UsefulNotes/AcademyAward nominations, winning for Best Actress (Christie), Original Screenplay (Frederic Raphael), and Black-And-White Costume Design (Julie Harris -- no, Harris--no, not [[Creator/JulieHarris that one]]).
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Changed line(s) 10,11 (click to see context) from:
Christie had been seen in a few supporting roles but this film and ''Film/DoctorZhivago'', which came out in the same year, made her a huge star.
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Christie had been seen in a few supporting roles but this film and ''Film/DoctorZhivago'', which came out in the same year, made her a huge star.
star. The film received five UsefulNotes/AcademyAward nominations, winning for Best Actress (Christie), Original Screenplay (Frederic Raphael), and Black-And-White Costume Design (Julie Harris -- no, not [[Creator/JulieHarris that one]]).
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Christie is Diana Scott, a rather amoral model and would-be actress in swinging '60s London. Diana is married to a nice young man named Tony who doesn't interest her very much, and she immediately forgets about him when she meets Robert, a BBC television journalist (Creator/DirkBogarde). Robert is married but sexy Diana has little trouble seducing him. Eventually Robert leaves his wife for Diana and the two move in together.
Diana starts to tire of domestic life with Robert just as she tired of life with her husband. She meets Miles Brand (Creator/LaurenceHarvey), an advertising executive and total sleazeball. Diana, while still living with Robert, carries on an affair with louche Miles that gets her a part in a cheesy movie while also introducing her to the weird orgiastic lifestyle of the London and Paris upper crust. She gets pregnant and has an abortion. Eventually Robert has enough and leaves her. Miles isn't one for commitment, but there's a third suitor in the person of Cesare (José Luis de Vilallonga), an insanely wealthy Italian prince. In between, Diana strikes up a close platonic friendship with Malcolm (Roland Curram), a gay fashion photographer.
Diana starts to tire of domestic life with Robert just as she tired of life with her husband. She meets Miles Brand (Creator/LaurenceHarvey), an advertising executive and total sleazeball. Diana, while still living with Robert, carries on an affair with louche Miles that gets her a part in a cheesy movie while also introducing her to the weird orgiastic lifestyle of the London and Paris upper crust. She gets pregnant and has an abortion. Eventually Robert has enough and leaves her. Miles isn't one for commitment, but there's a third suitor in the person of Cesare (José Luis de Vilallonga), an insanely wealthy Italian prince. In between, Diana strikes up a close platonic friendship with Malcolm (Roland Curram), a gay fashion photographer.
to:
Christie is Diana Scott, a rather amoral model and would-be actress in swinging '60s London. Diana is married to a nice young man named Tony who doesn't interest her very much, and she immediately forgets about him when she meets Robert, Robert (Creator/DirkBogarde), a BBC television journalist (Creator/DirkBogarde).journalist. Robert is married but sexy Diana has little trouble seducing him. Eventually Robert leaves his wife for Diana and the two move in together.
Dianastarts begins to tire of domestic life with Robert just as she tired of life with her husband. She meets Miles Brand (Creator/LaurenceHarvey), an advertising executive and total sleazeball. Diana, while still living with Robert, carries on an affair with louche Miles that gets her a part in a cheesy movie while also introducing her to the weird orgiastic lifestyle of the London and Paris upper crust. She gets pregnant and has an abortion. Eventually Robert has enough and leaves her. Miles isn't one for commitment, but there's a third suitor in the person of Cesare (José Luis de Vilallonga), an insanely wealthy Italian prince. In between, Diana strikes up a close platonic friendship with Malcolm (Roland Curram), a gay fashion photographer.
Diana
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/darling_julie_christie_1965.jpg]]
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/darling_julie_christie_1965.jpg]] org/pmwiki/pub/images/darling_1965.jpeg]]
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''Darling'' is a 1965 drama film directed by Creator/JohnSchlesinger and starring Creator/JulieChristie.
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''Darling'' is a 1965 British drama film directed by Creator/JohnSchlesinger and starring Creator/JulieChristie.
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Diana starts to tire of domestic life with Robert just as she tired of life with her husband. She meets Miles Brand, an advertising executive and total sleazeball (Creator/LaurenceHarvey). Diana, while still living with Robert, carries on an affair with louche Miles that gets her a part in a cheesy movie as well as introducing her to the weird orgy lifestyle of the London and Paris upper crust. She gets pregnant and has an abortion. Eventually Robert has enough and leaves her. Miles isn't one for commitment, but there's a third suitor in the person of Cesare, an insanely wealthy Italian prince.
to:
Diana starts to tire of domestic life with Robert just as she tired of life with her husband. She meets Miles Brand, Brand (Creator/LaurenceHarvey), an advertising executive and total sleazeball (Creator/LaurenceHarvey). sleazeball. Diana, while still living with Robert, carries on an affair with louche Miles that gets her a part in a cheesy movie as well as while also introducing her to the weird orgy orgiastic lifestyle of the London and Paris upper crust. She gets pregnant and has an abortion. Eventually Robert has enough and leaves her. Miles isn't one for commitment, but there's a third suitor in the person of Cesare, Cesare (José Luis de Vilallonga), an insanely wealthy Italian prince.
prince. In between, Diana strikes up a close platonic friendship with Malcolm (Roland Curram), a gay fashion photographer.
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* GayBestFriend: Malcolm the photographer, whom Diana goes gallivanting around Italy with for a while after breaking up with Robert. He's the only one who seems to understand her.
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* GayBestFriend: Malcolm the photographer, with whom Diana goes gallivanting around Italy with for a while after breaking up with Robert. He's the only one who seems to understand her.
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Changed line(s) 6,9 (click to see context) from:
Christie is Diana Scott, a rather amoral model and would-be actress in swinging '60s London. Diana is married to a nice young man named Tony who doesn't interest her very much, and she immediately forgets about him when she meets Robert, a BBC television journalist (Dirk Bogarde). Robert is married but sexy Diana has little trouble seducing him. Eventually Robert leaves his wife for Diana and the two move in together.
Diana starts to tire of domestic life with Robert just as she tired of life with her husband. She meets Miles Brand, an advertising executive and total sleazeball (Laurence Harvey). Diana, while still living with Robert, carries on an affair with louche Miles that gets her a part in a cheesy movie as well as introducing her to the weird orgy lifestyle of the London and Paris upper crust. She gets pregnant and has an abortion. Eventually Robert has enough and leaves her. Miles isn't one for commitment, but there's a third suitor in the person of Cesare, an insanely wealthy Italian prince.
Diana starts to tire of domestic life with Robert just as she tired of life with her husband. She meets Miles Brand, an advertising executive and total sleazeball (Laurence Harvey). Diana, while still living with Robert, carries on an affair with louche Miles that gets her a part in a cheesy movie as well as introducing her to the weird orgy lifestyle of the London and Paris upper crust. She gets pregnant and has an abortion. Eventually Robert has enough and leaves her. Miles isn't one for commitment, but there's a third suitor in the person of Cesare, an insanely wealthy Italian prince.
to:
Christie is Diana Scott, a rather amoral model and would-be actress in swinging '60s London. Diana is married to a nice young man named Tony who doesn't interest her very much, and she immediately forgets about him when she meets Robert, a BBC television journalist (Dirk Bogarde).(Creator/DirkBogarde). Robert is married but sexy Diana has little trouble seducing him. Eventually Robert leaves his wife for Diana and the two move in together.
Diana starts to tire of domestic life with Robert just as she tired of life with her husband. She meets Miles Brand, an advertising executive and total sleazeball(Laurence Harvey).(Creator/LaurenceHarvey). Diana, while still living with Robert, carries on an affair with louche Miles that gets her a part in a cheesy movie as well as introducing her to the weird orgy lifestyle of the London and Paris upper crust. She gets pregnant and has an abortion. Eventually Robert has enough and leaves her. Miles isn't one for commitment, but there's a third suitor in the person of Cesare, an insanely wealthy Italian prince.
Diana starts to tire of domestic life with Robert just as she tired of life with her husband. She meets Miles Brand, an advertising executive and total sleazeball
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* ForWantOfANail: Diana thinks that if Robert had only gotten to the apartment a half hour later, they might have gotten back together. But as it turns out he caught her with Miles again, and any hope of a rekindled romance is crushed.
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* ForWantOfANail: Diana thinks that if Robert had only gotten to the apartment a half hour half-hour later, they might have gotten back together. But as it turns out he caught her with Miles again, and any hope of a rekindled romance is crushed.
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* GoodGirlsAvoidAbortion: And bad girls have them, which is why Diana aborts her pregnancy, because she doesn't want to interfere with her movie career.
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* GoodGirlsAvoidAbortion: And bad girls have them, which is why Diana aborts her pregnancy, pregnancy because she doesn't want to interfere with her movie career.
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* PrecisionFStrike: Near the end Diana gets a harassing phone call, maybe from Robert, although we never find out. When the smarmy voice on the other end of the line won't reveal himself an angry Diana screeches, "For chrissakes, stop fucking around and tell me who's speaking!"
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* PrecisionFStrike: Near the end end, Diana gets a harassing phone call, maybe from Robert, although we never find out. When the smarmy voice on the other end of the line won't reveal himself himself, an angry Diana screeches, "For chrissakes, stop fucking around and tell me who's speaking!"
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* ThreeWaySex: Another bit of censorship falling by the wayside. We don't see the three-way sex, and neither does Robert when he catches Diana with Miles and stalks off. After that the scene cuts to an Asian woman in the apartment with Diana and Miles, who is sitting in her underwear in front of a mirror.
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* ThreeWaySex: Another bit of censorship falling by the wayside. We don't see the three-way sex, and neither does Robert when he catches Diana with Miles and stalks off. After that that, the scene cuts to an Asian woman in the apartment with Diana and Miles, who is sitting in her underwear in front of a mirror.
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* BlatantLies: Diana's narration often consists of self-exculpatory excuses that are contradicted by the narration. When she insists that she ''never'' wanted to break up a family, the action shows her stalking Robert as he goes back home to his wife and kids. When she says that she always wanted Robert to spend time with his children, the action shows Diana in a snit when Robert returns from a visit to his children, asking "Where the hell have you been?"
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%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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* UnreliableVoiceover: Diana's narration often consists of self-exculpatory excuses that are contradicted by the narration. When she insists that she ''never'' wanted to break up a family, the action shows her stalking Robert as he goes back home to his wife and kids. When she says that she always wanted Robert to spend time with his children, the action shows Diana in a snit when Robert returns from a visit to his children, asking "Where the hell have you been?"
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Changed line(s) 27,29 (click to see context) from:
* GettingCrapPastTheRadar:
** The weird party in Paris that Miles and Diana attend apparently involves two people engaging in sex for the amusement of the guests. The man is unbuttoning his shirt and the woman is topless from behind by the time the camera cuts to a somewhat uncomfortable Diana.
** This film also includes implied cunnilingus, surely one of the first instances in an English-language film ([[Film/{{Ecstasy}} European film was way ahead]]). Diana's in bed, Miles approaches on top of her, Miles's head disappears out of the bottom of the frame, Diana's face contorts with pleasure.
** The weird party in Paris that Miles and Diana attend apparently involves two people engaging in sex for the amusement of the guests. The man is unbuttoning his shirt and the woman is topless from behind by the time the camera cuts to a somewhat uncomfortable Diana.
** This film also includes implied cunnilingus, surely one of the first instances in an English-language film ([[Film/{{Ecstasy}} European film was way ahead]]). Diana's in bed, Miles approaches on top of her, Miles's head disappears out of the bottom of the frame, Diana's face contorts with pleasure.
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%% * GettingCrapPastTheRadar:
** The weird party in Paris that MilesGettingCrapPastThe Radar: Due to overwhelming and Diana attend apparently involves two people engaging persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in sex for the amusement of future, please check the guests. The man is unbuttoning his shirt and trope page to make sure your example fits the woman is topless from behind by the time the camera cuts to a somewhat uncomfortable Diana.
** This film also includes implied cunnilingus, surely one of the first instances in an English-language film ([[Film/{{Ecstasy}} European film was way ahead]]). Diana's in bed, Miles approaches on top of her, Miles's head disappears out of the bottom of the frame, Diana's face contorts with pleasure.current definition.
** The weird party in Paris that Miles
** This film also includes implied cunnilingus, surely one of the first instances in an English-language film ([[Film/{{Ecstasy}} European film was way ahead]]). Diana's in bed, Miles approaches on top of her, Miles's head disappears out of the bottom of the frame, Diana's face contorts with pleasure.
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No longer a trope.
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* YourCheatingHeart:
** Diana cheats on her husband with Robert, who is married as well.
** After she and Robert move in together, she cheats on him with Miles.
** And after she marries Prince Cesare, an unhappy Diana flees back to England and has sex with Robert.
** However that's only after it's rather strongly implied that Cesare is cheating on her. He makes an excuse about going on a business trip and to see his mother, but says she couldn't come because Rome "is not amusing" at that time of year. And when she wants to call him, an assistant tells Diana that the prince had the telephones in his mother's home removed.
** Diana cheats on her husband with Robert, who is married as well.
** After she and Robert move in together, she cheats on him with Miles.
** And after she marries Prince Cesare, an unhappy Diana flees back to England and has sex with Robert.
** However that's only after it's rather strongly implied that Cesare is cheating on her. He makes an excuse about going on a business trip and to see his mother, but says she couldn't come because Rome "is not amusing" at that time of year. And when she wants to call him, an assistant tells Diana that the prince had the telephones in his mother's home removed.
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correcting example
Deleted line(s) 34 (click to see context) :
* LiteraryAgentHypothesis: We find out at the end that the narration is Diana's interview with Ideal Woman magazine. Also, the narration track actually interacts with the film a couple of times. In the early going Diana sees herself as a child onscreen and says "That's me!"
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* {{Narrator}}: The film is peppered throughout with Diana's narration, often when she's telling BlatantLies to make herself look better that are contradicted by the action onscreen.
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* {{Narrator}}: NarratorAllAlong: The film is peppered throughout with Diana's narration, often when she's telling actually interacting with the film a couple of times. It can be {{Unreliable|Narrator}}, with BlatantLies to make herself look better that are contradicted by the action onscreen.onscreen. We find out at the end that the narration is Diana's interview with ''[[FictionalDocument Ideal Woman]]'' magazine.
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** However that's only after it's rather strongly implied that Cesare is cheating on her. He makes an excuse about going on a business trip and to see his mother, but says she couldn't come because Rome "is not amusing" at that time of year. And when she wants to call him, an assistant tells Diana that the prince had the telephones in his mother's home removed.
to:
** However that's only after it's rather strongly implied that Cesare is cheating on her. He makes an excuse about going on a business trip and to see his mother, but says she couldn't come because Rome "is not amusing" at that time of year. And when she wants to call him, an assistant tells Diana that the prince had the telephones in his mother's home removed.removed.
----
----
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''Darling'' is a 1965 film directed by Creator/JohnSchlesinger, starring Creator/JulieChristie.
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''Darling'' is a 1965 drama film directed by Creator/JohnSchlesinger, Creator/JohnSchlesinger and starring Creator/JulieChristie.
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''Darling'' is a 1965 film directed by John Schlesinger, starring Creator/JulieChristie.
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''Darling'' is a 1965 film directed by John Schlesinger, Creator/JohnSchlesinger, starring Creator/JulieChristie.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/darling_julie_christie_1965.jpg]]
[[caption-width-right:350:Cheers!]]
[[caption-width-right:350:Cheers!]]
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** The weird party in Paris that Miles and Diana attend apparently involves two people engaging in sex for the amusement of the guests. The man is unbuttoning her shirt and the woman is topless from behind by the time the camera cuts to a somewhat uncomfortable Diana.
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** The weird party in Paris that Miles and Diana attend apparently involves two people engaging in sex for the amusement of the guests. The man is unbuttoning her his shirt and the woman is topless from behind by the time the camera cuts to a somewhat uncomfortable Diana.
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* HowWeGotHere: As revealed by a shot at the end. The opening shot shows a large poster of Diana, with the heading "My Story, beginning today in Ideal Woman." The closing shot, after Diana is dumped again by Robert and goes back home to Italy in defeat, shows a newsstand with several copies of Ideal Woman magazine, showing the Diana cover story. Diana's narration is her interview.
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* LiteraryAgentHypothesis: We find out at the end that the narration is Diana's interview with Ideal Woman magazine. Also, the narration track actually interacts with the film a couple of times. In the early going Diana sees herself as a child onscreen and says "That's me!"
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Changed line(s) 26 (click to see context) from:
** This film also includes implied cunnilingus, surely one of the first instances in an English-language film ([[Film/{{Ecstasy}} European film was way ahead]]). Diana's in bed, Miles approaches on top of her, Miles's head disappears out of frame, Diana's face contorts with pleasure.
to:
** This film also includes implied cunnilingus, surely one of the first instances in an English-language film ([[Film/{{Ecstasy}} European film was way ahead]]). Diana's in bed, Miles approaches on top of her, Miles's head disappears out of the bottom of the frame, Diana's face contorts with pleasure.
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* MathematiciansAnswer: After Diana tells Miles to leave and he doesn't.
--> '''Diana''': I asked you to go. Why haven't you?\\
'''Miles''': Because I've stayed.
--> '''Diana''': I asked you to go. Why haven't you?\\
'''Miles''': Because I've stayed.
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Changed line(s) 33 (click to see context) from:
* RevealingHug: Diana embraces Robert and says "I'm so happy!" Robert's uncertain look as she hugs him reveals his doubts--by now he's pretty sure she's cheating on him with Miles.
to:
* PrecisionFStrike: Near the end Diana gets a harassing phone call, maybe from Robert, although we never find out. When the smarmy voice on the other end of the line won't reveal himself an angry Diana screeches, "For chrissakes, stop fucking around and tell me who's speaking!"
* RevealingHug: Diana embraces Robert and says "I'm so happy!" Robert's uncertain look as she hugs him reveals hisdoubts--by doubts. By now he's pretty sure she's cheating on him with Miles.
* RevealingHug: Diana embraces Robert and says "I'm so happy!" Robert's uncertain look as she hugs him reveals his
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* CampGay: Among the boundaries this film pushed was overt references to homosexuality, like with the minor character of Lord Grout, who is very effete and says of the black servants at a party, "Like your black boys, Alex, I suppose I can't wrap one up and take him home?"
* DyingAlone: DiscussedTrope. Diana notes how nice it is that the Prince has an extended family, but he replies that "Every man is alone in the last result."
* EiffelTowerEffect: We actually start with the Arc de Triomphe, then we get the Eiffel Tower and Notre Dame too to make it ''very'' clear that Diana and Miles are in Paris.
* EiffelTowerEffect: We actually start with the Arc de Triomphe, then we get the Eiffel Tower and Notre Dame too to make it ''very'' clear that Diana and Miles are in Paris.
* ForWantOfANail: Diana thinks that if Robert had only gotten to the apartment a half hour later, they might have gotten back together. But as it turns out he caught her with Miles again, and any hope of a rekindled romance is crushed.
* GayBestFriend: Malcolm the photographer, whom Diana goes gallivanting around Italy with for a while after breaking up with Robert. He's the only one who seems to understand her.
* GettingCrapPastTheRadar:
** The weird party in Paris that Miles and Diana attend apparently involves two people engaging in sex for the amusement of the guests. The man is unbuttoning her shirt and the woman is topless from behind by the time the camera cuts to a somewhat uncomfortable Diana.
** This film also includes implied cunnilingus, surely one of the first instances in an English-language film ([[Film/{{Ecstasy}} European film was way ahead]]). Diana's in bed, Miles approaches on top of her, Miles's head disappears out of frame, Diana's face contorts with pleasure.
* GoodGirlsAvoidAbortion: And bad girls have them, which is why Diana aborts her pregnancy, because she doesn't want to interfere with her movie career.
* HitlerCam: Used to show Diana from Miles's point of view, as she hops up on top of a boardroom table and then walks over to him in a chair at the end. Symbolic of Diana using her sexuality to establish the power in their relationship.
* JumpCut: Diana and Robert host a party, but soon regret it, hiding in the bedroom while they commiserate over the huge crowd of people in their apartment. Then there's a shot of the bed with all the guest coats on it, followed by a jump cut to the bed with all of the coats gone, followed by a jump cut to the bed with Robert and Diana lying on it.
* MeetCute: Diana is a random passerby that Robert's TV crew snags for a woman-on-the-street interview, no doubt because she's good-looking.
* GayBestFriend: Malcolm the photographer, whom Diana goes gallivanting around Italy with for a while after breaking up with Robert. He's the only one who seems to understand her.
* GettingCrapPastTheRadar:
** The weird party in Paris that Miles and Diana attend apparently involves two people engaging in sex for the amusement of the guests. The man is unbuttoning her shirt and the woman is topless from behind by the time the camera cuts to a somewhat uncomfortable Diana.
** This film also includes implied cunnilingus, surely one of the first instances in an English-language film ([[Film/{{Ecstasy}} European film was way ahead]]). Diana's in bed, Miles approaches on top of her, Miles's head disappears out of frame, Diana's face contorts with pleasure.
* GoodGirlsAvoidAbortion: And bad girls have them, which is why Diana aborts her pregnancy, because she doesn't want to interfere with her movie career.
* HitlerCam: Used to show Diana from Miles's point of view, as she hops up on top of a boardroom table and then walks over to him in a chair at the end. Symbolic of Diana using her sexuality to establish the power in their relationship.
* JumpCut: Diana and Robert host a party, but soon regret it, hiding in the bedroom while they commiserate over the huge crowd of people in their apartment. Then there's a shot of the bed with all the guest coats on it, followed by a jump cut to the bed with all of the coats gone, followed by a jump cut to the bed with Robert and Diana lying on it.
* MeetCute: Diana is a random passerby that Robert's TV crew snags for a woman-on-the-street interview, no doubt because she's good-looking.
* TheOneThatGotAway: How Diana feels about Robert. She doesn't seem to care very much about anybody else, but she breaks down sobbing after her infidelity causes Robert to dump her. Later she muses about how chance timing cost them a chance of reuniting (see ForWantOfANail above). At the end she goes back to England to meet him, they have sex, and she's deliriously happy, talking about how they're going to live together in the country. Robert then cruelly rejects her, having had his revenge.
* RevealingHug: Diana embraces Robert and says "I'm so happy!" Robert's uncertain look as she hugs him reveals his doubts--by now he's pretty sure she's cheating on him with Miles.
* RevealingHug: Diana embraces Robert and says "I'm so happy!" Robert's uncertain look as she hugs him reveals his doubts--by now he's pretty sure she's cheating on him with Miles.
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* TrophyWife: Diana winds up in an empty existence as the trophy wife of a wealthy Italian prince.
to:
* ThreeWaySex: Another bit of censorship falling by the wayside. We don't see the three-way sex, and neither does Robert when he catches Diana with Miles and stalks off. After that the scene cuts to an Asian woman in the apartment with Diana and Miles, who is sitting in her underwear in front of a mirror.
* TrophyWife: Diana winds up in an empty existence as the trophy wife of a wealthy Italian prince. She hates it.
* TrophyWife: Diana winds up in an empty existence as the trophy wife of a wealthy Italian prince. She hates it.
Changed line(s) 25 (click to see context) from:
** And after she marries Prince Cesare, an unhappy Diana flees back to England and has sex with Robert.
to:
** And after she marries Prince Cesare, an unhappy Diana flees back to England and has sex with Robert.Robert.
** However that's only after it's rather strongly implied that Cesare is cheating on her. He makes an excuse about going on a business trip and to see his mother, but says she couldn't come because Rome "is not amusing" at that time of year. And when she wants to call him, an assistant tells Diana that the prince had the telephones in his mother's home removed.
** However that's only after it's rather strongly implied that Cesare is cheating on her. He makes an excuse about going on a business trip and to see his mother, but says she couldn't come because Rome "is not amusing" at that time of year. And when she wants to call him, an assistant tells Diana that the prince had the telephones in his mother's home removed.
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Added DiffLines:
''Darling'' is a 1965 film directed by John Schlesinger, starring Creator/JulieChristie.
Christie is Diana Scott, a rather amoral model and would-be actress in swinging '60s London. Diana is married to a nice young man named Tony who doesn't interest her very much, and she immediately forgets about him when she meets Robert, a BBC television journalist (Dirk Bogarde). Robert is married but sexy Diana has little trouble seducing him. Eventually Robert leaves his wife for Diana and the two move in together.
Diana starts to tire of domestic life with Robert just as she tired of life with her husband. She meets Miles Brand, an advertising executive and total sleazeball (Laurence Harvey). Diana, while still living with Robert, carries on an affair with louche Miles that gets her a part in a cheesy movie as well as introducing her to the weird orgy lifestyle of the London and Paris upper crust. She gets pregnant and has an abortion. Eventually Robert has enough and leaves her. Miles isn't one for commitment, but there's a third suitor in the person of Cesare, an insanely wealthy Italian prince.
Christie had been seen in a few supporting roles but this film and ''Film/DoctorZhivago'', which came out in the same year, made her a huge star.
----
!!Tropes:
* BlatantLies: Diana's narration often consists of self-exculpatory excuses that are contradicted by the narration. When she insists that she ''never'' wanted to break up a family, the action shows her stalking Robert as he goes back home to his wife and kids. When she says that she always wanted Robert to spend time with his children, the action shows Diana in a snit when Robert returns from a visit to his children, asking "Where the hell have you been?"
* CastingCouch:
** Diana's sex with Miles leads directly to a bit part in a movie.
** A later scene has Robert encouraging her to audition for a part in a play. She goes to the theater and, while waiting in the wings, hears another actress tell the director about all the regional theater work she's been doing. Diana, who pretty clearly is not interested in doing all that work, leaves. She goes back to Miles and after more sex gets a part in a commercial.
* CreatorCameo: John Schlesinger is the director at the theater, holding auditions.
* EpicTrackingShot: Towards the end of the movie there's a long tracking shot in which the camera follows Diana through several rooms of Prince Cesare's massive mansion, while she hysterically wrecks things and takes off her clothes one item at a time.
* FanDisservice: A scene with Diana walking through Cesare's mansion, gradually stripping, leads to a brief shot of her nude from the rear before she throws herself down on the bed. The whole time she is weeping hysterically with grief and unhappiness over her life as a TrophyWife.
* {{Narrator}}: The film is peppered throughout with Diana's narration, often when she's telling BlatantLies to make herself look better that are contradicted by the action onscreen.
* RuleOfThree: Not counting her rather dull husband that we only see in one early scene, there are three men in Diana's life: her true love Robert, her sleazy playboy boyfriend Miles, and Cesare the Italian prince who wants to possess her.
* TrophyWife: Diana winds up in an empty existence as the trophy wife of a wealthy Italian prince.
* YourCheatingHeart:
** Diana cheats on her husband with Robert, who is married as well.
** After she and Robert move in together, she cheats on him with Miles.
** And after she marries Prince Cesare, an unhappy Diana flees back to England and has sex with Robert.
Christie is Diana Scott, a rather amoral model and would-be actress in swinging '60s London. Diana is married to a nice young man named Tony who doesn't interest her very much, and she immediately forgets about him when she meets Robert, a BBC television journalist (Dirk Bogarde). Robert is married but sexy Diana has little trouble seducing him. Eventually Robert leaves his wife for Diana and the two move in together.
Diana starts to tire of domestic life with Robert just as she tired of life with her husband. She meets Miles Brand, an advertising executive and total sleazeball (Laurence Harvey). Diana, while still living with Robert, carries on an affair with louche Miles that gets her a part in a cheesy movie as well as introducing her to the weird orgy lifestyle of the London and Paris upper crust. She gets pregnant and has an abortion. Eventually Robert has enough and leaves her. Miles isn't one for commitment, but there's a third suitor in the person of Cesare, an insanely wealthy Italian prince.
Christie had been seen in a few supporting roles but this film and ''Film/DoctorZhivago'', which came out in the same year, made her a huge star.
----
!!Tropes:
* BlatantLies: Diana's narration often consists of self-exculpatory excuses that are contradicted by the narration. When she insists that she ''never'' wanted to break up a family, the action shows her stalking Robert as he goes back home to his wife and kids. When she says that she always wanted Robert to spend time with his children, the action shows Diana in a snit when Robert returns from a visit to his children, asking "Where the hell have you been?"
* CastingCouch:
** Diana's sex with Miles leads directly to a bit part in a movie.
** A later scene has Robert encouraging her to audition for a part in a play. She goes to the theater and, while waiting in the wings, hears another actress tell the director about all the regional theater work she's been doing. Diana, who pretty clearly is not interested in doing all that work, leaves. She goes back to Miles and after more sex gets a part in a commercial.
* CreatorCameo: John Schlesinger is the director at the theater, holding auditions.
* EpicTrackingShot: Towards the end of the movie there's a long tracking shot in which the camera follows Diana through several rooms of Prince Cesare's massive mansion, while she hysterically wrecks things and takes off her clothes one item at a time.
* FanDisservice: A scene with Diana walking through Cesare's mansion, gradually stripping, leads to a brief shot of her nude from the rear before she throws herself down on the bed. The whole time she is weeping hysterically with grief and unhappiness over her life as a TrophyWife.
* {{Narrator}}: The film is peppered throughout with Diana's narration, often when she's telling BlatantLies to make herself look better that are contradicted by the action onscreen.
* RuleOfThree: Not counting her rather dull husband that we only see in one early scene, there are three men in Diana's life: her true love Robert, her sleazy playboy boyfriend Miles, and Cesare the Italian prince who wants to possess her.
* TrophyWife: Diana winds up in an empty existence as the trophy wife of a wealthy Italian prince.
* YourCheatingHeart:
** Diana cheats on her husband with Robert, who is married as well.
** After she and Robert move in together, she cheats on him with Miles.
** And after she marries Prince Cesare, an unhappy Diana flees back to England and has sex with Robert.