Deleted line(s) 25,26 (click to see context) :
* DawsonCasting: Boyarsky was 28 at the time the movie was filmed, while d'Artagnan is 18 in the book. This made for some {{Narm}} in a scene when d'Artagnan states his supposed age.
** [[PlayingGertrude Inverted]] in the sequel with Madame de Chevreuse. Olga Kabo was 22 when the production started - far too young to [[spoiler: have a 15-year old son]].
** [[PlayingGertrude Inverted]] in the sequel with Madame de Chevreuse. Olga Kabo was 22 when the production started - far too young to [[spoiler: have a 15-year old son]].
Changed line(s) 12 (click to see context) from:
* AscendedExtra: Jussac is an episodic character in the book but becomes a recurring antagonist for the heroes (though not the BigBad) by replacing several other minor antagonists. His actor was actually [[CastTheExpert a Soviet fencing champion]], brought in to train the rest of the cast and set up the swordfight scenes, so the production put his skills to the best use.
to:
* AscendedExtra: Jussac is an episodic character in the book but becomes a recurring antagonist for the heroes (though not the BigBad) by replacing several other minor antagonists. His actor was actually [[CastTheExpert a Soviet fencing champion]], brought in to train champion]] who trained the rest of the cast and set up the swordfight scenes, in swordfighting, so the production put his skills to the best use.
Changed line(s) 12 (click to see context) from:
* AscendedExtra: Jussac is an episodic character in the book but becomes a recurring antagonist for the heroes (though not the BigBad) by replacing several other minor antagonists.
to:
* AscendedExtra: Jussac is an episodic character in the book but becomes a recurring antagonist for the heroes (though not the BigBad) by replacing several other minor antagonists. His actor was actually [[CastTheExpert a Soviet fencing champion]], brought in to train the rest of the cast and set up the swordfight scenes, so the production put his skills to the best use.
Deleted line(s) 34 (click to see context) :
* {{Mondegreen}}: Thanks to its large number of memorable songs, this was one of the richest sources of Mondegreens for its time. "Pourquoi pas" (French for "why not?") was interpreted variously as "pol-klopa" (Russian for "half a bedbug") or nonsensical non-words like "purklapa" or "kuklafa". Purely Russian lyrics weren't free either: "krasavitse i kubku" ("to the beautiful woman and the cup") is often misheard as "krasavitse Ikuku" ("to the beautiful woman Ikuku"). The last one, incidentally, has become the Russian TropeNamer.
Changed line(s) 8,9 (click to see context) from:
You can watch ''d'Artagnan and the Three Musketeers'' [[https://russianfilmhub.com/tvshows/dartagnan-and-the-three-musketeers-1978/ here]].
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Added DiffLines:
You can watch ''d'Artagnan and the Three Musketeers'' [[https://russianfilmhub.com/tvshows/dartagnan-and-the-three-musketeers-1978/ here]].
Changed line(s) 33 (click to see context) from:
* {{Mondegreen}}: Thanks to its large number of memorable songs, this was one of the richest sources of Mondegreens for its time. "Pourquoi pas" (French for "why not?") was interpreted variously as "pol-klopa" (Russian for "half a bedbug") or nonsensical non-words like "purklapa" or "kuklafa". Purely Russian lyrics weren't free either: "krasavitse i kubku" ("to the beautiful woman and the cup") is often misheard as "krasavitse Ikuku" ("to the beautiful woman Ikuku").
to:
* {{Mondegreen}}: Thanks to its large number of memorable songs, this was one of the richest sources of Mondegreens for its time. "Pourquoi pas" (French for "why not?") was interpreted variously as "pol-klopa" (Russian for "half a bedbug") or nonsensical non-words like "purklapa" or "kuklafa". Purely Russian lyrics weren't free either: "krasavitse i kubku" ("to the beautiful woman and the cup") is often misheard as "krasavitse Ikuku" ("to the beautiful woman Ikuku"). The last one, incidentally, has become the Russian TropeNamer.
Changed line(s) 6,7 (click to see context) from:
The four later reprised their roles in three sequels, filmed after the Soviet Union fell: two based on Dumas' sequels to the novel (''Musketeers Twenty Years After'', 1992, and ''The Secret of Queen Anne or Musketeers Thirty Years After'', 1993), and [[TrilogyCreep a fourth one]] in 2009, of which the less is said, the better.
to:
The four later reprised their roles in three sequels, filmed in Russia after the end of the Soviet Union fell: Union: two based on Dumas' sequels to the novel (''Musketeers Twenty Years After'', 1992, and ''The Secret of Queen Anne or Musketeers Thirty Years After'', 1993), and [[TrilogyCreep a fourth one]] in 2009, of which the less is said, the better.
Changed line(s) 6,7 (click to see context) from:
The four later reprised their roles in three sequels, filmed after the Soviet Union fell: two based on Dumas' sequels to the novel (''Musketeers Twenty Years After'', 1992, and ''The Secret of Queen Anne or Musketeers Thirty Years After'', 1993), and [[TrilogyCreep a fourth one]] in 2007, of which the less is said, the better.
to:
The four later reprised their roles in three sequels, filmed after the Soviet Union fell: two based on Dumas' sequels to the novel (''Musketeers Twenty Years After'', 1992, and ''The Secret of Queen Anne or Musketeers Thirty Years After'', 1993), and [[TrilogyCreep a fourth one]] in 2007, 2009, of which the less is said, the better.
Changed line(s) 39 (click to see context) from:
* VictoriasSecretCompartment: Both the Queen and her maid try using this to conceal the letters the Queen had written to her secret lover. It never works.
to:
* VictoriasSecretCompartment: Both the Queen and her maid try using this to conceal the letters the Queen had written to her secret lover. It never works.works.
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Deleted line(s) 11 (click to see context) :
* AgeLift: The King, The Queen and Monsieur de Treville are all twentysomethings in the book but played by middle aged actors.
Changed line(s) 36 (click to see context) from:
* MurderTheHypotenuse: Milady ''claims'' this was the reason she poisoned Constance. Wierdly enough this scene is absent from the book even though the whole romantic plot between d'Artagnan and Milady was cut out from the movie.
to:
* MurderTheHypotenuse: Milady ''claims'' this was the reason she poisoned Constance. Wierdly enough this scene is absent from the book even though the whole romantic plot between d'Artagnan and Milady was cut out from the movie.
Added DiffLines:
* AscendedExtra: Jussac is an episodic character in the book but becomes a recurring antagonist for the heroes (though not the BigBad) by replacing several other minor antagonists.
Added DiffLines:
* ChessMotif: During d'Artagnan's audience with the Cardinal they play chess. [[WorthyOpponent Richelieu praises d'Artagnan for stalemating]].
Changed line(s) 26 (click to see context) from:
* EasyEvangelism: Apparently the woman he was sent to kill claiming to be of one faith with him is enough to convince Felton to turn against his master and kill HIM instead. In the book it takes weeks of [[ManipulativeBitch careful and well-thought manipulation]] on Milady's part to convert him to her side. In the movie she pulls it off in ''minutes'' of one emotional scene.
to:
* DistressedDude: Raoul [[AdaptationalWimp is turned into this]] in ''Musketeers Twenty Years After''.
* EasyEvangelism: Apparently the woman he was sent to kill claiming to be of one faith with him is enough to convince Felton to turn against his master and kill HIM instead. In the book it takesweeks days of [[ManipulativeBitch careful and well-thought manipulation]] on Milady's part to convert him to her side. In the movie she pulls it off in ''minutes'' of one emotional scene.
* EasyEvangelism: Apparently the woman he was sent to kill claiming to be of one faith with him is enough to convince Felton to turn against his master and kill HIM instead. In the book it takes
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