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* EarlyInstallmentWeirdness: The first movie is set in a different ''continuity'' altogether compared to the sequels, depicting Battal Gazi as a prince who lost his father during his childhood. ''Savulun Battal Gazi Geliyor'' would instead depict a grown-up Battal Gazi kicking ass with his still-alive father side-by-side, and the third and fourth films follows where the second left off. The Christian invaders in this one are also depicted as knights clad in armour, instead of the black hooded outfits with red crosses in the sequels (and several Cuneyt Arkin movies with similar themes, like ''Film/LionMan'' and ''Fearless Warrior'')
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* EarlyInstallmentWeirdness: EarlyInstallmentWeirdness:
** The first movie is set in a different ''continuity'' altogether compared to the sequels, depicting Battal Gazi as a prince who lost his father during his childhood. ''Savulun Battal Gazi Geliyor'' would instead depict a grown-up Battal Gazi kicking ass with his still-alive father side-by-side, and the third and fourth films follows where the second left off.
** Battal Gazi's IconicOutfit, his white uniform with a red sash prominently featured in the sequels, is absent in this one.
** The Christian invaders in this one are also depicted as knights clad in armour, instead of the black hooded outfits with red crosses in the sequels (and several Cuneyt Arkin movies with similar themes, like ''Film/LionMan'' and ''Fearless Warrior'')
** The first movie is set in a different ''continuity'' altogether compared to the sequels, depicting Battal Gazi as a prince who lost his father during his childhood. ''Savulun Battal Gazi Geliyor'' would instead depict a grown-up Battal Gazi kicking ass with his still-alive father side-by-side, and the third and fourth films follows where the second left off.
** Battal Gazi's IconicOutfit, his white uniform with a red sash prominently featured in the sequels, is absent in this one.
** The Christian invaders in this one are also depicted as knights clad in armour, instead of the black hooded outfits with red crosses in the sequels (and several Cuneyt Arkin movies with similar themes, like ''Film/LionMan'' and ''Fearless Warrior'')
