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disambiguated with Film.The Passenger 2023
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** Enrica Fico, who played in ''Film/IdentificationOfAWoman''. She also was an assistant director during the shooting of ''Film/ThePassenger''.
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** Enrica Fico, who played in ''Film/IdentificationOfAWoman''. She also was an assistant director during the shooting of ''Film/ThePassenger''.''Film/ThePassenger1975''.
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** The penultimate shot of ''Film/ThePassenger'' has to be seen to be disbelieved, one of the most elaborate single camera scenes and long takes in movie history.
to:
** The penultimate shot of ''Film/ThePassenger'' ''Film/ThePassenger1975'' has to be seen to be disbelieved, one of the most elaborate single camera scenes and long takes in movie history.
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** Creator/MetroGoldwynMayer {{Trilogy}} made by contract concluded with MGM. It includes ''Film/{{Blowup}} (1966)'', ''Film/ZabriskiePoint'' (1970) and ''Film/ThePassenger (1975)''. These films were a departure in that they were all made in English and set outside Italia.
to:
** Creator/MetroGoldwynMayer {{Trilogy}} made by contract concluded with MGM. It includes ''Film/{{Blowup}} (1966)'', ''Film/ZabriskiePoint'' (1970) and ''Film/ThePassenger (1975)''.''Film/ThePassenger1975''. These films were a departure in that they were all made in English and set outside Italia.
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* ''Film/ThePassenger (1975)''
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* ''Film/ThePassenger (1975)''''Film/ThePassenger1975''
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Antonioni's movies departed from the established style of neorealism which focused on social problems and was driven by a largely idealist and sentimentalist vision. Antonioni's films were bleaker, more psychological (at first), and had a strong visual style that emphasized surroundings, environments, spaces, architecture as much as plot and storyline. His movies were infamous for its slow rhythm, its innovative cinematography, both black-and-white and colour, the strong female roles in his movies (many of them having women as protagonists) and for its incredible camerawork. He's famous for his collaboration with the actress Creator/MonicaVitti, he also worked with Lucia Bosè, Gabriele Ferzetti, Creator/AlainDelon, Creator/VanessaRedgrave, Creator/JeanneMoreau, Creator/MarcelloMastroianni and Creator/JackNicholson (who presented Antonioni his Lifetime Achievement Oscar in 1995). His collaboration with Creator/RichardHarris resulted in a conflict when the actor quit the production. Later he warned Creator/DavidHemming againist starring in an Antonioni film but Hemming agreed and never regreted about it.
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Antonioni's movies departed from the established style of neorealism which focused on social problems and was driven by a largely idealist and sentimentalist vision. Antonioni's films were bleaker, more psychological (at first), and had a strong visual style that emphasized surroundings, environments, spaces, architecture as much as plot and storyline. His movies were infamous for its slow rhythm, its innovative cinematography, both black-and-white and colour, the strong female roles in his movies (many of them having women as protagonists) and for its incredible camerawork. He's famous for his collaboration with the actress Creator/MonicaVitti, he also worked with Lucia Bosè, Gabriele Ferzetti, Creator/AlainDelon, Creator/VanessaRedgrave, Creator/JeanneMoreau, Creator/MarcelloMastroianni and Creator/JackNicholson (who presented Antonioni his Lifetime Achievement Oscar in 1995). His collaboration with Creator/RichardHarris resulted in a conflict when the actor quit the production. Later he warned Creator/DavidHemming againist starring in an Antonioni film but Hemming agreed and never regreted about regretted it.
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He came to worldwide attention for his loose trilogy of alienation : ''L’Avventura'', ''La Notte'' and ''L’Eclisse''. Towards the end of TheSixties, he left Italy and made a series of films in UK, USA, Spain and China. His most famous, influential and successful film is ''Film/{{Blowup}}'': a worldwide success, the definitive swinging 60s film which documented the SexAndDrugsAndRockAndRoll lifestyle, and which finally put UsefulNotes/TheHaysCode to pasture. He made some acclaimed films in his final years but they were little seen and not as influential as his major work in TheSixties. Still, he went to influence film-makers across the world, especially the directors of the UsefulNotes/NewHollywood but also Japanese and Asian film-makers of TheEighties.
to:
He came to worldwide attention for his loose trilogy of alienation : ''L’Avventura'', ''La Notte'' and ''L’Eclisse''. Towards the end of TheSixties, he left Italy and made a series of films in UK, USA, Spain and China. His most famous, influential and successful film is ''Film/{{Blowup}}'': a worldwide success, the definitive swinging 60s film which documented the SexAndDrugsAndRockAndRoll SexDrugsAndRockAndRoll lifestyle, and which finally put UsefulNotes/TheHaysCode to pasture. He made some acclaimed films in his final years but they were little seen and not as influential as his major work in TheSixties. Still, he went to influence film-makers across the world, especially the directors of the UsefulNotes/NewHollywood but also Japanese and Asian film-makers of TheEighties.
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Michelangelo Antonioni (29 September 1912 – 30 July 2007), was an Italian film director, screenwriter, editor, and short story writer. He's considered one of the greatest film-makers of [[LeFilmArtistique the arthouse era]] of TheFifties and TheSixties, part of Italy's GoldenAge that included Creator/VittorioDeSica, Creator/RobertoRossellini, Creator/LuchinoVisconti and Creator/FedericoFellini, and alongside Godard and Creator/IngmarBergman (who died on the same day as him), one of the most important and innovative directors in film history.
to:
Michelangelo Antonioni (29 September 1912 – 30 July 2007), was an Italian film director, screenwriter, editor, and short story writer. He's considered one of the greatest film-makers of [[LeFilmArtistique the arthouse era]] of TheFifties and TheSixties, part of Italy's GoldenAge Golden Age that included Creator/VittorioDeSica, Creator/RobertoRossellini, Creator/LuchinoVisconti and Creator/FedericoFellini, and alongside Godard and Creator/IngmarBergman (who died on the same day as him), one of the most important and innovative directors in film history.
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Born to a middle class family in Ferrara, he studied economics at university where his interest turned towards the arts. Before World War II, he would stage productions of Luigi Pirandello, work as a film critic for the Roman Cinema magazine and later work as a screenwriter on early neorealist films. Indeed, he and Creator/FedericoFellini worked on the screenplay for the latter's first solo feature ''The White Shiek''. Antonioni also worked as an assistant director on French productions, notably Marcel Carné’s Les Visiteurs du Soir. After making a few documentary shorts, Antonioni made his feature debut with ''Story of A Love Affair'' (1950), which was inspired by American FilmNoir and James M. Cain's ''Literature/ThePostmanAlwaysRingsTwice'' but filtered with a distinctly colder and less emotional focus.
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Born to a middle class family in Ferrara, he studied economics at university where his interest turned towards the arts. Before World War II, he would stage productions of Luigi Pirandello, work as a film critic for the Roman Cinema magazine and later work as a screenwriter on early neorealist films. Indeed, he and Creator/FedericoFellini worked on the screenplay for the latter's first solo feature ''The White Shiek''. Antonioni also worked as an assistant director on French productions, notably Marcel Carné’s Les Visiteurs du Soir.''Film/LesVisiteursDuSoir''. After making a few documentary shorts, Antonioni made his feature debut with ''Story of A Love Affair'' (1950), which was inspired by American FilmNoir and James M. Cain's ''Literature/ThePostmanAlwaysRingsTwice'' but filtered with a distinctly colder and less emotional focus.
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** Enrica Fico, who played in ''Film/IdentificazioneDiUnaDonna''. She also was an assistant director during the shooting of ''Film/ThePassenger''.
to:
** Enrica Fico, who played in ''Film/IdentificazioneDiUnaDonna''.''Film/IdentificationOfAWoman''. She also was an assistant director during the shooting of ''Film/ThePassenger''.
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Capitalization was fixed from Film.Identificazionediunadonna to Film.Identificazione Di Una Donna. Null edit to update index.
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Fixing many, many formatting, indentation, and grammar problems.
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He came to worldwide attention for his loose trilogy of alienation : ''L’Avventura, La Notte'' and ''L’Eclisse''. Towards the end of TheSixties, he left Italy and made a series of films in UK, USA, Spain and China. His most famous, influential and successful film is ''Film/{{Blowup}}'': a worldwide success, the definitive swinging 60s film which documented the Awesome/SexAndDrugsAndRockAndRoll lifestyle, and which finally put UsefulNotes/TheHaysCode to pasture. He made some acclaimed films in his final years but they were little seen and not as influential as his major work in TheSixties. Still, he went to influence film-makers across the world, especially the directors of the UsefulNotes/NewHollywood but also Japanese and Asian film-makers of TheEighties.
to:
He came to worldwide attention for his loose trilogy of alienation : ''L’Avventura, La ''L’Avventura'', ''La Notte'' and ''L’Eclisse''. Towards the end of TheSixties, he left Italy and made a series of films in UK, USA, Spain and China. His most famous, influential and successful film is ''Film/{{Blowup}}'': a worldwide success, the definitive swinging 60s film which documented the Awesome/SexAndDrugsAndRockAndRoll SexAndDrugsAndRockAndRoll lifestyle, and which finally put UsefulNotes/TheHaysCode to pasture. He made some acclaimed films in his final years but they were little seen and not as influential as his major work in TheSixties. Still, he went to influence film-makers across the world, especially the directors of the UsefulNotes/NewHollywood but also Japanese and Asian film-makers of TheEighties.
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* BannedInChina: A literal example: His documentary about China, Chung Kuo, Cina was banned in that state for thirty years.
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* GainaxEnding: He had a talent for this. ''L’Eclisse, Blowup, The Passenger'' and ''Zabriskie Point''
* ItalianNeorealism: In the earlier stages of his career he was linked to the movement. He made a documentary Gente di Po adhering to its rules. Cronaca di un Amore, his debut, is frequently considered a neorealist film despite its bourgeois characters and professional actors. Il Grido is still arguably this depicting the life of the working classes even though it is dedicated to the exisistential despair, here experienced by a blue-collar worker, not a middle-class character.
* ItalianNeorealism: In the earlier stages of his career he was linked to the movement. He made a documentary Gente di Po adhering to its rules. Cronaca di un Amore, his debut, is frequently considered a neorealist film despite its bourgeois characters and professional actors. Il Grido is still arguably this depicting the life of the working classes even though it is dedicated to the exisistential despair, here experienced by a blue-collar worker, not a middle-class character.
to:
* GainaxEnding: He had a talent for this. ''L’Eclisse, Blowup, The ''L’Eclisse'', ''Blowup'', ''The Passenger'' and ''Zabriskie Point''
Point''.
* ItalianNeorealism: In the earlier stages of his career he was linked to the movement. He made a documentaryGente ''Gente di Po Po'' adhering to its rules. Cronaca di un Amore, his debut, is frequently considered a neorealist film despite its bourgeois characters and professional actors. Il Grido is still arguably this depicting the life of the working classes even though it is dedicated to the exisistential despair, here experienced by a blue-collar worker, not a middle-class character.
* ItalianNeorealism: In the earlier stages of his career he was linked to the movement. He made a documentary
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* MocksteryTale: He was the king of this trope: a number of his movies (including ''Blowup'' and ''L'Avventura'') can be described by "there's a mystery out there, but nobody would really care". Basically, the mystery plots are just backgrounds for psychological drama.
* TheMuse: Creator/MonicaVitti who was his collaborator on 4 films in the row in 1960-64 which are arguably his best.
** Later also Enrica Fico who played in Film/IdentificazioneDiUnaDonna. She also was an assistant director during the shooting of Film/ThePassenger.
* TheOner: The penultimate shot of ''{{Film/The Passenger}}'' has to be seen to be disbelieved, one of the most elaborate single camera scenes and long takes in movie history.
** Also the very first panotamic shot of Milan in La Notte during the credits qualifies as such.
* PopStarComposer: Music/PinkFloyd did the music for ''Zabriskie Point'', Antonioni also used tracks by many other groups.
* TheMuse: Creator/MonicaVitti who was his collaborator on 4 films in the row in 1960-64 which are arguably his best.
** Later also Enrica Fico who played in Film/IdentificazioneDiUnaDonna. She also was an assistant director during the shooting of Film/ThePassenger.
* TheOner: The penultimate shot of ''{{Film/The Passenger}}'' has to be seen to be disbelieved, one of the most elaborate single camera scenes and long takes in movie history.
** Also the very first panotamic shot of Milan in La Notte during the credits qualifies as such.
* PopStarComposer: Music/PinkFloyd did the music for ''Zabriskie Point'', Antonioni also used tracks by many other groups.
to:
* MocksteryTale: He was the king of this trope: a number of his movies (including ''Blowup'' and ''L'Avventura'') can be described by "there's a mystery out there, but nobody would really care".cares". Basically, the mystery plots are just backgrounds for psychological drama.
*TheMuse: Creator/MonicaVitti TheMuse:
** Creator/MonicaVitti, who was his collaborator on4 four films in the a row in from 1960-64 which are arguably his best.
**Later also Enrica Fico Fico, who played in Film/IdentificazioneDiUnaDonna. ''Film/IdentificazioneDiUnaDonna''. She also was an assistant director during the shooting of Film/ThePassenger.
''Film/ThePassenger''.
*TheOner: TheOner:
** The penultimate shot of''{{Film/The Passenger}}'' ''Film/ThePassenger'' has to be seen to be disbelieved, one of the most elaborate single camera scenes and long takes in movie history.
** Also the very firstpanotamic panoramic shot of Milan in La Notte ''La Notte'' during the credits qualifies as such.
credits.
*PopStarComposer: PopStarComposer:
** Music/PinkFloyd did the music for ''Zabriskie Point'', Antonioni also used tracks by many other groups.
*
** Creator/MonicaVitti, who was his collaborator on
**
*
** The penultimate shot of
** Also the very first
*
** Music/PinkFloyd did the music for ''Zabriskie Point'', Antonioni also used tracks by many other groups.
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* ProductionPosse: Gianni di Venanzo was his cinematographer on all his films from Le amiche (1955) until L'eclisse (1962) with an important exception of L'avventura where this position was held by Aldo Scavarda. Later Antonioni shot three films with Carlo di Palma and two with Luciano Tovoli.
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* ProductionPosse: ProductionPosse:
** Gianni di Venanzo was his cinematographer on all his films fromLe amiche ''Le amiche'' (1955) until L'eclisse ''L'eclisse'' (1962) with an important exception of L'avventura ''L'avventura'' where this position was held by Aldo Scavarda. Later Antonioni shot three films with Carlo di Palma and two with Luciano Tovoli.
** Gianni di Venanzo was his cinematographer on all his films from
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** Giovanni Fusco was his composer from every film up to and including Il deserto rosso with the exception of La notte.
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** Giovanni Fusco was his composer from every film up to and including Il ''Il deserto rosso rosso'' with the exception of La notte.
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* RealityHasNoSoundtrack: Played straight many times, subverted in the last act of L'eclisse.
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* RealityHasNoSoundtrack: Played straight many times, subverted in the last act of L'eclisse.''L'eclisse''.
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** The so-called trilogy of alienation comprises ''Film/LAvventura'', ''[[Film/{{Lanotte}} La notte]]'' and ''[[Film/{{Leclisse}} L'eclisse]]''. They all deal with modern urban malaise of the leisurely classes. All three are shot in B&W. Also Monica Vitti stars in each of them. At times ''Film/IlDesertoRosso'' is added to make it a tetralogy though it is a color movie.
** Creator/MetroGoldwynMayer {{Trilogy}} made by contract concluded with MGM. It includes ''Film/{{Blowup}} (1966)'', ''Film/ZabriskiePoint'' (1970) and ''{{Film/The Passenger}} (1975)''. These films were a departure in that they were all made in English and set outside Italia.
* UntranslatedTitle: Played straight with several of his Italian films with one-word titles, like {{Film/Le amiche}}, ''{{Film/Il grido}}'', ''Film/LAvventura'', ''[[Film/{{Lanotte}} La notte]]'', ''[[Film/{{Leclisse}} L'eclisse]]''. Averted with Film/{{Cronaca di un amore}} which became Story of a Love Affair and ''Film/IlDesertoRosso'' which was translated as Red Desert.
** Creator/MetroGoldwynMayer {{Trilogy}} made by contract concluded with MGM. It includes ''Film/{{Blowup}} (1966)'', ''Film/ZabriskiePoint'' (1970) and ''{{Film/The Passenger}} (1975)''. These films were a departure in that they were all made in English and set outside Italia.
* UntranslatedTitle: Played straight with several of his Italian films with one-word titles, like {{Film/Le amiche}}, ''{{Film/Il grido}}'', ''Film/LAvventura'', ''[[Film/{{Lanotte}} La notte]]'', ''[[Film/{{Leclisse}} L'eclisse]]''. Averted with Film/{{Cronaca di un amore}} which became Story of a Love Affair and ''Film/IlDesertoRosso'' which was translated as Red Desert.
to:
** The so-called trilogy of alienation comprises ''Film/LAvventura'', ''[[Film/{{Lanotte}} La notte]]'' ''Film/LaNotte'' and ''[[Film/{{Leclisse}} L'eclisse]]''.''Film/LEclisse''. They all deal with modern urban malaise of the leisurely classes. All three are shot in B&W. Also Monica Vitti stars in each of them. At times ''Film/IlDesertoRosso'' is added to make it a tetralogy though it is a color movie.
** Creator/MetroGoldwynMayer {{Trilogy}} made by contract concluded with MGM. It includes ''Film/{{Blowup}} (1966)'', ''Film/ZabriskiePoint'' (1970) and''{{Film/The Passenger}} ''Film/ThePassenger (1975)''. These films were a departure in that they were all made in English and set outside Italia.
* UntranslatedTitle: Played straight with several of his Italian films with one-word titles, like{{Film/Le amiche}}, ''{{Film/Il grido}}'', ''Film/LeAmiche'', ''Film/IlGrido'', ''Film/LAvventura'', ''[[Film/{{Lanotte}} La notte]]'', ''[[Film/{{Leclisse}} L'eclisse]]''. ''Film/LaNotte'', ''Film/LEclisse''. Averted with Film/{{Cronaca di un amore}} ''Film/CronacaDiUnAmore'' which became Story of a Love Affair and ''Film/IlDesertoRosso'' which was translated as Red Desert.
''Red Desert''.
** Creator/MetroGoldwynMayer {{Trilogy}} made by contract concluded with MGM. It includes ''Film/{{Blowup}} (1966)'', ''Film/ZabriskiePoint'' (1970) and
* UntranslatedTitle: Played straight with several of his Italian films with one-word titles, like
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* ''Film/{{Cronaca di un amore}} (Story of a Love Affair, 1950)'', his full-length debut.
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* ''Film/{{Cronaca di un amore}} ''Film/CronacaDiUnAmore (Story of a Love Affair, 1950)'', his full-length debut.
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* ''Film/{{La signora senza camelie}}'' (The Lady Without Camelias 1953)
* ''{{Film/Le amiche}} (The Girl Friends, 1955)''
* ''{{Film/Il grido}}'' (The Cry, 1957), his first film on alienation where a blue-collar worker suffers of this.
* ''{{Film/Le amiche}} (The Girl Friends, 1955)''
* ''{{Film/Il grido}}'' (The Cry, 1957), his first film on alienation where a blue-collar worker suffers of this.
to:
* ''Film/{{La signora senza camelie}}'' ''Film/LaSignoraSenzaCamelie'' (The Lady Without Camelias 1953)
*''{{Film/Le amiche}} ''Film/LeAmiche (The Girl Friends, 1955)''
*''{{Film/Il grido}}'' ''Film/IlGrido'' (The Cry, 1957), his first film on alienation where a blue-collar worker suffers of this.
*
*
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* ''[[Film/{{LaNotte}} La notte]]'' (The Night, 1961)
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* ''[[Film/{{LaNotte}} La notte]]'' ''Film/LaNotte'' (The Night, 1961)
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* ''{{Film/The Passenger}} (1975)''
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* ''{{Film/The Passenger}} ''Film/ThePassenger (1975)''
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* ''{{Film/Identificazione di una donna}} (Identification of a Woman, 1982)''
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* ''{{Film/Identificazione di una donna}} ''Film/IdentificazioneDiUnaDonna (Identification of a Woman, 1982)''
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* Song Michelangelo Antonioni by Creator/CaetanoVeloso.
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* Song Michelangelo Antonioni "Michelangelo Antonioni" by Creator/CaetanoVeloso.
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Not a trope.
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* HatTrick: Antonioni was among the very few directors to collect main prizes of all [[RuleOfThree three]] main cinema festivals. He received the Golden Bear from Berlin Film Festival for La notte, a UsefulNotes/PalmeDOr at Cannes Film Festival for Blowup and UsefulNotes/LeoneDOro at La Mostra in Venice for Il deserto rosso. The fact that he also earned a Golden Leopard in Locarno for Il Grido makes it a {{TabletopGame/Poker}} though the latter festival is less acclaimed.
* Main/ItalianNeorealism: In the earlier stages of his career he was linked to the movement. He made a documentary Gente di Po adhering to its rules. Cronaca di un Amore, his debut, is frequently considered a neorealist film despite its bourgeois characters and professional actors. Il Grido is still arguably this depicting the life of the working classes even though it is dedicated to the exisistential despair, here experienced by a blue-collar worker, not a middle-class character.
* Main/ItalianNeorealism: In the earlier stages of his career he was linked to the movement. He made a documentary Gente di Po adhering to its rules. Cronaca di un Amore, his debut, is frequently considered a neorealist film despite its bourgeois characters and professional actors. Il Grido is still arguably this depicting the life of the working classes even though it is dedicated to the exisistential despair, here experienced by a blue-collar worker, not a middle-class character.
to:
* HatTrick: Antonioni was among the very few directors to collect main prizes of all [[RuleOfThree three]] main cinema festivals. He received the Golden Bear from Berlin Film Festival for La notte, a UsefulNotes/PalmeDOr at Cannes Film Festival for Blowup and UsefulNotes/LeoneDOro at La Mostra in Venice for Il deserto rosso. The fact that he also earned a Golden Leopard in Locarno for Il Grido makes it a {{TabletopGame/Poker}} though the latter festival is less acclaimed.
* Main/ItalianNeorealism:ItalianNeorealism: In the earlier stages of his career he was linked to the movement. He made a documentary Gente di Po adhering to its rules. Cronaca di un Amore, his debut, is frequently considered a neorealist film despite its bourgeois characters and professional actors. Il Grido is still arguably this depicting the life of the working classes even though it is dedicated to the exisistential despair, here experienced by a blue-collar worker, not a middle-class character.
* Main/ItalianNeorealism:
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He came to worldwide attention for his loose trilogy of alienation : ''L’Avventura, La Notte'' and ''L’Eclisse''. Towards the end of TheSixties, he left Italy and made a series of films in UK, USA, Spain and China. His most famous, influential and successful film is ''Film/{{Blowup}}'': a worldwide success, the definitive swinging 60s film which documented the Awesome/SexAndDrugsAndRockAndRoll lifestyle, and which finally put UsefulNote/TheHaysCode to pasture. He made some acclaimed films in his final years but they were little seen and not as influential as his major work in TheSixties. Still, he went to influence film-makers across the world, especially the directors of the UsefulNotes/NewHollywood but also Japanese and Asian film-makers of TheEighties.
to:
He came to worldwide attention for his loose trilogy of alienation : ''L’Avventura, La Notte'' and ''L’Eclisse''. Towards the end of TheSixties, he left Italy and made a series of films in UK, USA, Spain and China. His most famous, influential and successful film is ''Film/{{Blowup}}'': a worldwide success, the definitive swinging 60s film which documented the Awesome/SexAndDrugsAndRockAndRoll lifestyle, and which finally put UsefulNote/TheHaysCode UsefulNotes/TheHaysCode to pasture. He made some acclaimed films in his final years but they were little seen and not as influential as his major work in TheSixties. Still, he went to influence film-makers across the world, especially the directors of the UsefulNotes/NewHollywood but also Japanese and Asian film-makers of TheEighties.
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None
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He came to worldwide attention for his loose trilogy of alienation : ''L’Avventura, La Notte'' and ''L’Eclisse''. Towards the end of TheSixties, he left Italy and made a series of films in UK, USA, Spain and China. His most famous, influential and successful film is ''Film/{{Blowup}}'': a worldwide success, the definitive swinging 60s film which documented the SexAndDrugsAndRockAndRoll lifestyle, and which finally put UsefulNote/TheHaysCode to pasture. He made some acclaimed films in his final years but they were little seen and not as influential as his major work in TheSixties. Still, he went to influence film-makers across the world, especially the directors of the UsefulNotes/NewHollywood but also Japanese and Asian film-makers of TheEighties.
to:
He came to worldwide attention for his loose trilogy of alienation : ''L’Avventura, La Notte'' and ''L’Eclisse''. Towards the end of TheSixties, he left Italy and made a series of films in UK, USA, Spain and China. His most famous, influential and successful film is ''Film/{{Blowup}}'': a worldwide success, the definitive swinging 60s film which documented the SexAndDrugsAndRockAndRoll Awesome/SexAndDrugsAndRockAndRoll lifestyle, and which finally put UsefulNote/TheHaysCode to pasture. He made some acclaimed films in his final years but they were little seen and not as influential as his major work in TheSixties. Still, he went to influence film-makers across the world, especially the directors of the UsefulNotes/NewHollywood but also Japanese and Asian film-makers of TheEighties.
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* ''Al di là delle nuvole (Beyond the Clouds, 1995) with Wim Wenders
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* ''Al di là delle nuvole (Beyond the Clouds, 1995) 1995)'' with Wim WendersCreator/WimWenders
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Michelangelo Antonioni (1912–2007), was an Italian film director, screenwriter, editor, and short story writer. He's considered one of the greatest film-makers of [[LeFilmArtistique the arthouse era]] of TheFifties and TheSixties, part of Italy's GoldenAge that included Creator/VittorioDeSica, Creator/RobertoRossellini, Creator/LuchinoVisconti and Creator/FedericoFellini, and alongside Godard and Creator/IngmarBergman (who died on the same day as him), one of the most important and innovative directors in film history.
to:
Michelangelo Antonioni (1912–2007), (29 September 1912 – 30 July 2007), was an Italian film director, screenwriter, editor, and short story writer. He's considered one of the greatest film-makers of [[LeFilmArtistique the arthouse era]] of TheFifties and TheSixties, part of Italy's GoldenAge that included Creator/VittorioDeSica, Creator/RobertoRossellini, Creator/LuchinoVisconti and Creator/FedericoFellini, and alongside Godard and Creator/IngmarBergman (who died on the same day as him), one of the most important and innovative directors in film history.
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* ''[[Film/{{Lanotte}} La notte]]'' (The Night, 1961)
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* ''[[Film/{{Lanotte}} ''[[Film/{{LaNotte}} La notte]]'' (The Night, 1961)
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* ''[[Film/{{Leclisse}} L'eclisse]]'' (''The Eclipse'', 1962)
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* ''[[Film/{{Leclisse}} L'eclisse]]'' ''Film/LEclisse'' (''The Eclipse'', 1962)
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* HatTrick: Antonioni was among the very few directors to collect main prizes of all [[RuleOfThree three]] main cinema festivals. He received the Golden Bear from Berlin Film Festival for La notte, a UsefulNotes/PalmeDOr at Cannes Film Festival for Blowup and Golden Lion at La Mostra in Venice for Il deserto rosso. The fact that he also earned a Golden Leopard in Locarno for Il Grido makes it a {{TabletopGame/Poker}} though the latter festival is less acclaimed.
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* HatTrick: Antonioni was among the very few directors to collect main prizes of all [[RuleOfThree three]] main cinema festivals. He received the Golden Bear from Berlin Film Festival for La notte, a UsefulNotes/PalmeDOr at Cannes Film Festival for Blowup and Golden Lion UsefulNotes/LeoneDOro at La Mostra in Venice for Il deserto rosso. The fact that he also earned a Golden Leopard in Locarno for Il Grido makes it a {{TabletopGame/Poker}} though the latter festival is less acclaimed.
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He came to worldwide attention for his loose trilogy of alienation : ''L’Avventura, La Notte'' and ''L’Eclisse''. Towards the end of TheSixties, he left Italy and made a series of films in UK, USA, Spain and China. His most famous, influential and successful film is ''Film/{{Blowup}}'': a worldwide success, the definitive swinging 60s film which documented the SexAndDrugsAndRockAndRoll lifestyle, and which finally put UsefulNote/TheHaysCode to pasture. His output became slower in TheSeventies, partially as a result of facial paralysis. He made some acclaimed films in his final years but they were little seen and not as influential as his major work in TheSixties. Still, he went to influence film-makers across the world, especially the directors of the UsefulNotes/NewHollywood but also Japanese and Asian film-makers of TheEighties.
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He came to worldwide attention for his loose trilogy of alienation : ''L’Avventura, La Notte'' and ''L’Eclisse''. Towards the end of TheSixties, he left Italy and made a series of films in UK, USA, Spain and China. His most famous, influential and successful film is ''Film/{{Blowup}}'': a worldwide success, the definitive swinging 60s film which documented the SexAndDrugsAndRockAndRoll lifestyle, and which finally put UsefulNote/TheHaysCode to pasture. His output became slower in TheSeventies, partially as a result of facial paralysis. He made some acclaimed films in his final years but they were little seen and not as influential as his major work in TheSixties. Still, he went to influence film-makers across the world, especially the directors of the UsefulNotes/NewHollywood but also Japanese and Asian film-makers of TheEighties.
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** Later also Enrica Fico who played in Film/IdentificazioneDiUnaDonna.
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** Later also Enrica Fico who played in Film/IdentificazioneDiUnaDonna. She also was an assistant director during the shooting of Film/ThePassenger.
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** Later also Enrica Fico who played in Film/IdentificazioneDiUnaDonna.
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* HatTrick: Antonioni was among the very few directors to collect main prizes of all [[RuleOfThree three]] main cinema festivals. He received the Golden Bear from Berlin Film Festival for La notte, a Palme d'or from Cannes Film Festival for Blowup and Golden Lion from La Mostra in Venice for Il deserto rosso. The fact that he also earned a Golden Leopard in Locarno for Il Grido makes it a {{TabletopGame/Poker}} though the latter festival is less acclaimed.
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* HatTrick: Antonioni was among the very few directors to collect main prizes of all [[RuleOfThree three]] main cinema festivals. He received the Golden Bear from Berlin Film Festival for La notte, a Palme d'or from UsefulNotes/PalmeDOr at Cannes Film Festival for Blowup and Golden Lion from at La Mostra in Venice for Il deserto rosso. The fact that he also earned a Golden Leopard in Locarno for Il Grido makes it a {{TabletopGame/Poker}} though the latter festival is less acclaimed.